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In the Judgment Seat

May 13, 2020 by in category From a Cabin in the Woods by Members of Bethlehem Writers Group tagged as , ,
picture of dianna sinovic

From a Cabin in the Wood’s is a column featuring authors from the Bethlehem Writers Group. Writing for us this month is Dianna Sinovic.

Born and raised in the Midwest, Dianna Sinovic has also lived in three other quadrants of the U.S. She writes short stories and poetry, and is working on a full-length novel about a young woman in search of her long-lost brother.

In the Judgment Seat

The Bethlehem Writers Group, one of the writers groups I’m in, sponsors an annual short story contest for all non-members, and the members do much of the judging—the first cuts, the semifinalist round, and the finalists. Once the finalists are selected, a guest judge (an author outside the organization) makes the final call on the rankings of first, second, and third.

Each story is judged by three people, using a templated rubric, with the two highest scores determining whether the story makes it to the semifinalist category. Sometimes the same story can accrue widely divergent scores. How could three readers have such different reactions? That difference of opinion explains why sometimes the debates the group has on which stories come out on top are quite heated.

I’m often amazed at the creativity of some of the entrants, but also always disappointed in others. I think—if only the author had done X, Y or Z, the results would have been much more satisfying or made more sense.

It’s also instructive to see how often an entry lacks a story arc. Even if a story is short and basically just one scene, it still needs a beginning, middle and end, with a goal in mind for the main character. Author Juliet Marillier said that stories with no proper ending also don’t make the cut when she judges.

It’s also interesting to see that some authors submit pieces that are mostly likely memoir. This can work if the personal account contains the essence of a good story, with that needed arc and depth of character/emotion, but many often don’t.

How the theme is approached is also eye opening. We choose a new contest theme every other year. This year’s topic was animals; it didn’t matter what kind of animal or how many, but an animal had to play an important part in the story. I read tales that featured insects, cats, horses, dogs, sea animals, and reptiles, some good, some not so good. With research only a browser click away, I was discouraged at how often writers didn’t do their homework when trying to depict animal behavior.

Of course, it’s much easier for me to see the flaws in other people’s works than in mine.

Each year’s judging process serves as a reminder to always ask others to read my work and offer their feedback, to let me know where my stories fall short so I can further revise.


Sweet, Funny, and Strange Anthologies Featuring Stories From The Bethlehem Writers Group’s Short Story Award

A READABLE FEAST

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A READABLE FEAST

LET IT SNOW

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LET IT SNOW

ONCE AROUND THE SUN

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ONCE AROUND THE SUN

ONCE UPON A TIME

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ONCE UPON A TIME
UNTETHERED: SWEET, FUNNY, AND STRANGE TALES OF THE PARANORMAL
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The 2020 Short Story Award

April 23, 2020 by in category From a Cabin in the Woods by Members of Bethlehem Writers Group tagged as , , , ,

It’s time!

The 2020 Short Story Award

Deadline is April 30th!

Bethlehem Writers Roundtable seek animal stories (broadly interpreted) of 2000 words or fewer.

First Place winner will be considered for publication in their newest “Sweet, Funny, and Strange” anthology:


Fur, Feathers, & Scales: Sweet, Funny, and Strange Animal Tales

The latest of their “Sweet, Funny, and Strange” Anthologies

See Submission Guidelines

The 2020 Guest Judge

Peter Abrahams is the Edgar Award winning author of thirty-eight novels including The Right SideThe FanA Perfect Crimeand the Echo Falls series for younger readers.

Under his pen name, Spencer Quinn, he writes the New York Times best-selling Chet and Bernie series, as well as the Queenie and Arthur series for younger readers.

Abrahams was born in Boston, graduated from Williams College, and lives on Cape Cod.

You read an interview of Mr. Abrahams here.


Previous BWR Short Story Award Judges

2012–Jonathan Maberry
2013–Hank Phillippi Ryan
2014–Rebecca Forster
2015–Curtis Smith
2016–Marisa A. Corvisiero
2017–Carrie Vaughn
2018–Kimberly Brower
2019–John Grogan

To submit a story

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Challenges of Writing on the Road

April 13, 2020 by in category From a Cabin in the Woods by Members of Bethlehem Writers Group, Writing tagged as , ,

I’ve been writing for a lot of years. It started somewhere in my corporate career when the girls were little, with short stories I’d read to them for birthdays and holidays. First book I’d written began as a story to celebrate my oldest daughter’s 12th birthday. That’s when the muse came a calling, and next I know, the story was over 300 words. It had all the faux pas of a newbie, repeating words, passive voice, minimal sensory and bad spelling (didn’t have spellcheck in those days). I had it bound as a hard copy, gold lettering for the title – cost me a fortune back then, but it was worth it. She liked it so much; I wrote a sequel of similar length. It is still one of my daughter’s most precious possessions.


