Dear Extra Squeeze Team, Beta Readers?
February 29, 2020 by The Extra Squeeze in category Featured Author of the Month, The Extra Squeeze by The Extra Squeeze Team tagged as Beta Readers, HO Charles, Jenny Jensen, Rebecca Forster, Robin Blakely, The Extra Squeeze Team
Ever wonder what industry professionals think about the issues that can really impact our careers? Each month The Extra Squeeze features a fresh topic related to books and publishing.
Amazon mover and shaker Rebecca Forster and her handpicked team of book professionals offer frank responses from the POV of each of their specialties — Writing, Editing, PR/Biz Development, and Cover Design.
Do you have a question for The Extra Squeeze Team? Send them to us by using this handy link.
Dear Extra Squeeze Team, What Are Beta Readers and How Do I Get One?
Robin Blakely
PR/Business Development coach for writers and artists; CEO, Creative Center of America; member, Forbes Coaches Council.
If you want to write a better book, consider finding a few Beta Readers.
The big idea behind working with Beta Readers is to test drive your finished piece on folks who will provide you with valuable insights that could improve your work before it reaches the general marketplace. As an author, you know that the reading experience matters. So you want to discover how the book is perceived by readers when you still have the opportunity to tinker with the mechanics of the experience, if you need to. It’s like your book is a roller coaster ride–you are the engineer who built the roller coaster and who wants to make sure the experience of the ride is everything you imagined it would be. Your Beta Readers are going to take a ride and tell you how it feels.
Here are three rules to abide by:
- Pick Beta Readers who already like, love or super-love your genre. If you have a vampire book, you want somebody who has read a few vampire books to weigh in on how your story stacks up. In roller coaster terms, the ones who know the difference between the almost flat, slow-moving Wacky Worm and the fast and jaw dropping Coney Island Cyclone are very important to you. A bit of experience means they have context and perspective and can tell you more about the ride than folks who don’t know what to expect. That is not to say that only those with experience are valuable, but it is to say that it is important to know the level of experience of the rider before you consider redesigning your roller coaster to suit them.
- Stay focused on the Beta Reader’s experience. Ask Beta Readers about where and when things were good, surprising, or breathtaking. Ask about when and where things were too slow, too fast, too sharp or too unexpected. Focus on their experience and see if several Beta Readers say the same thing independent of each other. Then do the critical thinking needed to adjust your ride. In roller coaster terms, don’t expect the Beta Reader to know what caused the ride to be too slow or too fast. Some may intuitively know solutions but really those problem-solving issues are up to the engineer or the mechanic—not the rider. Readers have different preferences so listen and watch for the patterns that emerge as Beta Readers share their experiences with you. If everyone remarks upon the same twist or turn in the ride, take a closer look at that place. Don’t try to rebuild to suit every preference. This is your roller coaster.
- Define where the Beta Reader fits into your production process. Don’t confuse the role of the Beta Reader with the role of the Editor. The goals are different. You either want the Beta Reader to help you make the best book for the editor or you want the Editor to help you make the best book for the Beta Reader. Be clear about when the Beta Reader is most valuable to you and how you will use the info that you acquire. The big idea is that the first impression is valuable, and you can’t have a first impression more than once. Value that first impression and leverage it.
How do you find Beta Readers? Not everyone is a good Beta Reader. Ask people who love to read to recommend their friends. Make it known to family, friends and colleagues that you want Beta Readers, what the role will involve and when the readers will be needed. Be organized and clear and very grateful.
Rebecca Forster
USA Today Bestselling author of 35 books, including the Witness series and the new Finn O’Brien series.
A beta reader will give you objective input on your work before publication. These dedicated readers want you to succeed and they read extensively in your genre. I’m lucky to have a handful of trusted beta readers. They are smart, well read, and thoughtfully tell it like it is. I have been able to smooth over rough patches, deepen characterization and recognize pure silliness in my work because of them. Is love too strong a word for what they do for me? That being said, the wrong beta readers can shake an author’s confidence, undermine a vision and create chaos. One good one is worth five divisive ones. You can find them in critique groups, within your group of dedicated fans, or online in book groups. I found a wonderful article on beta reader etiquette.
