Sister Mary Celestine would be so upset with me… like the time she made me kneel on my desk and measured with her ruler to see if my green uniform touched the polished blonde wood.
It didn’t.
I was in total teen rebellion, making my uniform shorter so I looked ‘cool’.
I wish I could say I was in teen rebellion to explain my absence, but I just haven’t been my best for a while. I’m homebound, rarely go out or post on social media, and my poor motorcar barely has any miles on it; in other words, I’m trying to heal from injuries sustained several months ago. And continue to write. I’d rather ship myself off to a desert island with teeth-gnashing raptors than let my editor down. Isobel has been so understanding, working with me and giving me extra time to finish my next book. And I did it.
I’m working on edits this week when I realized it’s time to post. Then I realized I missed last month… and before that. I apologize. I’ve been living with massive headaches and hand and shoulder injuries… well, I’m not a downer type, so let’s talk about some majorly good stuff… like finishing my book due out later this year.
And a new German translation for THE RESISTANCE GIRL.
Paris, 1943. Sylvie Martone is the star of French cinema, and adored by fans. But as Nazi officers swarm the streets of Paris, she is spotted arm in arm with an SS Officer and her fellow Parisians begin to turn against her.
However Sylvie has a secret – one she must protect with her life…
Paris, 2020. Juliana Chastain doesn’t know anything about her family history. While her mother was alive she remained very secretive about her past.
So when Juliana discovers a photograph of a glamorous French actress from World War Two amongst her mother’s possessions, she is in shock to find herself looking at her grandmother – especially as she is arm in arm with a Nazi Officer…
Desperate for answers, Juliana is determined to trace the journey of her grandmother. Surely there is more to the photograph than meets the eye?
But as she delves into Sylvie’s past, nothing can prepare Juliane for the tales of secrets, betrayal and sacrifice which she will uncover.
Here she is from DP Digital Publishing: Die Tochter der Résistance
Ein historischer Roman über das Schicksal einer jungen Frau
The Daughter of the Resistance | A historical novel about the fate of a young woman
Wenn Sie in Deutschland sind, hier ist der Link:
https://www.digital-publishers.com/de/romane/die-tochter-der-resistance-historisch-ebook
I’m also excited to announce The Resistance Girl is being translated into French and Dutch…
Here’s a fun video I made about Sylvie Martone, the heroine of The Resistance Girl:
And now back to my edits…
See you soon!!
Jina
4 1 Read moreWhat favorite memories have made it into your stories and books? Let me know!
Bonus video:
When the silver screen had silver embedded into the screen, Sylvie Martone was darling of French cinema – she was also a Resistance fighter
— Jina Bacarr (@JinaBacarr) May 14, 2021
US https://t.co/ge0PVHa3hN
UK https://t.co/16fnIt96tM
Here's an old negative which lights up when light strikes it @BoldwoodBooks #histfic pic.twitter.com/2SF7Dk1sH2
Yes, it's August but sometimes we need a little Christmas so here's the WW2 letter that inspired HER LOST LOVE (Christmas Once Again) for a hot humid SoCal night when we're feeling nostalgic for hugs and family
— Jina Bacarr (@JinaBacarr) August 12, 2021
US https://t.co/wYTUyj19lW
UK https://t.co/v4YRbfdesu #amwriting pic.twitter.com/KAvrJHOCFU
I’ve written time travel and loved it… Her Lost Love when my heroine takes a magic train from 1955 back to 1943 to Posey Creek, PA to save the man she loves from being killed in France… and present day back to the Battle of Antietam in 1862 where my heroine meets her ‘twin’ who’s a Confederate spy… and also historical fiction about the Titanic The Runaway Girl.
But writing a dual timeline is like walking barefoot on broken seashells on the sand.
Painful. Excruciating. And dangerous.
You can end up hobbling all the way home… or to the end of your manuscript. Yikes.
I’ve been there… and survived. I’ve written two dual timeline novels — The Resistance Girl and the novel I just finished (title coming) — both about Paris during World War 2 when the city was occupied by the Nazis. The era lends itself to intrigue, romance, spies… and danger. Who could resist? Not me.
However, I’ve fretted and moaned and had more chocolate binges than I care to admit writing these books, but they’re the most rewarding stories I’ve ever written. Stories about lost family found and connecting with your ‘roots’. I learned a lot along the way… so here are my 7 Tips for Writing Dual Timelines:
1 — keep two sets of timelines so you know where you and your heroines are in each era at all times.
Your heroine’s birthdate in the past is important and determines what “historical events’ she witnesses. In the present, your heroine’s journey may last a shorter time — a week, month; in the past, it could be years. In The Resistance Girl, we follow the heroine’s film career from the 1920s through 1950. The modern heroine’s journey last for several days.
2 — present day in your story doesn’t have to mean today. Make it work for you.
My latest novel takes place in 2003 and 1940-1945. Why? Because I wanted my historical heroine to be alive when she meets the present day heroine. She’s 80 years old and at the top of her game, but the war years still haunt her. Also, she loves flying on the Concorde and the last trip of the airship was in 2003.
3 — create a compelling opening in whichever timeline works best. No hard fast rule you have to begin in the past.
In my new Paris novel, I begin in 2003 because I wanted to set up the 80-year-old diva’s reluctance to talk about the war years because of her personal pain. My modern heroine/reporter convinces her to ‘let it go’ and we’re off and running…
4 — decide before you begin plotting (or if you’re a pantster — I do both) if your two heroines meet at some point; or, if we know the historical heroine meets her fate and we never see her in the present.
I did both — in The Resistance Girl, the modern heroine discovers she had a famous grandmother in France during the war — a film star — she never knew existed. But in my new novel, the two heroines meet in the first chapter in 2003.
5 — know your history and research your era like crazy; your heroine in the past is fictional, but make her life believable! Facts count but don’t tell us, show us how your heroine survives in that era in a way that’s unique to her.
For example, the historical heroine in my upcoming book ends up in concentration camps; I gave her an unusual backstory that determined how she survived in the camps because of her background and talents, but made sure it was also possible.
6 — location, location, location… make sure you know exactly what your locations look like in both eras if you’re going to visit them in both timelines.
In my upcoming book about Paris, we go to concentration camp sites in Germany and Poland in both 1944-45, 1975, and 2003. I was fortunate to find photos and films that showed what the camps looked like in 1944-45 and also circa 2003 and 1975. An amazing bit of luck which created some tear-jerking moments for my historical heroine.
7 — have fun! This is an adventure about finding your heroine’s roots — like that fabulous PBS show where the celebrity goes through the big scrapbook and meets their lost relatives with the jovial host.
Make your story heartfelt, emotional, fascinating, believable, and filled with surprises to keep your readers turning those pages like the celeb on TV!
Jina
Questions about dual timelines:
Drop me a comment!
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