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Making Your Story Believable by Kat Martin

May 29, 2021 by in category Apples & Oranges by Marianne H. Donley, Guest Posts tagged as , , , , , ,

Over the years, I’ve found one of the best ways to make your story believable is to use real places to locate the action and real names of restaurants and streets. Actually going there, of course, is the best way to make that happen. 

In my new novella, COME MIDNIGHT, Breanna Winters, seated on an airliner next to a good-looking man in an expensive suit, finds herself kidnapped by Honduran terrorists.  She doesn’t expect Derek Stiles, a corporate executive, to put his life at risk by volunteering to go along when Bree is dragged from the plane and marched into the jungle.

Unfortunately, I have never been to the jungle in Honduras or any jungle for that matter, aside from a brief visit to a tropical rain forest in Brazil and a stop in Belize. 

So for this story, I didn’t go to Honduras, but I did do extensive research, and it wasn’t the first time.  Beginning with with an old historical, SAVANNAH HEAT, set in the Yucatan Peninsula of Mexico and more recently, THE CONSPIRACY, which travels from the Caribbean to Columbia, I’ve learned a lot about life in the jungle—and it is far from easy.

In the novella, the good news is Derek Stiles is a former Navy fighter pilot with extensive survival training who has spent time in the jungle before. Still, it’s soon clear they’ll need to depend on each other if they’re going to survive.

I hope you will give COME MIDNIGHT a try and that you will look for Derek again in my full-length novel, THE PERFECT MURDER, out June 22nd, the last book in my Maximum Security Series

Till next time, all best wishes and happy reading, Kat


New York Times bestselling author Kat Martin is a graduate of the University of California at Santa Barbara where she majored in Anthropology and also studied History. Currently residing in Missoula, Montana with her Western-author husband, L. J. Martin, Kat has written sixty-five Historical and Contemporary Romantic Suspense novels. More than sixteen million copies of her books are in print and she has been published in twenty foreign countries. Kat is currently at work on her next Romantic Suspense.


Excerpt

Come Midnight

Kat Martin

The sound of a baby’s high-pitched, incessant crying put his teeth on edge. Derek Stiles forced himself to relax as he settled back in his wide business class seat. The airplane engines hummed outside the window, dulling the noise a little, but the crying only grew louder.

Derek silently cursed. His trip to Colombia had already gotten off to a rocky start when a meeting in the Houston office of Garrett Resources, where he worked as VP of Mergers and Acquisitions, ran overtime and he’d missed his non-stop flight. Now he’d be landing in El Salvador, laying over a couple of hours before changing planes and continuing on to Bogota, not getting to his hotel until well after dark.

He pulled out his laptop and set it on the fold-down table in front of him. He usually worked on a flight. He always had plenty to do, but he’d been staying up late every night so he also needed some sleep. It was important to be at the top of his game first thing in the morning.

The baby’s cries grew louder and his nerves revved up. He hadn’t really noticed the woman sitting in the seat beside him until she stood up and turned toward mother and child in the row behind him. 

She jangled her car keys over the back of the seat and smiled. “Look, baby. Look at these. I bet you’d like to play with these, wouldn’t you?” The baby’s crying slowed, turned to whimpers, then sniffles, then stopped altogether. Glancing over his shoulder, Derek watched a little girl bundled in pink, maybe a year old, reach up for the car keys.

“I never thought of that,” the mother said, sounding desperate and making him feel guilty. He didn’t have kids but he could imagine how tough it would be to take a child on an international flight.

The mom, a black-haired woman in her mid-twenties, took out her own set of keys and held them up, but the baby ignored them, fascinated by the glittering heart on the end of the other keychain dangling in front of her.

“I hate to ask you this,” the mother said, “but is it all right if Sophie plays with your keys for a while?”

“Absolutely,” his seatmate said. She was pretty, he realized, with long blond hair and big blue eyes. A little above average height, slender but curvy in all the right places. “Once we’re in the air,” she continued, “if you want me to hold her, give you a little break, I’d be happy to.”

