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The Shape of Fiction by Carol L. Wright

September 13, 2020 by in category From a Cabin in the Woods by Members of Bethlehem Writers Group tagged as , , , ,

The Shape of Fiction

Writers are accustomed to thinking about writing with a 3-Act structure, often shown as an incline plane of action rising gradually throughout the story towards the climax. But another way of looking at stories is their shape based not on action, but on the rise and fall of the protagonist’s fortunes—good or ill.


As I understand it, the notion of these story shapes was first proposed by Kurt Vonnegut. Inspired by his research into stories from various cultures while studying anthropology at the University of Chicago, he discovered common patterns of the fortunes of the protagonists. He found that there is not one universal pattern, but several designs, just as the rise and fall of volume and intensity give shape to different styles of music. These shapes cross cultures and time periods to create the stories we love to read and retell.


To visualize these shapes, he used a simple graph. The vertical axis, or what he calls the G-I axis has good fortune at the top and ill fortune at the bottom. The higher on the vertical axis a character is, the happier they are. Conversely, the lower they are, the more miserable they are.

The G-I axis is bisected by a B-E horizontal axis. This takes the story left to right from the beginning (B) to the, uh, well Kurt Vonnegut has various ideas for what the E stands for, but let’s just call it the ending. It looks a bit like this:

The Shape of Fiction: Kurt Vonnegut Sentiment Scale on a simple graph

Interestingly, his theory was proven when researchers at Washington State University and the University of Vermont did a computer analysis over 1700 stories. (https://www.bbc.com/culture/article/20180525-every-story-in-the-world-has-one-of-these-six-basic-plots ) Text-mining of these stories revealed six basic story shapes, most of which Vonnegut had already described. They graphed each, renaming Vonnegut’s G-I axis to “sentiment scale.” They found that each of the 1700 stories conformed to one of these six shapes:

1. Man in a hole

Our protagonist begins high on the sentiment scale but, by mid-story, finds themselves in low ill-fortune. But, don’t despair. Good things follow, and by the end of the story, our protagonist is once again up in the good-fortune range. This shape is often found in mystery stories and adapts well to the three-act story structure we’ve been taught.

2. Rags to riches

This shape has the main character begin on the lower end of the sentiment scale, but then they rise steadily throughout the story to the upper portion of the G-I axis by the end of the story. An example of this is the story of Little Orphan Annie who starts out as an orphan in a miserable workhouse and becomes the ward of the extremely wealthy Daddy Warbucks, or the story of another orphan, Oliver Twist. Everyone loves a happy ending.

3. Cinderella

From the obvious example, our protagonist begins very low on the sentiment scale, but then rises to a high good-fortune point—only to have it snatched away. Despite being once again in the lower portion of the G-I scale, the protagonist’s despair is not as low as it was. As the story progresses, the protagonist moves back up again to the top of the sentiment. (You have to see Vonnegut describe this one and others on YouTube below.)

4. Riches to rags

This shape is just the opposite of #2. The protagonist begins in the upper range of the sentiment axis, but who falls into poverty and despair. A simple tragedy.

5. Icarus

If you know the Greek myth about Daedalus and his son Icarus who escaped from the island of Crete by flying with wings made of feathers and wax, it won’t be hard for you to envision this shape. Starting around the midpoint of the G-I axis, it rises into good fortune, then falls into the ill fortune range before falling further to the bottom of the G-I scale (when the wax melts because Icarus flies too close to the sun). Not a happy ending.

6. Oedipus

Named for another Greek tragedy, this pattern falls (as Oedipus wanders toward Thebes, killing Laius along the way). But then it rises (when Oedipus defeats the sphinx, becomes king, and marries the queen with whom he has several children and plans to live happily ever after). Oh, but our protagonist is not destined for a happy ending. The story ends with a plummet to the low ill-fortune range (when Oedipus discovers Laius was his father and he has married his mother—who then kills herself. Oedipus puts out his own eyes). A less than cheery shape.

I must confess that I was surprised that every one of the stories studied fit in one of these six shapes. But Vonnegut tells us about two more shapes.

