The 1960s began a new era of television programs. Broadcasting transitioned from black/white to color. Lighthearted sitcoms/comedies were the most-watched shows. But as the decade progressed people became socially conscious. Memorable theme songs/ lyrics defined the shows.
Here are just a few of those memorable theme songs in alphabetical order:
Hogan’s Hero’s
1965 to 1971
CBS
by Jerry Fielding
I Dream of Jeanie
1965-1970
CBS
by Hugo Montenegro
Mission Impossible
1966-1971
CBS
by Lalo Schifrin
My Three Sons
1960 to 1970
ABC
by Frank De Vo
The Addams Family
1964 to 1966
ABC
by Vic Mizzy
The Andy Griffith Show
1960 to 1968
CBS
by Earle Hagen
The Avengers
1966 to 1969
CBS
by Laurie Johnson
The Beverly Hillbillies
1962-1971
CBS
by Paul Henning
The Courtship of Eddies Father
1969 to 1972
ABC
by Harry Nilsson
The Twilight Zone
1959 to1964
CBS
by Bernard Herrmann
Starting a Novel with a Partner: The Plotting
by E.J. Williams
(Janet Elizabeth Lynn & Will Zeilinger)
My husband, Will Zeilinger, and I co-write thrillers, the INTERNATIONAL MYSTERY SERIES, as E. J. Williams. Our tales transport the reader from 1962 Southern California to various international locales. In the first new book of the series, STONE PUB, we find ourselves in County Cork, Ireland.
As we began this series, we experienced the same thing as with the previous, Skylar Drake Mystery Series. That is, we had all sorts of ideas stuck in our heads. Each of us had different scenarios we’d developed. We found it challenging to develop and agree on a central plotline for each story that would take the series across many books.
Meeting regularly with specific agendas and follow-up reports for reminders helped us narrow down the many ideas into the main idea, one that could be sustained through many future books. Daily, weekly, and monthly update meetings keep things flowing. Much like each chapter of a book drives the plot forward, the meetings should have a purpose. They should help drive the writing forward. Once we agreed on the plotline for the whole series, we could focus on the individual novels with similar foundations.
Regular meetings are the most efficient way of making a co-writing situation successful. Remember . . . the crucial thing is to write a good story. So, stay tuned . . . there is more to come.
STONE PUB is the first in the series, and yes…we are still married!
Website: Janet Elizabeth Lynn
Website: Will Zeilinger
Read Skylar Drake Mysteries while waiting for STONE PUB.
If you happen to be of a certain age, you will remember tail fins on the cars from your childhood.
Although most people think the trend of having tail fins on cars lasted approximately from 1955 to 1965, the first subtle appearances of tail fins began in the late ’40s. What started as a small chrome trim piece on a tail light, or a subtle fin of a few inches in length.
Growing in size each year until they (literally) peaked in 1959. American cars were not unique in this fad. By the early ’60s, the appeal began to wane. With a few exceptions, by 1965, they had disappeared from the automotive landscape.
General Motors and Chrysler deserve the credit with starting the finny “arms race.” Harley Earl and Bill Mitchell at GM and Virgil Exner at Chrysler attempted to wow the public with each new model year by introducing the most outlandish fins on their vehicles. Ford was in the mix too. Remember, the original Thunderbird also employed design elements that took their cues from jet aircraft. This trend carried through to the 1963 model year. The full-sized Ford lost its fins by 1962.
Even European automotive designers got into the act. French Italian designers have always been avant-garde, but even the British and Germans, who tend to be more conservative, slapped fins on some of their cars.
The ultimate fins of the era belonged to the 1959 Cadillac El Dorado Biarritz. The eye-popping red paint job and fins that look like they could impale someone made this car unmistakeable…Even today.
The Top 10 1960s Billboard Hits
Enjoy the waltz down memory lane!
2. 1961 Tossin and Turnin by Bobby Lewis
3. 1962 Stranger on the Shore by Mr. Acker Bilk
4. 1963 Sugar Shack by Jimmy Gilmer and the Fireballs
5. 1964 I Want to Hold Your Hand by The Beatles (Ed Sullivan Show)
6. 1965 I Can’t Get No Satisfaction by The Rolling Stones
7. 1966 Ballad of the Green Berets by SSgt. Barry Sadler
8. 1967 To Sir with Love by Lulu
9. 1968 Hey Jude by The Beatles
10. 1969 Sugar, Sugar by The Archies (You’ll get a kick out of the animation.)
My husband, Will Zeilinger and I are E. J. Williams and we co-write the INTERNATIONAL CRIME FILES, a hardboiled/thriller detective series that takes the reader from 1960s Southern California, then on to international locales. STONE PUB goes to Ireland and is our first book of the new series.
Every author has a unique way to begin writing a crime novel. In this new series, we asked ourselves, “What is at stake?” This question gives the reader something to look forward to as they delve into the story.
The nature of these stakes needs to be agreed upon when writing with a partner. All future books should have stakes of a similar or more intense level.
When we brainstormed about what would be at stake in our first story, we arrived at four great ideas. After talking about them and coming up with subplots for each one, we wrote them down and decided to meet again. Our second meeting focused on the pros and cons of each stake. After considering all of them, we chose the third stake. Once we had the stakes chosen, the story was ready to be outlined. We didn’t realize until much later that we had stakes for the next three novels, all ready to go!
Brainstorming is the best way for writing partners to set the stakes. Remember . . . the most crucial thing is to write a good story. So stay tuned . . . there is more to come.
STONE PUB will be published May 2021, it is the first in the series, and yes . . . we are still married!
Website: Janet Elizabeth Lynn
Website: Will Zeilinger
A Slice of Orange is an affiliate with some of the booksellers listed on this website, including Barnes & Nobel, Books A Million, iBooks, Kobo, and Smashwords. This means A Slice of Orange may earn a small advertising fee from sales made through the links used on this website. There are reminders of these affiliate links on the pages for individual books.
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A Slice of Orange is an affiliate with some of the booksellers listed on this website, including Barnes & Nobel, Books A Million, iBooks, Kobo, and Smashwords. This means A Slice of Orange may earn a small advertising fee from sales made through the links used on this website. There are reminders of these affiliate links on the pages for individual books.
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