We could do that in April or October just as well. For that matter, we could do it today. So what’s the big deal about a new year?
Ask anyone who’s made some significant life change — getting married, choosing a new job, deciding to publish a novel — if they were inspired by a new page on the calendar, and chances are good they’ll say no.
Even so, most of us like the idea of making SOME kind of change as a new year begins. And for writers, it makes sense that the change is frequently related to what or why or how we write.
What do you write?
Do you still love it? Have you tried other kinds of writing? What would happen if you did? How did you choose what sort of writer you wanted to become?
Why do you write? What got you started? What does it DO for you — aside from making you elated and making you frustrated, depending on how the story’s doing? Why are you writing instead of, say, fly-fishing?
(For anybody who explains that it’s because their favorite fly-fishing stream is covered with ice in the winter, that’s a perfectly good explanation!)
Finally, how do you write?
Aside from being a plotter or pantser, do you have rituals? A love or a fear of deadlines? A preference for plot or character, setting or action, description or dialogue, process or product? A particular place or time you like to think up plot twists, interview characters, get your outline or paragraphs down on the page?
Some of what you’re doing right now, some of what you’ve been doing ever since you began writing, works beautifully for you.
Some of it, maybe not so much.
Which is where we get into the idea of New Year, New You.
If there’s anything you especially love about your writing, or if there’s anything that bothers you about your writing, here’s a good time & place to look at that.
The past seven times I’ve taught this class, last-day messages have ranged from “it’s such a relief to discover I’m not the only one who works that way” to “I never realized how much I needed this change” to “finally, I’ve discovered what I was missing!”
Everyone’s reaction is different. Some writers are inspired to switch genres. Some might decide to take up fly-fishing (although no one’s reported that yet). Others report a breakthrough, like those who’ve mentioned this class in their first-book acknowledgments.
If you have any questions on whether “New Year New You” can help with some issue in your writing life, let me know here or privately at Book Laurie Gmail Com — you can figure out where to email, right? — and I promise I’ll give you a straight answer.
Meanwhile, whether or not you use the upcoming new year to inspire any kind of changes in your life, here’s hoping you love the results!
An OCCRWA Online Class with Laurie Schnebly Campbell
January 2 – January 29, 2013
COST: $20 for OCCRWA members, $30 for non-members
If you have specific questions, email occrwaonlineclass@yahoo.com
Enrollment Information at http://www.occrwa.org/onlineclassJan13.html
COST: $20 for OCCRWA members, $30 for non-members
Coming in February 2013
Plot Doctor: Fixing Your Story Problems
with Kara Lennox
“New Year, New You“
with Laurie Schnebly Campbell
January 2 – January 29, 2013
Enrollment Information at http://www.occrwa.org/onlineclassJan13.html
COST: $20 for OCCRWA members, $30 for non-members
If you have specific questions, email occrwaonlineclass@yahoo.com
Whether it’s the first rejection, the 50th-book slump, or just not getting the story you want, frustration is part of every writer’s life. For some, it’s a nuisance; for others, it’s the end of a career.
Back when Laurie Schnebly Campbell was getting her master’s in counseling, she’d never heard of writer’s block or bad reviews. A few years later when she began writing novels — including one that beat out Nora Roberts for “Best Special Edition of the Year” — she realized that all those lessons came in handy for everyday life. Now she’s been writing and teaching for 15 years, and still loves every minute of it.
COST: $20 for OCCRWA members, $30 for non-members
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