Category: Writing

yWriter 4

By Stephanie Shackelford

According to its creator, Hal Spacejock, yWriter 4 is “. . . a word processor which breaks your novel into chapters and scenes. It will not write your novel for you, suggest plot ideas or perform creative tasks of any kind. It does help you keep track of your work, leaving your mind free to create.”
(http://www.spacejock.com/yWriter4.html)

I’m here to say he’s right! It really does help me organize, structure and keep track of all those pesky details as I create my interesting, compelling, everyone-is-screaming-for-them stories.

Currently, I am wrestling with a behemoth of a project so I can start marketing it. I’m what is often called a pantser. I write “by the seat of my pants”. That’s actually how I do almost everything (my husband hates that I can never reproduce a recipe exactly; I think it makes dinnertime an adventure). The problem with being a pantser writer, though, is that I so often end up with a huge pile of scenes, some meandering plot and, if I’m lucky, the beginnings of a grand finale showdown. There comes a time when I have to structure those scenes into a coherent, compelling plot that brings everything to a satisfying conclusion. (At least that is the theory.)

That’s where yWriter shines for me. My 2nd draft (and 3rd and 7th!) is often more of a “putting together a puzzle” event. As I play with the various scenes, I’ll realize one needs to be in the beginning of the story even though I have it written as part of the ending. Or what I thought was a great lead-in to the finale actually will make a better hook for the first chapter. This process becomes a nightmare with Word. I either have one behemoth manuscript or way too many little ones. And let’s not even mention how to name all those little files. Labeling chapters 1, 2, 3 at this point is the process in ludicrous. I’ve tried it. It totally confuses me and eventually turns the story into a pile of mush in my brain.

Enter yWriter! yWriter is perfect for this restructuring! I can create as many chapters as I want and as many scenes as I think I need in each chapter. Each chapter or scene has places to enter a multitude of information. There is a place to note description, point of view, tools, location and so much more. And when I decide I want scene 3 from chapter 6 to become scene 6 in chapter 1, all I have to do is drag and drop and all that info goes to its new home. Oh and when I write the scene, yWriter keeps track of the words.

I’m still finding new things to track, but mostly I use yWriter to organize my story. There are countless ways to do that (and I’m sure I’ll find another one before long), but for now I am using a hybrid of the Hero’s Journey and Michael Hague’s Six-Stage Plot Structure. I listened to a workshop he and Chris Vogler presented that merged the two systems in a way that made so much sense to me. Basically, they presented the Hero as having an inner and outer “journey”. Just the renaming of the steps helped me to see more clearly what should be happening at certain times of the story.

My beginning attempt to structure my project into a story starts with creating 12 chapters. Eventually, they will be transformed into something more conventional, but for this first organizational step, I start with chapters labeled according to the 12 Stages of The Inner and Outer Hero’s Journey. (I put these in the description section so they are easier to see at a glance.) Chapter 1 is “Ordinary World” and “Limited Awareness of Problem”; Chapter 2 is “Call to Adventure” and “Increased Awareness of Need for Change”; Chapter 3 is “Refusal of the Call” and Fear: Resistance to Change”; and so on to Chapter 12, “Return with Elixir” and “Mastery”.

I scrutinize each of the scenes in my behemoth puzzle and start the process of determining how important it is to the story and where it should be placed. As I rearrange the scenes, the story come into better focus. I can more easily see what needs to happen when. I recognize which scenes don’t belong anywhere in the story. I can easily determine the purpose of each scene. I can write any pertinent notes (“mentor needs to change and be a fool” or “hero is afraid of change here-make that clear!”). I can copy and paste the scene into its place (or type it directly into the program). And, if I change my mind, I can easily drag and drop an entire scene, with all its notes, to another section of the document.

When I have all the scenes arranged in the order I think they best tell the story, I start editing and rewriting. Sometimes I write directly into yWriter, sometimes I write in Word and copy/paste when the scene is finished. I progress through each scene, editing, layering in emotion or description or backstory. As each scene is “fixed”, I change its status, another of those choices available in yWriter (choices are: outline, draft, 1st edit, 2nd edit, done). It’s easy to see at a glance where I am in the story and to track my progress through the weeks. One of the last steps is to create and rename the chapters more conventionally. I often do this as a part of the editing process, renaming to numerical chapters, creating new chapters and dragging and dropping scenes as desired. The final step, after everything is edited, organized and labeled, is to export it into a Word document and do any last-minute touches before sending it to all those publishers vying for it. 🙂

However you chose to organize you book, yWriter can simplify the process. And the price in right! Free. We writers can be so generous at times. Thanks, Hal Spacejock, for a great piece of organization software!

(Update: Because life, for me, never stays the same (I’m a lifestyle pantser), I’m now playing around with yet another way to organize stories. And yWriter is making it easy to experiment with the 15 “beats” that Blake Snyder discusses in his book, “Save the Cat”. But that is the topic for another day. LOL)

Stephanie Shackelford has been creating characters and stories about them for as long as she can remember. In high school (a million and a half years ago), her brother’s English assignment opened her eyes to the idea that she could actually write them down for others to enjoy. She has hundreds of scenes and stories and tall tales in various stages of completion on her computer, stored in boxes, or lost forever. It’s time to share some of these stories with the rest of the world. Storytime, anyone?

http://www.RoutinesForWriters.com/
http://StephanieandHerThoughts.blogspot.com

The Long and Winding Road

By Laura Drake

In a way, ignorance is bliss…at least for a little while. I started my first novel not knowing what lie ahead, and I’m glad. Not that it was awful – actually, I’ve had a lot more ups than downs, and I’m not even published yet. But if I’d have known how long it would take, and how much hard work it took – I would have been severely daunted.

First, you’ve got to actually write the novel. Don’t laugh; how many people have you met who told you, “Oh, I’m going to write a novel one day, I’ve got this idea…” but they never actually write anything? Ok, you finish. Whew! I learned a lot, and I’m sure the next time it’ll go faster.

I patted myself on the back repeatedly for a week, daydreamed about book signings and autographing for my adoring fans, and then started the editing.

Really glad I didn’t know what that entailed when I began. Eight full versions and countless partial edits later, and it’s done! I learned a lot, and I’m sure the next time it’ll go faster.

Then I submit. I decided to go the agent route. I know that to a certain extent, this is a numbers game; I put it out to as many agents as would accept my genre – came to about 125. I have told this to authors who looked at me in horror…for all I know, it’s the dumbest way to submit. But. I did get a lot more interest than I expected. I’ve heard stories about dejection due to rejection, and the emotional effect on budding authors. I didn’t take it personally, and wasn’t discouraged – at least with the first 100 rejections. After that, it started to feel like Chinese water torture.

But wait! I actually got a note back from an agent who said, “Congratulations on your first draft!” (first?!) she had issues with a couple of things – nothing big – just the hero, and most of the dialog, and the title. If I’d do a rewrite, she’d read it and consider representing me. Yeah! I think – we’ll see.

Luckily, I’m relentless when I want something. I’m working on the rewrite now.
At the very least, I learned a lot, and I’m sure the next time it’ll go faster.