A few weeks ago, I wrote a blog post about my preference for e-books over print. In it, I talked about reading my first e-book in 1999. Some of the commenters were amazed to hear that (so young) and author Alina K. Field suggested I write about e-book history. This blog post is a revised version of one I wrote in three years before.
News flash: e-books have been around since at least 1971 when Project Gutenberg started digitizing public domain works. The US Declaration of Independence was the first document chosen.
I started reading e-books in 1999 on my laptop. I’d gone to the Romance Writers of America conference in Chicago and signed up to moderate a panel. By sheer serendipity, I was assigned to moderate the e-book panel presented by Janet Lane Walters and the late great Jane Toombs, two true e-book pioneers. I came away with an interest in e-books and a couple of samples on 3 1/2 inch diskettes. (Remember those?)
Back home, I read the books on my laptop using either Adobe Acrobat or an Internet browser, depending on whether the format was PDF or HTML. I’m a voracious reader and book buyer, and the house was already full of print books. The idea of being able to store book on my computer seemed like a godsend to me. A way to buy and hoard store books without cluttering my already cluttered house. I was hooked!
Commercial e-books were in their infancy, but dozens of small publishers sprang up, most of them no longer in business. Ellora’s Cave was the best known of the early small e-book houses. My publisher, Amber Quill Press, started in 2002 and closed its doors in 2015. Romance readers got hooked early, and small presses deserve credit for reviving the paranormal romance genre, which NY had lost interest in, for feeding the erotic romance craze and for pioneering gay erotic romance.
While e-book readers were a tiny minority at first, the growth became explosive, often 50% in a year, though sadly has slown since. The numbers didn’t start to hit critical mass until Amazon got into the game with the Kindle 1 in late 2006, though Sony gets the credit for having the first available e-ink reader. There were commercial e-readers available before the Sony Reader and the Kindle: the original Rocket e-book reader, its successor the RCA Gemstar 1100, requiring a stylus to make selections. (You had to press a lot harder than on a tablet.) Also, books could be read on the little PDAs, like the Palm Pilot and Pocket PC. I read a lot on my Sony Clie.
My RCA Gemstar gave out shortly before the release of the Kindle1. I briefly considered getting a Sony reader, but decided that Amazon had already shown a commitment to the book business which I didn’t see Sony making, so decided to order the Kindle, despite the $399 price. I loved it from the beginning. There was no touch screen, just a wheel for scrolling up and down plus the keyboard. It seems unwieldy now.
Amazon’s real innovation, the one that made it the leader in the industry, was the one-click purchase followed by wireless delivery directly to your device. No more having to buy from the publisher’s site–with different accounts at each site, were we dedicated ebook readers or what?–download the books to your computer and then side load your e-books using the USB cable. Sadly, one-click ordering tolled the death knell of many small publishers.
One-click buying took e-book reading beyond the limits of the technologically proficient among us. The ability to download a sample before buying was (and still is) another popular feature. I was an early adopter of the Kindle 1 and still have my device, though it’s no longer in use. I’ve moved on to a Kindle Keyboard and the iPad.
Do you read e-books? If so, when did you start and what device(s) do you use?
I first read Jack Finney’s time travel novel, TIME AND AGAIN, when I was in college.
That time in your life when you believe you can change the world. That you can build new things, create new art, set the world on a new course of diplomacy. I wanted to do all those things, but most of all, I wanted to time travel.
In Mr. Finney’s novel, he sets the stage for the time period where his hero wants to go–like a stage set–then teaches him how to use his mind to go back in time. Imagine my joy when I discovered I could do the same thing–travel back in time by using my mind.
How? you ask.
By writing my own time travel stories.
It’s a Christmas story about a woman who gets a second chance to save the man she loves from being killed in the war by going back to 1943.
I have the cover finished . . . and blurb written. I’ll update this page when I’m ready to upload the manuscript to Kindle Scout.
Family is the theme of LOVE ME FOREVER. Two very different women, Liberty Jordan and Pauletta Sue Buckingham, with different ideas are thrown together in a mad, crazy scheme of spying, lost love, and passionate desire for what they can’t have.
