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Agents/Editors: We Don’t Bite…Much

May 26, 2011 by in category Archives tagged as , ,

Instructor: Lynn Price

Dates: June 13 – June 25, 2011 This is a two week class.
Cost: Member Fees are $10.00 and Non-Member Fees are $15.00.

 

About the Class:
Filling a gap that exists in today’s writing reference manuals and writer’s conferences, this two-week online course offers a unique look at the publishing business and the submission process from the agent’s/editor’s viewpoint.
This one-stop-shopping class also will provide a thorough breakdown of the elements that go into a cover letter, synopsis, biography, and promotion plan.  Learn, too, about
·         Differences in publishers and what is a Print On Demand publisher versus print on demand printing technology?
·         What is a vanity press, and can they get my books on store shelves?
·         What’s the advantage to going e-book?
·         Should I care about distribution?
Added to the mix will be Lynn Price’s own special collection of common writing mistakes that often result in a rejection letter – point of view switches, comma misplacement, bad transitions between new paragraphs.
This fast-paced, two-week look at the publishing world will cover the whole enchilada so writers can become better at their craft and understand how the industry works.
About the Instructor:
Along with being the editorial director for Behler Publications, Lynn Price is the award-winning author of the novel, Donovan’s Paradigm, and of the writing reference book, The Writer’s Essential Tackle Box: Getting a Hook on the Publishing Industry.  Debuting last year as part of the Get It Write series, this second work provides “an insider’s view geared to inform and educate writers as to how we work, why we work, and the pitfalls to avoid.”
Since 2003, Behler Publications has been publishing best selling and critically acclaimed works chronicling personal journeys with socially relevant themes: stories that deal with how people are influenced and changed by their experiences and how they deal with those repercussions.  The books invite introspection: “I’m a better/more thoughtful/ smarter person for having read this book.”
In addition to extensive speaking engagements at writer’s conferences all over the country, Lynn also assumes a lighthearted and somewhat irreverent tone in addressing the many issues facing today’s writers on the Behler Publications blog: http://behlerblog.com/
This is a 2 week class. 
Member Fees are $10.00 and Non-Member Fees are $15.00.
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Coming In July

“Breaking Things Down Into Threes”with Beth Daniels  

 

Plotting and more for plotters and pantsers: Plots require organization – even those written by pantsers. Why? Because all storytelling requires a flow, a smooth transition from one scene to the next. Getting it doesn’t require an outline though. All it requires is a system . . . a system of thirds.
This class is for writers at any point in their writing career from unpublished to midlist.

 

Date: July 11 – August 6, 2011 this is a four week class
Cost: $20 for OCC members, $30 for non-members
Want to be notified personally two weeks before each class? Be sure you’re signed up for our Online Class Notices Yahoo Group!
Sign up at the bottom of http://www.occrwa.org/onlineclasses.html or send a blank email to OCCRWAOnlineClassNotices-subscribe@yahoogroups.com

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Contest Deadlines

May 21, 2011 by in category Archives tagged as

Updated and all sites tested…Compiled by Donna Caubarreaux….May be forwarded with credits.

  • EA = Electronic Format Available
  • EA/Non US = Electronic for Foreign Entries
  • EO = Electronic Only
  • MO = Members Only
  • U = Unpublished
  • P = Published
  • P/3 = Not published in three years
  • Pnr = Published, but not by RWA standards
  • PC = Not published in category selected

JUNE CONTEST DEADLINES

Published Beacon Contest (P)
First Coast Romance Writers
Postmarked by June 30, 2011
Copyright date of 2010
http://www.firstcoastromancewriters.com/?page_id=215
…..

Donna Caubarreaux is a member of Coeur de Louisiane, Scriptscene Chapter, NOLA Stars, Heart of Louisiana, and Kiss of Death. She received a RWA Service Award in 1997

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Contest Judge Tells All

May 14, 2011 by in category Archives tagged as , ,

by Charlotte Carter

Throughout the year, I judge quite a few entries in unpublished writing contests. I’m thrilled when I find a really well written entry. I’ve been known – at least once – to give a perfect score. I’ve even referred one entrant to my agent.

But I dread finding mistakes that drive the score down. Hoping to help others learn what NOT to do, here are a few examples.

One author wrote wonderful, creative, original metaphors. They were great! Except there were too many, sometimes three on a page. I got a bad case of metaphor-itis and had to lower the score.

Actions cannot happen simultaneously. Try to picture what this character is doing: She stood and carried the baby as she followed the doctor down the hall. You cannot stand and carry and follow all at once. These actions should be in sequence. Standing, she lifted the baby into her arms and followed the doctor.

One author had clearly been told to use the 5 senses. Excellent idea. But not all in one paragraph and then totally forgotten throughout the rest of the manuscript. Weave the 5 senses into every scene so the reader shares the same experiences as the characters.

Dialogue is good. Dialogue by itself is not enough to tell an emotional story. It’s talking heads.

Read your entry carefully, slowly, aloud, or have someone else do it for you. Silly mistakes and typos can cost you points.

Commas are your friends. Or rather, properly used commas make your sentences understandable. Leave them out and the reader, or judge, has to continually backtrack. Commas used willy-nilly are just as confusing. Don’t guess. Get someone to help you.

You do not fool a judge by not starting a new page for a new chapter. We know you’re trying to squeeze every word into the limited number of pages that you are allowed. It doesn’t help.