The mother’s smile held relief mixed with gratitude. “I might just take you up on that. My name is Carmen, by the way.”

“Breanna.” Her smile went even brighter and Derek felt an unexpected kick. He was usually able to leave his libido behind when he was away on business. 

“You have a darling baby,” Breanna said.

Carmen smiled. “Thank you.”

The flight attendant urged Breanna to sit back down so the flight could get underway, and the engines roared, preparing for take-off.

“So I guess you’re a mom,” Derek heard himself saying, though he made it a habit not to talk on a flight. He always had too much to do.

Breanna shifted toward him. “I’d love to have children someday, but I’m not a mother yet. I work with kids so I know a few tricks.”

“What kind of work do you do?”

“I’m with a non-profit called Shelter the Children. Abrego Los Ninos in Spanish. We support an orphanage in a little village outside San Salvador. That’s where I’m headed.”  

He smiled and held out a hand. “Derek Stiles.  I know your name is Breanna.”

“Yes. Everyone just calls me Bree.”

They were an hour out of San Salvador International Airport when Derek noticed a commotion at the rear of the cabin.

Then the curtain behind the business class section jerked open and a lean, black-haired man stood in the aisle. Derek’s blood ran cold when he noticed the assault rifle strapped across the intruder’s chest.


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The Treason of Robyn Hood Book Tour, Giveaway and Guest Post

March 24, 2021 by in category Apples & Oranges by Marianne H. Donley, Guest Posts, Rabt Book Tours tagged as , , , , , ,
 
 

 

 

 
 
 
 
 
The Treason of Robyn Hood
 
Dieselpunk Adventure

 

Date Published: March 9, 2021

Publisher: Ink & Magick

 

 

 

Purchase Links

 


What is the price of justice?

 

As a ward of the Lacklands, Robyn Loxley has lived a privileged life. Even now, in 1942, when another war ravages the world and people on the home front must do without, her adopted family is not affected by the rations and shortages.

 

That’s not to say she hasn’t been affected by the war personally. As Robyn hits yet another roadblock in her quest to see her best friend Will, trapped in a Japanese-American concentration camp, she stumbles onto the people of Sherwood.

 

With dark truths revealed about the Lacklands and what really goes on in Midshire, Robyn must answer what justice means to her and what she’s willing to do to exact it.

 

Robyn and the merry band get an update in this dieselpunk sci-fi adventure.

 

 

 

“The Treason of Robyn Hood has suspense, drama, humor, romance, and action, all jam-packed in a tightly paced novel full of intrigue…I enjoyed it immensely and will highly recommend it to fans of fantasy and adventure. “

—Readers’ Favorite®

“Connoisseurs of urban fantasy and offbeat romance will find this novel both a fun and fulfilling read. The clever characterizations and skillful melding of fantasy, adventure, and romance put a spotlight on sisterly devotion, oddball alliances, social conscience, and the human ability to rise above broken hearts and broken lives. “

 

—The US Review of Books

 

About the Author

 

 

D. Lieber has a wanderlust that would make a butterfly envious. When she isn’t planning her next physical adventure, she’s recklessly jumping from one fictional world to another. Her love of reading led her to earn a Bachelor’s in English from Wright State University.

 

Beyond her skeptic and slightly pessimistic mind, Lieber wants to believe. She has been many places—from Canada to England, France to Italy, Germany to Russia—believing that a better world comes from putting a face on “other.” She is a romantic idealist at heart, always fighting to keep her feet on the ground and her head in the clouds.

 

Lieber lives in Wisconsin with her husband (John) and cats (Yin and Nox).

 

 

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Guest Post

D. Lieber

How to identify your writing problems

 

Identifying your writing problems is a real struggle. On one hand, you don’t know what you don’t know. And on the other, it’s hard to face our mistakes on the best of days.

But we all want to get better right? We want our manuscripts to be the best they can be.

