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August 19, 2009 by in category Archives tagged as ,

Monica Stoner, member at large

The time is NOW to make space in your schedule for the LERA conference. Afterwards we can introduce you to green chilis, the most perfect food in the world.

2009 LERA Write From The Heart Conference

Come join LERA, Dianna Love, and Mary Buckham (with special guest Sherrilyn Kenyon) as they present their innovative, day long workshop:

From Thought To Plot
This interactive workshop will be held on Saturday, November 14th, from 8:30 to 5:00 at the Indian Pueblo Cultural Center,2401 12th St. NW Albuquerque, NM, just five minutes from Old Town Albuquerque.

Book signing after the conference: location TBA. Authors will include Sherrilyn Kenyon, Dianna Love, and Mary Buckham!

Monica K Stoner
tsent@ix.netcom.com

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Just Sucking the Pavement

August 18, 2009 by in category Archives

By Nancy Farrier

My daughter loved all kinds of critters as a child. She loved toads and lizards, often thinking they were her very own pets. When she was four, our area had an infestation of caterpillars. They were everywhere—on the roads, the outside walls of the house, and everywhere on the ground. My daughter delighted in the abundance of new “pets” at her house.

One afternoon, my husband and I noticed our daughter being quiet on the back steps. The sight of our whirling dervish sitting still had us both heading outside to see what she was up to. As we listened through the door, we could hear her low soothing tone as she talked. On the step next to her was a caterpillar that had seen better days. The poor thing was dead, but our daughter continued to stroke it and talk to him as if they were best friends.

When we stepped out, our daughter looked up with excitement, eager to show us her friend. As we tried to convince her to leave the dead caterpillar alone, she became upset. Finally, after my husband told her the caterpillar was dead, she narrowed her eyes, and said, “It’s not dead, it’s just sucking the pavement.”

I am sad to report that I have some caterpillars “just sucking the pavement” in my book files. These are story ideas that I love, but they’ve never interested a publisher. I talk to the characters, polish again, and send them off to another publisher to no avail.

I am not alone in this. I’ve judged many contests for unpublished authors in the last few years. I can’t count the times I’ve seen a mediocre story appear time after time with very little improvement. The author refuses to put aside the stale manuscript in favor of something new and fresh, with life in it.

The memory escapes me of how we distracted our daughter so the caterpillar could conveniently disappear. We probably distracted her with a cuddly kitten that she would love. It wasn’t easy, since she was so determined, but we accomplished the feat. As an author, I’ve found it difficult to let go of those ideas that weren’t as appealing to others as they were to me, but I’ve persevered. I’m determined to trade in those dead “pets” for ones that are full of life and bring excitement to the page. No more “just sucking the pavement” for me.

Nancy’s new book PAINTED DESERT will be released September 1st. You can find out more about both Nancy and her books at http://www.nancyfarrier.com/
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August Prez Messge rj – 2009

August 2, 2009 by in category Archives

Have you ever been asked the question: Where do your characters come from?
I often wonder when I sit down at the computer and a personality emerges, with quirks and histories I didn’t outline or think through: Did I know a person like this? Or did I merely see someone at a party, a Dodger game, a museum who inspired the thought?

Most recently a wrote a book where the female character wears heels always, because of her diminutive stature, and always curls those legs up to sit cross-legged on any surface that isn’t a chair. Was it her history that gave her this quirk? A rebellious background (she’s a true American Gypsy) that had her sitting on tables rather than chairs? Or was it purely about being less that tall, so she didn’t want to be at the same level or lower than others when she was sitting down? Or was it a physical condition that made sitting in that posture merely the most comfortable?

Personally, I have no idea. I sat down to write a scene, and as it emerged from my fingertips, the quirks became a natural part of the action. And the book is not completed, so I still haven’t attached a reason for it yet. Now I would guess that some of you are nodding your heads. Your heroes & heroines and their personal characteristics emerge in the same manner. Others of you are appalled. How can you portray someone doing that without thinking things through and meticulously outlining their background?

I’m sure others have addressed this is classes or seminars, and probably in a more quality manner. Regardless, this is my question of the month: whether you are building the perfect hero, aspect by aspect in an outline, or if they spring whole and complex, birthed from a few lines in a scene, where do they come from?

For me, I don’t really remember ever meeting anyone who fits the description of my gypsy girl. But it must have come from somewhere. Even my busy to chaotic imagination usually doesn’t concoct someone out of air. Perhaps she is pieced together from a dozen souls whose path I’ve crossed over the years. When I originally planned this book, she was still short, but her history, her quirks and her personality are nothing like the person who has emerged onto the page.