A flatline story shape

While he tells this shape is boring, he also says it often can be found in primitive cultures. There is, however, one Shakespearean classic that employs this shape. Things start low on the sentiment scale, stay low, and end low. Can you guess which one this is? See the video link above to get the answer.

And one final shape Vonnegut offers for your consideration—one we don’t often see—where the protagonist starts at the bottom . . . and goes down. Which story is this? Here’s a hint: Kafka!

All this brings new meaning to the question: What kind of shape is your story in?

In addition to writing posts for From A Cabin in the Woods, Carol was interviewed on A Slice of Orange here.


Books by Carol L. Wright

A CHRISTMAS SAMPLER

Buy now!
A CHRISTMAS SAMPLER

A READABLE FEAST

Buy now!
A READABLE FEAST

DAY OF THE DARK

Buy now!
DAY OF THE DARK

DEATH IN GLENVILLE FALLS

Buy now!
DEATH IN GLENVILLE FALLS

LET IT SNOW

Buy now!
LET IT SNOW

ONCE AROUND THE SUN

Buy now!
ONCE AROUND THE SUN

ONCE UPON A TIME

Buy now!
ONCE UPON A TIME

THE WRITE CONNECTION

Buy now!
THE WRITE CONNECTION
UNTETHERED: SWEET, FUNNY, AND STRANGE TALES OF THE PARANORMAL

WRITE HERE, WRITE NOW

Buy now!
WRITE HERE, WRITE NOW

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Meet the unsung heroine of publishing: Miss Proofreader by Jina Bacarr

September 11, 2020 by in category Jina’s Book Chat, Writing tagged as , , , , , , , , , , , , ,
Ode to my Proofreader My proofreader has the eye of an eagle and patience of a saint, No matter what I write, she swears not to faint Through missed commas, wrong tenses, and a lost full stop or two She carries on in spite of, through and through But what I never expected when I sent my m/s off with a sigh Was that parts of my book would make her cry… ——— Last month I wrote about the copy edits and mentioned that I sent my Paris WW 2 historical novel is off to the proofreader! Oh, my, I had no idea I’d make her cry… I actually stopped in the middle of proofreading my manuscript when she sent it back to me and shed a tear or two myself, I felt so bad for upsetting her. My first thought was… I had to change the scene, make it happy, not have this lovely professional proofreader stop her work because my characters made her cry. How dare they! I was totally surprised how much this affected me. It’s okay for me to bawl my eyes out when bad stuff happens to my heroine, but I think we writers live in a bubble and don’t know realize how much the stories we tell affect our readers. They’re just as invested in the story as we are. And for that I thank you for allowing my stories to touch your soul, wrench your heart, and send you on a journey to a place far, far away, but bring them home, nourish them, cheer with them cry with them when you let our characters come into your life. And yes, my proofreader did finish her proofreading on time (with a tissue or two in tow).
————– THE RUNAWAY GIRL Two women hold the keys to his heart. Only one will survive that fateful night… When Ava O’Reilly is wrongly accused of stealing from her employer, she has no option but to flee Ireland. The law is after her, and she has only one chance at escape – the Titanic. Aboard the ship of dreams, she runs straight into the arms of Captain ‘Buck’ Blackthorn, a dashing gentleman gambler who promises to be her protector. He is intrigued by her Irish beauty and manages to disguise her as the maid of his good friend, the lovely Countess of Marbury. Little does he realise, that the Countess is also in love with him. As the fateful night approaches, tragedy strikes further when Ava is separated from Buck, and must make a daring choice that will change her life forever… A sweeping historical romance set aboard the Titanic, from the author of Her Lost Love (Christmas Once Again). Praise for Jina Bacarr: ‘A delightful holiday romance that has all the charm of a classic Christmas movie. Christmas Once Again is perfect for anyone who loves a holiday romance brimming with mistletoe, hope, and what ifs.’ Andie Newton, author of The Girl I Left Behind ‘A breathtaking holiday romance that is sure to stay with you long after reading’ ‘A mesmerizing holiday romance that is sure to sweep you off your feet and take you away to another place, another time.’ ‘A fabulous book you won’t want to miss’ THE RUNAWAY GIRL e-book, print and audio book:
THE RUNAWAY GIRL
Buy from Amazon
Buy from Apple Books
Buy from Barnes and Noble
Buy from Kobo
BONUS this month: meet Daisy in my Boldwood Books 1st anniversary video!
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To Include or Not to Include by Linda O. Johnston

September 6, 2020 by in category Pets, Romance & Lots of Suspense by Linda O. Johnston tagged as , ,

To Include . . .