This might help when you are trying to decide who you would like to invite into this very essential group: Helping Writers Become Authors Beta Reader Etiquette
Jenny Jensen
Developmental editor who has worked for twenty plus years with new and established authors of both fiction and non-fiction, traditional and indie.
Just like the software industry where a new, unreleased program – the beta version – is given to a group to test, writers ask a person familiar with their genre to read their manuscript. In both instances it’s a great way to work out kinks before publication.
A Beta Reader is not a critique partner. Those are the individuals who review your manuscript from a writer’s perspective. The Beta Reader provides a review from a reader’s perspective; their response more likely reflects how your intended audience will react to your story. That’s a critical perspective and gives the writer useful much useful fodder for improvement. Think of them as quality control.
Don’t confuse the Beta Reader with an editor. A professional editor, depending on the level of edit you use, will look closely at your manuscript for style issues, plot holes, inconsistencies etc. The Beta Reader simply tells you if the book was readable, or enjoyable or boring. Don’t expect them to tell you why or how it struck them that way, but value a reader’s opinion and use it when you reevaluate and revise.
You can find Beta Readers among friends or family members whose honesty you can trust. It’s good to reach outside your own circle, to a book club member for instance. The best place is to look to the writer’s community. Goodreads Beta Readers Group is great. My Writer’s Circle is an active writer’s platform also. Seek Beta Readers on Google and ye shall find.
Most writers work with more than one Beta Reader. Be careful to keep that within reason — info overload can paralyze your brain. And remember, this is a service you look to have donated; reciprocate by acting as a Beta Reader yourself. Every writer needs one or two.
H.O. Charles
Cover designer and author of the fantasy series, The Fireblade Array
A beta reader will read the early, pre-publication versions of your books and identify any errors, plot holes, or editing problems. They could be pretty much anyone with an interest in reading. There are good betas and not-so-good betas. I picked several from amongst my fans – the ones who were desperate to read the next book, but I made sure I stuck with those who were the pickiest! The more errors they found, the more they questioned me, the more likely I was to choose them to be betas for the next book. They are very useful people!
The Book Jacket
June 15, 2019 by Rebecca Forster in category The Write Life by Rebecca Forster tagged as inspiration, Rebecca Forster, thrillers, writing
This morning I read an article entitled Mister Waters’s Cardigan. It seems that Mr. John Waters, the campy, iconic American film director, screenwriter, author, actor, stand up comedian and all-around-impressive guy wears a ‘writing’ cardigan with mother-of-pearl buttons to spark his imagination. It is an Our Legacy cardigan. Our Legacy is a line of clothing designed for “down-to-earth, embarrassed-to-be-affluent fashionistas who never want to look silly” (this according to Mr. Waters). I looked up Our Legacy. The man’s cardigan I saw would set you back $458. It was very nice and very understated. Indeed, this cardigan would fool anyone into thinking the darn thing was made for a regular Joe.
I read the half-page article about Mr. Waters’s cardigan and lusted over the column inches dedicated to his sweater and his work. But the sweater? I’ll pass. You see, I have writing wear too and I think mine beats his hands down. Instead of a sweater, I wear a fleece jacket. It is made of recycled tires. My husband keeps trying to wash the darn thing because the cuffs are turning black and he thinks it’s dirty. I explain this is just the fleece wearing out and the black rubber of the recycled tires peeking through, but he will have none of it. I am constantly rescuing my writing jacket from the laundry.
Instead of an understated heather grey, my jacket is screaming-mimi yellow. I make no excuses for this. I know I am not at my most attractive in this jacket. I actually look like a cross between Tweety Bird and an egg yolk. On a good day I can pass for Sponge Bob Squarepants.
