Dear Extra Squeeze Team, How Do I Keep My Narrative Voice Consistent?

July 31, 2020 by in category The Extra Squeeze by The Extra Squeeze Team tagged as , , , , with 0 and 0
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Dear Extra Squeeze Team,

I have three MCs in my historical fiction novel; each one in a different country. A critique pointed out that the voice kept changing. How do I keep the voice constant while maintaining the three different cultures?

Rebecca Forster | Extra Squeeze

Rebecca Forster 

USA Today Bestselling author of 35 books, including the Witness series and the new Finn O’Brien series.

This sounds like an exciting and intricate project. It also sounds like you need to stop and assess your critique group’s input. Having not seen the work it’s hard to make a judgment regarding your question, but I think the changing voices would be necessary for a project of this scope. So ask yourself if, in this instance, is your author’s instinct appropriate or your critique group’s caution?

I wrote a book called Before Her Eyes that had first person and third person parallel stories. The voices had to be different and I wrote them as such. Readers had no problem with this.

What I do question, however, is the suggestion that you have three main characters. I will accept they are the MC’s of their separate sections of the book. However (again an assumption) they will all come together at some point. There will have to be a conclusion to this book and that means one character will have the star turn.

I would be curious to know if you really have three MCs or one MC and some very, very strong supporting characters. I will refer back to Before Her Eyes. While each track had a main character the climax of the book showcased one. His journey overrode hers. Good luck.

Jenny Jensen | A Slice of Orange

Jenny Jensen

Developmental editor who has worked for twenty plus years with new and established authors of both fiction and non-fiction, traditional and indie.

 

Whose voice? I’m going to assume you mean the narrative voice—1st PPOV or 3rd PPOV. It would be critical for the voices of the three separate MCs to be different from one another but consistent within each voice. I’m not so sure it would be so for an overall narrative voice unless it is 1st PPOV. That makes the narrator a character as well.

 

If we are talking 3rd person narrator be clear in your mind about the intent and purpose of the narrator—is it the omniscient 3rd person? Then you have the advantage of a voice that knows everything from the thoughts of a character to where in time all the characters are. Think of it as your writerly inner voice and stick with that for the omniscient narration.

 

If you are using a 1st person narrator then it is a character with it’s own strengths and weaknesses and agenda. As with any character the author needs to truly know who that character is. Tapping into that understanding will keep the narrative voice consistent through out.

The Extra Squeeze | A Slice of Orange

Ever wonder what industry professionals think about the issues that can really impact our careers? Each month The Extra Squeeze features a fresh topic related to books and publishing.

Amazon mover and shaker Rebecca Forster and her handpicked team of book professionals offer frank responses from the POV of each of their specialties — Writing, Editing, PR/Biz Development, and Cover Design.

About The Extra Squeeze
About The Extra Squeeze
Ever wonder what industry professionals think about the issues that can really impact our careers? Each month The Extra Squeeze features a fresh topic related to books and publishing. Amazon mover and shaker Rebecca Forster and her handpicked team of book professionals offer frank responses from the POV of each of their specialties — Writing, Editing, PR/Biz Development, and Cover Design.

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    Ever wonder what industry professionals think about the issues that can really impact our careers? Each month The Extra Squeeze features a fresh topic related to books and publishing. Amazon mover and shaker Rebecca Forster and her handpicked team of book professionals offer frank responses from the POV of each of their specialties — Writing, Editing, PR/Biz Development, and Cover Design.
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