We’re still in the midst of the pandemic that has affected us for more than six months now.  People get sick, and fortunately many heal . . . though not everyone does.  And it’s affected us in ways beyond illness–economically, for example.  

Even when things seem to improve some, they don’t always stay that way. Sometimes they get worse again. We still don’t know when things will settle down and start resembling normal once more.

And as a writer, I’m wondering when to use all of this.

Right now I’m still working on my third book in the long-running Colton series for Harlequin Romantic Suspense, featuring characters in one of the many branches of the Colton family spread all over the country. I’ve known what has to happen in this one, and that’s what I’ve done.

Or Not to Include . . .

But I’m also plotting some other ideas.  Stories that will take place at least a little in the future.

Should I mention the pandemic? The social unrest? What it’s all done to our economy?

Or should I assume that readers will prefer that I don’t go there, that I ignore all that nasty stuff and just create my own issues in my stories, the way I used to?

I’m pondering all of that even as I plot. But like everything else these days, who knows what the future will bring–and if things will ever return to what had been deemed normal before?

Of course, as a writer, I want to satisfy my readers. It’s okay to scare them in romantic suspense and mysteries, but we need satisfying endings in which all gets resolved in a reasonable, acceptable, perhaps optimistic way.  Never mind what happens in real life.  I write fiction!

Well, I’ll figure it out and decide which direction to go in each story I write.

And hope that reality gets better even as my stories continue.

~Linda


The First Two of Linda’s Colton Family Series


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Masque, Masquerade, Mask

August 19, 2020 by in category On writing . . . by Jenny Jensen tagged as , ,

No! I’m not going to weigh in on the mask vs no mask debate. Really.

I am an inveterate people watcher. Sometimes I go overboard and get caught staring — awkward. Honestly, it’s not you I’m looking at, it’s the potential character the physical ‘you’ suggests to me. I’m pretty sure all writers do that to one degree or another. It can’t be helped. Some people just like a (too) kindly grandmother, or a shifty con man or a fairy princess or a sharkish accountant.

Faces reveal so much, from hidden agendas to unspoken feelings, spontaneous joy to suppressed fury. It’s fertile ground for the writer. Anne Perry uses the reading of facial expressions to heighten tension and create suspense. In her hands it’s a plot device and she’s brilliant at it. Add body language to that and a character comes fully to life. It’s also a great way to stomp down those unwanted dialog tags; showing the reader who’s speaking is miles better than telling.

Just watching the emotional beats revealed on the faces of two friends having coffee can jumpstart a story and the story can shift and morph if I switch genres in my head. (Yep, I start a lot of imaginary tales. It’s more fun than Sudoku.) Narrowed eyes and rigid lips mean one thing in a spy thriller and quite another in a romance. Add the tilt of the head and a clinching of fists and it could work for either the inciting incident or the denouement.

Now most of us are masked and I have to shift my game. We’re all consciously trying to keep a six-foot distance and it makes for some very stilted body language! A woman turned from the pasta aisle just as I was turning in, our carts nearly colliding. That’s a common enough occurrance at the grocery store and usually each party smiles and laughs and maneuvers on their way. I found myself braying an exaggerated laugh, shrugging my shoulders and my “oh sorry” came out a bit over bright. It was the mirror response of this woman. We couldn’t read each other’s faces. An apologetic smile doesn’t do it any longer.

They say we need to adjust to a new normal. I’m not sure what that’s supposed to mean, but I can imagine all this maskedness and artful distancing will add some very intriguing elements to contemporary fiction. How will strangers meet and grow a romance? Is love at first sight a victim of the pandemic? How will antagonists make use of the fact that with a baseball cap, sunglasses and the compulsory mask one is virtually unidentifiable? Think of the wonderful mix-ups this could lead to. Great fodder for screw-ball comedy. Or great fodder for murder and mayhem.