The muse took up residence, and it wasn’t to be denied. With a job that had me boarding planes weekly, how was I supposed to satisfy the writing urge? Weekends were out. That was family time—and chores—and honey-dos—and kid’s events . . . I learned to access time slots while a prisoner of an airplane (seats were bigger then) and forgo watching hotel television at night (there wasn’t anything worth watching anyway). Can’t write on a plane anymore unless in first class. Coach seating is a sardine tin where we’re all a little heavier, the tray table might fit a drink glass with a deck of cards, and the seat in front of me is maybe ten inches from my nose.


At home, I’ve got the writing cave and silence, where the muse happily homesteads, ready to fill my thoughts with new directional themes. When I’m traveling, almost always with my wife/kids/grandkids/siblings, it’s a non-stop cornucopia of distractive activity, surrounded by the din of fellow humans. The muse had become accustomed to the safe zone of my writing cave and doesn’t appreciate the competition for my attention. No sooner do I sit down at the laptop, somebody calls my name.


Why don’t I write at night like I used to, when things quiet down? Unlike many writers who thrive on burning the midnight oil, I have become a morning writer. The muse is fresh, unfettered by the noise of life. Skipping the cocktail hour might help, but it’s the only time my wife and I convene to compare notes of the day, eat dinner, then wait for the daily Facetime call from kids who are on western time (grandboys are rather insistent I take part). When traveling, I’m expected to be participative, and young folk participate after work. By the time it all ends, the muse “has left the building”.


So, what’s a morning writer to do? For short trips, I might do some editing, or compose a few notes of the current project, which is kind of aggravating for the muse and I. We’re both hardcore pantsers. Plotting gives us hives. On the long winter forays where we’re domiciled near the kids out west, I go in search of a quiet haven. Local library is a good start, but it’s best to know when toddler reading hour is scheduled. Last time I went, a little nose-miner saddled up to me while I was typing, begging to crawl in my lap. It’s enough to instill fear in today’s times. We rent a condo when visiting mother down south. Most have nice gathering areas that nobody uses in the morning. Again, awareness of scheduling is important. The local women’s club du jour might show up, ask a lot of embarrassing questions, then seduce me to join them. Last year’s rental had a front-row seat at the ladies seventh-hole tee box. All day long, whack—thump—followed by ample cussing. And to think many of them were grandmothers.


I may go days, or weeks, writing nothing meaningful. I grab whatever opportunity arises. When I return to the word processor, the muse is waiting with a head shake and impatient foot-tapping, but ready to rock. Booting up after a long absence, the magic is even more special. I guess the saying: “absence makes the heart grow fonder”, works for us writers as well.


DT Krippene is a contributing author in the recent BWG’s paranormal anthology, Untethered (available below).  A man buys a house for a price that is too good to be true, until he discovers the bizarre strings attached in “Hell of a Deal”. He’s also contributed articles for the Bethlehem Round Table Magazine with “Snowbelt Sanctuary”, and “In Simple Terms”.

A native of Wisconsin and Connecticut, DT Krippene deserted aspirations of being a biologist to live the corporate dream and raise a family.  After six homes, a ten-year stint in Asia, and an imagination that never slept, his annoying muse refuses to be hobbled as a mere dream.  Dan writes dystopia, paranormal, and science fiction. His current project is about a young man struggling to understand why he was born in a time when humans are unable to procreate and knocking on extinction’s door.

You can find DT on his website, and his social media links.

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UNTETHERED: SWEET, FUNNY, AND STRANGE TALES OF THE PARANORMAL
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Happy (St.) Valentine’s Day! by Carol L. Wright

February 13, 2020 by in category From a Cabin in the Woods by Members of Bethlehem Writers Group tagged as , ,

Tomorrow is Valentine’s Day—the day for lovers—and the least popular day of the year for single folks whose lack of a partner becomes acutely apparent.

For a mystery writer, the day offers all sorts of inspiration. Love or lost love is, after all, one of the prime motivators for murder-most-foul. What mystery writer hasn’t used it a time or two—at least as a red herring?

But even more interesting to this mystery writer is the origin of St. Valentine’s Day. While it is ostensibly the feast day for a Roman Catholic saint named Valentine who died on February 14th, the record is not so clear on exactly who, why, or even when a man named Valentine became the patron saint of love, young people, and happy marriages.

Shrine of St. Valentine in Whitefriar Street Carmelite Church in Dublin, Ireland
By blackfish – Own work, CC BY-SA 3.0,

Legend holds that St. Valentine died around 269 CE. This was well before the Edict of Milan legalized the Christian church in 313, so records from that time are spotty at best. The Christian church was still being persecuted by Rome and much of what we know of its early history comes from oral tradition rather than contemporaneous records. So, in mystery writers’ terms, we don’t really know for sure whodunnit!

According to history.com, there are at least two viable candidates for the honor of being the mortal who became St. Valentine. They lived around the same time—the reign of Emperor Claudius II of Rome (214-270 CE). One was a simple priest. The other was the Bishop of Terni, Narnia, and Amelia. Even the church isn’t 100% sure which it was.