So, let’s talk about the first problem. Clearing your vision as to what you don’t know is there. There are a few ways, I’ve found that help me.

1.      Read. A lot. They always say you shouldn’t compare your work to someone else’s, and I can agree with that to some extent. But you’re going to. It’s just how our brains work. Reading other people’s writing can help you recognize things that work and don’t work in your view. And when you go back to read your own stuff, you’re bound to pick up on some of your shortcomings as well.

2.      Give yourself some lead time. This one is hard in today’s publishing industry. Writers are told to produce, produce, produce. Publish, publish, publish. But I’ve found that leaving my finished first draft to sit for a few months does wonders for the end product. When I come back to it, I have fresh eyes. And that makes a world of difference.

3.      Get help. This one is also important. Sometimes we are truly blind to our own problems, and we need other people to give us feedback. So, get some betas, hire an editor, read reviews if you have to. But listening to what others have to say can really help me see where I’m falling short.

On to the second: facing your shortcomings. If I’m being honest, this is the most painful. You’ve put a lot of work into this creation. And you’d fight to the death before letting someone tear it to pieces. But if you want to get better, you have to listen. Let’s break it down.

1.      Ask someone you can trust. The most important quality in a beta reader or critique partner is that they are trustworthy. You need to be absolutely sure that you believe that they are pulling your work apart because they want it to be better. Because if you can’t trust them on that level, they could just be being a jerk.

2.      Make sure they’re honest. It’s also important to find someone who isn’t going to sugar coat things for you. If you want to get better, you need to have a beta who is more worried about making your work better than sparing your feelings.

3.      Self-reflect and breathe. It’s going to hurt, a lot, to hear everything you did was “wrong.” You thought it was perfect. And now your work has been torn apart and your heart along with it. Your first instinct is going to be either to give up or push away everything you just heard. Resist that urge. I know it feels overwhelming, but you literally just wrote an entire book. Refining that book is not as difficult as the thing you already did. As to pushing the truth away, well you asked for the help. And these people took time out of their busy lives to offer it. It’s only courteous for you to see if there’s something valuable in what they told you.

And finally, and potentially most importantly, throw out everything I just said. The truth is, there are ways to make your story better. Of course, there are. But the person you need to please most is you. The whole world can tell you you’re wrong. Your betas laughed, your editor cringed, the reviewers railed. But if you know in your heart that you made the right choices, if you did all the above steps and still came out thinking this was the way to go, then do it. It’s your work. It’s your name. You’ll get “better” at your own pace.


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The Dirty Difference Between Paranormal Romance and Urban Fantasy by Rachel Hailey

February 8, 2021 by in category Apples & Oranges by Marianne H. Donley, Guest Posts, Rabt Book Tours tagged as , , , , ,

Today we have a guest post from Rachel Hailey. Rachel was born and raised in the South. She’s all about that nerd life and in between writing she’s dedicated herself to raising the next generation of nerds. If she’s not online or staring at a book she can usually be found at the local game store rolling dice, shuffling cards, or planning her next cosplay.

Her childhood was most prominently shaped by the works of R.L. Stine, Stephen King, Anne Rice and the Brothers Grimm.

The Dirty Difference Between Paranormal Romance and Urban Fantasy

Rachel Hailey

I’ve been in love with monsters since I was a little and got angry when Belle turned the Beast into a boring old prince. As I grew older and more obsessed with fairy tales, I found two genres that truly spoke to my black heart. Urban Fantasy and Paranormal Romance.

These powerhouses rose to popularity fast during the late ’90s, and early 2000s. Those years exploded with amazing stories of dazzling monsters. Jim Butcher and Laurell K. Hamilton were among the first and are still synonymous with Urban Fantasy. But around the time Anita was toying with the notion of staking Jean-Claude, Sherrilyn McQueen (Kenyon) introduced us to Acheron and his band of tortured but scorching hot daimon slayers. While Harry rides an undead dino, J.R. Ward first showed us the wicked streets of Caldwell where the Black Dagger Brotherhood protects their race against the Lessening Society.