My jacket has no fashionista sensibilities with its big collar, giant cuffs and boxy cut. My jacket has three plastic buttons. My writing jacket set me back $10. Yes, that is ten buck-a-roos which is $448 less than Mr. Waters’s cardigan.
As different as Mr. Waters and I are – he writes camp, I write thrillers, he is affluent, I am what I am – we are the same in that we draw inspiration from something we don before we write. Our writing clothes keep us warm, help us think, signals to the world that we are working and are not to be disturbed. Our jacket/sweaters give us confidence and stick with us as we create worlds far away from the world we’re in. So the bottom line is this: find your writing sweater/jacket. No matter what it looks like, no matter how much you spend on it, if it’s the right one the benefits you will gain as an author are priceless.
2 0 Read moreVeronica Jorge Reviews Secret Relations A Novel by Rebecca Forster
May 22, 2019 by Veronica Jorge in category Book Reviews by Veronica Jorge, Write From the Heart by Veronica Jorge tagged as book review, Finn O'Brien Thrillers, Rebecca Forster, Secret Relations, Veronica Jorge
Secret Relations
Finn O’Brien Thrillers
Book 3
Rebecca Forster
Review
A seasoned detective knows that the best way to solve a crime is to follow the money trail, especially in a particular L.A. neighborhood where the rich float on top while the bottom feeders sink below. But we’re talking about Detective Finn O’Brien and he’s in the other L.A., the one with sun-streaked neighborhoods burning with robbery and drugs, and where kids duck for cover under a lullaby of gunfire.
Amber, his partner Cori’s daughter, bypasses her mother and asks Finn for help in finding her missing friend, twenty-two year old Pacal Acosta. Finn is conflicted about keeping a secret from his partner and challenged by the impossibility of trying to gather information to track an undocumented male immigrant.
When a number of missing young immigrant men are found murdered, Finn’s instincts kick in. There’s a serial killer on the loose targeting immigrants, and Amber’s involvement is spooking the killer which means she’s in danger too.
Friendship and trust are tested when Cori discovers the secret pact between Finn and Amber, and when she learns that her daughter loves the missing young man, her worldview gets turned upside down. Cori struggles to accept her daughter’s openness to this new blended world and is forced to confront her own prejudices.
The three work together to compare notes and scenarios. Who would kill immigrants and why? Could it be gang related? Maybe the work of Marbles, a member of the Hard Time Locos, not yet 18 but whose “evil is already old and deeply ingrained.” Ruling out money and drugs, the three of them follow, not the money trail, but the trail of blood and dead bodies.
Finn and Cori investigate possible killers, interview members of the ethnic community, and try to keep Amber safe, all the while dreading the unspoken possibility. What if Amber’s young man is the next dead body they find?
With multiculturalism quickly becoming the new normal, the fast-paced thriller Secret Relations is the novel for our times. Read it!
See you next time on June 22nd.
Veronica
1 0 Read moreBOOK REVIEW: SEVERED RELATIONS BY REBECCA FORSTER – A REVIEW BY VERONICA JORGE
November 22, 2018 by Veronica Jorge in category Book Reviews by Veronica Jorge, Write From the Heart by Veronica Jorge tagged as book review, Rebecca Forster, Severed Relations, Veronica Jorge, Write from the heartSevered Relations (The Finn O’Brien Thriller Series Book 1) by Rebecca Forster
Create Space 2016 ISBN 9781533275516
It’s Thanksgiving. You know what to do: eat, get stuffed like the Turkey, zone out. If you want 
to get the adrenaline pumping and the juices flowing again, yours not the birds’, our own Rebecca Forster has the tryptophan antidote: Severed Relations, Book 1 of her Finn O’Brien Thriller Series.
Every day is great, until it’s not. And one often boasts of their nice neighbors and safe neighborhood…until something happens.
The Barnetts, a well-to-do family on upscale Fremont Place are living the dream: great house, successful husband, stay-at-home mom, two lovely daughters, and a live-in nanny. One happy family of five.
