I can make my characters do or say anything I want them to.
Many beginning writers subscribe to this theory.
I hate to break anyoneâ€™s bubble but thatâ€™s hogwash.
When introducing characters, the author breathes life into them with a physical description, personality, goals and motivations. They look, act and think in a particular manner. Just like real people. If the character doesn’t stay true to themselves, their actions will make no sense and readers are pulled out of the story.
The drunken, hardnosed character Rooster Cogburn, (John Wayne in True Grit) suddenly goes soft on Mattie Ross, Kim Darbyâ€™s character?
Mary Poppins takes a belt to her charges?
007 gives up his cool and goes mushy over his many sexual encounters.
Would you believe it? No. Because in each case the writer showed the reader who these people are â€“ on the surface and deep down.
Two of the most common out-of-character traps involve age appropriate problems and inconsistent behavior. Ask these questions:
Do my characters act their age? A mature woman or man of 30 to 35 years of age will not act, think or speak like a teen or young person fresh out of college. Recently I read a published book where a 32 year old female executive talked like a teeny-bopper when she got together with her thirty-something girlfriends of the same age. It totally threw me. Women of all ages talk a little trash with girlfriends but the nature of their conversations, even the language is different between age groups.
Do my characters act and react in a manner consistent with their personality?Someone afraid of heights doesnâ€™t climb a ladder. A grouchy loner doesnâ€™t suddenly play slap-stick jokes on people. A prissy little girl wonâ€™t want to play baseball with the neighbor boys.
If a character does something that would never come naturally to them, they must have a good reason/motivation for the change of behavior. Example: The character who is afraid of heights might climb a ladder if a rabid dog is on her heels. An honest cop might rob a bank if villains are holding his family hostage.
My favorite tools to keep my characters in line are Character profile sheets, Horoscope personality profiles and Research.
The number one rule in using these tools is: Always connect the dots between them. Character profile worksheets serve as fast and easy reminders to writers. They include a list of physical descriptions, best friends, dress, enemies, ambitions/goals, sense of humor, temper, basic nature, personal quirks, habits, talents, hobbies, family backgrounds, profession, educational background etc. .
A common weakness in these profile sheets is that they shed little light on personality. Thatâ€™s why I dig deeper. I search horoscope signs for personalities that best match my characters. Whether you believe in horoscope readings or not, the personalities listed under sun signs provide a great basic outline of a particular personality.
Horoscope personalities are especially helpful in determining how a character will react to a particular situation. Example: How would a hero with a Cancer personality react if he lost all his money or fell into a fortune? Money is no joke to the taciturn crab.
There are many horoscope books but I love Linda Goodmanâ€™s Sun Signs. This treasure lists the general characteristics of each sign and more. For instance, Goodman describes the Taurus child, Taurus adult male and female, Taurus boss and employee â€” the total personality package. She also explains how these personalities interact with each other.
What about a characterâ€™s romantic relationships? Linda Goodmanâ€™s Love Signs is amazing. Each sun sign is listed and then coupled with all the other signs to point out what the good and bad matches may look like, why they work or why they wonâ€™t. Example: Aries with an Aries, Aries with a Capricorn, Aries with a Taurus etc. Goodman further breaks it down into the female and male of each sign. Example: Aries female with Capricorn male or Capricorn female with an Aries male etc. .
Note: While Linda Goodman has passed, her books are still available. I recently looked at another Linda Goodman book on Amazon called Linda Goodmanâ€™s Relationship Signs. The contents suggest it contains a relationship chart worksheet. Sounds very interesting!
Do your research.
Horoscopes donâ€™t cover nitty-gritty idiosyncrasies. What if youâ€™re writing about a thief, a slave, an ad executive etc.? Research types of characters by reading autobiographies and biographies of real people who share a similar background with your character. Writing about a serial killer? Read serial killer profiles. Writing about a Hollywood star? Read up on their lives, their business and what itâ€™s like to walk in their shoes. Then connect the dots. Determine for instance how your Aries female will handle her stardom.
Okay, say youâ€™ve chosen your sun sign and done your research, but the personality thing still doesn’t quite jive with what you had in mind. We all know people who donâ€™t fit the mold and characters are no different. So, can we color outside the lines or are these personalities set in stone?
Color outside the lines but donâ€™t let the crayon slide off the tablet.
Hereâ€™s a real-life example: My friend is a Gemini but she was born on May 24th making her very close to Taurus. Most of the time she is more Taurus than Gemini, but she does share traits of each. Itâ€™s okay to combine personalities if it suits your purpose. It actually makes for a more interesting character, perhaps one with more layers. Just make sure to outline the personality carefully and keep the character true to him or herself.
What about character arc/growth? While characters learn from experience and goals may change as the plot evolves, their basic personality won’t change. The manner in which they handle situations or problems should always reflect who they are â€“ even when they’re pressured into something that isn’t natural to them. Connect the dots. Like all tools, profile worksheets, horoscope personalities and research aren’t failsafe, but they are great guides for new writers and even for the seasoned writer who is writing a complicated character.