The plane sat on the Philadelphia tarmac, waiting in line to take off. Steph blinked at the sunlight illuminating her face in the window seat; clear and sunny: a good omen for her trip to San Diego, to her former roommate’s wedding. Except, the journey was for the marital knot she’d hoped wouldn’t happen.
Then the person in the seat behind her threw up.
We haven’t even started rolling down the runway.
Steph’s fellow travelers in Row 23 shifted in their seats as the retching continued.
Several call lights switched on. The ill person murmured, “I’m sorry. I’m so sorry.”
When no flight attendant responded to the lights, a man across the aisle in Row 24 tried a verbal summons. “We’ve got a sick person back here,” he shouted. “She needs help.”
Steph calculated the time frames that would now shift. This flight had an hour layover in Denver, but if the plane returned to the terminal instead of heading aloft, she might miss the connecting flight. Which would make her late for the rehearsal. Which would push the rehearsal dinner later. Christi had urged her to fly out the day before, but Steph had limited vacay days. Besides, she wasn’t sure she could endure watching her friend marry the guy Steph had thought was hers.
A flight attendant finally walked back to Row 24. By this time, the woman behind Steph was moaning softly and was, from what Steph could see as she surreptitiously peeked over the seat back, slumped against the window.
After trying to rouse the passenger, the attendant hurried to the front of the plane.
Moments later, the overhead speakers crackled to life.
“Folks, we’re heading back to the terminal because of a medical emergency. We’ll do our best to get in the air as soon as possible after that’s resolved. Thank you for your understanding.”
The cabin burst into conversation, and Steph’s seatmates compared notes about their destinations and the delay. She pulled out her phone to text Christi the news but stopped. Was this her excuse to miss the ceremony? She could even float a tiny lie about exposure. After all, she was only a couple of feet away from an obviously ill person. Christi didn’t need to know that Steph’s “illness” was dread.
The jet snuggled against the skywalk, and a flight attendant announced, “Please remain in your seats while the medical crew helps the ill passenger. We are determining if we will need to move to a new plane.”
Two EMTs entered the plane with a stretcher between them. With quiet efficiency, they moved the unconscious woman onto the stretcher and quickly wheeled her away.
Another flight attendant cleaned and sterilized the area, and the two people who had been seated next to the ill passenger resumed their places. The window seat remained empty.
Steph weighed her message to Christi. The closer the time to the wedding, the less she wanted to go. Why had she ever agreed to be a bridesmaid?
Flight is delayed. I’ll be late.
Let Christi take her wrath out on those already there. When Steph finally showed up, she could plead a migraine, an aching back—anything that would allow her to skip the ceremony, or at least sit in the back row and pretend to watch.
OMG. I told you to take an earlier flight.
Steph smiled grimly at her friend’s response. Reeve just might deserve Christi. He’d ghosted Steph more than a year into their relationship, although the frequent unanswered texts and calls prior to that should have been clues. And when Christi shared the news of her engagement to Reeve—“I’m sorry, but crazy things like this happen”—Steph was surprised her friend wanted her in the wedding. Perhaps it was to gloat.
When the flight touched down in Denver, Steph’s connecting flight had already departed. The slight queasiness that started when they were still over Pennsylvania had grown in strength until she knew she would not be traveling westward from Colorado. She didn’t need a made-up excuse; she had the real thing. She just hoped it was short-lived.
I killed one of the characters in my novel.
(It was more like two, but I have no qualms about the second one.)
I came up with a death scene I really liked and just had to use it, so someone had to “go.”
I’m still not sure if it was in the best interest of the story, or if I’m just stuck on having to use a particular description.
As I reflect on the sequence of events and the wording, and debate the character’s fate; to live or not to live? I think about language in general and the nuances contained therein.
The English “goodbye”, like the characters in a book, can be so finite. Here today, gone tomorrow.
In contrast, parting words in other languages encompass a world of possibilities of that which is yet to be experienced. Whether it’s, auf wiedersehen in German, arrivederci in Italian, or hasta luego in Spanish, each expresses the probability, and the hope, that we will meet again. Even the Japanese rarely use sayonara, unless it really is “the end.”
In life, as in writing and in reading, I prefer the meanings that other languages provide for that interim we call separation. And I would like to think that the characters we create in our imaginations, that eventually inhabit the pages of a book, continue on, not only in our own minds, but in the minds, and perhaps the hearts, of our readers.
So, if I must terminate one of my characters, I’ll think of them as an old soldier who has faithfully served, and comfort myself with the words of General Douglas MacArthur.
