A figurine, Delft blue. I remember that trip to Holland and laugh. As soon as our bus pulled into Delft, we piled out and made a beeline for the gift shop, searching for the souvenirs that would eternalize this journey. I turn the figurine over in my hand: a lady holding a basket, gazing out. What does she see? What memories is she holding on to? I dust the gracious lady and seat her back in the curio. As I reach for the next pieces and reminisce, I wonder what it is that makes me want to own a piece of everyplace I’ve been? To keep forever alive a moment, an experience, an emotion?
It’s the same with movies I’ve seen and loved. Gotta buy the VHS, then upgrade to the DVD in case the VHS goes bad. And even though I have both, I still watch the television film version when it airs and don’t mind enduring the intrusive commercials.
Then there are my books. Some with places of honor on shelves, the power of sentiment attached to each one. And designated piles: ‘To Read.’ ‘To Read Again.’ A wish list of books, ‘To Buy.’
When the news announced the banning of Harper Lee’s, To Kill A Mockingbird, I rushed to confirm I had a copy, which led to a thorough examination of which books might be brittle, yellowed and frayed. A new list formed: ‘Books to Replace.’
All of which leads me to conclude that maybe all of these actions explain my desire, my need, to write. A significant event, an emotion, an intense experience, compels me to want to immortalize it. I grit my 36 teeth and magically weave the 26 letters of the alphabet into some meaningful representation of the emotions exploding in my heart. A yearning to create stories that will last forever, that will be cherished by others and replaced over and over again because they’ve connected with a piece of my world and they too want to own it forever.
Veronica Jorge
See you next time on March 22nd!
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Below is an excerpt from one of our 2024 mentees, Veronica Jorge, from her project, Crushed Like Sugarcane, based on her Chinese ancestor, Zhou Zhijian, who left China to work in the sugarcane fields of Cuba where he was enslaved. In this portion, newly arrived and unwilling to accept the situation, he decides to escape:
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The painter stares at the canvas waiting for an image to appear. Patiently, he waits until a faint imprint of a landscape or a face emerges. He then grabs a brush and dabs it into the paint on his palette, making haste to reach the canvas with his brush to capture the image.
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I can’t think of a better way to welcome Spring and celebrate Earth Day than with a new book, especially one about nature and the earth, and following after Women’s History Month.
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For centuries and throughout the entire world women have made valuable contributions in the arts, sciences, culture, academics, politics, the armed forces, etc. Too many women and too many areas to name without slighting any one person, field or region. Every March during Women’s History Month we commemorate their achievements.
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Don’t be fooled by the title. This is not a book about morality or religion. Far from it. It’s all about….MURDER.
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