Jenny Jensen is deep into a manuscript and unable to come up for air. We’re helping her out by posting one of her articles from our archives. Hope you enjoy it.
I love quotes. I collect them, especially quotes about writing from writers I particularly respect. Since I work with writers of all levels from beginners to veterans, I find that sometimes the perfect quote from an established writer is exactly what I need to reinforce a point – so I use my collection well.
I just took on a new client who sent an outline for her first novel. The outline included a précis of the plot, quick character sketches, a few narrative bits on action scenes and several options for an ending. Buried in these concepts were the seeds of a very fresh new voice. I’m excited; it’s the kind of challenge I relish. It’s the perfect opportunity to ask the right questions, provide possibilities and help guide the story to a solid structure – all of which greases the writer’s creative wheels – the give and take nudging them to the path they want for their story.
The problem was the writer didn’t want to write a draft; she wanted to work with me to get the story full blown in her head then sit down at the keyboard and spit out a finished novel. Oh dear. I imagine there are writers who can do that but they’re as rare as the ivory-billed woodpecker. As Anne Lamott put it in her essay, Shitty First Drafts: “I know some very great writers, writers you love who write beautifully and have made a great deal of money, and not one of them sits down routinely feeling wildly enthusiastic and confident. Not one of them writes elegant first drafts. All right, one of them does, but we do not like her very much.”
All first drafts suck. It’s a universal law. But it’s where you have to start. “The first draft is just you telling yourself the story.” (TY Terry Pratchett.) So give yourself permission to just spill it, write the most vapid dialog ever if that’s what comes out. It’s OK – it’s a draft. Just get the story out. If you find yourself using more adjectives than Danielle Steele and Judith Krantz combined then this is the place to do it. It’s a draft -no one will ever see it (except me but that’s all right ‘cuz I’ll never tell). Stewart Stafford hit the bull’s eye, “It’s okay to write a cliché in a first draft; it sets a marker that you can get far, far away from in the rewrites.”
That’s what a draft is for – the rewrites. Here’s where the painful process of filling the blank page becomes fun. You see the flaws and get to slash and revise, hear the perfect dialog over the noise of what you drafted, maybe see a new direction in the wreckage. I’ve encouraged my client to write a first draft. I’ll happily work with her from that, but I bet she goes over it first – who could resist? Draft one or draft two, I don’t care. I can’t wait to see it.
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