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As a Writer, Is Talking to Yourself a Bad Thing?

May 3, 2020 by in category Partners in Crime by Janet Elizabeth Lynn & Will Zeilinger, Writing tagged as , ,

Is Talking to Yourself a Bad Thing?

I’ve seen jokes and memes all over social media that describe how being self-isolated or “quarantined” during this COVID-19 pandemic has had one of two effects.


The first has been an overwhelming feeling of being trapped or imprisoned, with no opportunity for social interaction. If you have kids, and they are home, they have to be fed and watered, educated, entertained, and of course, experience some quality time with you. Even if you don’t have kids or parents in your home, there’s always laundry and dishes, all those things on your to-do list you’ve been putting off until you had “time.” Things like home repairs, organizing, binge watching all those programs and movies, you’ve recorded, and naps . . . yes, naps. The thing is, you aren’t trapped.

How are you using your self-isolation?


The second feeling has been one of great relief, as being shut up in one’s domicile provides the writer with the opportunity to get that story or book onto paper (or at least into the computer’s memory.) This second opportunity can also be seen as the chance to see ourselves in the mirror of truth.


Let me put it this way: Let’s assume you are a serious writer, whether it be a journalist, essayist, short-story author, non-fiction, or fiction novelist. What exactly has been keeping you from writing that thing you write? Is it your job? There’s that daily commute that can eat up a couple to several hours each day. Does the boss hover over your shoulder so you have no chance to put down a few paragraphs each day? Is it your chores, like taking the kids to school or daycare, picking them up, and taking them to their extra-curricular activities (soccer, dance, scouts, etc.?) Do you have a second job?


During the time we are all confined (at least, we should be) have we learned anything about ourselves and our writing process?


In that vein, there is another advantage to this situation—that is being able to read your WIP out loud to yourself or to those at home with you. Reading your work aloud helps you catch the rhythm of your writing, especially in early drafts. Though you may not be commuting, those hours can be spent refining dialog, grammar and even some holes in story or essay.
If you happen to live alone, you may have access to a recorder or use your computer to record and playback what you’ve read aloud. Even if you aren’t ready to read it to the world, your family and yourself are all great critique partners.

Go ahead and read—aloud. You’ll never go back to just reading over the page.

~Will

P.S. To those of you who are essential workers—thank you and stay well. We all want to read the stories that will come from all this.


Books by Janet Elizabeth Lynn and Will Zeilinger

DESERT ICE

Buy now!
DESERT ICE

GAME TOWN

Buy now!
GAME TOWN

SLICK DEAL

Buy now!
SLICK DEAL

SLIVERS OF GLASS

Buy now!
SLIVERS OF GLASS

STRANGE MARKINGS

Buy now!
STRANGE MARKINGS
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Taking Notes on Your Kindle – and Finding Them Again by Kitty Bucholtz

March 9, 2020 by in category It's Worth It by Kitty Bucholtz tagged as , , , , ,

Note: Kitty is at a conference so we’re rerunning one of her columns from our archives. We hope Kitty has a great time, and we hope you enjoy her column.

In November 2017, I wrote about how you can send nearly any kind of text-based document to your Kindle. A couple weeks ago, a friend told me she’s taking an overseas trip and she was considering printing out her current work-in-progress so she can at least get some editing done on the plane. I suggested she send her Word doc to her Kindle instead. She wouldn’t have to worry about losing pages, and her luggage would be a little lighter.

When she asked me how she would do edits, I realized I haven’t actually written an article about that yet! Here are my thoughts.

First, I use my Kindle to read. I don’t plan to make it my next editing tool. That being said, if I’m reading a friend’s book and see a typo, I want to tell them about it so they can make the correction and re-upload. In the same manner, reading my final manuscript on my Kindle can help me to see errors I missed because now I am reading the book as a reader. Errors aside, I also like to highlight my favorite bits in a novel sometimes, and helpful passages in nonfiction books so I can come back to them later.

I own a Kindle Paperwhite, so I’ll explain how to do everything on that or on the Kindle app on my iPhone. You’ll have to check how to do things differently if you own a different Kindle or use the Kindle app elsewhere. (I’d think it would all be very similar.)

Highlighting

If I want to highlight a passage on a Paperwhite or using the Kindle app on my phone, I press and hold on the first word I want to highlight until it lights up then drag my finger to the last word I want to highlight. On my phone, it automatically highlights. On my Paperwhite, it highlights but brings up a menu asking me if I want to just highlight, or add a note, or sometimes you can look things up in Wikipedia if your Kindle is connected to the Internet, and other menu items may also be available. (If you highlight a single word, the Kindle assumes you want to look that word up in the onboard dictionary.)