Stories abound about the saint and are accepted as truth—or truth adjacent—for the purposes of celebrating the feast day.

The official St. Valentine, according to the Vatican (catholic.org), died in 269 CE. He was an Italian priest (or bishop?) who, according to legend, proved the power of Christ by restoring the sight of the blind daughter of a judge (or jailer?) who had imprisoned him. As a result, Valentine was awarded his freedom. But it wasn’t long before Valentine was again arrested. His crime? Converting people, marrying couples (starting to see the connection to love and happy marriages?), and assisting Christians being persecuted by Rome. His motive for marrying couples might have been less about romance and more about pragmatism. Apparently, once married, men were excused from going to war. That’s a pretty big incentive.

He went too far when he tried to convert Emperor Claudius II, who ordered Valentine to renounce his faith or be put to death. He chose the latter and the death sentence was carried out in 269 CE (or perhaps 270, or 273, or 280 . . .) He is believed to have been buried on the Via Flaminia north of Rome, perhaps leaving a note behind for the girl whose blindness he cured, signed “Your Valentine.” Hmmm. Sound familiar?

Both the bishop and the priest are said to have performed similar miracles, met similar fates, died at a similar time, and buried at a similar place. No wonder we’re confused. Some speculate that the priest and the bishop were, in fact, one and the same.

But wait. Wikipedia tells us that there is at least one more candidate—another martyr who died on the same day in Africa. Not much else is known about this Valentine, but since they all are recorded as dying on February 14, who’s to say which is the St. Valentine?

But if we can’t be certain of which Valentine it was, or what year he died, how can we know that he died on February 14th?

As with other Christian holidays, St. Valentine’s day might have been placed in mid-February to help ease pagans’ transition to Christianity, supplanting the Roman Festival of Lupercalia which, according to thoughtco, was celebrated on February 13-15, and was said to purify the City of Rome and usher in a time of health and fertility.

Another theory is that since birds mate in mid-February, the patron saint of lovers feast day was placed then. Tennyson said it best in “Locksley Hall”: In the spring, a young man’s fancy lightly turns to thoughts of love.

The truth about Valentine will never be settled. When, in 496 CE, Pope Gelasius I first included Valentine’s name among those of other saints, he admitted the list was of people whose acts (miracles? good works? martyrdom?) were “known only to God.” No new evidence has turned up since to settle the question.

Relic of St. Valentine in the church of Santa Maria in Cosmedin, Rome, Italy
By Dnalor 01 – Own work, CC BY-SA 3.0

In 1969, the Roman Catholic church, perhaps due to this ambiguity, ceased requiring celebration of Valentine’s feast day, but it still counts him among the saints.

Whoever he was in life, St. Valentine is known, not only as the patron saint of love, happy marriages, and young people, but also of engaged couples, beekeepers, epilepsy, fainting, greetings, travelers, and plague (yikes!). Only a few of these mesh with our current, secular view of Valentine’s Day, but with selective editing, florists, card companies, and chocolatiers have ample excuse to make the most of this bright spot in the winter calendar.

So, who will be your Valentine? Let’s hope they are not shrouded in as much mystery as St. Valentine!


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Bethlehem Writers Group, LLC January Featured Author of of the Month

January 21, 2020 by in category Contests, Featured Author of the Month tagged as , , , , , , ,

The Bethlehem Writers Group, LLC (BWG), founded in 2006, is a community of mutually supportive, fiction and nonfiction authors based in Bethlehem, Pennsylvania. The members are as different from each other as their stories, spanning a range of genres including: children’s, fantasy, humor, inspiration, literary, memoir, mystery, paranormal, romance, science fiction, women’s fiction, and young adult.

BWG has published five anthologies. Each anthology has an overall theme—broadly interpreted—but includes a variety of genres, and all but the first anthology include stories from the winner(s) of The Bethlehem Writers Short Story Award. Their first anthology, A Christmas Sampler: Sweet, Funny, and Strange Holiday Tales (2009), won two Next Generation Indie Book Awards: Best Anthology and Best Short Fiction.

Besides anthologies and yearly writing contests, the group publishes a quarterly literary journal, The Bethlehem Writers Roundtable, and hosts twice monthly writing workshops and a critique groups for local members.  You can see the schedule of BWG meetings and events, including author signings  here.


Next up for BWG

BWG is working on their sixth anthology, Fur, Feathers, & Scales: Sweet, Funny, and Strange Animal Tales. 

In connection with this anthology, they are hosting The Bethlehem Writers 2020 Short Story Award

The 2020 Short Story Award opened on January 1, 2020.  The theme will be Animal Stories, broadly interpreted. Stories of 2,000 words or fewer about WILD ANIMALSPETS, or IMAGINARY BEASTS will be welcome (so long as an animal is an important character or element of the story).

The winner will receive $200 and may be offered publication in the above mentioned upcoming anthology. The 2020 Guest Judge is Edgar Award winning and NYT best-selling author Peter Abrahams/Spenser Quinn.

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