Daily Archives: August 14, 2016

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Structuring a Story by Connie Vines

August 14, 2016 by in category Archives tagged as , ,
Please excuse my late post–blame it on first week school overload!
As many of the readers know, I write in multiple genres of fiction as well as nonfiction.  Therefore, it only goes to reason I have attended workshops, conferences, enrolled in extensions classes, and networked with other authors to discuss the topic of story structure.
So many ideas, so many strong opinions, but no fail-proof map to success.  What I have discovered is that many authors (Note: my personal findings only), agree that there are thirteen basic plots.
The following are common plot motivations that have appeared in written literature for centuries.  Of course, more than one of these plot motivators may exist side-by-side, affecting the story.  Take your story idea, add one or more of these motivators to it, and, so I’ve been assured, you’ll have a plot and a storyline.
Catastrophe                     Vengeance
Love and Hate                 Persecution              
The Chase                      The Quest
Grief and Loss                Rivalry
 Rebellion                       Betrayal
 Survival                         Ambition
   
So, is this true in my own novels and fiction stories?  I have three books published at Books We Love, Ltd., as well as an anthology featuring five stories to be released this fall.  Let’s see if this is programmed into a writer’s psyche, or if it is a learned skill.
With my Rodeo Romance, Book 1, “Lynx”.  I have added Grief and Loss into my basic storyline for my heroine.  While my hero deals with Ambition, and one other (I don’t wish to give away too much of the story).
In Rodeo Romance, Book 2, “Brede”, Survival, Vengeance, are added to my romantic suspense novel.
“Here Today, Zombie Tomorrow”, obviously, deals with Catastrophe and Survival (with a light-touch).
Not the result I was expecting. Why?  Because, if you’ve been following my blog posts, you are aware that I follow Joseph Campbell’s “A Hero’s Journey” when plotting my stories.   Joseph Campbell based his teachings/writing on the power of the ancient myth.
Of course, there is more to a story than just a great plot!  So, using the accepted rule of thirteen, let us progress to adding another layer or two to our storyline.
 These added layers to the story do not appear to be genre specific, though some are more commonly used in romance than, say, mainstream fiction. 
                                                                                               
 Authority                                      Conspiracy
Criminal Action/Murder                Deception
                                                                                            
 Honor/Dishonor Making Amends
                                                                                               
 Poverty/Wealth                               Rescue
                                                                                               
 Mistaken Identity                          Searching
                                                                                                
Suspicion                                        Suicide
                                                                                               
 Misplaced Affection (or unnatural if it is a human and supernatural being)
I believe, for a story to be an excellent story, which of course, is every author’s goal. These plot motivators with the added layers to drive the characters in the story, result in the depth (landscape) and richness (emotion) we all crave in a good story.
Readers, do you agree that all the stories you’ve read and loved these plot lines and motivators?
I admit was able to spot many of these plotlines and layers in the works of Homer, Shakespeare, and may of the Classic Greek Myths.
What do you think?  Are there certain plotlines that appeal to you more than others?
Thank you for stopping by today.
I hope to see you here next month.
Connie Vines




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