CONFESSIONS OF A PODCAST GODDESS
April 19, 2007 by A Slice of Orange in category Archives tagged as Confessions of a Podcast GoddessNo, that’s not the name of a new animated cartoon series, it’s what can flush your podcast–audio or video–down the toilet in ten seconds flat. You’ll lose your audience before you have one if they can’t hear or understand you because of poor quality audio. Think of it this way: How many times have you wanted to dump an entire giant box of popcorn on the person behind you because they wouldn’t stop crunching throughout the entire film? More than likely it ruined the film for you because you couldn’t hear half of what was happening on the screen.
First rule in podcasting: Make sure they can hear you.
I learned this lesson the hard way.
The unidirectional mike I bought was cool, but the computer connection was wrong (the salesman sold me mono instead of stereo). I bought an adapter plug, but my troubles weren’t over. When I recorded my voice, I heard crackly static that made me sound like an old radio serial. A cheap sound card was the culprit, I found out, but not before I went crazy pushing every button and sliding every bar on my sound mixer trying to get rid of the “noise.” I had to have a new sound card installed, but it was worth it. I had cool, clear sound.
Now for the fun part: Recording my podcast!
You create that important first impression with your voice and make the audience want to hear more. You want your voice image to be natural. Don’t focus on your “low, husky” voice or try to be sultry à la Jessica Rabbit. Be aware that speaking at the very bottom of your pitch range can result in voice problems from the strain. At the other end of the spectrum, when you’re under stress, such as a first date or recording your first podcast, very often “singsong” or whine patterns from your childhood show up in your voice.
To improve your voice, focus on the bridge and sides of your nose down to and around your lips. This area is called the “mask” by voice experts because in ancient Greece stage actors spoke through masks which covered this part of their faces and amplified their voices. By producing sound through this part of your face, your voice will open up and become flexible, giving your voice expression and warmth. Speaking through the mask gives your voice a resonance that will seduce as well as impress your audience into coming back for more!
Bonus tip: Practice by reading out loud to the man in your life from your favorite sexy novel and don’t forget the sensual sound effects. I call it Instant Foreplay. Here’s a video podcast I made on the subject:
http://www.dailymotion.com/Jina_B/video/x1682k_instant-foreplay-with-spice-audio-b
Tune in next month for Part 3 of Confessions of Podcast Goddess!
Jina Bacarr is the author of The Blonde Geisha and coming in July 2007, Naughty Paris. Jina writes erotic adventure for Spice Books. “Get Caught in the Act.”The Write Way (because there is no ‘right’ way)….
April 18, 2007 by A Slice of Orange in category Archives tagged as The Write WayI really hate writing a synopsis. Most writers do. And those that do love writing the darn things??… let’s just say we will never be close personal friends! We wouldn’t be able to bond over the misery of trying to cram a 2-400 page book into a handful of pages.
A synopsis is all important when you’re going for that elusive contract. When you need to show an agent or an editor that yes, your story does actually contain a beginning, a middle, and an end. You need to make that synopsis sing–to entice your readers with the brilliance of your plot line and keep it all under ten pages, if you don’t mind!
This is not easy. Especially if you haven’t figured out exactly how you want your book to go yet. Still, the synopsis must be written…so you jump in with both feet and hope for the best. Here are a couple of tips. I’m not saying this is the only way to write a synopsis, only that it’s worked for me for almost one hundred books………….
1. Don’t clutter the synopsis with a million names. It will only be confusing. Get the hero, the heroine and if you have to, their children. Name the villain, of course, but leave out quirky Aunt Edna or the garage mechanic Edwardo who’s sleeping with the Mayor’s wife, Delilah Nogood.
2. If you’re going to include backstory, to provide motivation, then label it as backstory. Keep it to no more than two pages. Then have a scene break, and type, The Story:
3. Hit the high points. Pretend you’re telling your best friend what your book is about. This is a sure fire way to get the basic story in without a lot of detail that will no doubt be brilliant in the book, but in the synopsis stage is just clutter.
4. Don’t have snippets of dialogue. It slows things down. Besides, the editor/agent will be reading your pages and the dialogue will make much more sense over there!
5. Tie up loose ends. Never leave the mystery unsolved or the murderer un-revealed. (is that a word?)
6. Show your characters’ growth arcs. That’s simple enough if you do one paragraph from the hero’s POV and then switch to the heroine’s. In a synopsis, don’t worry so much about head hopping. With those continual shifts, showing how your characters are responding to what’s happening, the editor/agent will see that you actually have a plan for those people!
