
Date Published: 3/26/21
Publisher: Acorn Publishing
Following a global pandemic, which has either killed or weakened most of the male population, women now dominate all aspects of life.
Dr. Morgan Digby, married to a man rendered bedbound from his bout with manflu a decade prior, is working tirelessly on a vaccine, yet obstacles keep springing up in her path.
When she meets a handsome neighbor who has never been exposed to the deadly virus, things become…complicated. There’s something between them, but he can’t leave his home.
Morgan’s struggle to remain faithful to her ailing husband isn’t her only battle. Someone has been one step ahead of her, countering her every move. Will she find a vaccine before it’s too late to protect those she loves?
About the Author
Simone de Muñoz writes dystopian, or perhaps utopian, fiction, depending on your perspective, where women drive the story and sometimes even run the world. She holds a master’s degree in public policy from UC Berkeley and a bachelor’s degree in economics from MIT, which she uses in her day job as a data analyst at a nonprofit. Based in Silicon Valley, she lives with her patient husband, their two young sons, and a grumpy dog named Fish. Manflu is her debut novel.
Contact Links
Morgan Digby woke up groggy from her usual nap as her self-driving, electric car pulled into the driveway of her small suburban house. She had dreamt that her husband Jonas was walking toward her on a crowded sidewalk, cradling a baby in his arms. If only any small part of that dream had the remotest possibility of coming true, Morgan could be happy.
She stretched and brushed her black bangs out of her eyes, feeling the hollow spaces beneath them with her fingertips. Tired from a busy day working at the lab on the manflu vaccine, the nap prepared her for the long evening of caretaking that lay ahead. Her husband Jonas was mostly bedridden after his bout with the pandemic ten years ago. His body no longer actively fought an infection, but he would never be the same.
Morgan was about to enter her house when she saw her neighbor put down her garden rake and cross the street to chat. Sarah, like many women nowadays, no longer bothered with a bra. Her full, bouncing breasts, barely covered by a thin, V-neck t-shirt, drew the eye. An image quickly flashed through Morgan’s mind of a time years before when Sarah had pressed those breasts against her and leaned over to kiss her on the lips. Morgan quickly shook her head to clear the thought.
“Morgan, big news!” said Sarah when she was within gossip range. “Beth’s nephew came to stay with her. He’s a Vulny. I got a glimpse of him through the curtains, and he is a hunk and a half. Pale, obviously. About 5’10” with black, curly hair and surprisingly muscular. He must spend a lot of time lifting weights. I’m charging my vibro3000 as we speak.”
Wow, a Vulny! Morgan had never seen one before. Vulnies were the men who had never gotten manflu and were therefore still vulnerable to it. These men could not go out in public for fear of being infected, thus the pale skin. Women could be infected as well as transmit the virus to others; however, they experienced very mild cold-like symptoms and quickly recovered. Both men and women who had previously been infected could not contract the virus again; however, men with post-manflu viral syndrome were immunocompromised and at high risk of contracting other infections.
Morgan immediately thought of the vaccine she was working on, and she wondered if this man could be a test subject for it when it was completed. She wanted to rush over to Beth’s house right away to meet him and find out more, but she couldn’t. Jonas waited inside for her to make his dinner, bathe him, and keep him company. She was accustomed to putting aside her own desires to care for her husband, but she still felt a sting of disappointment each time.
Simone de Muñoz
Author of Manflu
March 16, 2021
Acorn Publishing
After the 2016 election, I felt an emotion that I had never felt before–rage. It was scary. I had to find a safe place for those feelings, so I started to write. In my fiction, women weren’t the victims of misogynistic men and a patriarchal society–they were powerful heroes. If women couldn’t come out on top in real life, they could in my fiction. I slowly thought about sharing my writing with the world–maybe other women could read my work and feel the possibility of this power.
I had the idea for my novel, Manflu in the summer of 2019. The “Me Too” movement was in full swing and I thought, what if there was a way to get these men out of power and replace them with women? What would the world look like if women were in charge? I came up with the idea of a pandemic that weakened or killed men. I started writing down my thoughts, centering the story around a married researcher seeking a vaccine for manflu when she meets a handsome neighbor who has never been infected. And only a few short months later, Covid hit!
