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Hemingway and Me: AI Editing

October 15, 2020 by in category The Write Life by Rebecca Forster tagged as , , , , ,

Last month I was excited to share that I signed with Wolfpack Publishing, an online publisher. I never thought I would do that (check September to see why I did). This month, I’m having another never-say-never moment. I purchased an Artificial Intelligence editing program called Hemingway.

Why I shelled out $20 for Hemingway

A friend recommended the program. It was inexpensive. I am always looking for ways to improve my writing.

What is Hemingway?

It is an intelligent assistant for the writer who wants to improve their style. Hemingway cannot replace an excellent editor. In the early stages,  guidance on foundational work is essential. No computer program can analyze characterization, plotting, inconsistencies, theme etc. the way a human can. It will not check for grammar or spelling.

What I like about Hemingway.

Hemingway made me think. The app ‘believes’ that simple is better. The program color codes perceived style problems in the manuscript. Purple indicates  hard to read sentences, yellow very hard to read, blue is adverbs, and green is passive voice. The app also highlights phrases that have simpler alternatives.

More often than not, I heeded Hemingway’s advice. Yes, some of my sentences were convoluted. Yes, there were other ways describe action without a word that ended in LY. There were also times I didn’t change a sentence. Yes, that passive voice was necessary. Thank you, Hemingway.

What are the drawbacks of Hemingway?

Blogs, articles, and short pieces might find Hemingway more helpful than the novelist. I uploaded chapter by chapter so I wasn’t overwhelmed. It was tedious, but I’m glad I did it.

It is difficult to figure out how to transfer the edited work. I finally used the export as a word doc function. I did have to reformat each chapter. Not a problem, just an extra step.

Hemingway does not check spelling and grammatical errors. It would be a nice addition to the program.

Do I recommend Hemingway?

Yes. It is well worth $20. This program made me stop, think, revise, and it gives me reasons why I should pay attention. Because I will have a cleaner manuscript, it will save my real life editor time and  therefore save me money on the back end. For traditionally published authors, your editor will be very pleased with the smooth submission.

Bottom Line for Hemingway

I recommend that all writers add Hemingway to their tool box. It is a small investment for a big return on how you look at your writing.

P.S. Yes, I did edit this piece in Hemingway. Here is the link.


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THE HORRIBLE, TERRIBLE, AWFUL ‘R’ WORD

August 15, 2019 by in category The Write Life by Rebecca Forster, Writing tagged as , ,

I’ve been thinking a lot about redundancy in the last week because I am editing a book that has been a long time in coming. I want the fans that have been waiting for this book to be pleased, as much as I want new readers to be impressed. I was able to recapture the series character voices, the plot was solid, but something was amiss with the writing.

While I was redlining the phrase ‘she turned her head’ for the twenty-fifth time, I realized that much of my description was redundant.  I’ve suffered through this before, but this time instead of instead of soldering on I set aside my work and went for the dictionary. The definition of the word redundant was richer and more nuanced than I realized and each definition could be applied to my work.

Redundancy, as I understand it, is characterized as a similarity or repetitiveness. This made sense in terms of the edit I made to delete a recurring phrase. The dictionary further defined the word as describing something exceeding the normal, superfluous, and containing excess.  Finally, redundant may be used to describe the profuse or lavish.  These definitions were inspiring when applied to the craft of writing. In fact, I realized my WIP suffered greatly from redundancy.

 Always chasing a higher word count, I was excessive in my use of conjunctions, verbs and adverbs. My style was buried under unnecessary words and phrases. Each passage became overly formal, lacking grace and fluidity. I had a tendency to say the same things in different ways as if my reader wouldn’t get the point the first time. My love of alliterations, similies, idioms and hyperbole were profuse and lavish to the point of distraction.

The bottom line is this: by attempting to create a memorable work I had, instead, created a book that would be unnecessarily difficult to read.  The red pen had already been put to good use, but now I am making the next pass with all the definitions of redundancy top of mind.  Already my writing is more precise, the characters are freed from the weight of unnecessary dialogue, and the descriptions of time and place are clearer.

It’s true that you learn something new everyday, and that’s one redundancy I can live with.

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