Anyone who has read a good Paranormal Romance or Urban Fantasy will agree that there is magic in the ink. But what is the difference between Paranormal Romance and Urban Fantasy? Both include the same elements: mystery, action, adventure, supernatural, and yes, sexy times.

So what are the differences?

All four of these series feature creatures that don’t just lurk in the shadows – they’re at home in the dark. The stories bleed tension, and the only thing higher than the number of pages are the body counts.

With so many similarities, it’s the technical details that define which side of the aisle a book gets shelved.

One of the easiest difference to spot is Point of View. Black Dagger Brotherhood and other Paranormal Romance stories are usually told in third-person, giving readers the full experience by switching perspectives among many characters. Urban Fantasy authors, such as Hamilton and Butcher, rely on first-person, fully immersing readers in the heads and hearts of their protagonists.

As Paranormal Romance series unfolds, they often maintain this same energy with each book centering on a new couple, while in Urban Fantasy a single protagonist continues to shine center stage, no matter how many books follow.

The next difference can be a little tricky to identify. Paranormal Romance are more character-driven. It’s the emotions, the development of the characters, and their relationships that keep us turning pages. The relationships are the main focus. The tension comes from the need to see a couple (or more!) handle their issues and find their happily ever after.

Urban Fantasy, on the other hand, are plot-driven. Investigating the murder, solving the case, saving the world are the defining moments for these tales. That’s not to say relationships aren’t important in Urban Fantasy. Usually, they provide much-needed motivation for the protagonist to get off their ass and do their job or save the world, pushing them to be better, stronger, harder.

This brings us to my next point. Sex. The pages of Paranormal Romance blister fingers and leave readers dry-mouthed, but so too can Urban Fantasy. Usually, the scenes are shorter, less descriptive. The relationships form slowly over books and culminate in a scene that begins scorching and ends with a closed door. (Damn you doors.)

But these rules are often shattered with impunity which continues to leave readers a little confused. Anita arguably has more sex in one book than the entire cast of the Dark Hunter universe, and it’s twice as graphic. There’s also the matter of POV. Jeaniene Frost’s Night Huntress series is told in first person and focuses on the same characters through all seven (wonderful) books. The Night Huntress series is also heavily plot-centric but undeniably falls into the realm of Paranormal Romance.

So what is the difference?

My answer?

Marketing.

I’ve heard Paranormal Romance and Urban Fantasy referred to as cousins, but I disagree. I think they’re much closer than that, and deciding where they are listed comes down to opinion.

There’s an ugly side to this – The great disdain the Romance genres garner even within the publishing community. (Which makes no sense as it is the highest-grossing genre. Don’t believe me? Google is free.) Often this contempt leaves agents and authors slapping Fantasy on a book instead of Romance to appeal to a wider audience.

It starts with the cover. They replace the image of the muscled hero with a detailed, gritty image of the heroine holding a blade as she scowls fiercely into the night. I was told recently this was because Urban Fantasy readers are so much choosier about art. But are they really, or is this just another stereotype rooted in the belief that romance readers and authors are somehow less than?

In the end, it doesn’t matter where a book is shelved, or whether the cover has a half-naked man. Urban Fantasy and Paranormal Romance stories speak to some of the darkest corners of the human soul. Whether you read for the action or the action, remember, genres are labels, and like all labels, they can help or hinder. Don’t be afraid to cross the aisle and reach for a new author. What you find may surprise you.


Rachel Hailey’s Dark Paranormal Romance



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Disabled Author Still Finding Himself by Justin Murphy

January 27, 2021 by in category Guest Posts tagged as , , ,

I have a mild case of Cerebral Palsy, and I help care for an Autistic brother. Yet, I have spent years concealing my disability for fear it might hamper my writing career. I’ve written and self-published many works, including articles and columns for content sites. My best-known release, so far, is Gene L. Coon: The Unsung Hero of Star Trek.