That’s about it, I think. Of course, as soon as I hit ‘publish’, I’ll think of something else! If I do, I’ll come back and add it in.
The main thing to remember is that you want your synopsis to catch the imagination of those who read it. You want it to make them need to read your book. But no pressure!
Maureen Child is the author of more than ninety romance novels and novellas. A five time Rita nominee, she’s seen one of her books made into a CBS-TV movie and would love to have that experience again! Her June release from NAL, More Than Fiends, is a paranormal/urban fantasy/funny/first person romp filled with way too many characters that never cluttered the synopsis.
Keeper Shelf
April 17, 2007 by A Slice of Orange in category Writing tagged as Gillian Doyle, Keeper Shelf.
by Gillian Doyle
LESSONS FROM A LIFETIME OF WRITING:
A Novelist Looks At His Craft
“The difference between fiction writers and civilians is that we make it our life’s work to put our daydreams and day-nightmares on paper.” -David Morrell
As writers, we have all heard it said that we “write what we know” but David really brought it home to me that we consciously — and often unconsciously — write about our deepest fears, weaving them into our characters, good and bad.
On page 21 of his book– “. . . I’ve trained myself to pay attention to my daydreams/nightmares, to be aware of them as they’re happening, to wonder why certain imaginary situations are so insistent, and to use the most compelling of them as the inspiration of my novels. After the fact, I’ve learned to realize how the plots that attract me are metaphors for my psyche.”
My books have always come to me in the most vivid dreams unlike my other “normal” dreams. A time-travel romance was born of a dream I had experienced while sleeping aboard a replica of an 1830s hide-trading ship on the coast of California. Another book began after a dream of an 1890s boarding house where the little boy sitting next to me had dropped green peas on the red oriental carpet under his chair. Such details startle me in my dreams, and haunt my waking hours with an eerie feeling of having actually been there, physically, in the past.
What relief to read of someone else who experiences this “multisensory illusion”. I have written all of my stories based upon these peculiar guideposts. This is the reason why I have had such a hard time keeping on track with my writing career. I write what I must write. I write what pulls me into the story as if I am a child at the feet of a storyteller, mesmerized, enthralled. When I am asked by well-meaning writer-friends, “Why can’t you write for the market? If only you’d pay attention to what sells, you’d be a huge success.” But I don’t. I can’t. And for this reason, I have often gone months without writing, choosing instead to find my fulfillment in other ways. How sad, though. I could not seem to allow myself to finish books just for myself, even if they would never find a publisher.
And so I returned to writing once more. I write of daydreams and nightmares. I write what I need to write. If there is an editor out there who finds it compelling and wishes to publish it, I would be delighted but it will not make my life any better than it is right now at this moment. For I have been reminded by David that it is the writing itself that is the reward. (Read Lesson Number One and you will know what I mean.)
After reading LIFETIME, I was thrilled to meet David when he was our guest speaker last year. What a memorable day! After reading last year’s thriller, CREEPERS, I became an even bigger fan! I can’t wait to read his latest, SCAVENGER. (Click on the titles to go to video interviews with David about these novels.)
You can learn more about David at his website and his MySpace page
David Morrell with some of the members of the 2006 OCC/RWA Board
Top row, left to right:
Bobbie Cimo, Michelle Thorne, Sue (Gillian Doyle) Phillips, Michele Cwiertny, Marianne Donley
Bottom row, l-r:
Mindy Neff, David Morrell, Sandy (Sandra Paul) Chvostal
Gillian Doyle writes paranormal suspense. She invites you to drop by at her blog and say hello.
3 0 Read moreBookseller’s Corner
April 16, 2007 by A Slice of Orange in category Archives tagged as Booksellers Corner
.
I HATE BOOKS AND THE CALENDAR!!!
.
By Michelle Thorne
.
Two weeks a year I am allowed by the Book Gods to hate books.
Last week was the spring portion of our game. We had our semi-annual book sale last Saturday. Yes, I know it was the day before Easter. I had to have the postcards printed twice, because the original ones had the sale on Easter too. How did I miss this?
In 25 years this has never happened, Easter has never fallen on my book sale. I blame global warming. It somehow changed the moon cycle, as I’m now told that Easter depends on the first full moon after something…I really wasn’t listening, but NOBODY SENT ME THE MEMO.
Suffice to say, I didn’t look at the calendar very carefully, I just looked at the numbers of the first full weekend in April. Why, you might ask?
Good question! Well, I’ll tell you, because I was surrounded by books, they were everywhere, they were multiplying at night when I went home. I would shelve them only to find more. They were like dirty dishes, just when you think the kitchen is clean, you find one more glass to wash, don’t you hate that.
