by
Monica Stoner, Member at Large
We throw around titles of the most romantic books, plays, movies, stories. Gone with the Wind is a major favorite, along with the tales of King Arthur’s round knights. Mustn’t forget some of the musicals – My Fair Lady, Camelot (Arthur again) and of course Phantom of the Opera. I find Weber’s music helps words come through my fingers and often ignore the words for the tunes.
Recently I listened to Phantom when I wasn’t writing and could pay attention to the words. This is romantic? We have a lovely young woman terrorized by a mysterious man yet when she tries to tell her story, she’s told he doesn’t exist. Even the man who will become the love of her life insists she doesn’t know what she’s talking about. According to him she needs to forget her fantasies and let him make all her decisions. Supposedly they live happily ever after but one wonders how often Christine is encouraged to ignore her own thoughts and blindly follow the man’s.
Camelot, that classic tale of love is actually about an inconvenient marriage and a woman who can’t keep her word. Yes, Lancelot betrays his king but Guinevere is the woman who made an advantageous marriage then got restless when someone cuter came along. This is romance?
Gone With the Wind doesn’t do much for me as romance, though as a tale of living through a social upheaval it’s marvelous. I’ve never found Scarlet to be a sympathetic character.
How much of what was once thought extremely romantic can stand up to current thinking? For years the pattern of popular romance was a domineering male and the pure, honest, but plucky virgin. Of course the male was a prince or knight or lord of the manor, later a captain of industry. Quick – how many of those books can you remember as individual stories instead of one in a group of many? Right, same here. But how many of the books that stay with us are about the domineering male who gets taken down a peg or ten by the plucky heroine?
My most romantic book? Probably Mary Stewart’s “My Brother Michael.” Without deep soulful kisses or heavy breathing clinches, at the end of the book there is no doubt these people have made a commitment to each other. But Sharon and Tom Curtis’ “Lightning that Lingers” is right up there. Anyone else? I could use a good classic romantic read right about now.
Monica K Stoner
tsent@ix.netcom.com
By Kate
From Jackie Hyman
Regrettably, I don’t have any photos of Donna, although I spent a lot of time with her. I doubt she would have willingly allowed herself to be photographed, as she was quite private.
At first, I knew Donna mainly as the regular volunteer photographer at RWA events. She went out of her way not only to memorialize everyone’s achievements but also to give me prints for my scrapbook, in that pre-digital age.
I feel strongly that fate meant for Donna and me to become friends. After she suffered a stroke at an RWA meeting, she was taken to Brea Community Hospital (which has since been torn down), only about a mile from my home. When I visited her, I discovered that her only family was her stepfather, who suffers from Alzheimer’s. I made a point of stopping in to see her daily, bringing books and offering moral support.
After she returned home, we began meeting for lunch at a Denny’s restaurant between our homes. It was always a joy to see her smiling face and hear about her writing, which she worked on very hard. Unfortunately, she didn’t dare submit it to publishers because, being disabled and dependent on Medicare, she couldn’t afford to earn money that might put her coverage at risk.
Even when she wasn’t well enough to attend RWA meetings, Donna maintained a deep interest in our doings and rooted for our members to succeed with their writing. Our group meant a great deal to her, and her generous spirit will remain with me always.
From Betty Dempsey
Donna and I met at an OC RWA meeting at the Fullerton library. We were both newbies and formed an instant bond.
Before we left that day we were in a critique group with Bronwyn Wolfe, Kay Bryant and Geeta Kakade.
We started meeting weekly at Geeta’s place and Donna and I got to know each other well.
Our claim to fame , as a critique group was that we were all so happy when Bronwyn got published.
Besides the group, Donna and I discovered we were hooked on old movies and TV shows. We always called each other to share a piece of movie/TV trivia.
We shared a love of Chinese food. We were both Pisces with our birthdays just a couple of days apart.
I’m glad I knew Donna.
From Geeta Kakade
I got to know Donna through our critique group.
She was shy but once she got going, she would laugh and laugh…she had a great sense of humor. Writing was close to her heart and she created one of the best villians, I have ever read about. He was funny yet bad and we would all crack up over his latest ‘crimes’, each week.
We lost touch when the critique group stopped meeting. Luckily I got to meet Donna twice while she was in hospital. She kept talking of wanting to get out of the hospital bed and re-write her books and sell them.