I attended my first writing conference in February of 2020 right before the US basically shut down. I met the women who would eventually publish my book at that conference and I remember them saying, “This concept is so timely, you have to get the book written as soon as possible.” We had no idea what was coming because there were hardly any known cases of Covid in the US at that time. However, it was clear that the pandemic was about to affect us all. Despite a full-time job and family obligations, I wrote as quickly as I could to take advantage of the moment.
I found myself in the midst of a pandemic, writing about a pandemic. For a while, all I thought about were viruses as I researched pandemics, tried to keep my family safe from Covid, and worked to help clients affected economically by the pandemic at my nonprofit job. I finished writing the book in the fall of 2020, right around the time it became clear that my children wouldn’t return to in-person school for the 2020-21 school year.
My hope is that I have ultimately created a novel that is timely, and yet a break from the pandemic-restricted world that we are all still living in right now, and that Manflu helps to empower women to dream of a different society where they are in charge. It is always a good time for sexy, escapist fiction featuring diverse characters and a strong female lead and it is an especially apt moment for Manflu.


The Chronicles of Granny Witch (Book 1)
Paranormal Romance, Historical Fantasy,
Magical Realism, Visionary Fiction
Date Published: December 27, 2020
Once upon a winter’s night, a lost cowboy finds himself in Purgatory Bend.
Patrick Doolin is plagued by a wound that won’t heal, but winter is the
season of miracles. As Patrick wanders through Wyoming, he meets Fawna
Darling, the mysterious granny witch, who channels the folk magic of her
ancestors.
With nowhere to go and a secret Patrick doesn’t yet understand, he seeks
shelter with Fawna in the snowswept prairie. Forbidden to fall in love, they
form an eternal bond in the dreamscape, but when the bluebirds sing of
summer and threaten their empire of dreams, they are faced with an
impossible decision. Will Patrick stay in the land of the living, or will he
cross over the prairie?
Summer is the season of surprises, and Fawna’s childhood sweetheart, Dezi
Ketchum, longs to win her heart too. When winter melts across the gold-slick
prairie, Fawna searches for answers under the rose moon. Caught between fire
and water and flesh and fantasy, she follows her heart and ventures into
uncharted territory.
Praise for Snow Dust and Boneshine
“A warm and spellbinding tale…Soleil’s writing flows like a stream,
relaxing and exotic. Mixed with folk magic, simpler times and beliefs, this
is a wonderful escape.” ~ Tome Tender
“Soleil’s writing is riveting…It’s much more than a fantasy – it’s a
story of love and faith.” ~ Literary Titan
“Curl up under your blanket, grab a cup of tea, and let yourself wander
between magic and reality in Purgatory Bend…Snow Dust and Boneshine is one
of the sweetest, selfless, heartbreaking but also heartwarming love stories
I have ever read…The characters, the atmosphere, and the imagery are done
so beautifully. Every description made me sink my teeth into the story just
a little bit more.” ~ Snez at Book Lifey & A Quintillion Reads Book
Club
“Snow Dust and Boneshine was incredible…There’s romance, intrigue and lots
of magic. It’s very well written, so much so, I could feel the cold and
bitter wind as I read about it. The characters are beautifully written, and
I could see it playing out as a movie as I read. I highly recommend picking
this one up. 5 stars all the way.” ~ Angela Scavone, Author of Celebrity
Status
“This story was magical and fascinating with an element of surprise. It was
well-researched and beautifully thought out to bring us so many amazing
details. If witches and love stories set in a small town with a sprinkle of
magic interests you, I would urge you to read this.” ~ Kriti Dalmia at This
Reader Girl
Grendolyn Peach Soleil was born in the Appalachian Mountains on a full
moon. She is an old soul and a folk magic fiend. Grendolyn loves twisted
fairy tales, all things vintage, tales of true love, and creature features.
Some of her fancies include pumpkins, black cats, mermaids, tea parties,
cowboys, dahlias, and sunsets. She is a member of the Visionary Fiction
Alliance and The Independent Author Network. Grendolyn is the author of
Limbo Jubilee, The Mermaids Melt at Dawn, and Snow Dust and Boneshine: The Chronicles of Granny Witch (Book 1).
Patrick Doolin hid behind a sunbaked boulder, his bare ribs sticking to the sagebrush. He grabbed the wet, mushy hole in his belly, his heart pounding, his ears ringing raw. Around the bend, there were howling beasts in the canyon, sniffing his blood trail. Trapped in the crossfire, he closed his eyes and pretended it was all a bad dream. He cloaked himself in a cloud of dust and prayed for invisibility. Patrick didn’t know whether to beg for his life or submit to death’s sting, but instinctively, his body forced him to gasp for air.
