I’ve always hated revisions and editing. It seemed sacrilegious to tamper with someone’s magnum opus. After all, they’ve poured out their whole heart. How dare I touch it? And what would be the fate of my own work in the hands of others? (I tremble, heart pounding). I realized it’s time I eat a slice, a very LARGE slice, of humble pie and drink a cup of trust.
That is how I discovered that in the midst of a faithful critique group, and a skilled editor, magic happens. My eyes open to see the pitfalls I’ve missed. My ears lean into the heart-beat of my thoughts. And with the group’s enthusiastic guidance and encouragement, (that includes you, Marianne H. Donley), I find myself digging deeper into myself and finding treasures I never expected. The result? A work far better than the one I thought was the best.
If I may borrow a line from our own Slice Of Orange, ‘the extra squeeze’ they put me through brought out the best flavor.
Humble pie never tasted so good.
Veronica Jorge
See you next time on July 22nd!
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The Many Colors of Us: Remembering 9/11
by Veronica JorgeMost people are a combination of various cultures, though I think their ancestors tended to confine their marriages to one continent.
Mine didn’t.
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A story of second-chances, hope, friendship, gratitude, and yes, the redeeming power of love, A Slight Change of Plans, satisfies at many levels. As the title suggests, things may not always work out the way we plan or expect. Colby encourages us to believe that there is a good plan for our lives, and a Master Planner who knows how to put all of the pieces together in the right place if we would only trust Him and let Him.
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The world’s treasures, many of them at your fingertips, in the pages of a book.
Such was my experience during a recent museum visit when I discovered an inspiring and uplifting work of art, Girl Balancing Knowledge, by the sculptor Yinka Shonibare. A British-Nigerian artist, he explores themes of cultural identity in a globalized world. The bright colors of the African Ankara fabrics he uses in his pieces are appealing and strikingly eye catching.
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Below is an excerpt from one of our 2024 mentees, Veronica Jorge, from her project, Crushed Like Sugarcane, based on her Chinese ancestor, Zhou Zhijian, who left China to work in the sugarcane fields of Cuba where he was enslaved. In this portion, newly arrived and unwilling to accept the situation, he decides to escape:
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The painter stares at the canvas waiting for an image to appear. Patiently, he waits until a faint imprint of a landscape or a face emerges. He then grabs a brush and dabs it into the paint on his palette, making haste to reach the canvas with his brush to capture the image.
Nothing Found
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Thank you, Veronica. This made my day.
You are very welcome, Marianne. You’re a great encourager and motivator.