Yes, I went through a planning stage for a number of books. Back in the 80’s (geez I turn 52 in a couple of weeks!) I attended my first Romance Writing seminar. One of the techniques that came out of the class was to identify and outline a “couple” who will be the center of your book. I created several, with a couple of lines describing each, a paragraph or so about their history, and a plot line that I thought would enable them to meet, fight, love, leave and reunite for happily ever after.

I still have those yellowing pages of notes. Three of those pairs live in three of the books I have completed over the years. (Other recent manuscripts evolved from other sources). I have about five more who still are waiting for me to write their story. What’s funny is those I did write about remind me of the remodeling jobs of some houses in old neighborhoods: you keep that one foundation beam or wall in the house, and per zoning law, it’s not a new house, although everything around it may change absolutely.

And so it is with my characters. They started as one type a person — In the case of my Gypsy, she was a mousy, bank teller with psychic visions – and as the book begins, she evolves into a character for today – a sassy, secure, security software designer (I really didn’t mean to add all that alliteration J), who has a past as a con artist. Still short, with long dark hair, but now she wears heels and sits on tabletops. And, I handed the psychic abilities over to her love interest, an LAPD cop. He was always the cop, but he was the cynical disbeliever. Now he’s still the cynical disbeliever, but he has this annoying yet useful ability to be able to tell when someone is lying, and the frightening ability to see when a crime is going to happen.

Where did they spring from? Stories we’ve read? You hope you’re not Xeroxing someone else’s character from an old memory, but one would guess you couldn’t help but retain some quirk that sticks in your mind. Articles in the newspaper? Forensic Files? CSI? Your next door neighbor? That family at Disneyland? (Have you seen some of those people?)

We are all observers of the human condition, of people whose lives we interpret and then relay on paper. Let us hope we continue to take what we see, and spin it into a tale that brings joy to our readers and insight to our world.

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What to write VS How to write

July 19, 2009 by in category Archives tagged as ,

Monica Stoner, Member at Large

Years ago I had the great good fortune to attend a weekend workshop with Paul Gillette. In the process of having our work analyzed, he brought up the concept: “I can teach you HOW to write but I can’t teach you WHAT to write.” It sounded quite wise, and as he was saying this in praise of something I had submitted I tucked the concept away to consider later.

Come forward through years of writing and not writing, into a time when of new experiences. I’ve had the great good fortune of judging contests. I am amazed at the quality of work entered. Even though not everything is ready to submit, it’s clear these people have put a lot of thought into their work, and have the principles of formatting, sentence structure and basic usage down pat.

Every now and then, though, I review an entry lacking in all those basic writing skills but so rich in story I’m stunned. Just as rarely I read something perfectly crafted, showing great skill in word choice yet totally lacking in imagination. Finally, I understand what Paul Gillette was telling us. Anyone can learn to write with an acceptable level of skill but not everyone can come up with a story that grabs at the reader and demands we drop everything else to finish the book.

Who would have the easier task for improvement – the person with the excellent skills but ordinary story, or the person with the great story but little idea how to organize her thoughts into words? I’m not really sure, both have a hard road ahead of them. A lot will depend on how badly they want to write, and how much it means to them to finish the book. Then the next book.

Happy writing

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Staying Grounded While in the Air

June 19, 2009 by in category Archives tagged as ,

by
Monica Stoner, Member at Large

Since the end of May I have been in four states, flying back and forth from my New Mexico home. I’ve visited three new towns and encountered four new airports. I wonder how people can do this month after month, I’m certainly looking forward to staying in one spot, sleeping every night in my own bed and eating New Mexico food. There truly is no place like home. The supporting thread in all of this is, guess what?, books. I check for book stores in every airport – there’s actually a used book kiosk in the Raleigh Durham airport. Every airport has at least one chain book store, some stocked better than others. Looking around in the waiting areas and on the planes, in every row at least one person has their nose firmly planted in a book. Yesterday I watched a professionally dressed gentleman at the courtesy vehicle stand with his attention firmly on the hard backed book in his hands.

Certainly the first thing I pack is reading material, and I often make a trip to the local book store to stock up for a trip. At one time I tried to bring along an “important” book, thinking this was an opportunity to read something I “should” read. But I also bring along books I want to read, and those are the ones I reach for first. After a while I decided to save the weight.

This is a thankyousomuch to all those who get their books finished and published. They keep us going through times bad and good. Their imagination takes us away from ourselves for at least that brief period of time, and often beyond that. I was reading the Mercy Thompson books while in Washington state, and found a connection to the dense forests I drove through. Of course this also means I plot scenarios in new locations. If you hear about bizarre things happening to people forced to spend the night in an airport, there’s a possibility I finally stopped long enough to finish a thought, finish a book and get it to a publisher. Keep writing!

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