Forgiving Stephen Redmond: A Kurchenko & Gonzalves Mystery, Book 2 of a series
By A.J. Sidransky
Black Opal Books 2021
ISBN 978-195343-4036
Stephen Redmond never understood his late father, Maximo Rothman, or the mysterious ‘other life’ he never spoke about. He considers that maybe, like the changing neighborhood, his dwindling religious community, and the old ways that are disappearing, he should let go of the past and move forward.
But when Detectives Kurchenko and Gonzalves arrive to discuss the dead body found sealed in the wall of a building his father co-owned, Stephen realizes that the past has a will of its own and an iron grip. Shaken by the news of such a gruesome discovery, and knocked off balance by a murky memory he often wondered whether it was real or imagined, Stephen drags himself back through the past forty years in search of the truth. But if and when he finds the truth, what will he do with it?
Sidranky’s first book in this series, Forgiving Maximo Rothman, (reviewed by this writer on December 22, 2020), introduced us to Stephen’s father Maximo: his harrowing escape out of Nazi Europe, life as a refugee in the Dominican Republic, the horrific event that forces him to flee to New York City, and his attempt at creating a better life for his son.
In this second novel, we find Maximo’s son coming to terms with his father’s secret life, and facing the buried ghosts of his own past actions, as he tries to heal the broken pieces of his heart in the hope of finding a peaceful and blessed life.
Forgiving Stephen Redmond is a moving and memorable mystery that touches on themes of the relationship between fathers and sons, confronting a past that won’t let go, guilt, love, learning how to forgive others, and above all, the importance of forgiving ourselves.
Forgiving Stephen Redmond will touch your heart!
~Veronica Jorge
The world’s treasures, many of them at your fingertips, in the pages of a book.
Such was my experience during a recent museum visit when I discovered an inspiring and uplifting work of art, Girl Balancing Knowledge, by the sculptor Yinka Shonibare. A British-Nigerian artist, he explores themes of cultural identity in a globalized world. The bright colors of the African Ankara fabrics he uses in his pieces are appealing and strikingly eye catching.
Below is an excerpt from one of our 2024 mentees, Veronica Jorge, from her project, Crushed Like Sugarcane, based on her Chinese ancestor, Zhou Zhijian, who left China to work in the sugarcane fields of Cuba where he was enslaved. In this portion, newly arrived and unwilling to accept the situation, he decides to escape:
The painter stares at the canvas waiting for an image to appear. Patiently, he waits until a faint imprint of a landscape or a face emerges. He then grabs a brush and dabs it into the paint on his palette, making haste to reach the canvas with his brush to capture the image.
I can’t think of a better way to welcome Spring and celebrate Earth Day than with a new book, especially one about nature and the earth, and following after Women’s History Month.
For centuries and throughout the entire world women have made valuable contributions in the arts, sciences, culture, academics, politics, the armed forces, etc. Too many women and too many areas to name without slighting any one person, field or region. Every March during Women’s History Month we commemorate their achievements.
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London’s Heathrow airport
New Year’s Eve
Kacie Bennett is stranded in London and desperate to get home to avert a family crisis. She’s shocked when a tall, dark handsome stranger offers her a first class airline ticket, no strings attached.
More info →The beautiful wife of a senate candidate is dead; his disturbed sister is accused.
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More info →A Slice of Orange is an affiliate with some of the booksellers listed on this website, including Barnes & Nobel, Books A Million, iBooks, Kobo, and Smashwords. This means A Slice of Orange may earn a small advertising fee from sales made through the links used on this website. There are reminders of these affiliate links on the pages for individual books.
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