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Plotter vs Pantser – Who are you?

August 4, 2015 by in category Archives tagged as , ,

Are you a plotter? One who fills up twenty or thirty pages, sometimes more, with scenes, settings, motivation, goals, conflict and character profiles before you can sit down and write the first chapter?

Or are you a pantser? Someone who gets an idea, makes a short list of ideas on one page and then sits down and starts to write, letting the story tell itself and unfold before your very eyes?

Some of you already know you’re a plotter and you follow a strict routine that helps you write pages and pages without too much trouble. While a synopsis is great for getting an editor or publisher to gain interest in your story, it can also be a great tool as a guide for your manuscript. It’s much shorter than the thirty to fifty pages of story plotting but with less detail. Some writers need more and some less, but whatever method you use, it has to be right for you or you’ll never finish any story. You’ll try many different methods before finding a style of writing that’s a perfect fit and will carry you through many manuscripts. I tried many many plotting methods in my search for a writing system that fit me.

A pantser, like some writers I know, still has some idea of the beginning, middle, and the end of the story to be able to tell it. I think most writer’s fall into one of these categories but many don’t. I fall somewhere in between where my plotting is kept to a minimum of one to two pages. I also write my synopsis as I go, working out some of the characters’ external conflicts as my characters interact.

Writers are creative, unique individuals who will find what works for them and employ whatever means they need to make it happen. A muse is all and good and well, but a beginning writer has no idea what that is. Or even which genre their writing style falls into. So we read everything we can in many genres. For example, we read dozens of books on craft, we attend multitudes of workshops and online classes, sometimes so many that we lose count, and we fill small notebooks with our notes. Only to find that where we fit isn’t such a great mystery.

So we write, and we write, and we keep on writing. Because with every page we pen, every character we bring to life on the page, every heart we tug on, our writing becomes stronger, better. All of this is done with the purpose of finishing a novel someone will read and enjoy, and maybe even recommend.

A novel that will be critiqued and revised many times over. A novel that will change with every revision, every re-write, and every idea that pops into your head. A novel that will eventually make it to an editor or publisher’s desk and then most likely go through more revisions and re-writes, regardless of whether you’re a plotter or a pantser.

That’s not to say your story isn’t good, only that it can be better. Just like a good critique partner can help your story in it’s beginning stages, a good editor can help you polish your manuscript before it’s ready for publication. As long as people change, their tastes in books change. That means the industry is constantly changing. Editors and publishing needs will change to keep up with current trends and the only way for an author to survive against the millions of books competing with theirs, is to write the best book they can – straight from the heart. So whether you’re a plotter or a pantser, whether you’re new to the world of writing or have written thirty books or more, you’ll never stop learning. Because when it comes down to it, we all want our romance book to take the reader on an emotional trip through our characters. To feel the rush of falling in love all over again.

So plot to your hearts content, or pants the story of your heart, because in this complicated time our world is in, everyone wants and needs some spiritual uplifting and lots of happily ever afters.

Elizabeth Scott
OCC/RWA
V.P. Programs
Facilities Coord.

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Character, personality, empathy, story

July 24, 2015 by in category Archives

How do you create compelling, distinct characters, convey personality, create a sense of empathy, and tell a story…with a limited number of words?
While I can’t answer that question, I know it when I see it, feel it, and thought you might enjoy this lovely example.  

We not only get to know the four friends, but the narrator as well….


The Four Friends

Ernest was an elephant, a great big fellow,
Leonard was a lion with a six foot tail,
George was a goat, and his beard was yellow,
And James was a very small snail. 

Leonard had a stall, and a great big strong one,
Earnest had a manger, and its walls were thick,
George found a pen, but I think it was the wrong one,
And James sat down on a brick 

Earnest started trumpeting, and cracked his manger,
Leonard started roaring, and shivered his stall,
James gave a huffle of a snail in danger
And nobody heard him at all. 

Earnest started trumpeting and raised such a rumpus,
Leonard started roaring and trying to kick,
James went on a journey with the goats new compass
And he reached the end of his brick. 

Ernest was an elephant and very well intentioned,
Leonard was a lion with a brave new tail,
George was a goat, as I think I have mentioned,
but James was only a snail.

                                      A. A. Milne (1882-1956)

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In My Day…

June 24, 2015 by in category Archives tagged as , ,

I was looking for a pair of normal jeans and not having much luck.  So I went into the giant Levi shop (All Levis All The Time) filled with hope!  Surely Levi would be able to deliver a pair of regular jeans.

Think again.

Fabric dark, cheap feeling, and like ever other jean product available on the market “stylishly” torn, big holes at knees or strange white blobs of wear on the legs in places that would never, naturally, get worn.

Or multiple peculiar holes all over, as if they’d been left hanging in some automatic weapons firing range and had been peppered good. Or both…

I look at the young clerk and confessed: “You know, I just feel it is my job to wear out my own jeans.  It doesn’t seem right to have it contracted out to some machine or child laborer.”

He nodded sympathetically. (The customer is always right).

Yes, in my day we had active lives.  We did stuff.  We wore holes in our jeans without any outside help. Yep, not even from our disinterested non-helicopter parents.

Our jeans were authentic.  Artisanal.  Indeed the work was just about as local as you could get.

When you look at the language being used now to market and enhance our present possessions, foods and lifestyle, beneath the words, you can hear this wild, inchoate cry against the virtualness of much of our present existence: instant, effortless, convenient.  But somehow insubstantial, unsatisfying.

Unearned.

Isabel Swift

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Summer Time to Write

June 10, 2015 by in category Archives tagged as , ,
Summer is fast approaching and many writers will have more distractions at home now that their children will be home from school. So now the task of setting writing goals, and finding quiet time to write becomes even more important.
The daily distractions of housework, errands, facebook, twitter, and other social media and more, are  just some of the things vying for your attention. Add cooking, family get-togethers, and summer sunshine, and a writer has to have a will of steel. It’s no wonder writers insist on having goals, a routine, and good writing habits. Not everyone thinks a job as a romance writer is a real job. If we don’t take it seriously then no one else will. Especially if you’re always available for everything and everyone but you’re not making time to write.
So how do we do it? I like having a weekly word count goal. It offers daily flexibility but still gives me an average daily goal to reach for. I schedule my writing time in the evenings when dinner is over and everyone is settling down, the house is quiet and the distractions are few. So having weekly and monthly goals is a good way to get started and keep writing. (Even if sending my babies out into the publishing world is frightening enough to give me hives). Everyone has to find the writing time that works best for them.
But what other goals or accomplishments would you like to achieve? In a month, a year? Make a list  and post them where you can see them daily. Making small goals to get started and increasing them as you reach each goal will keep you from stressing and you’ll feel pride every time you hit a goal.
What else can you do to keep writing? Do you need moral support? You’re not alone. Join a group of writer friends online and encourage each other by doing sprints, posting your word count, asking for help, or just supporting each other. There’s a world of writer’s out in virtual space and they’re anxious to meet you.
Writing Tips:
  • Writer’s learn by doing. So do it, WRITE! The more you write, the better your writing gets.
  • Never assume your writing is the best it can be. Take classes, read books, attend workshops, ask for critiques. Everything helps make you a better story teller.
  • Have faith, write what you love, and it will come through in your stories.
  • Surround yourself with like minded people. They understand what your life is like and will support you.  
  • And last but not least, write from the heart. The stories in your head can only be written by you.
Elizabeth Scott 
OCC/RWA 
V.P. Programs    

w/a Elise Scott 
One Weekend, in”Romancing the Pages” OCC Anthology, on Amazon, Barnes & Noble eBook retailers.

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