To get rid of that highlighting using the phone app, tap on the highlighted portion again, then tap on the highlight color with the X in it. That will delete your highlighting. If you tap on a different color, it just turns your highlighted color (yellow by default) to the other color.

To get rid of the highlighting using the Paperwhite, tap on the highlighted portion again, then tap on “Delete” in the little menu that pops up.

Notes

Once you’ve highlighted something, you can add notes pertaining to the highlighted bit. On the phone, tap the highlighted portion, then when you see the little menu, tap on the square with the pencil (supposed to look like paper and pencil). A new screen opens that says “Create Note” at the top. Type in whatever you want, then hit Save. Now at the end of the highlighted portion is a tiny little page. That’s your reminder that you have a note there.

On the Paperwhite, it’s similar. You can add the note as soon as you add the highlighting by choosing “Note” from the menu after you press and drag to highlight. A “Note” screen pops up where you can type what you want. Tap Save, and you’ll see a little superscript number at the end of the highlighted portion kind of like what you see for footnotes in textbooks.

To read these notes, tap on the highlighted portion, tap on the Note in the menu, and you can read what you wrote. You can also delete or change the note at this time.

But Why?

If you send your manuscript to your Kindle in a .doc or other text file, highlighting and making notes about things you want to fix or change can be very helpful. As I mentioned, I also like to tell my friends about any typos they’ll want to fix. And when reading nonfiction, I highlight and make notes for the same reasons I would in a paper book – to remind myself of how to do something, or remember to come back to this passage later.

How Do I Get My Notes Back?

Obviously, hitting the page-forward button over and over through a 400-page book would be way too annoying to find all of your marks. But Kindle created a “My Clippings” text file for you and it saves everything you highlight or notate from any book on your Kindle. Yay!

For any ebook that the Kindle recognizes as such (I don’t know if you have to have purchased it from Amazon or not), your notes and highlights show up at https://read.amazon.com/notebook

Unfortunately, the manuscript you sent to your Kindle (possibly using the Send to Kindle app 😉 ) does not show up in your online notebook. (At least, I don’t see mine.) So you have to download your My Clippings file from your Kindle to your computer.

To do this, connect your Kindle power cord with the USB plug on the end to a USB port on your computer. Once it’s connected, your computer will see the Kindle like it would a flash drive. Click on Kindle, then Documents, then scroll down to My Clippings.txt and double-click to open. In that text file, you will find everything you’ve highlighted (probably since you purchased your Kindle). You can now save that file on your computer.

My Clippings.txt from my Kindle

Sending Your Notes to Your Friend

Using my friend Debra Mullins’ book Kerrigan’s Law as an example, this is what I do when I find any typos in a friend’s book. I open My Clippings, then cut and paste the notes that refer to that book into a new document.

Each highlight is listed in My Clippings by location number. If it also has a note, it is listed again at that location number with the note you typed. For instance, I highlighted a typo, then wrote “typo” in the note section. Here is what it looks like in My Clippings:

Kerrigan’s Law: Welcome to Burr: Book 3 (Debra Mullins)
– Your Highlight on Location 434-434 | Added on Sunday, December 3, 2017 10:33:42 PM

How to we make that happen?”
==========
Kerrigan’s Law: Welcome to Burr: Book 3 (Debra Mullins)
– Your Note on Location 434 | Added on Sunday, December 3, 2017 10:34:07 PM

Typo

Now I can cut and paste my highlights and notes into a new document or an email and send it to Deb. I try to highlight enough text so she can search for it and find it fairly easily. The location number will only give her a vague idea of where it is, but it helps. For instance, location 434 is very early on in the book.

Since I’d found a typo and knew I’d send it to Deb, I couldn’t help but highlight a portion that made me laugh out loud to send to her, too. 😉

Kerrigan’s Law: Welcome to Burr: Book 3 (Debra Mullins)
– Your Highlight on Location 1383-1384 | Added on Wednesday, December 6, 2017 1:18:20 PM

our old sheriff, Charlie Norris,
==========
Kerrigan’s Law: Welcome to Burr: Book 3 (Debra Mullins)
– Your Note on Location 1383 | Added on Wednesday, December 6, 2017 1:18:34 PM

LOL

(You get it – Chuck Norris? LOL! 😀 )

Using the Kindle Notebook Website

I only discovered the notes showing up on your own “notebook” page today when researching a question I had for this article. (Here’s the 2015 article I found mentioning it.) I couldn’t find Deb’s book in my “notebook,” so I played around with another book I had on my Kindle, Only a Hero Will Do by Alanna Lucas.

Example from my “Notebook”

You can see that I highlighted part of a sentence, then added a note, “Here is a note on that highlighted passage.”

