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Today and Tomorrow

September 25, 2008 by in category Archives tagged as

by Lori Pyne

Today started with emails by the hundreds. Most demanded action, attention and accuracy.

Incessant ringing phones constantly interrupted. Any call a potential crisis. Humor defused one client. Results delighted another.

Brain clipped along faster, smoother. Adrenaline hit the bloodstream. No second could be wasted. New work piled atop unfinished projects.
Weekend’s relaxation long forgotten.

Urgency filled the air. Tension stalked the halls. Perfection expected. Mistakes abhorred. Focus on priorities. Efficiency a must.

Stomach churned. Headache squeezed. Meds taken. Next task tackled.

End of day deadlines loomed. Urgent packages dispatched. Promised answers posted.

Much completed. Desk filled yet more work to finish tomorrow.

Race home to spend precious moments reviewing homework, supervising teeth brushing, and cuddling for a bedtime story or three.

After dinner with hubby, steal time from bill paying, house projects, and volunteer obligations to try to pry story from brain.

Once again, midnight has long past. Time for bed with the knowledge that tomorrow will be much the same.

How was your day? What do you think tomorrow will bring?

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ywriter4

September 15, 2008 by in category Java Plots by marianne h donley tagged as

by
Marianne Donley

On one of the many loops I belong to, someone mentioned a free writing program ywriter4 . About a dozen people on the loop chimed in saying they used the program and loved it. They mentioned story boards, and “problem word” finder, total word count along with chapter and scene word count, and other neat stuff I didn’t know I wanted. Curious, I downloaded the program and tried it. (For the faint of heart –no viruses, I swear.)

Okay, I love this program.

It has a Daily Word Count Tracker, so I know how many words I need to write each day to stay on target for finishing my work in progress. I don’t know why I like knowing I need to only write 300 words a day to finish by December 31. I suspect it’s because, heck 300 words is something I can practically finish in my sleep. 300 words is not as overwhelming as 300 huge blank pages of white. If I have to skip writing a day or two or okay, okay a week, and that Daily Word Count starts edging up toward 400 words a day, then I find myself working really hard to move it back down to my target of 300. And I can’t cheat –one word on a page doesn’t count as a page finished no matter how many paragraphs HAD been on that page during the day.

The Story Board feature is pretty cool too. After you create empty files of all your chapters and scenes (should you write like me and plot first) then you can decide from whose POV to write each scene. The Story Board then plots the book using your main characters as threads. At a glance I saw that I had six scenes from the heroine’s POV and my hero completely disappeared from the book –not a good idea. So I was able to rework the outline before writing to make sure the poor man was included.

Do you find yourself over using words? This program will run a problem word finder, either predefined (as, then, suddenly, all “ly” words, etc.) or user defined (for this book, seriously). It will even give you at total word usage count. I currently have written “seriously” 192 times and the word “and” 502 times. I suspect I need to get rid of some of both of them –seriously.

But my all time favorite part of this program, Scene Notes. I always have these brilliant ideas in chapter ten about chapter two. It is so very tempting to go back to chapter two and used said brilliant idea. Yet, noodling around in chapter two doesn’t move my story forward toward the finish line. I want to get to the finish line! So I can click on the Scene Note tab for chapter two, write my brilliant idea down, then get back to chapter ten. The note is “hooked” (high tech word –I know) to the scene for which I think I will use it and not in a Word document that I may or may not remember weeks later. Every time I bring up chapter two I see the note attached. This way I don’t rewrite chapter two, over and over unless that brilliant idea was really brilliant and I can do it when I get to polishing the second draft and not while slugging out the first.

So if you are looking for something to help organize your writing ywriter4 could be for you –and best of all it’s free. Let me know what you think of it or if you have something else you use, I’d like to know that too.

Marianne Donley writes quirky murder mysteries fueled by her life as a mom and a teacher. She makes her home in Pennsylvania with her supportive husband Dennis and two loveable but bad dogs. Her grown children have respectfully asked her to use a pen name which she declined on the grounds that even if some of their more colorful misdeeds make it into her plots, who would know the books are fiction. Besides they weren’t exactly worried about publicly humiliating her while growing up.

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And the Emmy Goes To….

September 13, 2008 by in category Archives tagged as ,


By Bobbie Cimo

Have you ever noticed that when the cameras pan over the audience at an awards show, you very rarely see an empty seat? That’s because they have seat fillers. Yes, even when someone has to get up to go to the bathroom, the director wants those seats filled.

No, it’s not a paying job, but the list of volunteers is aplenty–as you have to know somebody to be put on “The List”. But once you’re on “it,” it’s like being in the Senate…you never get replaced, until somebody dies. You can see why–I mean who wouldn’t like the opportunity to play dress-up and be admitted to the hottest ticketed show in Hollywood, excluding the Oscars?

The year my name was added to the list, nobody actually died, but a new firm was in charge of handling the seat fillers, plus the network I work for was televising the show. (Update, here) Since then, my name has been removed, as the company handling the seat filler have made new friends of their “own”. Proving once again, that old adage–“It’s who you know in this business” (sadly, even for seat fillers).