From the moment he boarded the ship last summer, he regretted leaving Ireland. He missed the sheep-strewn pastures and the soggy sea cliffs. He missed the rolling fog and the taste of coddle by firelight. By the grace of God, Patrick survived the great hunger, and despite its brutal aftermath, he still yearned for his motherland, for fairy trees and cloud cover. It was better to be hungry at home than stuffed to the gills with strangers.
Patrick’s father suffered the most during the great hunger, so when a fever ravaged him last February, he was too weak to recover. Although Patrick bowed his head and prayed every morning, his father was skin and bones by Easter. Worst of all, his father’s spirit was troubled by Patrick’s black-hearted brother, Liam, so Patrick made a deathbed promise to his father. He vowed to look after Liam come hell or high water.
As soon as their father rattled his last breath, Liam set his sights on California. After the wake, the Doolin brothers boarded a ship to Philadelphia. From there, they made the long trek to Dakota territory. It took them three months to reach their uncle’s homestead, and by the time they arrived, old man winter was already there. The Doolin brothers agreed to work for their uncle until the following summer and then make their way to California, but after Christmas, Liam didn’t want to wait any longer.
Patrick knew they were late to the gold rush. Their uncle showed them the newspapers and implored them to stay in Dakota. He said it was treacherous to travel in the dead of winter, but there was no reasoning with Liam, so the Doolin brothers saddled up and battled the pelting ice and blowing snow. They slept under giant fir trees, their fingers and toes tingling with frostbite. They hadn’t been on the trail for long when Liam started a gunfight with a goliath of a cowboy, then disappeared into thin air.
Now, Patrick was all by himself, stranded somewhere between Dakota and Wyoming. Utterly disoriented, he clutched his belly in agony and stumbled through the wilderness. He meditated on the pine trees as they swirled into a blur of whistling green. Patrick saw trains and ships in the shadows. He saw the sea cliffs of Ireland in his dreams. When he couldn’t take another step, he collapsed on the edge of Angel Creek, his wounded body glinting red with sunburn, his sticky blood mingling with the cold stream.
As he faded in and out of mortality, he saw a young woman with hair as black as a raven. A pack of wolves surrounded her and swaddled her porcelain skin with their ashen fur. Patrick couldn’t get a good look at her face, but he caught a glimpse of her scarlet lips. She was nothing more than a stranger to him, but he took comfort in watching her dance through the shimmering snowfields. As he stood there in the frozen prairie, held captive by the bone-chilling wind, he felt strangely warm as though a hearth was glowing inside him.
The next morning, an old cowboy named Charlie was fishing for salmon when he came across Patrick’s body floating belly-up in the creek. Charlie took Patrick for dead, but as he got closer, he witnessed pulse and breath. Charlie rubbed his eyes in disbelief. He figured there was a reason this poor man was still alive, so he slung Patrick over his shoulder and lugged him for half a mile, dabbing his sweaty face with a red bandana. When he got back to his wagon, he plopped Patrick down next to the salmon and gave him a ride to Purgatory Bend.


Peter Barbour has been writing for over thirty years. He published “Loose Ends,” a memoir, in 1987, followed by a series of short stories from 1992 to 1995. “The Fate of Dicky Paponovitch” won Raconteur of the Month, May 1994, Raconteur Magazine, Susan Carrol Publishing. Since 2015, he has published more than twenty-five short stories which have appeared in shortbreadstories.co.uk, storystar.com, and shortstory.me, The Piker Press, Rue Scribe, Star Light Path, and ArtPost Magazine. His short story, “Why Bats Live in Caves,” can be found in Fur, Feathers, and Scales: Sweet, Funny, and Strange Animal Tales, an anthology from the Bethlehem Writers Group. Barbour wrote and illustrated three children’s books, “Gus at Work,” “Oscar and Gus,” and “Tanya and the Baby Elephant.” He is a member of the Bethlehem Writers Group.
Barbour enjoys deconstructing stories to see how they are put together. He grew up loving the Wizard of Oz series, and dutifully read each book in the series to his children. The hero goes on a journey is one of his favorite themes.