My work spans quite a few genres: Southern Crime Fiction, Non-Fiction Entertainment, Sci-Fi/Fantasy, and Autism related fiction. The former two are the ones I’ve had the most success with. Alongside the Coon title, I penned the book Jack Kirby: The Unsung Hero of Marvel and a couple books about serial killer Joseph James DeAngelo.

My attempts at Sci-Fi/Fantasy have not been as successful, so I built on my achievements by writing more Non-Fiction Entertainment books about sci-fi creators. I have inked one on Steven Spielberg, culled from earlier articles I wrote about him. I, also, wrote books on such figures as Alfred Hitchcock, Twilight Zone creator Rod Serling, and filmmaker Stanley Kubrick. In addition, I did a couple short books on the Star Wars saga. With Disney and Marvel’s success at the box office, the Jack Kirby book might be the farthest I go in that genre for now.

Over the last decade, I was told to write more about my struggles with Cerebral Palsy and my brother’s Autism. Yet there’s a Catch 22, as with any endeavor. Despite improving my craft through writing from life experiences, this is also a business designed to make money. I also have heard: Well, this doesn’t sell, or You need to write something more marketable.

For a time, I got flack for writing serial killer stories and Autistic characters placed in science fiction or crime tales, instead of drawing from something more authentic.

Though still writing stories on the above figures, I wrote a manuscript based on an event that happened to me when I was ten years old, due to Cerebral Palsy. Another about our ordeals with my brother’s Autism, anger with discovery and acceptance of what went on, and how we learned to love him.

But my writing still didn’t feel complete, so I wrote a supernatural horror story about an Autistic child and her family being stalked. Despite many autobiographies and memoirs being successful, these more authentic stories of mine used fictional names, and either combined or deleted certain incidents that didn’t fit the main narrative. Plus, many authors have written from their life and had a great deal of success placing them in fictional contexts.

Remembering my small success with Southern Crime Fiction, I’ve spent this year (2020) weaving these Cerebral Palsy and Autism elements into a few detective stories, based on a short story I wrote and submitted for a Boucheron Crime Writers contest with Florida as a setting. Also, I worked on a couple disability themed heist caper tales set in the 1940s and 1950s.

None of these more recent stories, pertaining to Cerebral Palsy, Autism, or disability, have been published, yet. I am still deciding on when and how to release them, along with other ideas I still want to pursue.

Recently, I heard a quote from another writer who said, “Write from your life, not about your life.” More and more, I’m wondering if that’s at least partially true.

About Justin Murphy

Born November 26, 1985 in Dothan, Alabama.

Whether it be Fiction or Non-Fiction, Justin Murphy has always tried to explore many themes in his work. One is probing into the darkness of pure evil with The Original Night Stalker: Portrait of A Killer, a fictional story based on a real-life murderer Joseph James DeAngelo. He also enjoys exploring obscure figures often forgotten in entertainment. Such as with his most recent success, Gene L. Coon: The Unsung Hero of Star Trek. It profiles the ex-Marine, pharmacist, and journalist who did the actual heavy lifting on The Original Series.

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Spotlight on GENE L. COON: The Unsung Hero of Star Trek

GENE L. COON

GENE L. COON

$2.99Audiobook: $6.08
Author: Justin Murphy
Series: Unsung Heroes, Book 1
Genre: Non-fiction
Tags: 2017, Biography
Publication Year: 2017
ASIN: B074DX1CL3

The Unsung Hero of Star Trek

Buy from Amazon Kindle
About the Book
Gene Roddenberry has long been painted as the visionary who made Star Trek possible. Yet not much has been written on Gene L. Coon. The real workhorse behind The Original Series. This man built the universe around Roddenberry’s initial concept we all know today. He almost single handed created The Klingons. Had a hand in creating the franchise’s greatest villain…KHAN! Any notion of Starfleet Command, The United Federation of Planets, Warp Technology, and its fictional creator Zefram Cochrane all belong to him. Only to die from cancer at age 49 just as Star Trek got popular with reruns and conventions.