I went through the books showing up in my My Clippings document and compared them to what showed up in my online “notebook.” I could be wrong, but it looks like Amazon only recognizes books I purchased from them. Anything I “side loaded” or used Send to Kindle to get onto my Kindle seems to not show up in the Notebook. Just a little FYI. So to get your notes for those books, you’ll have to download the file from your Kindle to your computer as I mentioned above.

Editing Your Own Books on Your Kindle

Bringing this around full circle, I told my friend Janice that she can load her current WIP onto her Kindle and take it with her on the plane. She won’t be able to make changes to the document, but she can highlight bits and write notes like, “Need more tension here” or “Potentially better ending could be…”

Loading your final manuscript to your Kindle and reading it through before you upload it to publish can also be one of your last proofreads. You can highlight a section and add the note “is should be it,” etc. One note on this – highlight enough, even a whole sentence, so that you can find it again in your document by doing a search.

I hope you found this information useful. I’ve really loved opening My Clippings occasionally to remind myself of all the cool stuff I wanted to remember from nonfiction ebooks I own. Learn from my mistake, though: when you trade in an old Kindle and get a new one, download the My Clippings file from the old Kindle first! Once you no longer have access to the Kindle, you no longer have access to the file. Darn!

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Featuring The Extra Squeeze Team

February 1, 2020 by in category Featured Author of the Month, The Extra Squeeze by The Extra Squeeze Team tagged as , , , ,

Ever wonder what industry professionals think about the issues that can really impact our careers? Each month The Extra Squeeze features a fresh topic related to books and publishing.

Amazon mover and shaker Rebecca Forster and her handpicked team of book professionals offer frank responses from the POV of each of their specialties — Writing, Editing, PR/Biz Development, and Cover Design.

For the whole month of February, the Extra Squeeze Team will be Featured on A Slice of Orange. Check back each week for more writing advice.

Dear Extra Squeeze Team,

I did NanoWriMo and finished. The result—I have a 50,301 word hot mess of manuscript. What the heck do I do now?

Rebecca Forster | Extra Squeeze

Rebecca Forster 

USA Today Bestselling author of 35 books, including the Witness series and the new Finn O’Brien series.

Edit. Seriously. Take what’s good, throw out what’s bad, rewrite, smooth out and polish. Viola, you have a book. I would love to have 50,000 words to work with. Good luck.

H. O. Charles | A Slice of Orange

H.O. Charles

Cover designer and author of the fantasy series, The Fireblade Array


Do you know what it is meant to become? Is it a series of chapters that form part of a longer book, or a novella? You’ll need to know what the finished product will be and who its audience is before you can begin to shape it. I don’t think there’s a set order to this next bit, but I would say that once you have an idea about final thing, you can start to make it more user-friendly.

Divide it up to make it edible for its future consumers (chapters with titles, paragraphs that don’t repeat the same stuff e.g.). Then start to look at which boxes you’ve ticked: character development, atmosphere, plot twists, no plot holes. Make sure the beginning has the right hook, and the end ties everything up (or doesn’t, if you like cliffhangers).

I’d correct grammar and spelling as I go with each re-read, making sure to change the page size each time (if you’re anything like me, you’ll be blind to certain errors unless the text gets moved around. Something weird and psychological, but it works).

The alternative is to count the 50k words as ‘notes’, and go on to re-write the whole thing in a more structured manner – the nuclear approach. It can produce better results, however.

Once you’re happy, find someone you trust to read through it and ask what they think. I am always surprised at the items that get identified, even when I believe I know my own book inside-out!

Jenny Jensen | A Slice of Orange

Jenny Jensen

Developmental editor who has worked for twenty plus years with new and established authors of both fiction and non-fiction, traditional and indie.

 

First, take a deep breath. Then sit your calm self down and read that hot mess from a more distanced perspective. Deconstruct. Outline the story. This hot mess came out of your imagination, your creative brain pan. Decide if there is something there to merit a lot more hard work.

What is the premise? Does it hold water? Is the opening compelling and does it carry forward and follow a logical plot? How is it plotted? Who are the characters and do they fill their necessary roles? Are these personalities you’ve peopled the story with interesting enough to carry the plot? Have you set the tale up with some inciting element strong enough to capture a reader in the first two pages and can that moment or situation move the story forward? Does the action rise and culminate and resolve in a natural dramatic arc?

Possibly… probably not. Yet.

There’s got to be some worth in all that effort. It may simply be that you’ve primed the pump and can toss this exercise and go on to a different tale energized by the fact that you know you can get words down on paper. (Sometimes that’s half the battle.) Or it may be that your efforts contain the seed of something that with the proper rewrite and revise, can be great. Only by analyzing it with as critical an eye as you’re able to achieve can you know what you can make of that mad NanoWriMo effort.