I was thrilled when I learned I had two tickets (one for myself and my sister, Tricia) to attend the 53rd Annual Emmy Awards ceremony, scheduled for Sept. 16, 2001. But then came Sept 11th and for obvious reasons, the show was cancelled. Later, we got word that the show had been rescheduled for October 7th. Our hearts weren’t in it, but like the rest of the country, we felt lost and didn’t know what else to do, except to grab on to something that felt normal–like going out for an evening.

A few weeks later an inter-office memo was issued, requesting a photo ID and informing us that the FBI would be running a background check on everyone attending the ceremony. And because the show would be taking on more of a somber note, all attendees were told that they should be dressed in dark business attire, rather than tuxedos and ballroom gowns.

On October 7th, after finishing our box lunches served on Stage 33 at Television City, and before boarding the bus heading for the Pasadena Civic Center–just hours before show time, once again the show was cancelled. This time due to a US air strike in Afghanistan.

Then the fate of the 2001 Primetime Emmy Award Show became even more uncertain, when it was learned that Don Mischer Productions(who has produced the show seven times before) might have to scratch the Emmys altogether, because of previously made commitments to other shows.

They say the third time is the charm, but in this case it was the forth time. Finally, a new date and a new location had been set for the 53rd Annual Emmy show for November 4th at the Shubert Theatre. But instead of busing us as previously planned, this time we were told we had to drive ourselves.

If the cement barricades and the closed off streets that were lined with police offices and FBI agents didn’t make it seem surreal enough, then the mirrors placed under our cars, searching for bombs and other explosives, certainly did.

After enjoying a catered dinner and listening to some live lounge music in the basement of the Plaza Hotel, we were escorted through a secret passage to the Shubert Theatre. Once inside we were led around a narrow path around backstage. I see a few familiar faces of Stage Managers, and after giving a few Hollywood kisses on the cheek, I was back to marching with the commoners(seat fillers). Deep down I had hoped one of the Stage Managers would have pulled me aside and said something like, “What are you doing there? Here, I have some extra tickets”…but it never happened.

I can’t remember exactly when, but somewhere along the line we were handed our duel badges. One had our picture with our name and a number printed on it. (think mug shot here), the other simply stated the following: “I am filling this seat TEMPORARILY (in bold lettering) in order to avoid empty seats for camera purposes. THANK YOU.” This apology–disclaimer or whatever you want to call it (embarrassment was the word that came to my mind) I’m sure was for the purpose of not freaking out some celebrity who might be wondering what happened to the person who had been seated next to them and now was gone. Both badges hung around our necks on black lanyard that seemed more like a rope.

We were told that under no circumstances were we to talk to any of the celebrities…not even to tell them how much we enjoyed them or their shows. And when we walked down the aisle, we had to remember to swing the lanyards around our necks, so our badges couldn’t be seen on camera. Two things happened by doing this, 1) I felt like I was strangling myself and 2) I inadvertently slapped the person behind me with my badge.

You could have almost heard “action” when that first commercial break happened and the doors of the lobby flew open. Like a heard of cattle we trampled down the aisles, wondering which row we would be entering first.

Hurry, hurry, hurry” are the only clear words I remember hearing, as a silhouette stood in the darkness, waving his arms like a traffic cop, directing me where to go.

Not only were we told to walk fast and to cover up our badges, but we also had to remember how to enter the row to get to our seats. I think we were told we had to face the people, rather than put our backs to them. Or maybe it was we had to keep our backs to them, and not bother looking them in the eye. Either way, it seemed like a lot to remember just to get to a seat–a seat that was only going to be mine until the next commercial.

Ten minutes later, snapping fingers told me to get up and once again I was on the move, stepping on important people‘s feet as I made my way back into rotation, awaiting my next assignment (seat).

By this time, my sister and I were separated, so I have no way of knowing if she’s landed a good seat or not. However, I did find out later that she had a terrific seat for about a minute when Megan Mullally (Karen on Will and Grace) claimed it back. My sister, absentmindedly, asked, “Now?” In which Miss Mullally replied, “Y-E-A-H!” And begrudgingly, my sister got up.

On my third time around, I was placed in the third row, center stage–prime territory by any standards.

When the curtains opened up, Ellen DeGeneres stepped out and continued with her job of hosting the 53rd annual Emmys Show by introducing, Barbra Streisand, who just happens to be my sister’s favorite singer.

I briefly looked around, wishing I could switch places with her, so she could take my seat…and then it hits me like someone who should have had a V-8,….was I crazy? This wasn’t even my seat to be giving away. Besides in this Army it’s every person for themselves. I sat back and enjoyed the rest of the song. And hopefully, my sister was somewhere close, doing the same. (I later found out, she remained in the lobby not only during Barbra’s performance, but for the rest of the show, along with a bunch others whose services were no longer needed)

As for me, I had the feeling I must have had either Ellen’s seat, or someone who was a sore loser and had walked out on the show, because no one claimed my seat for the rest of the evening. I was, however, afraid to make eye contact with any of the people in charge of seat fillers–fearful, that once they saw me, they might ask me to move.