Look Inside
Disclosure of Material Connection: Some of the links in the page above are "affiliate links." This means if you click on the link and purchase the item, I will receive an affiliate commission. I am disclosing this in accordance with the Federal Trade Commission's 16 CFR, Part 255: "Guides Concerning the Use of Endorsements and Testimonials in Advertising."

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I Have Become a Tale Faery by Ransom Stephens

January 23, 2021 by in category Guest Posts, Rabt Book Tours tagged as , , , , ,

(photo credit: Heather L. Stephens)

That’s right, not a fairy tale, a Tale Faery. A genuine hetero, cis Tale Faery. We’re rare.

It started with dragonflies on a magic summer day in Gainesville Florida. One of those 100+ degree, 100+% humidity (seriously, a clear blue sky supersaturated with humidity, a state of dew), my five-year-old daughter and I rode our bikes around a swamp, and I discovered what faeries are.

Heather rode in front. Her little legs pumped the pink pedals, and her scarf trailed behind. Empty roads and sidewalks, weather fit for a Florida hibernation.

A red dragonfly flew along between us.

“Look,” she said, “a blue one and a green one!” The farther we went, the thicker our dragonfly entourage. They ranged from an inch across to wingspans of almost eight inches. Each a single bright primary color.

A big red one perched on her handlebars, its wings brushed her hand. She let her bike coast to a stop and rubbed a finger along the dragonfly’s body. Its wings buzzed for an instant, but it didn’t take off.

“Look another one!” A blue dragonfly landed. She reached over it flew away.

Heather started pedaling again. We passed a pond where two men sat on an ice chest in the shade with fishing poles; the only people we saw that day. Dragonflies darted across the surface.

Down a street into a neighborhood lined with oaks. Trunks as big as the cars in driveways, and branches that met over the street forming a canopy with Spanish moss dangling like tropical icicles. I stopped in the shade, and she turned back toward me.

“If you lean into a turn just right, you can ride without pedaling,” Heather said.

“I guess we could just lean into these turns and go around in circles all day.” I pushed off too. I remember wondering if the energy of the Earth’s rotation could be used to maintain this sort of precession with no effort and how it could be used as a power source. Heather was in a world all her own, too.

She broke the silence. “I guess the dragonflies don’t like the shade.”

“They’ll probably come back when we head home.”

We rode around in circles for a while longer and then Heather stopped in the middle of the street. She leaned back, looked up into the leaves, and said, “I wish the world would stop turning.”

“No, that’d suck,” I said. “If the world stopped turning there’d be brutal earthquakes, tidal waves. No night and day, it’d be like Mercury and the light side would get insanely hot, and the dark–”

“That’s not what I mean, silly,” she turned and looked right at me. “I wish the world would stop turning so that this day could last forever.”

That day didn’t last forever, but from then on, I’ve found great joy in the little creatures who flutter, buzz, and zip around us.

In The Book of Bastards wonderful faeries, beautiful little people whose bodies share wings and shapes of butterflies, dragonflies, bumblebees, lady bugs, and so on, help people deal with the hardships of life. And then some jerk comes along and ruins it for everyone.

I hope you enjoy the ride! And, by the way, if you want me to finish the trilogy, you have to ask, paperbackwriter@ransomstephens.com. I’ve finished a draft of book two, Bastard Knights, and have outlined Bastard Princess, but I might need some influencing to tidy it all up for you. Graft would help.


 

 

 

 

Fantasy

 

Date Published: January 14, 2021

 

Publisher: The Intoxicating Page

 

 

 

 

Welcome to The Gold Piece Inn, where you can drink, gamble, and play!

Or hide.

 

Cursed on the day the king is assassinated, Dewey Nawton is compelled to protect the widowed queen, but protection means different things to different people (and different curses).

 

Kings have dictated every role Queen Dafina has ever played. Now, a halfling innkeeper assigns her the role of serving lass. But is The Gold Piece Inn just another tavern? Could it be an orphanage? … surely, it’s not a brothel.