I’m allowed to HATE housework all the time. It never gets finished. I’d rather just move to a nice clean house about every three months, but I hate moving too. Now I feel much better, the rant is over.
I don’t hate books anymore, all the unsold over stock just left via the back door to the West Covina Friends of the Library where they will be on sale again this weekend, the store is neat and pretty much in alpha order and just the way I like it, and my week of book hating is over.
I’m reading a really great ARC by Susan Kearney called Kiss Me Deadly, that’s one of the perks of being a Bookseller and loving it 50 weeks of the year. Am I one lucky girl or what?
WHAT ARE YOU READING?
Always,
Michelle
Michelle Thorne is the owner of Bearly Used Books…123, Home of A Great Read and OCC’s Media Director. For all your reading needs contact Michelle at:
Bearly Used Books…123
Home of A Great Read
123 So. First Street
La Puente, CA 91744
(626) 968-3700
Pop Culture Courtship
April 11, 2007 by A Slice of Orange in category Archives tagged as Pop Cultureby Sara Black
So what does Pop Culture have to do with romance?
Unlike the heroines of my favorite novels by Austen and Heyer who were not allowed to have jobs, about four years ago I was lucky enough to work at a small post production house. Though I worked with many men, including a Frenchman and an Italian, there was very little romantic about the place. For starters, the Frenchman’s name was Igor.
One day my computer started acting up. The guy at my office who fixed these things emerged from his hiding place in the back room to sit in my chair and fuss with the electronics under my desk. We maintained an awkward silence, until a lull while he restarted lead him to discover an empty plastic sleeve for a comic book which I’d left sitting on my desk.
“What are you reading?” He asked.
“Sandman.” I said.
If our courtship had been more traditional we might have moved from comics to finer literature discussions, but us being us, we proceeded to discuss more comic books. I told him about the upcoming San Diego Comic Convention that I was going to attend. Simply put the San Diego convention center becomes a pop culture mecca filled with comic book readers, TV and movie watchers, artists, and geeks of all shapes and sizes. Finally, we discussed anime.
Rather than exchange missives we exchanged anime DVDs. He lent me the cyber thriller Ghost in the Shell and surreal coming-of-age FLCL, and I leant him the action packed Scryed. I even went and saw the low budget but well-made British horror film 28 Days Later, because he said it was good, and–trust me–that’s not a film I would normally see. Our first outing did have a co-worker as a chaperon, but instead of going to a museum, we saw Finding Nemo.
He was invited to my birthday, and my present was not a traditional teddy bear, but a Gloomy Bear, which proved to me we had a deep understanding. There was no waltzing at the party, but plenty of DDRing. I kicked his butt.
Then we stalled. Except for the birthday party and movie with the coworker we were still work friends only. The attraction was there but I was shy and he was acting shy and nothing passionate was going to happen at the office. I got up the courage to suggest that rather than just trading anime we actually hang out and watch something together, like at his place. He mentioned he’d been meaning to get a group of friends together to watch the kung-fu historical Hero.
A group of friends? I wasn’t looking for more chaperons.
I was deflated enough that it took a whole week before I tried again. This time I made it simpler. I asked him what he was doing that evening. That worked. Our first date was at a Shabu Shabu place. Our romance followed our courtship in style, and when we went out we went to Japanese pop culture stores like Giant Robot and when we stayed in we watched Sci-Fi channel shows like SG-1. Lest you think we live totally one dimensional lives I also introduced him to the six hour version of Pride and Prejudice, which he has sat through several times since.
The real end of the courtship phase didn’t come with a declaration of love on bended knee, but I’ve never seen anyone more touched than he when I moved my computer to his place.
So, what does Pop Culture have to do with romance? I’m not sure, but it had a lot to do with mine.
Sara Black has a degree in Cinema/Television from USC. She watches far too much television, eats way too much sushi and is always writing a romance novel. For someone who religiously stays out of the mainstream, she knows an awful lot about Pop Culture. This is the second in a series of posts on the subject.
Featured Books
SOLITARY MAN
On a battlefield in Afghanistan, Sgt. Ryder Bronson makes an oath to protect his dying friend’s wife from a rogue cop—and from the passion that will threaten to overwhelm them both.
More info →
COLTON 911: CAUGHT IN THE CROSSFIRE
From hunting cattle rustlers
To being hunted by a killer
EXPERT WITNESS
Josie Bates disappears without a trace and the investigation finds more than one person who wants her dead.
More info →
