Tag: Confessions of a Podcast Goddess

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Are you ready for your close-up?

October 11, 2007 by in category Archives tagged as

Podcasting is becoming more and more a part of an author’s digital tool kit.

Romance TV is leading the way with fabulous interviews and discussions with authors of every genre, while Harlequin has audio podcasts featuring interviews with their authors, behind-the-scenes information on Harlequin, writing tips for aspiring authors and much more.
What if a producer called you and wanted you to do an interview? What if Oprah called? Or your local TV or radio station? Are you ready? I’ve done a lot of TV and radio interviews, including being the Japanese consultant for a major LA station. Here are my 5 tips to help you get ready for your close-up:

1. Write up your “talking points:” 5 to 7 items related to your subject (see tip #2) your hosts will find interesting and will spark questions from them. Send them to the producer by email or hand deliver them if the taping/air date is short. Also, bring them with you to the interview along with your bio, fact sheet (romance book biz stats, e.g.), and a copy of your book. Better to have duplicate copies than none at all.

2. It’s difficult to book a media interview about a novel, so find a nonfiction “hook” for your interview, then gather stats about your hook and put together tips you can give to the viewer or listener telling them what they can do if they find themselves in that situation.

3. Always think of each interview as being the audition for the next one. Also, when a producer calls you on the phone, THAT is also an audition. Have “sound-bites” memorized to toss off and be aware of your energy level! Excitement is important! Find out if the interview will be available online or if you can get a copy so you can link to it on your website.

4. For TV interviews: Don’t wear a loud print that may strobe on camera and be careful about wearing white or black and loud colors. Stark white, bright yellow, and red tend to reflect light and can be too vivid on camera, while black absorbs too much light. Depending on your coloring, pick out a flattering solid color and work around that with accessories. Don’t wear a lot of jewelry, unless this is your brand. Does the show have a makeup artist who will do your makeup? If not, make sure you wear lipstick so your lips don’t disappear when you speak. False eyelashes can “open up your eyes.” I love them. Also, you may or may not be “behind an anchor desk” so make sure your footwear, skirt length, etc. are appropriate.

5. Practice your talking points at home: your energy level, your voice, tips, etc. You don’t want to sound “rehearsed,” but it’s important to feel confident. As a major radio host once told me, let the host “pimp” your book. Just be you and enjoy yourself! Natural is best.

Rrring….oops, there goes the phone. Gotta answer it. You never know. It could be Oprah calling.

Jina Bacarr is the author of The Blonde Geisha and Naughty Paris, Tokyo Rendezvous, a Spice Brief in November 2007 and Spies, Lies and Naked Thighs, an erotic spy thriller, March 2008.


Jina writes erotic adventure for Spice Books. “Get Caught in the Act!”

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BBB Awards in Dallas

September 14, 2007 by in category Archives tagged as

Enjoy a video clip of the Book Buyers Best Awards!

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The Spicy Contessa

September 12, 2007 by in category Archives tagged as

From podcast goddess to contessa, ah, such is the life of an erotic fiction writer!

Most of you know me as the podcast producer for OCC. I’ll let you in on a secret–I’m also The Spicy Contessa. Okay, so I’m not a real contessa, but I sure felt like it when I snapped this picture wearing this gorgeous mask in the Piazza di San Marco on my recent trip to Venice, Italy.

I’ve learned a lot researching over the years and I thought it would be fun to start a blog talking about the backstory, cool facts, and interesting observations I’ve made about writing erotic fiction.
Come with me, The Spicy Contessa, as I take you around the world when we go “behind the scenes” of the wild and raucous world of writing erotic fiction. Venice, Paris, Rome…discover the story behind the books. We all know the research can be stimulating…it’s also fascinating.
I have two entries up on my blog: The Pretty Women of Paris (19th century brothels) and What’s in a name. A by any other name is…

I’ve also started a Yahoo Group so you can be notified about my blog updates: Join my Yahoo Group for updates to my Spicy Contessa blog
Or you can check out my blog and subscribe to it on my Naughty Paris MySpace Page!

Until next time…

Ciao, ciao,
Jina

Naughty Paris
The Blonde Geisha
Coming in 2008: Spies, Lies and Naked Thighs
Tokyo Rendezvous — November Spice Brief

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“Ready, Aim, Podcast!”

August 23, 2007 by in category Archives tagged as


by Jina Bacarr

Does size matter?

When conference goers at the recent Romance Writers of America convention in Dallas, Texas talked shop, the question “Does size matter?” came up at frequent intervals, especially at the Passionate Ink luncheon (RWA Chapter of erotica authors).

They were comparing megapixels.

Megapixels? What the heck is a megapixel? you ask. With the explosion of digital cameras available on the market, it’s a hot topic and one you can’t ignore when choosing a camera. My first digital camera was a cumbersome Sony 1.3 megapixel, which used 3 ½ inch floppies to record pictures. Imagine stuffing your purse with twenty floppies. Not fun. Now I use a Canon PowerShot SD600 that’s small and light and weighs less than six ounces. I love it.

So what is a megapixel? Here’s my interpretation: Digital camera images are made up of rows of colored dots, something like the Impressionist painting style known as Pointillism. These colored dots make up a canvas or rectangular grid that gives you the whole picture when you look at it from a distance. If you’ve ever stared at an Impressionist painting in a museum, you know what I mean. Up close, it resembles a bunch of colorful dots (black was not included in the Impressionist palette), but viewed from far away it becomes a breathtaking panorama of the artist’s vision.

