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What to write VS How to write

July 19, 2009 by in category Archives tagged as ,

Monica Stoner, Member at Large

Years ago I had the great good fortune to attend a weekend workshop with Paul Gillette. In the process of having our work analyzed, he brought up the concept: “I can teach you HOW to write but I can’t teach you WHAT to write.” It sounded quite wise, and as he was saying this in praise of something I had submitted I tucked the concept away to consider later.

Come forward through years of writing and not writing, into a time when of new experiences. I’ve had the great good fortune of judging contests. I am amazed at the quality of work entered. Even though not everything is ready to submit, it’s clear these people have put a lot of thought into their work, and have the principles of formatting, sentence structure and basic usage down pat.

Every now and then, though, I review an entry lacking in all those basic writing skills but so rich in story I’m stunned. Just as rarely I read something perfectly crafted, showing great skill in word choice yet totally lacking in imagination. Finally, I understand what Paul Gillette was telling us. Anyone can learn to write with an acceptable level of skill but not everyone can come up with a story that grabs at the reader and demands we drop everything else to finish the book.

Who would have the easier task for improvement – the person with the excellent skills but ordinary story, or the person with the great story but little idea how to organize her thoughts into words? I’m not really sure, both have a hard road ahead of them. A lot will depend on how badly they want to write, and how much it means to them to finish the book. Then the next book.

Happy writing

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Book Trailer: Does it matter if it’s Black and White?

July 11, 2009 by in category Archives tagged as , , ,

by Jina Bacarr

Last month I posted the book trailer for my latest Spice release, Cleopatra’s Perfume, about a woman’s insatiable appetite for sex and adventure in 1939 Cairo (also Berlin and London) when the world was teetering on the brink of war.

I put together the one-minute book trailer in color and a second trailer in color and black and white (similar to when Dorothy visits Oz in the 1939 film and the screen goes technicolor). The interesting thing is that the black and white/color trailer has gotten more hits than the color trailer.

So when fellow OCC member, Bobbie Cimo suggested I try ALL black and white, I thought, that’s a cool idea. (Thankz, Bobbie!) So I put it together and uploaded it to several sites. What’s really amazing is that on one site I received a thousand hits in one day–and on others, just a handful. So you never know…

You be the judge: Here’s the black and white book trailer for Cleopatra’s Perfume!!

Best,

Jina

Follow me on Twitter: www.twitter.com/jinabacarr

Jina Bacarr is also the author of The Blonde Geisha , Naughty Paris, Tokyo Rendezvous, a Spice Brief, and Spies, Lies & Naked Thighs, featuring an Indiana Jones in high heels.

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Do You Want To Be Nice?

July 10, 2009 by in category Archives tagged as

My daughters and I love words. When one of us comes across an unusual word we share it with the others, often taking the time to look up the meaning in the dictionary. A friend and fellow author on Facebook, Brandilyn Collins, always posts a word of the day, many of them ones we’ve never heard before. My girl’s favorite so far is “tenebrific.” The meaning is gloomy or dark, which describes one of their “emo” friends at college. We always have a lot of fun rolling new words around on our tongue and trying to think how they would be used in a sentence.

In our quest to look up words, we discovered that some commonly used words have changed drastically over the years. For instance, when we use the word “nice” to describe someone, we have visions of a person who treats us with kindness. Perhaps we use “nice” to tell a friend about a dress or pair of shoes we found at a store and would like to purchase. Those definitions are listed in the dictionary, but they are not the first or even second definition. Instead, “nice” as we know it today is listed as number six in my Webster’s College Dictionary.

We found that the original meaning of “nice” came from words that meant strange, lazy, stupid, or foolish. The first definition for “nice” is difficult to please. In the Merriam-Webster online dictionary, the first definition is obsolete, but means “wanton or coy.” Nice can also mean “picky, or difficult to please.” This puts a whole new slant on referring to a person as “nice.”

As writers words are our business. I love to use less common words throughout my writing. I don’t mind if a reader has to grasp the meaning from the context, or even take the time to look it up in the dictionary. Often, I will stop in the middle of a book to look up a word, and that never takes away from my pleasure in the story. In fact, it often increases my interest in that author’s work.

How about you? Have you come across words that you enjoy, but which aren’t commonly used? Care to share those with us? I’d love to see what words you might share with your family.

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The lure of travel…and body painting

July 8, 2009 by in category Archives

There’s a photo essay in today’s New York Times (in the online version, at least), called Why We Travel. Lots of great photos, with travelers explaining how they came to be on that particular trip. Reasons vary from the mundane to the cool to the downright weird.