“Old soldiers never die, they just fade away.”
And I realize that no matter how wonderful a story may be, as we grow and change, some of the characters we loved best as writers and readers do fade away and/or are replaced by others.
But, they never really die.
We meet them over and over again in the ways they have touched us and changed us, and have made us different and maybe, even better, for having met them.
See you next time on May 22nd.
Veronica Jorge
0 1 Read moreA day of never-ending rain. Pounding on the roof, dripping off overflowing eaves, collecting in pools and puddles on the lawn. Hour after hour, by the quarter- and the half-inch, the water climbing the sides of the rain gauge in the small yard until it reached a full three inches.
The broad Delaware flowed brown with the mud it had picked up farther upstream. And like the water in the rain gauge, the river crept up its banks until it swirled only steps from Cara’s back porch.
Flood stage was sixteen feet, and according to the gauge at Frenchtown, the river stood at fourteen feet and rising.
It was the price she paid for living in a house perched on the riverbank. When it rained, she risked being flooded out.
And, unbelievably, the rain drove even harder against the roof. The plastic bucket she set under an intermittent leak in the living room splatted with a steady rhythm—Thunk-thunk, Thunk-thunk.
Jasper, her beagle, trotted back and forth across the kitchen tile, keyed up because of the downpour. He hated storms and only barely tolerated steady rain. Just like her ex, hating their stormy relationship and only barely putting up with their daily life. It was no surprise when Todd bailed three years into their marriage.
At two o’clock, Cara put on her rain jacket and boots, and drove slowly through the slosh of water that ran across her road, the new stream seeking the river, on the downslope. Her mother would be waiting at the door, ready for her doctor appointment.
Sitting in the waiting room, Cara felt her phone buzz. Kimm, her neighbor. They R evacuating us. Closing road. I’ll be at my sister’s.
But Jasper. She texted back: Can u take Jasper? I’ll get him from u later.
Several beats later Kimm responded. Water 2 high. Sorry.
“Mom, I can’t stay,” Cara said, as she dropped off her mother after the appointment. “My dog …”
“Oh, he’ll be fine.” Her mother shuffled slowly beneath Cara’s umbrella. “Todd is there, and it’s just a little rain.”
Her mother routinely forgot Cara was divorced, had been for a year and a half. He’d wanted them to move to higher ground, but she refused. The river was her life blood.
Zipping back to her neighborhood along the river, Cara splashed through standing water, her wipers on high, and cursed the car’s defrost, which couldn’t clear the fog from the front window.
A flashing Road Closed sign a quarter mile from her turnoff stopped her momentarily. But no one official was monitoring the road, and she maneuvered her car around the barrier to continue up the road.
She was about a thousand feet from her destination when she could go no farther in her car. The water stretched ahead of her, swirling and frothing. Pulling well off the shoulder, she parked and waded into the flood. The water reached her ankles and then her knees, but she could see her house, the brown roof, the thirty-foot pine near the south wall. The house itself was up a slight rise, so that by the time she reached it, the water had retreated to her ankles.
Jasper’s barking welcomed her onto the porch. She unlocked the door, and the dog pranced around her legs.
“Yes, I’m home.” She wrestled playfully with the beagle, but the rising water lapping at the porch steps caught her eye. It was a major torrent; this time the house might not survive.
She had to. To prove to Todd she was right.
With a calmness she didn’t feel, she found her backpack and a duffel bag, placing within them essentials she wanted to save. Jasper followed her from room to room, whining softly. She knew what he meant: Stop the rain.
“Wish I could, buddy,” she said, pausing briefly to give him a pat.
She checked the house one last time and locked the front door. The river churned in a muddy eddy, like a mug of pale chocolate. The water was now at the bottom porch step, knee deep—too deep for Jasper. But if she didn’t leave now, the combination of rising water and current might overwhelm her.
She hauled the stuffed pack onto her back, looped the duffel over her right shoulder, and picked up Jasper. He let her hold him, without a wiggle or squirm.
One foot into the water, then the other. The current tugged at her. Step by step, careful to position each foot solidly on the path, Cara traveled several hundred feet. Then a misstep let the current spin her and she started to fall. Releasing Jasper, she caught herself and gasped.
The dog. He’d disappeared beneath the surface.
“Help!” she called, although no one was there to hear. “Jasper!”
After she battled a moment of frozen panic, the dog’s head popped up. He was swimming beside her.
Pushing ahead, Cara reached the shallower water and then the gravel; Jasper now trotted on solid ground.