The men they love.
Do they get their men?
Well, it is a romance, but it’s also a wild dramatic journey based on actual events in the Civil War. Liberty and Pauletta Sue will make you cheer, then cry, then hold your breath when it looks like all is lost…
Go to Naughty Paris in 1889: erotic romance
This last week, I took a Facebook for Business Made Easy 5-Day Challenge led by Sherri-Lee Woycik of Social Media Minder. It was wonderful, intensive, and my Facebook pages have never seen so much activity!
One of the lessons involved boosting a post from your Facebook page. I was able to successfully boost one post at my Lyndi Lamont Page. (I’m always happy to get new likes and engagement. Hint, hint.)
Then I tried to boost one from my Linda McLaughlin page. This is what the ad looked like:
Seems pretty straightforward, right? Easy question plus two images. Should be a no brainer.
So when it wasn’t approved, I was surprised. I delved into why FB found the post unacceptable and got this mind-boggling answer.
What the heck?
After Sherri-Lee got done laughing, she explained that the ads are checked by bots, not real people. Apparently the bot is somewhat color-blind since it seemed to mistake my sunrise for naked skin, and the clouds surrounding the moon for cleavage? Or something like that.
So much for artificial intelligence, LOL.
Needless to say, I sent an appeal and I’m waiting for a human being to get around to looking at it.
Also, I’m participating in the Smashwords Summer/Winter Sale through July 31. Rogue’s Hostage and Lady Elinor’s Escape are now half off at Smashwords through July 31. Don’t forget to use the code SSW50 at checkout.
Hope you’re having a great summer. Mine has been hectic and productive as well as fun.
aka Lyndi Lamont
Recently I listened to a perfectly delightful Regency romance on audio, but some obvious errors nagged at me and got me to pondering which is worse, too much research or too little?
Those of us who write books that require extensive research are always advised to not let the research show. Weave it as seamlessly as possible into the narrative. That makes perfect sense, though it isn’t easy to do. But what about too little research? That’s when errors become glaring enough that some readers, esp. the ones who also write, are pulled out of the story, saying “Wait a minute, that’s not right.”
Sometimes it’s a matter of historical characters acting or speaking in modern fashion. This can be one of the most glaring problems. Then there is the matter of social mores of the time, which vary from one period to the next.
One of the biggest traps novelists can fall into is writing historical characters with 21st century mores. And nothing can make the reader want to throw a book across the room quicker. This especially applies to women. The double standard still exists, but it was much greater in previous centuries. A young woman’s reputation was golden.
War and social unrest have always upset the normal patterns of life, and social mores tend to fall by the wayside during such periods. Still, a historical female character who shows no regard for her reputation isn’t believable unless she’s already a fallen woman and has no reputation to lose.
Personally, I don’t necessarily mind a heroine who flaunts society’s rules; I just need to believe that she knows what she is doing and is well motivated in her choices. The woman who doesn’t understand the consequences of her actions strains credibility. Women had a lot more to lose in the not-so-good old days.
In the book in question, the problem seemed to be more one of the author not understanding how the social season worked. Societal rules were much more stringent, esp. among the upper classes. It was one way the maintained their air of privilege. It all seems ridiculous to us now, but the aristocracy took these things very seriously.
In general, a young lady could not be out in society unless she had been presented at court and made her bow to the Queen. In my Regency romance, Lady Elinor’s Escape, Lady Elinor is hiding out in a dress shop, pretending to be a seamstress, which means she could not also be out in society. But we writers find ways around details like that. The one ball scene in the book is a masquerade ball she attends only because the shop owner retrieved a discarded invitation from the trash. As long as Elinor leaves before the unmasking at midnight, she feels the risk is worth it.
In writing, like Regency society, it’s best to know the rules before you (or your characters) break them.
So too much research or too little? I’m enough of a history freak to prefer too much research showing to wondering if the author did any at all. What do you think?
aka Lyndi Lamont