If you see the glaring errors of you ways, then get down to the rewrite. If you are overwhelmed by the prospect, get yourself an editor. Most editors, myself included, offer a read and review service for a reasonable fee. That overview from a fresh, professional eye, will help you see your way through trees to the forest. Or is that through the forest to the trees? Either way, you’ll come away with a direction that will help you move your written efforts forward.

Fifty K plus written words is awesome. You can make something of it, learn something from it, or just be pleased as punch that you achieved it.

I recommend you make something of it.

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Aboard the Titanic with a lord in a tub by Jina Bacarr

January 11, 2020 by in category Jina’s Book Chat, Titanic, Writing tagged as , , , ,

I’ve been underwater this month and during the holidays… writer-speaking… inundated with copy edits, proofreading, etc. on my upcoming Titanic book and trying to write a new World War 2 time travel set in Paris… so like Alice, I’m scrambling to get to the party on time…

Not easy for this So Cal gal who’s been living on London time since my publisher is the fabulous BOLDWOOD BOOKS headquartered there. I’m never sure what day it is.

A short post this month to let you know my Titanic love story, THE RUNAWAY GIRL, is on schedule for a March 17 pub date.

Two women hold the keys to his heart.

Only one will survive that fateful night…

A sweeping historical romance set aboard the Titanic, from the author of Christmas Once Again.’

THE RUNAWAY GIRL
Buy from Amazon
Buy from Apple Books
Buy from Barnes and Noble
Buy from Kobo

THE RUNAWAY GIRL is now up for pre-order

More as we get closer to March, but I’ll be starting Titanic Tuesdays on my blog ONCE UPON A STORY– this week January 14th with Titanic and the Loo and a lord in a tub.

See you soon on the ship of dreams!

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From Our Archives: First Drafts

July 19, 2019 by in category On writing . . . by Jenny Jensen tagged as , , ,

header image for A Slice of Orange

Jenny Jensen is deep into a manuscript and unable to come up for air. We’re helping her out by posting one of her articles from our archives. Hope you enjoy it.

 


 

Drafts | Jenny Jensen | A Slice of OrangeDrafts

 

I love quotes. I collect them, especially quotes about writing from writers I particularly respect. Since I work with writers of all levels from beginners to veterans, I find that sometimes the perfect quote from an established writer is exactly what I need to reinforce a point – so I use my collection well.

 

I just took on a new client who sent an outline for her first novel. The outline included a précis of the plot, quick character sketches, a few narrative bits on action scenes and several options for an ending. Buried in these concepts were the seeds of a very fresh new voice. I’m excited; it’s the kind of challenge I relish. It’s the perfect opportunity to ask the right questions, provide possibilities and help guide the story to a solid structure – all of which greases the writer’s creative wheels – the give and take nudging them to the path they want for their story.

 

Shitty First Drafts

 

The problem was the writer didn’t want to write a draft; she wanted to work with me to get the story full blown in her head then sit down at the keyboard and spit out a finished novel. Oh dear. I imagine there are writers who can do that but they’re as rare as the ivory-billed woodpecker. As Anne Lamott put it in her essay, Shitty First Drafts: “I know some very great writers, writers you love who write beautifully and have made a great deal of money, and not one of them sits down routinely feeling wildly enthusiastic and confident. Not one of them writes elegant first drafts. All right, one of them does, but we do not like her very much.”

“The first draft is just you telling yourself the story.” (TY Terry Pratchett.)

 

All first drafts suck. It’s a universal law. But it’s where you have to start. “The first draft is just you telling yourself the story.” (TY Terry Pratchett.) So give yourself permission to just spill it, write the most vapid dialog ever if that’s what comes out. It’s OK – it’s a draft. Just get the story out. If you find yourself using more adjectives than Danielle Steele and Judith Krantz combined then this is the place to do it. It’s a draft -no one will ever see it (except me but that’s all right ‘cuz I’ll never tell). Stewart Stafford hit the bull’s eye, “It’s okay to write a cliché in a first draft; it sets a marker that you can get far, far away from in the rewrites.”

The Rewrites

 

That’s what a draft is for – the rewrites. Here’s where the painful process of filling the blank page becomes fun. You see the flaws and get to slash and revise, hear the perfect dialog over the noise of what you drafted, maybe see a new direction in the wreckage. I’ve encouraged my client to write a first draft. I’ll happily work with her from that, but I bet she goes over it first – who could resist? Draft one or draft two, I don’t care. I can’t wait to see it.

Jenny 

 

 

 

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