He loves the outdoors, and especially the Pacific Northwest, which serves as the setting for many of his stories. He is married, and likes to travel, which affords him the opportunity to absorb new experiences from which to write. Barbour attended the University of Pennsylvania as an undergraduate and Temple University School of Medicine where he earned his M.D. He completed his residency training in Neurology, at Stanford University School of Medicine and practiced medicine in the Lehigh Valley until 2015 when he retired.
He believes that what comes from the heart goes to the heart.

Barbour’s newest book, Tanya and the Baby Elephant was released in February. Tanya and the Baby Elephant is an illustrated children’s book for 3 to 6 year-olds.
Tanya lives in Africa and is confined to home, bored and lonely because she can’t be with friends due to the new virus. She discovers a baby elephant wandering behind her house and brings her into her backyard to play. She names her Ellie. What fun to have a pet baby elephant. Tanya observes that Ellie is sad and realizes that she misses her mother. Tanya decides to help Ellie find her.
Links to his stories and illustrations can be found at www.PeteBarbour.com
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“There’s more to fear in the desert than scorpions and rattlesnakes.”
It’s the summer of 1962, middle of the Cold War, and the O’Brien family has moved off-grid to the Mojave Desert in Southern California. After all, the desert has to be a safer place to raise a family than the crime-ridden city, and there they can build a new future. But evil also stalks dusty desert roads, and eight-year-old Nonni finds herself harboring a terrible secret: Only she can identify the predator who has been terrorizing the community.
And he knows where she lives.
I read this morning that Donald Fricker was granted parole after serving twenty years in prison. Once I saw his name in print, the decades disappeared in the flick of a newspaper page. My childhood flooded back to eight-year-old me, too scared to identify him and save my family.
It was May of 1962. My family had recently moved to our new home, our grandparents’ one-room homestead cabin in the California high desert with tarpaper and chicken-wire lining the walls. It never occurred to me to ask my father why we had moved from our three-bedroom suburban home by the beach to “off the grid.”
All I knew was that we used kerosene lanterns, the chemical outhouse under the tall water tank, a wood- burning stove, and an old-fashioned ice-box that our father replenished daily with a big block of ice from Jolly’s Corner.
Tessa, my six-year-old sister, and I walked home alone, every school day, from the bus stop, a mile and a half down an isolated dirt road.
That’s when it happened, the thing that changed our family. I’ll never forget that day. I protected Tessa even though I broke all of my promises to Mama I’d made just the night before. To walk directly home from the bus stop, not to talk to strangers, and to stay away from open wells.
That afternoon, when the bus’s hissing air brakes signaled our stop, we leapt from the bottom step onto the dirt shoulder of the road.
I picked the perfect stone from the side of the road. It had to be small and round, with no sharp edges, and light enough to kick all the way home.
Tessa followed on my heels, talking my ear off, and stepping on the heel of one of my tennies. “Gave you a flat!”
“Back off!” I glared at her. Mama said those shoes were like gold, and we were to protect them. I gave the rock a punt and forged ahead.
Oblivious to things going on out there in the desert, we were lulled into a sense of safety and routine. Like Eve, we didn’t feel the danger around us until it was too late to escape. Instead, I should have been paying attention to the truck following us slowly.
Down the deserted road.
Yes, this is our story.
My story.
“I can’t recall the last time I was so impressed with someone’s writing style. It’s pure genius! Gunnysack Hell, told through the various family members’ point of view, takes the readers down a tunnel filled with mystery, thrills, and excitement. This masterpiece is not to be missed.”
~L. C. Hayden, Award-winning and best-selling author, http://www.lchayden.com/
(The Harry Bronson Thriller Series, When Memory Fails as seen on NBC and ABC, and others)

Nancy Brashear lives in Orange County, California, with her husband, Patrick, and their rescue dog, Goldie, where her grown children and seven grandgirls have supported her writing adventures. A professor emeritus in English, she has published short stories, poems, academic articles, textbook chapters as well as website content and writing projects with educational publishers. Gunnysack Hell is her debut fiction novel and was inspired by a true-crime event. And, yes, she did live off-grid with her family in a homestead cabin in the Mojave Desert when she was a child.
Read Jann Ryan’s interview of Nancy.
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Date Published: March 9, 2021
Publisher: Ink & Magick
As a ward of the Lacklands, Robyn Loxley has lived a privileged life. Even now, in 1942, when another war ravages the world and people on the home front must do without, her adopted family is not affected by the rations and shortages.