It will be impossible to ignore Corvid in writing contemporary stories. At the very least it will have to serve as atmosphere, but there are elements of this awful reality that present nearly endless plot possibilities — as nearly endless as this shutdown feels. I can’t wait to read them.

Jenny Jensen

Editor

www.E-BookEditor.com

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Why copy edits keep me up at night by Jina Bacarr

August 11, 2020 by in category Jina’s Book Chat, Writing tagged as , , , , , , , , , , , , ,

copy edits done and gone

every comma, typo, everything wrong

fixed and buttoned up nice and tight

trying so hard to get it all right

now to sleep perchance to dream in bliss?

no…tossing & turning, wondering, what did I miss?

——————

My Paris WW 2 historical novel is off to the proofreader!

——————-

Once upon a time in Hollywoodland far, far away, I wrote tons of scripts for kids’ TV shows. I remember one show I was hired to work on where my script was considered the ‘hallmark’ of the series — it had all the elements they wanted in each script and they used it as a ‘sample’ to show other writers they brought on what they wanted.

Wow.

Yes, it was cool. Simple, right? Give them a good script, get a paycheck, grab another assignment.

Oh, no, my innocent ones.

It wasn’t at all like that. I met with the producers (seasoned pros) every day for two weeks until we hammered out the characters, the plot, subplot, theme… met with the toy company so I could see what the ‘toys’ looked like. Wrote an outline — a detailed outline — three times.

Got more notes. Wrote the script… rewrote it.

Then another meeting that went something like this: ‘You got the story down… characters good… ‘ say the producers. ‘But change the big action scene to include…………’

‘Why?’ I ask.

‘Because the toy company wants to introduce this …………. toy in the episode.’

I grin, say nothing. Remember rent is due. ‘You got it.’

In the end, it was a great episode with an emotional connection between the hero and his father and lots of action, but it didn’t just happen. All those meetings, notes paid off. It was a team effort and I learned back then that’s what makes good scripts. And good books.

The team.

Copy edits are a big part of that team.

Yes, I cringe, freak out, yell, and cry when I see those ‘comments’ on the right side of the page, but I’m so grateful for the time, skill, dedication, and heartfelt emotion the copy editor puts into her work. She knows this is my ‘baby’, yet it’s her job to find everything that ‘doesn’t’ work.

So a big THANK YOU to my copy editor on my Paris WW 2 historical coming out in October (cover reveal soon!) for putting up with my mistakes and asking the hard questions so I get it right.

You done good, kid.

—————

Blog tour coming up Oct 27 – Nov 2 already filled up except for one spot Yay!!


————–

THE RUNAWAY GIRL

Two women hold the keys to his heart. Only one will survive that fateful night…

When Ava O’Reilly is wrongly accused of stealing from her employer, she has no option but to flee Ireland. The law is after her, and she has only one chance at escape – the Titanic.

Aboard the ship of dreams, she runs straight into the arms of Captain ‘Buck’ Blackthorn, a dashing gentleman gambler who promises to be her protector. He is intrigued by her Irish beauty and manages to disguise her as the maid of his good friend, the lovely Countess of Marbury. Little does he realise, that the Countess is also in love with him.

As the fateful night approaches, tragedy strikes further when Ava is separated from Buck, and must make a daring choice that will change her life forever…

A sweeping historical romance set aboard the Titanic, from the author of Her Lost Love (Christmas Once Again).

Praise for Jina Bacarr:

‘A delightful holiday romance that has all the charm of a classic Christmas movie. Christmas Once Again is perfect for anyone who loves a holiday romance brimming with mistletoe, hope, and what ifs.’ Andie Newton, author of The Girl I Left Behind ‘A breathtaking holiday romance that is sure to stay with you long after reading’

‘A mesmerizing holiday romance that is sure to sweep you off your feet and take you away to another place, another time.’

‘A fabulous book you won’t want to miss’ https://youtu.be/S-33oEM4DlI

THE RUNAWAY GIRL e-book, print and audio book:

THE RUNAWAY GIRL
Buy from Amazon
Buy from Apple Books
Buy from Barnes and Noble
Buy from Kobo
 
 
 
BONUS this month: meet Daisy in my Boldwood Books 1st anniversary video!
 

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