She bent and hugged him, his wet fur wiping the tears from her face. They’d made it.
I’m so excited to announce that my second children’s book, Mac and Cheese in Outer Space is coming soon!
I will be working again with Winda Mulyasari, who helped my mac and cheese world come to life back in 2020 when I published Mac and Cheese, Please, Please, Please.
Winda is super talented and I’m excited to watch her take my wild ideas and turn them into beautiful illustrations. My mac and cheese heart is bursting with excitement.
I’m also feeling very fortunate that I get to have my very first official author reading on Monday! Pictures to come!!
Hope everyone has a wonderful St. Paddy’s Day!
Peace, love, and Mac and Cheese,
Renae
Tracy is out of town this month, so we are reposting one of her columns. Hope you enjoy it.
I hope everyone had a wonderful holiday.
Let’s talk about unexpected stories.
I apologize if I’ve already told the story about my upcoming release, “UNEXPECTED LOVE.” My relationship with this story goes back several years. When I first became an Indie Writer, I had quite a few stories dancing around in my mind. I had this idea for a series about a woman and the many men in her life. More like all the men she’d married.
When I set out to write the series, the task seemed a little daunting. I don’t know about anyone else, but I easily get attached to my characters. But if I don’t feel a connection, it’s difficult for me to tell their story.
When I got the idea for this story, I imagined it as a five book series. I had all the husbands mapped out. However, when I started writing, it felt very forced. I was so overwhelmed trying to tell this woman’s story. I abandoned the series and thought I would tell it as a standalone. Summarizing each of the husbands and focusing on the one she really loved.
I picked up the pages I’d started, made a few changes, and set out to write. I liked where this story was going, but as I got more involved with the characters, the story changed. It was no longer a story about a bitter divorcee, but a liberated divorcee who finds love in an unexpected source, her ex-husband’s ex-best friend, who just happens to be her divorce attorney. That’s either a mouthful or a blurb.
The more involved I got with Fiona’s story, the more I liked her. But I also felt sorry for her. She’s a sweetheart, searching for her voice. In a nutshell, she married her college crush, who later deceived her. Once she decided to divorce him, she found her voice. I love her transition, although it’s not without its ups and downs. One of which is the change in her relationship with her attorney and her self-esteem.
Last year, when I set out to write twelve titles in a year, I had this title on the schedule as a short story. However, I didn’t think there was enough story for a book. So I resolved myself to make it a short story. I cleaned up the first chapter and started writing. But when I started writing, the story took a turn. It was no longer about Fiona and her husband, but Fiona and her attorney.
I continued writing, thinking I could tell the story in novella length. As I got closer to what would be maximum novella length, the characters kept talking. No matter how hard I fought to end the story, they kept talking, so I kept writing. I really enjoyed the direction the story was going. Then I wrote myself into a hole. Crap! I didn’t see a way out, so I introduced another character, thinking she would help me. Instead, she led me to a wall, and the only way around the wall was another character. Hold on, it gets better. When I introduced this character, he brought his own storyline in addition to tearing down the wall.
So here I was with a full-length novel. But here’s the kicker. When I introduced Fiona’s brother (aka “the wall”) into the mix, the story took another turn and led me to a place I never would have imagined being, “Cliffhanger Boulevard.”
Yep, my five book series originally titled, “My Five Husbands” was changed to a standalone novel. Then it got a title switch to “UNEXPECTED LOVE.” Then it became a short story, that grew into a novella that reverted to a full-length standalone, which is now book one in a new series. Talk about unexpected.
So what’s the lesson learned? Never throw out an idea. Instead, put it aside and, when the time is right, revisit it. You might be surprised what story you can tell.
See you next month.
Here’s a cover peek.
A Slice of Orange is an affiliate with some of the booksellers listed on this website, including Barnes & Nobel, Books A Million, iBooks, Kobo, and Smashwords. This means A Slice of Orange may earn a small advertising fee from sales made through the links used on this website. There are reminders of these affiliate links on the pages for individual books.
Stoke the campfire and get ready for some chills and goosebumps when you open this paranormal addition to the award-winning Bethlehem Writers Group's "Sweet, Funny, and Strange" anthologies.
More info →Can you really have the fairy tale and the dream job?
More info →A Slice of Orange is an affiliate with some of the booksellers listed on this website, including Barnes & Nobel, Books A Million, iBooks, Kobo, and Smashwords. This means A Slice of Orange may earn a small advertising fee from sales made through the links used on this website. There are reminders of these affiliate links on the pages for individual books.
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