Did I break any of the rules that night? A few, when I smiled cordially at a few of the celebrities who sat around me.

Would I ever be a seat filler again? In a New York minute! Let’s face it, I couldn’t have had a better seat, than if I had been up for an Emmy myself.

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Running With Joy

September 10, 2008 by in category Archives

By Nancy Farrier

Something caught my eye as I stood in the front yard talking with my neighbor. I looked up to see my two-year-old daughter racing, arms outstretched, down the slope of the roof toward the edge. My heart stuttered. I broke into a run, hoping to get close enough to catch her when she stepped into space. Instead, she stopped, her small feet poised near the drop off, a smile as big as the Grand Canyon on her face. She still had her arms out, and I could see how delighted she was to have this vantage point. My expression of utter panic didn’t faze her.

This wasn’t the first time my daughter managed to climb on the roof. She’d been eighteen-months-old the first time she found her way there. Since then, we often heard from neighbors driving by, who would call when they got home to tell us Anne was on the roof again. Hooray for small towns.

Despite my repeated attempts to apprise her of the dangers, Anne loved being up so high. I would send her outside to look for something, and when I would find her on top of the house, she would say, “But, Mom, I can see better from up here.” Who could argue with that logic? Well, I could—and did.

Sometimes, in life I get bogged down. There are everyday mundane chores that never seem to end no matter how often I do them. When that happens, I can find myself forgetting the joy and fun in life. All I see are the piles of laundry, the dirty dishes, the nitpicky editing I need to do, and on it goes.

I have to remember to be more like that two-year-old. My attitude doesn’t have to be that of a grumpy person, even if I have a lot of responsibility. Not that I intend to run across my roof, but I do need to put my arms out sometimes and surrender all the things that weigh me down. I need to keep alive the joy in my life.

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What’s Workin’ It Like?

September 3, 2008 by in category Archives tagged as


By Cait London

FOR HER EYES ONLY, the 3rd and last book of my Psychic Triplet Trilogy, is an October 2008 release, and I workin’ it.

Let’s define exactly what “workin’ it” means for an author in “hot-spot selling time” and the tools needed to be moderately effective.

In “hot-spot”, the month prior and the month of pub date, you’ll be updating your website and blogs frequently, sending e-newsletters, answering e-mail, keeping busy at MySpace, Facebook and others, making appearances, sending out contest prizes, traveling, and generally overloaded to the max–even if you’ve planned well for the hot spot.
Note: You can do a terrific amount on your own at low cost. Else, many well-published writers use professional publicists and many do little for promotion; they would rather use the time to write.

You’ll need planning tools (I can’t do without my PDA):
Building a set of promotion tools takes time and energy. Be aware that even light promotion calls for sturdy dedication. The very first decision for a writer who wants to promote is if they want to do it themselves. Promotion is a true time-sucker (technical term).
Note: I do not endorse building a website for the purposes of promoting a writer, who has not yet been scheduled for publication. The risk is high, and could leave the writer out a very embarrassing limb.

Early preparation tool box:
• write articles for your groups; contact your group’s newsletter editor early for good placement
• create a blog, i.e. blogger.com and actively post on other blogs (freeskins.blogspot.com is an excellent freebie skin)
• collect friendly readers e-mail; develop a potential e-newsletter for excerpts, notifications, etc. Yahoo serves well.
• develop excerpts and keep reviews handy, keep a friendly reviewers’ list
create a promo item, something to mail and for appearances, i.e. bookmarks/postcards. VistaPrint.com has great freebies. *Due to high postage costs now, we will be seeing less mailings.
• develop a handout about your book(s) and you, your website and blogs, etc. (printer quality is fine)
• develop longer and shorter bios to have on hand, at a moments notice
• use databases; you’ll need them for contacts: readers/librarians/book sellers/reviewers
• publicity shot: casual may be acceptable now. This should be quality work, studio or not.
• clothing for appearances. (Since FOR HER EYES ONLY, AT THE EDGE, and A STRANGER’S TOUCH use Celtic motifs, I’ll be wearing that jewelry.)

Scheduling:
• Develop a wider community, i.e. Facebook, etc. Associate OUTSIDE your usual groups. (Find me at Facebook).
• Contact other blog owners and schedule to be a guest
• If you wish to be contacted as a speaker, develop programs that stay within the scope of your personal experience. If charging as a speaker, have rates ready in formatted form.

Critical: Repeat–Keep that website and blog updated frequently.

Super Tips:
• When that first book comes out, establish book lists that include title, pub date, publisher, ISBN. Develop a plain one for promotion, and a private one to collect the kudos or any awards, list sales to foreign countries, for your personal reference. This list is essential and difficult to rebuild down the road.
• At a book signing: take a notebook to be used for the collection of e-mail addresses; place it in front of you with already one e-mail address on it, providing a starting point. Use those addresses to invite readers to your e-newsletters.

Promotion hot-spot is absolutely hectic. Do everything you can to prepare for it. I’m truly workin’ it now with FOR HER EYES ONLY due on October’s book shelves.

Bio: From Cait London, newly NYTs extended after almost 70 books. Find her at http://caitlondon.com and caitlondon.blogspot.com

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