Enter Detective Finn O’Brien to investigate the triple murder that turns their dream into a nightmare. As one of the characters in the story says, “this falls on the far of side of hell.”
Ostracized by his fellow officers for violating the blue code when he killed one of their own: a bad cop, Finn is forced to track down the killer, or killers, on his own. And he can’t count on back-up if things get rough.
Detective Cori Anderson, with ‘feelings’ of her own toward Finn, agrees to partner with him on the case. Together, they attempt to unravel the hideous mystery. Nothing stolen. No apparent enemies. Unlikely targets. It wasn’t the butler, they don’t even have one.
In Severed Relations, Rebecca Forster leads us on a page-turning, suspense-filled, unnerving journey into the h
eart of darkness that reflects real life. Feelings can sometimes blind and mislead you, and events and people are not always what they seem.
See you next time on December 22nd.
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TWO Interviews with Rebecca Forster
October 2, 2018 by marianne h donley in category Interviews tagged as Author Interview, reading, Rebecca Forster, thrillers. writingWe’ve taken over Jann Ryan’s column this month, but don’t worry, she will be back in November.
TWO Interviews with Rebecca Forster
These two interviews first appeared on Bethlehem Writers Roundtable. Rebecca has graciously updated them for inclusion on A Slice of Orange.
Rebecca Forster marketed a world-class spa when it was still called a gym, did business in China before there were western toilettes at the Great Wall, and mucked around with the sheep to find out exactly how her client’s fine wool clothing was manufactured. Then she wrote her first book and found her passion.
Now, thirty-five books later, she is a USA Today and Amazon best-selling author and writes full-time. Most recently, she released the Finn O’Brien crime thrillers – three books about a shunned cop and his single-mother partner who work the meanest streets of Los Angeles while the Witness series continues to enthrall readers and listeners. Hostile Witness, the first book in the popular series, was released by Tantor Publishing and was voiced by Anne Marie Lee who most recently narrated Gillian Flynn’s, Sharp Objects.
She is a popular speaker at writing conferences as well as women’s and business groups and has taught at the acclaimed UCLA Writers Program. She is married to a Los Angeles Superior Court judge and is the mother of two grown sons. Alex is a talent manager and producer, and Eric who has been living overseas researching a book. Rebecca spends her free time traveling, sewing, and playing tennis.
Marianne: Did you grow up knowing you wanted to write? If not, when did you realize you were an author?
Rebecca: No, I didn’t even think about writing until I was in my thirties and then I only began because someone dared me to try. After going to college and graduate school, I worked in advertising. My client was married to an author I had never heard of–Danielle Steel! When I found out who she was, I made a comment to a colleague that “I could do that (write a novel).” My co-worker dared me to do it, and the rest is history. I had no idea I had it in me. However, I don’t think I really thought of myself as an author until my eighth or ninth book. I kept thinking each published book was a fluke. Then one day I realized how deep my commitment was to writing and how passionate I was about becoming the best writer I could be. That was the day I became an author.
Marianne: You started writing contemporary romances and now write thrillers. How did that happen?
Rebecca: I look back on my romances and contemporary women’s fiction novels and realize almost every one of them dealt with a lawyer or some aspect of the law. I guess I thought writing about the law was really for men and especially men who were lawyers. I found my stride when I gave myself permission to write what I really loved. Well, that and my editor at Kensington basically fired me from romance. He said, “You can’t keep killing everyone before they fall in love.” That was a good hint I should change genres.
Marianne: You are not a lawyer, yet you write gripping legal fiction. What happened to the “write what you know” advice writers always seem to get?
Rebecca: The truth is I sort of ‘write what I know.’ My husband has had an amazing career, first as a federal prosecutor specializing in organized crime and terrorism, and then as a judge who handles high profile cases. Our circle of friends includes DEA agents, police, private eyes, court reporters, and lawyers of every ilk. Pretty much I’m a legal voyeur. I read the legal newspapers, watch the news. I love everything having to do with the law, but I never had a desire to actually become a lawyer. As much as I love the technical aspects of the law, I never forget a book is about characters. There is nothing more exciting than pitting a single person against a system. The justice system makes for great personal drama.