I love to travel, and next week I’m off to Washington, D.C. for the Romance Writers of America conference. Yes, it’s work…but D.C. is a fabulous city and I haven’t been there for about 20 years, so I can’t wait to revisit the monuments, the Smithsonian, those streets full of opulent homes and stores…and some new (to me) attractions like the Spy Museum. I’m also spending a couple of days in Annapolis, where I’ve never been before and by all accounts it’s beautiful. Bring it on!

I think most of us have a list of must-see places in our head that we hope to get to one day. Croatia is high on my list. Back to Italy, definitely. New Mexico. Skiing in the Rockies. This list could run and run…

Tell me somewhere special that’s on your list, I’d love to know and maybe even to expand my own list…

And while we’re on the subject of travel, here’s a link that popped up on the NYT front page – http://www.nothingtohide.co.nz/ – You know those safety demonstrations that flight attendants run through before takeoff? Well, this is Air New Zealand’s safety demo, and the crew are wearing body paint and not much else. I can tell you, you’ll never watch a safety demo with as much concentration as you’ll give this one 🙂

Happy Travels
Abby

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Learning to Love the Writing Process

June 28, 2009 by in category Archives tagged as , ,

Writing a book is not easy. If it were, everyone would do it.

It’s not like writing a term paper. Yes, it requires hard work and research, but the thing that makes a book special is the heart and soul the author puts into it. It really is like childbirth. There’s a lot of pain and sweat and maybe some cursing, and then finally a new project is brought into the world—a unique and wonderful project that is nothing like anyone else’s. Just like a baby.

When a writer first decides to write a book, most of the time he or she is not quite sure how to go about it. The non-writing part of the population figures you just need to sit down and put in some time and poof—a book is born (See term paper reference above). Yes, writing an entire book does take time. How much time? That depends on the writer. And you can speed up your writing time by accepting and loving your Process.

What is your Process? It is how you write your book. Not how I write my book—that’s my Process. You need to figure out your own process—what works for you that gets you from Page One to The End. And the best way to do that is to write a book, all the way through.

Every writer has his or her own process. I’ve written and published twelve books over the past ten years or so, and I still call up my friend when I get stuck. And I still get stuck at the same place in every book—between chapters five and nine—where I spend a long time banging my head against the wall and wondering if I will ever finish another book in my life…EVER. And you know what my friend says? “Oh, that’s just your process.”

For some reason, knowing that this is my process immediately makes me feel better.

“You do this with every book,” she says.

I do?

“I’ve been studying your process. I’m trying to learn from it.”

You are? Can you clue me in?

I have learned some things about my process over the years. There’s the chapter 5-9 problem. Usually when I’m in the middle of a frustrated, Tasmanian Devil spin, the realization that I am at the end of chapter six calms me down. Okay, this is what I always do. Grit teeth and tough it out.

Then there’s the fact that I am sort of an organized pantser. I’ve been selling on synopsis for about eight or nine years now. I write a synopsis and get approval from the publisher, and then I start writing the book. I write the first couple of chapters. Go back, change them. Decide no, that’s not where the story starts. Write a different beginning. Okay, this one might work. Write some more (usually just up to chapter 4 or so—don’t want to hit the No Man’s Land of Chapters 5-9 while still wrestling with the beginning). I might even write a third incarnation of the beginning of the book. Send to writing friends for review. Get comments. Maybe I hear a speaker or read a writing book that makes me reconsider the beginning. Maybe I try storyboarding, but something still isn’t right. In the end, nine times out of ten I will end up going back to my first version of the beginning of the book. Turns out that was the right place to start after all.

Once I have accepted the beginning few chapters, and I have wrestled with my chapter 5-9 issue, I usually get to the first love scene in the middle of the book—around chapter 10 or so. Writing love scenes and sexual tension is easy for me, so once I get to that point, the rest of the book flies. I am able to surge forward at warp speed and finish the book on time.

With every book I write, the frustration is still there. The certainty that my last book may well have been my LAST book. Every beginning I chase myself in circles. Every second quarter of the book I bang my head against the wall. Then I hit the middle and suddenly the words fly almost faster than I can type them. And when it’s all over, I have a book to submit.

Then I have to do it all again for the next one.

Understanding my process definitely makes it easier to accept while I am in the midst of deadline angst. Loving my process is harder, but the two of us are joined irrevocably. We create wonderful stories together, and that makes it all worthwhile.

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