 

Oh yes, she’s fallen from grace, but will that stop her from leading a handful of pirates and a dozen bastards to avenge her king and rescue Glandaeff’s faeries, elfs, and mermaids (and merbutlers!) from a brutal tyrant?

 

Dewey has a secret. Dafina has a secret. The Bastards have two secrets.

 

Is there even a sip of moral justice in all this bawdiness?

Purchase Links

 

 

 

 

 

Early Reviews

The Book of Bastards combines a riveting, intense plot of righteous vengeance with tongue-in-cheek banter that will keep you turning the page with eager anticipation. With settings that make you wish they were real, characters you can’t help but cheer for, and twists that keep you guessing, Ransom Stephens has crafted an engaging tale that makes every minute of reading, time well spent. I don’t often reread a book, but I think I’ll make an exception. Loads of fun. Highly recommended. – Brian D Anderson, million-selling author of The Bard and the Blade

 

 

A delightful, detailed tale about morality, being honest with yourself, and self-reflection, even when you don’t like what the glass has to show. A perfect treat for lovers of rich fantasy worldbuilding, gory battles, and the kind of thoughtful, character-driven stories that make your brain whirl, your imagination dance, and your heart surge.” -J.M. Frey, bestselling author of The Accidental Turn Series

 

 

About the Author

 

 

 

 

Ransom Stephens has searched for the Holy Grail in Cornwall and Wales but settled for a cracked coffee mug. He’s won several awards, but they’ve all been named after people he’d never heard of which made for awkward acceptance speeches. The author of four previous novels on simple, non-controversial topics like science vs religion in The God Patent, technology vs environmentalism in The Sensory Deception, oligarchy vs anarchy in The 99% Solution, and love vs money in Too Rich to Die, in his latest, The Book of Bastards, he offers readers what they really want, a story of bawdiness washed down with a sip of moral justice.

 

I’m a fairly accomplished scientist and technologist, all the details at https://contact.ransomstephens.com

 

 

 

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Excerpt from
The Book of Bastards

by

Ransom Stephens.

Queen Dafina at the Gold Piece Inn

Dewey took his seat between the fireplace and the only glazed window in the building. He could see the street, the saloon, the casino, the red-carpeted stairway, and the balconies and rooms on the second and third floors. He listened to the minstrel’s ballad of a heartbroken pirate on a desert isle, ate salmon grilled in rosemary and served on sourdough bread, felt the warmth of the fire on one side and the cool evening fog on the other—and none of it soothed Dewey’s worries.

Then he saw her on the porch. She fell through the door but not the way drunks fall. She reached up as though climbing from an abyss, and wailed, “Oh gods, please help me. Anyone, please!”

Loretta got to her first, dropped to her knees, and took the woman’s hands.

The woman grabbed at Loretta, tears cascading down her face, sobs racking her from head to toe. “Please!”

“It’ll be all right, dear. We’ll care for you.” She looked up at Dewey and added, “We will care for her.”

Dewey stood over them. Children accumulated. Teen-aged Aennie said, “She’s the cleanest beggar I’ve ever seen.”

Another kid plopped down next to the woman and held his worn black feet up to her clean pink soles. “Somefin wrong wit her feet.”

“What the?” Loretta said. “Feet don’t come that clean. I’ve tried.” She held the woman at arm’s length and examined her. “She’s a bag of bones, must be starving—Macae, fetch salted bread.”

“Get her out of sight,” Dewey said.

“You know her?”

“To the barn. Now!”

Loretta lifted her, muttered, “She weighs nothin’,” and guided her back outside.

The screech owl that lived in the barn announced to everyone within a mile that a stranger had arrived.