When you shoot a picture with your digital camera, you are the artist and these same dots are called “pixels.” Each pixel used in a digital camera is either red, green or blue (usually with twice as many green pixels). How many dots or pixels are on a page? Rows and rows, like wildflowers swaying in a field. For example, an picture of you at the RWA conference on a web page might be made up of 500 rows each with 400 pixels in each row. The total number of pixels is 200,000. That’s a lot of wildflowers.

According to experts, these pixels contain a number of different brightness values, usually 256 in screen displays (I prefer 1024) or 4096 in camera images. Because digital camera images are generally larger than this, we talk about their sizes in terms of Megapixels (Mp). 1 Mp = 1 million pixels. So the 200,000 pixel image of the hunk you want to use for the hero in your next book is 0.2 Mp.

Want to make your pictures smaller? This is one time it’s easier to drop a few pounds, I mean, pixels, than it is to gain them back. To increase the pixels or dots, you have to guess the values of the extra pixels you need. Some software programs claim to do this, but like fad diets, they’re not always successful.

So, how many pixels do you need? If you’re buying a camera to view your pictures on your web page, you’ll need fewer pixels–1.3 will suffice. If you want to print them on standard 4×6 prints or make postcards of your latest bookcover, you’ll need at least 1.5-2.3 Mp; for enlargements of 8×10 for your author head shot for your press kit, you’ll need 4-5 Mp.

Although I primarily use my Canon Powershot for my website images and video, I bought a 6 Mp because I wanted the option of changing the size of the images. I usually shoot 1600 by 1200 so I can reduce and crop to a smaller size.

Now if could just figure out how to drop 5 pixels, I mean pounds, with the click of a mouse…

Jina Bacarr spent many hours studying the size of…hmm…pixels in Impressionist paintings for her latest Spice book, NAUGHTY PARIS, a time travel about the raucous and erotic world of 1889 Paris.

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Location, location, location…

June 23, 2007 by in category Archives tagged as

Planes, trains, and–

–gondolas?
When you read this, I’ll be in sunny Venice, Italy, where I’ve been invited to speak at the historic La Biennale arts festival regarding my books, The Japanese Art of Sex and The Blonde Geisha (they’ve both been translated into Italian) about–you guessed it, sex! I’ll be taking lots of pix and shooting video of the festival to turn into video podcasts when I return home.

So, how do you podcast on location when you’re a one-woman crew?
Here are my Top 10 Tips for Podcasting on Location:

1. Get a digital camera with video capabilities. Most 5- to 7-megapixel point-and-shoot cameras are not made to film long videos, but they work well for short filming. One-to-three minute segments work great, but don’t worry about the length when you’re “in the moment.” Just shoot it!! You can always edit yourself hanging over the Eiffel Tower later at home.

2. A digital audio recorder is perfect to record your thoughts, observations, and interview interesting people you meet on your trip.
3. Always carry a backup battery pack for your digital camera (about $30) since many digital cameras don’t give you much warning when the charge is low; also, carry extra AA batteries for your digital audio recorder.

4. Learn how to use the “10-second delay” feature on your camera to shoot pix of yourself alone or with interesting people in the shot. Warning–do NOT leave the camera where a thief can grab it or a bystander can knock it over (you don’t want your $350 camera floating down the Nile).

5. Practice holding your camera in front of you to frame the shot so you can video yourself. It looks weird to passers-by (who often stop to try to figure out what the heck you’re doing), but if you’re podcasting solo, you want to video yourself “in action” to add the personal touch to your on-location podcast.

6. Shoot anything that looks interesting–you can always erase it (though I don’t recommend it–it may look better on your computer screen than on the small camera screen) and edit the best parts together at home.
7. Memory cards–stock up!! They’re lower in price than they’ve ever been. I use 2-Gig cards, but 1-Gig cards work okay, too. I carry post-its with me and put the “full” memory card into a snack-size plastic bag with a post-it containing short notes of what I shot with the date, place, etc..
8. No one’s face is exactly symmetrical, so know your best side. Practice shooting video of yourself with your camera to find your best side.
9. Unless you carry your own lighting (imagine getting lighting equipment through security at the airport), be aware of the light source when you’re videoing yourself. I shoot “test” footage first to check the lighting. Also, learn how to use the lighting settings on your camera.
10. Make-up isn’t just for celebs–apply neutral foundation and neutral eye shadows plus black mascara (be careful not to get that “raccoon” look) for your close-up. Outline your lips with a lip pencil or brush and use lip gloss so your mouth doesn’t “disappear” when you speak. You want the camera to capture your perfect Kodak smile!
That’s it!! I’ll be posting more info about my adventures in Italy at La Biennale arts festival when I return!

Until then, ciao, ciao!

Tune in soon for Part 5 of Confessions of a Podcast Goddess, when I’ll be talking about my adventures inVenice, Italy speaking at La Biennale arts festival.

Jina Bacarr is the author of The Blonde Geisha and coming in July 2007, Naughty Paris. Jina writes erotic adventure for Spice Books. “Get Caught in the Act!”

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