Your synopsis, no matter how short, has to include the ending. Don’t make the judge — or an editor — guess how the story is going to come out.

Books that leave you smiling
from Love Inspired
Big Sky Reunion, available now
Big Sky Family, 11/2011
http://www.charlottecarter.com/

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STAR GAZING AT SARDI’S

May 13, 2011 by in category Archives

by Bobbie Cimo

For a brief period of my youth I lived on Long Island, New York. It was quaint, quiet and pretty dull, even for a girl raised in Birmingham, Alabama. Also, a far cry from the bright lights, glamour and excitement of the big city. But once in a while, on a Saturday, my sister would take me on an outing to Manhattan, where we would do a little shopping, catch a Broadway matinee, have an early dinner and then go star gazing outside of Sardi’s Restaurant.

Sardi’s, located in New York City’s theatrical district, was the pre-and-post theater
hang-out for all the Broadway stars. This toast of Broadway, as it was sometimes referred to, was also known for the hundreds of celebrity caricatures that adorned it’s walls–much like the West Coast’s Brown Derby.

It was just by chance, while wandering in front of Sardi’s, that we became junior stalkers–we didn’t mean to, we just kind of fell in with the wrong crowd–literally. Well, actually, it turned out to be the right crowd, as far as we were concerned.

It all happened very innocently when we found ourselves being blocked by a small group of people, gathered in front of the famed restaurant. We couldn’t figure out what they were all doing there, when suddenly the crowd grew excited and a flurry of flashing lights went off. It didn’t take us long to realize the hullabaloo wasn’t for us, but for some famous personality emerging from the restaurant.

Most of the Broadway stars coming in or out of the eatery appreciated the admiration and would stop to sign Playbills (programs) for their fans. And sometimes, on a good night, we even got to see a few, genuine movie stars, walking down the street. Like the time Paul Newman walked briskly past everyone, trying to avoid the crowd.

In my determination to keep up with him, I found myself walking backwards, so I could keep facing him as he walked down the block. He wasn’t very tall, but what he lacked in height was more than made up for by his illuminating blue eyes. Both he and his eyes held up to their much publicized reputation. Absolutely gorgeous. When I asked him for his autograph, he responded with what I later found out was his standard answer to the public, “Sorry, I don’t give out autographs.”

In retrospect, I think I could’ve eventually worn him down–if I hadn’t walked out of my shoe and had to stop to retrieve it to put it back on my foot. The last I saw of Paul Newman, he was running down the sidewalks of New York and away from me.

Then there was Lauren Bacall, (the widow of Humphrey Bogart and then wife of actor Jason Robards), who came out of Sardi’s with her arm draped around her young son’s shoulder. When asked for her autograph, she let out a husky laugh and said, “I can’t stop–do you believe it, we’re off to see the Beatles?” Getting a whiff of her breath made me wonder if it was possible to suffer from second-hand intoxication. Giddy and a little tipsy, Lauren scampered away to enjoy her rendezvous with John, Paul, George and Ringo.

On one particular evening, I witnessed the full craziness of the paparazzi, like I‘ve never seen it before. Flashbulbs were flashing fiercely, like lightning in a thunderstorm, as the media elbowed their way through the crowd and towards their latest prey. I remember a lot of pushing and shoving between the reporters, photographers, and the fans–all sharing the same common goal of getting as close to the person as they could, who was being escorted by two bulky bodyguards to an awaiting limousine. Curious to see what was causing all of the brouhaha, I somehow managed to do what few were able to do. I got between the press, the fans and the bodyguards and found myself standing next to Elizabeth Taylor. I was so close to her, if I wanted to, I could reach out and touch her. But I didn’t. Knowing the moment wasn’t going to last forever, I tried taking in as much inventory on her as I could.

Mostly, I was surprised at how tiny she was compared to the larger than life persona that she projected on the big screen. And I couldn’t help but wonder if she had intentionally worn purple that night to show off her violet eyes. But it was too dark out to tell the exact color of her eyes, or if they really were violet, as rumored. When I felt the commotion become too much for me, I purposely stepped back, as her bodyguards swept her towards the limo and the crowd who acted like a swarm of bees, surrounded her, and then followed her to her car.

As for Richard Burton, he was a few feet behind me, being detained by several adoring fans, asking for his autograph. Because it seemed a lot calmer and definitely safer than the mob scene that I had just escaped from, I decided to get a closer look at the Welsh born star, who had gained most of his notoriety because of his notorious love affair with the well known Miss Taylor.

Yes, he was tall and fairly well built. But his face was covered with pockmarks and the glow to his skin seemed to come from a sunlamp. His hair, a tawny-gold, was tousled and his blue eyes, although kind, were a much paler shade than Paul Newman’s. But once he spoke, his resonant voice brought out his European charm and all imperfections were forgotten. When he stopped to shake my hand and looked me in the eyes, I suddenly found myself being mesmerized by the man who stole Elizabeth Taylor away from Eddie Fisher. And it became perfectly clear to me how this ruggedly handsome actor, with what seemed like raw sex appeal, had managed to steal Elizabeth Taylor’s heart, not only once, but twice–and perhaps even kept it, until her death.

I don’t know if after all these years, Sardi’s still holds the same popularity as it once had. But if you’re ever in New York, you might want to venture over to this iconic restaurant and hang around for a few moments. You never know, you might get lucky and see someone famous walking in front of you.

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