I think somewhere in Heaven she’s writing away…each book instantly published as she finishes it. Her halo gleams, her baby blues sparkle with the essence of well being, she giggles as she creates other villians like Toby. In her spare time, she searches for editors for the rest of us down here trying to connect us with our dreams.
It sounds like the beginning of a TV sitcom but that’s the picture I want to hold of Donna in my heart.
2 0 Read moreby Jina Bacarr
I’ve been making the rounds of the bookstores in So Cal signing copies of my latest Spice release, Cleopatra’s Perfume, and talking to booksellers. I always get that tingly feeling when I spot my book on the shelf in a bookstore. It’s like running into an old friend you haven’t seen for awhile.
By the time your book is on the shelf, an author hasn’t been “intimate†with her characters for awhile so your emotions run high when you see the finished product in a bookstore. Looking at my gorgeous Cleopatra’s Perfume cover, I couldn’t help but think about the long, winding road it took to get there.
I felt like a talent contest winner when I ran my fingers over the shiny cover and soft silky pages, remembering the endless nights at my computer creating these characters and bringing them to life. The writing process is a complex one. Sometimes it’s like inhaling an exotic perfume and letting the story flow with a richness and luminosity that takes on a life of its own
Other times, it’s a gut-wrenching assault on your senses, wondering if you’ll ever get there. In the end, it was that magical combination of craft and creativity in the pursuit of romance and the mystical that enabled me to tell my story about a woman with an insatiable appetite for sexual adventure in 1939 Europe. “One whiff and every man was her slave.â€
Join me as I take you on a video podcast tour of the Barnes & Noble Fashion Island bookstore in beautiful Newport Beach, California, where I signed copies of my Spice release, “Cleopatra’s Perfume.â€
Thankz.
Best,
Jina
PS: I’m writing a daily blog for the month of May about my heroine in Cleopatra’s Perfume, Lady Eve Marlowe, and her wild adventures in Berlin in 1928 (my novel opens in 1939).
It’s called: Hot Weimar Berlin: What you always wanted to know but were afraid to ask
Follow me on Twitter: www.twitter.com/jinabacarr
Jina Bacarr is also the author of The Blonde Geisha , Naughty Paris, Tokyo Rendezvous, a Spice Brief, and Spies, Lies & Naked Thighs, featuring an Indiana Jones in high heels.
0 0 Read moreBy Nancy Farrier
My mother had it so easy. While I went to school and did chores, she was a stay at home Mom with nothing to do. Sure she cooked meals, did laundry, and a few household chores, but what’s so hard about that? I knew that most of the work around the house and farm fell to my sister’s and me. At least, that’s the way I viewed life growing up.
Then I became a Mom. Suddenly, I understood what kept my mother so busy. Cleaning house doesn’t happen in a few minutes. I found out it can be hard, tiring work. Cook, laundress, dishwasher, organizer, taxi driver, arbitrator of fights, and teacher are only a few of the hats my mother wore. I found that to understand and appreciate a mother’s role, I have to be one, or to be very observant. What looked simple carried an underlying degree of difficulty some will never realize.
I don’t know how many times I’ve had people say something about how easy it is to write a book. How hard can it be? You get an idea and you write it down, right? They have no concept of how character, plot, and setting interact, and that doesn’t even include the finer intricacies of developing a story that makes sense to someone other than the writer.
Many people also believe that once you’ve written the book, the volume should be on the shelves of the bookstore the following week. The editing process is a complete mystery to them; they don’t see the number of people, or the work, involved in making your book available to them. Only those in the publishing industry, or those who take the time to be aware of the process, truly know what’s involved.
Mothers and writers have this in common. Their job is not as effortless as it looks. Yet, as both a mother and a writer, I would not give either one up. I love being both. So, I’d like to say thanks to my mother for doing her job without complaint, and for teaching me to be gracious to those who think what I do is so easy.
3 0 Read moreA Slice of Orange is an affiliate with some of the booksellers listed on this website, including Barnes & Nobel, Books A Million, iBooks, Kobo, and Smashwords. This means A Slice of Orange may earn a small advertising fee from sales made through the links used on this website. There are reminders of these affiliate links on the pages for individual books.
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More info →A Slice of Orange is an affiliate with some of the booksellers listed on this website, including Barnes & Nobel, Books A Million, iBooks, Kobo, and Smashwords. This means A Slice of Orange may earn a small advertising fee from sales made through the links used on this website. There are reminders of these affiliate links on the pages for individual books.
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