Marianne: How much research do you do for your books?
Rebecca: It really depends on the storyline. If it’s a courtroom drama, I do a lot of research including seeking help for appropriate cross-examination and how to explain a legal premise without it coming across like I’m presenting a research paper. Some of my books are more character driven and inspired by some aspect of the law but are not procedurals. When my characters don’t spend much time is spent in the courtroom, then the research is limited. My favorite research, though, was for Eyewitness. I researched the legal system in, of all places, Albania. My son was serving in the Peace Corps, and when we went to visit his village, I came away with an incredible story about the centuries-old system of cultural justice that I combined with our modern judicial system. I love that book.
Marianne: Tell us about your current book. Where can we buy your books?
Rebecca: I’m working on book number eight of The Witness Series and book number four of the Finn O’Brien Crime Thrillers. I actually hadn’t planned on writing Lost Witness but fans kept asking me “what happened to Billy?” I thought they would enjoy using their imaginations to determine an end for that character. Now that I know they want to know how I would handle his ending, I’m hard at work figuring it out. I hope everyone is happy when they finally find out what happens to Billy. The next Finn O’Brien book is Intimate Relations. Finn and his partner, Cori, are turning into a wonderful duo. Instead of writing about Los Angeles in general, I am setting the crimes in the pockets of Los Angeles many people don’t know about like Little Ethiopia. It’s very exciting. And, of course, the big news is Tantor producing all seven of the current Witness Series books for audio. I just heard the first one and it’s so exciting.
You can purchase digital, paperback and audio copies of my work on every online bookstore – Amazon, Barnes & Noble, iBooks and so many others. You can also visit my website and find sample chapters, book club guidelines and, of course, link buttons.
Marianne: For over 25 years and 25 books, you were traditionally published. Why did you decide to launch your indie career?
Rebecca: One of the reasons was because of a book I wrote called Before Her Eyes. I truly wanted that book to have an audience. Good or bad, I just needed to put it out there. The book was inspired by my dad and my father in law’s illnesses. They passed within three months of one another, and I was privileged to witness what did pass ‘before their eyes’ at the end of their life. For me, there was no question but that book needed to be published and that I was going to have to do it myself. At some point, I think all authors have a ‘book of their heart’ that pushes their creative envelope. This was mine.
Also, the publishing world was changing. Bookstores were disappearing, publishers were not buying as much as they used to. I really felt it was my time to either move forward or retire after twenty-five years in the business. That was three years ago. I am so happy I moved forward. The creative freedom, the ease with which I can engage with readers, the ability to price my books reasonably are all reasons why being indie has been so fabulous.
Marianne: What do you know now that you wished you’d know before you went indie?
Rebecca: I wish I had created a better work model earlier so that my writing time was not given up for marketing time. Writers truly need to understand that whether they publish traditionally or as an indie, this is a business and not all about creativity.
Marianne: What advice would you give to emerging writers?
Rebecca: Develop your unique voice. The best compliment I ever had was when a reader said, “Even without a cover, I would know I was reading one of your books.” That’s what I think every author should strive for: defining and perfecting their voice. It takes a lot of trial and error, but when you ‘hear’ it, you’ll know.
~~~~~~~~Beginning second interview~~~~~~~~~~~~
Marianne: What’s the best thing about being an author?
Rebecca: Every experience, emotion, bit of knowledge, and dream I ever had or will have is relevant to what I do.
Marianne: What’s your writing day like?
Rebecca: I am up at 5:30, read the paper, clean at least one room in the house and then take my computer to Coffee Cartel and set up at my favorite table near the fake suit of armor. I’ve been going there for 17 years, almost every day. I write from about 8:00 a.m. To 2:00-3:00 p.m. I pack my lunch. In the evening I answer fan mail, emails, Twitter, Facebook and anything else that comes my way.
