by Kidd Wadsworth
We arrive at 6 am. I sign a piece of paper which informs me of the risks of my day procedure using phrases such as “unforeseen side effects, including death.” A plastic bracelet is secured around my wrist. Promptly at 7 am, I kiss my husband goodbye and follow a stern-looking nurse through a side door. She points me to a changing room.
“Nothing on underneath. Only the gown.”
I obey.
She takes my clothes, my shoes, my underwear. I am left barefoot in a nearly see-through gown I hold shut in the back with a tight grip on the gaping cloth.
“Lay down.” She points to a narrow bed on rollers.
Again, I obey.
Three seconds later, I have a tube in my arm. Another nurse takes my blood pressure and my pulse. “Did you have anything to eat in the last twenty-four hours?”
“No.”
“Are you sure?”
“Yes.”
“No cereal, no fruit, no bread, no banana . . . “The list continues. On and on.
“No.”
“If you’ve had something to eat, I need to know.”
“No, I have not had anything to eat.” Does she think I’m lying?
“This form says that I’ve asked you if you’ve had anything to eat and you’ve said, no. Sign here.”
I sign.
Too late, I realize I didn’t read the form. As she walks away, I almost call her back, but that’s stupid—isn’t it? I mean, why am I so nervous? This is just day surgery.
They wheel me away down a hallway, into an elevator, and then into a room crowded with people. Surely this can’t be correct? This is minor surgery. What are all these people doing here? I count fourteen. Really? Fourteen?
Two nurses or doctors—let’s just call them people in scrubs and masks—strap me down to the table.
Why straps? Do they expect me to try to make a run for it?
“Just relax,” one of the people who had strapped me to the table says.
Does he really think the phrase, “Just relax,” makes people relax? I think unstrapping me might make me relax.
Above me lights, so many lights, perhaps fifteen or twenty, glow brightly, each one with a shiny metal hat to direct the beam. Moving my head slightly from side to side, I intently examine the fixture. Something’s wrong, but I can’t quite put my finger on it. Then I realize that although the fixture is polished and highly reflective, I can’t see my reflection on any surface. Someone has deliberately designed the fixture so that I, the patient, cannot see myself strapped down to the operating table.
My heart pounds in my chest.
I gasp for breath.
Calm down. It’s only day surgery. This probably isn’t a horror movie. Surely, they aren’t going to harvest my organs and sell them overseas or implant an alien fetus in my uterus.
Yet, there is something about those lights, as if no one wants me to realize what a precarious position I’m in. Precarious? No, helpless! And the masks? Of course, they are wearing masks. That way I can’t identify them in a police lineup when I finally manage to escape and notify the authorities.
As every instinct in my body screams, “Get out! Get out now!” the nurse/doctor/whatever who had strapped me down, injects something into my IV.
I want to shout, “No!” But I don’t. Afterall, what can I do? I AM STRAPPED TO THE TABLE!
“Count backwards from a hundred,” he says.
I try to control my shaking. “One hundred.” I am so obedient. Why am I so freaking obedient?
“Please keep counting.”
“Ninety-nine . . .”
I’m an educated, adult woman. Why did I allow someone to strap me, nearly naked, to an operating table in a room full of strangers?
Strangers?
My doctor? Where is my doctor? Am I in the right room? What if there’s been some clerical error?
I realize I never read the name on my bracelet.
What if they think I’m someone else? What if they amputate my leg or remove my brain!
I lift my head, straining to see the thin slip of plastic. I can’t quite . . .
I wake in recovery. Home by super. The operation is a complete success.
Nope, never going back.
Kidd Wadsworth is the author of the high fantasy novel: “The Death of Magic” which you can read for free by clicking here: https://www.scribblehub.com/series/588059/the-death-of-magic/
I decided to enter the KidLit Chuckle Challenge. I had 200 words to make someone laugh. In addition, I was required to use two of the six writing prompts given. I chose ‘Avocado the Penguin’ and ‘Broccoli.’ My entry is below. The italicized illustration note does count toward the total 200 words.
Obsession is my natural state.
As an undergraduate in Electrical Engineering at Texas A&M University, I was required to take a Mechanical Engineering course where we analyzed the forces in a truss.
I love poetry. I relish language that paints a picture in my head, leaves a song in my heart and gently touches my soul. But how do I incorporate poetic methods into my writing? And more importantly, how do I train my ear?
Kidd Wadsworth writes to bring to life our magical, fire-breathing world. She believes we are super heroes. It’s time we put on our capes.
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Secrets abound. Everyone has them.
More info →He doesn’t need a minor goddess getting in his way—no matter how much the redhead tempts him.
More info →The longest night. A vampire’s delight.
More info →A Slice of Orange is an affiliate with some of the booksellers listed on this website, including Barnes & Nobel, Books A Million, iBooks, Kobo, and Smashwords. This means A Slice of Orange may earn a small advertising fee from sales made through the links used on this website. There are reminders of these affiliate links on the pages for individual books.
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very well done….:)
This is hilarious, and alas, so true .. I’m glad you had a good outcome!
I was worried there for a moment. Nicely done.