That’s not to say she hasn’t been affected by the war personally. As Robyn hits yet another roadblock in her quest to see her best friend Will, trapped in a Japanese-American concentration camp, she stumbles onto the people of Sherwood.
With dark truths revealed about the Lacklands and what really goes on in Midshire, Robyn must answer what justice means to her and what she’s willing to do to exact it.
Robyn and the merry band get an update in this dieselpunk sci-fi adventure.
“The Treason of Robyn Hood has suspense, drama, humor, romance, and action, all jam-packed in a tightly paced novel full of intrigue…I enjoyed it immensely and will highly recommend it to fans of fantasy and adventure. “
—Readers’ Favorite®
“Connoisseurs of urban fantasy and offbeat romance will find this novel both a fun and fulfilling read. The clever characterizations and skillful melding of fantasy, adventure, and romance put a spotlight on sisterly devotion, oddball alliances, social conscience, and the human ability to rise above broken hearts and broken lives. “
—The US Review of Books
D. Lieber has a wanderlust that would make a butterfly envious. When she isn’t planning her next physical adventure, she’s recklessly jumping from one fictional world to another. Her love of reading led her to earn a Bachelor’s in English from Wright State University.
Beyond her skeptic and slightly pessimistic mind, Lieber wants to believe. She has been many places—from Canada to England, France to Italy, Germany to Russia—believing that a better world comes from putting a face on “other.” She is a romantic idealist at heart, always fighting to keep her feet on the ground and her head in the clouds.
Lieber lives in Wisconsin with her husband (John) and cats (Yin and Nox).
Contact Links
Identifying your writing problems is a real struggle. On one hand, you don’t know what you don’t know. And on the other, it’s hard to face our mistakes on the best of days.
But we all want to get better right? We want our manuscripts to be the best they can be.
So, let’s talk about the first problem. Clearing your vision as to what you don’t know is there. There are a few ways, I’ve found that help me.
1. Read. A lot. They always say you shouldn’t compare your work to someone else’s, and I can agree with that to some extent. But you’re going to. It’s just how our brains work. Reading other people’s writing can help you recognize things that work and don’t work in your view. And when you go back to read your own stuff, you’re bound to pick up on some of your shortcomings as well.
2. Give yourself some lead time. This one is hard in today’s publishing industry. Writers are told to produce, produce, produce. Publish, publish, publish. But I’ve found that leaving my finished first draft to sit for a few months does wonders for the end product. When I come back to it, I have fresh eyes. And that makes a world of difference.
3. Get help. This one is also important. Sometimes we are truly blind to our own problems, and we need other people to give us feedback. So, get some betas, hire an editor, read reviews if you have to. But listening to what others have to say can really help me see where I’m falling short.
On to the second: facing your shortcomings. If I’m being honest, this is the most painful. You’ve put a lot of work into this creation. And you’d fight to the death before letting someone tear it to pieces. But if you want to get better, you have to listen. Let’s break it down.
1. Ask someone you can trust. The most important quality in a beta reader or critique partner is that they are trustworthy. You need to be absolutely sure that you believe that they are pulling your work apart because they want it to be better. Because if you can’t trust them on that level, they could just be being a jerk.
2. Make sure they’re honest. It’s also important to find someone who isn’t going to sugar coat things for you. If you want to get better, you need to have a beta who is more worried about making your work better than sparing your feelings.
3. Self-reflect and breathe. It’s going to hurt, a lot, to hear everything you did was “wrong.” You thought it was perfect. And now your work has been torn apart and your heart along with it. Your first instinct is going to be either to give up or push away everything you just heard. Resist that urge. I know it feels overwhelming, but you literally just wrote an entire book. Refining that book is not as difficult as the thing you already did. As to pushing the truth away, well you asked for the help. And these people took time out of their busy lives to offer it. It’s only courteous for you to see if there’s something valuable in what they told you.
And finally, and potentially most importantly, throw out everything I just said. The truth is, there are ways to make your story better. Of course, there are. But the person you need to please most is you. The whole world can tell you you’re wrong. Your betas laughed, your editor cringed, the reviewers railed. But if you know in your heart that you made the right choices, if you did all the above steps and still came out thinking this was the way to go, then do it. It’s your work. It’s your name. You’ll get “better” at your own pace.
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