Marianne: Do you listen to music when you write?
Rebecca: I listen to talk radio and Pandora.com while I write. I have everything from Classic Baroque to Johnny Cash and show tunes on my playlist.
Marianne: In your books, who is your favorite character and why?
Rebecca: Here are two. Hannah Sheraton, the sixteen-year-old ward of attorney Josie Bates in The Witness Series is one of my favorites. She is beautiful and flawed; a kid and yet incredibly wise because she has had to fend for herself for so long. She is fiercely loyal and holds hope deep in her heart. I’d like to be as brave and loyal as Hannah. The second is Tessa, the heroine in BEFORE HER EYES. She’s a woman who objectively looks at her life – full of hard knocks, mistakes, misunderstandings – and forgives herself. As death closes in, Tessa understands that she played the hand she was dealt as best she could. Now that Finn and Cori have come on the scene though, I’d have to include them. I suppose, bottom line, an author can’t pick a favorite any more than a mother can pick a favorite child.
Marianne: You’ve written both romance and thrillers –very different genres. Why?
Rebecca: At the beginning of my writing career, romance/women’s fiction had guidelines that gave me parameters. I can’t thank the women’s fiction editors I worked with enough for their guidance. Because of them, I learned the craft and eventually found my true voice in thrillers. Really, though, it’s a matter of emphasis. Each of my romances had a thriller element, and each of the thrillers has a solid relationship.
Marianne: What’s your all-time favorite book?
Rebecca: For an indie book I would pick Eternal L.A. by Eric Czuleger (yep, my son). I love the vision for the future in this collection of short stories but what I really admire is that they are each about compassion and love in a time when the world seems to be all about technology
Marianne: What‘s on your To-Be-Read pile?
Rebecca: Eric Larsen’s, THE GARDEN OF THE BEASTS (nonfiction), BRAINRUSH, another Indie fiction by Richard Bard. THE LINCOLN LAWYER by Michael Connelly. A zillion magazines for research and for fun. I could go on.
Marianne: What’s your favorite song?
“Danny Boy.” When Johnny Cash sings it, I cry. “Ring of Fire,” of course. “Happy Birthday” because everyone smiles even though no one can sing it well.
Marianne: What’s your favorite movie?
Rebecca: These questions are hard! Prelude to a Kiss. Yep, a romantic comedy. Oh, and Beetlejuice. And Legally Blond. And Zombie movies. We see a lot of Zombie movies.
Marianne: You tell the funniest stories, why don’t you write humor?
Rebecca: I have a secret. One day my mother asked me “Why don’t you write books without bodies”. So, for her 89th birthday, I wrote the Bailey Devlin trilogy about a young woman who is struggling to make her way in the world and just as all her hard work is going to pay off, someone appears on her doorstep that changes her life. The Day Bailey Devlin’s Horoscope Came True is the first book and it’s free. It’s a sweet, funny, charming trilogy. No sex, lots of love, some laugh-out-loud moments.
Marianne: What’s the funniest (or sweetest or best or nicest) thing a fan ever said to you?
Rebecca: That if John Grisham and Lisa Scottoline had a literary child, it would be me!
Marianne: If you could be on a TV reality show which would it be.
Rebecca: Project Runway!
Marianne: If you could travel back in time, who would you like to meet and why?
Rebecca: A pioneer woman who walked beside a wagon across the desert in a long dress and high-topped boots, set down roots in the middle of nowhere, raised children without benefit of a ‘village.’ I would want to ask her if she was ever afraid, what did she love, who did she love.
Marianne: If a spaceship landed in your backyard and the aliens on board offered to take you for a ride, would you go? Why or why not?
Rebecca: I’d go in a snap, but they would have to take my husband and boys, too. We all love adventure. Recently, I landed on an aircraft carrier via tail hook and spent two ‘Top Gun” days on the U.S.S. Nimitz. If I can do that, I’d certainly head off in a spaceship!
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