Mrs. Gabaldon’s bird feeder was ravaged again last night.
When you live in a rural area a neighbor’s angst can quickly be made your angst. This act of vandalism is the signal for me to bolt before everyone for a mile around is, once again, grilled for an alibi — it’s off to the library for me.
I wonder among the shelves, picking a book at random to see if it’s the one. We all have our ways of making that decision. I start with the title; it tells me something about the story and reflects on the author’s style and mindset. Of course I look at the cover, but that’s often more a statement from the publisher so I don’t give it too much weight (which is why I love Indie covers; those reflect the author). Quick read of the blurbs and then always, always, I read the opening. That seals the deal.
The brash hook is a raucous opener: She was ten years old, but knew enough to wipe clean the handle of the bloody kitchen knife. Whoa! I’m in, Annie Hauxwell! An opening like that is so bold, so intriguing I had to learn more, I had to know what happened. I completely enjoyed A Bitter Taste.
That’s one way to grab a reader but I love it when an opening sets the tone of the story and tells me something about the characters. My name is Salmon, like the fish; first name Susie. I was fourteen when I was murdered on December 6, 1973. I read that and love the autobiographical voice; it is filled with innocence and a gentle wisdom I know will tell me a tale of sorrow, and maybe redemption. Alice Sebold’s The Lovely Bones is unforgettable.
An opening can also bring the reader immediately into the genre and instantly set up expectations. It was a bright day in April and the clocks were striking thirteen. With just thirteen words (!) George Orwell has let me know that this is not the normal, comfortable world. There is something ominous about clocks plural, and of course clocks don’t strike thirteen —accept in the world of 1984. Who can pass on an opening like that?
Opening lines can make a book irresistible—after all, that’s what it’s about. There are no rules for openings except, of course, to make them well constructed sentences. Ask yourself what you want to reflect about the book and construct the opening around that. Make it a promise of the richness to come; make the reader unable to resist learning what happens.
BTW, as I turned onto my road, bulging book bag beside me, I could see the Cullison twins tidying up Mrs. Gabaldon’s bird feeder. They worked diligently under the watchful eyes of their mother and the stern direction of the lady herself. Phew, mystery solved, angst averted. I’m pretty sure I’ll get the details tonight and I’ll learn what happened.
Writers have always given us more than just great entertainment. Throughout the ages storytellers have had a major impact on society.
A long-term client has an eight-year-old granddaughter who wants to be a writer “just like Grandma”. My client asked me to give this young aspirant some advice about writing.
I’d love to hear your humorous book suggestions. I’d especially like to read a romance that will make me laugh and sigh with satisfaction.
We’re so lucky. The English language is like play dough.
Oh yes, we have strict rules of grammar, tense, POV, all the way to the minutia of intransitive verbs.
This character, Tall T Reynolds, is growing in my mind. I can see him tanned and raw and a bit dusty. I know his world is the 1940’s rural west and I know he’s going to briefly meet Lottie, a beautiful girl in a gleaming open topped coupe. Their brief exchange will never leave his mind. Soon after, Tall T will go off to war in Europe. He and Lottie will meet again in a most unexpected way.
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