Dewey looked back at his inn. The minstrel had switched to a light ditty about a horny woman who carried drunk men into a field and took advantage of them—the sort of song that’s mostly chorus so anyone can sing along. Children were underfoot and some of the goats had found their way back inside. Bob was pouring ale and wine, the servers who weren’t delivering food and drink were lounging on the laps of smiling patrons. A serving-lad named Faernando slipped off a sinewy woman, the profiteer sailor and card-cheat named Baertha. She threw the lad over her shoulder and carried him to the stairs just as the chorus returned to “she threw the boy down, he popped up, and she made him a man.” The crowd erupted. Baertha took a bow, the lad waved, and Dewey held out his hand. As she passed, Baertha dug into her belt and tossed a silver ohzee. Dewey said, “You give him two of those when you’re through. If you hurt him, it’ll piss off the wrong kinds of faeries.”

In other words, it was just another night at The Gold Piece Inn, and no one had noticed the beggar at the door.

Dewey rushed through the kitchen and out to the barn. He dodged sheep, rabbits, a sleeping cow, nearly stepped on the tail of an old bloodhound, and climbed the ladder. The loft was covered in straw and cordoned into sections by blankets of differing color and quality. The woman lay on a brown blanket next to an unshuttered window that let in the last light of the day. Loretta appeared to be threatening her with a baguette.

“She’s lovely but there’s nothin’ to her,” Loretta said to Dewey. And then to the woman. “You faer?”

“I require your aid,” the woman said. “Please, my children …”

Loretta took a bite of the baguette dripping with salty olive oil and then offered it to the woman again. “Never seen a beggar who won’t eat. She elfin? Your kind?”

“No, she’s as human as you are.”

Loretta leaned forward and sniffed the woman’s neck. “She don’t smell like a human.”

“She bathes. Some people do that, you should try it.” Dewey helped the woman up.

Loretta examined her hands, no scars or calluses. She ran her fingers through her long, straight black hair and mumbled, “Fine as silk.”

Dewey said, “When have you ever touched silk?”

Loretta said. “I didn’t think skin got that pale.”

The woman’s eyes lost focus, and she fainted.

“Farqin shite!” Dewey said, “Get some water—nay, a blast of brandy.”

Loretta dropped down the ladder in a fluid, practiced motion.

Dewey waited a few more seconds and then whispered, “Queen Dafina, what are you doing here?”

She sat up straight, dabbed her eyes, and said, “I require your help.”

“You have to get out of here.”

“You must assemble the bodies of my husband and children.” Her voice cracked. “They require decent burial.”

“The usurper has them. There’s nothing I can do.”

“I can pay you more than you can imagine.”

“Maybe so but pay means nothing to a dead man.”

“Think of the favors I can grant, I can—” and then she went quiet and looked down, blubbering out the words, “My children, my husband, everyone is dead.”

“I’m not, and don’t plan to be any time soon.”

She looked up at him and then around. She fondled the rough threads of the blanket and pulled a piece of straw through a gap in the weave. A lamb bleated below, and a mouse scurried across a rafter overhead.

“Surely you don’t want to watch more people die.”

The Queen stood and bumped her head on a beam. Dust sprinkled onto her face. “No,” she said. “No, anything but that.”

“I’d like to help,” he said. “Dozens of good people, your subjects and their children, live here—you’re duty bound to protect them, and you know what Lukas will do if you’re found here.”

“Right.” She started down the ladder and Dewey held her steady. “I’ll go.” She stepped toward the barn door and Dewey nudged her, gently at first and then with a bit of authority to the side exit that led to an alley out of view of High Street.

He put two silver ohzees in her hand and said, “Take the morning barge back to Glomaythea or get passage on a ship to Nantesse—isn’t that your home?”

“It was.”

He gripped her shoulders and rotated her to face him. He waited for her to look up and said. “You asked for my help and I have helped you. Right?”

“Yes, thank you good sir.”

He oriented her downhill and gave her a shove. She staggered into the dark alley and down the hill that would take her back to the marketplace if she followed it. She said, “My babies are dead. They’re all dead.”

Dewey shut the gate just as Loretta appeared with a goblet of brandy.

“Just in time,” he said. He took it and drank.


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