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Conversations with Barb and Jann

May 2, 2012 by in category Jann says . . . tagged as , , , ,

What do you read during your WIP?

Jann:   Barb, when you’re starting a new WIP, do you only read books in the genre you’re writing?
Barb:  I like to read the genre I’m writing in because it gets me in that frame of mind, that contemporary world. I especially like reading humor, which I try to write. Susan Elizabeth Phillips and Jennifer Crusie both know how to construct a laugh-out-loud scene. For category romance, our own Sandra Paul (aka Sandy Chvostal) has always tickled my funny bone. I still find myself pulling out her Reluctant Hero and Domesticating Luc to see how she incorporates animals in her stories, and Linda Johnston also, with her pet sitter and pet rescue stories.
Jann:  Totally agree. You know I’m writing a series category romance, but I read anything and everything romance–historical, paranormal, urban fantasy, contemporary. But I find it’s easier to plot when I read only series romance for at least a couple of weeks before I work on a story idea.
Barb:  Since we were discussing this subject, I asked the Orange County Chapter Pros what they read while they’re writing. Ottilia Scherschel, who writes suspense, is of like mind. She says, “I always read some suspense to get my juices flowing.” She also reads craft books, and interestingly enough, her husband’s magazine American Hunter. She likes the website artofmanliness.com for “anything a man does or ever wanted to do.”  Gotta check that one out!
 Joyce Ward also stayed within her genre when she started writing paranormals, but like you, enjoys a change of pace with other genres. Erin Pryor says, “I tend to read things that are related to whatever I’m struggling with while writing…so, if I’m working on a mystery element I’ll read full-on mysteries, if I’m working on an action scene I often turn to sci-fi/fantasy. Contemporaries for friendship and banter, 19th century novels when I’m worried about tone and manners.”
Jann:  Erin has a good idea mixing the genres to draw on their various strengths. 
  
Barb:  Now, Mary Kozlowski writes contemporaries, but loves reading Regencies. She says she can keep a pretty consistent voice, so is not affected by reading in another genre. And this reading your husband’s magazines must be catching on. She reads her husband’s VFW, American Legion and NRA mags because “they have lots of interesting articles about real heroes.”
Roy (Griff) Griffis also reads outside his genre. As he says, “I don’t want to read anything in a
similar genre to avoid contaminating my vision and voice.” Research is the focus of Dolores Else’s reading, both for accurate historical information and to get a feel for the time period. 
Jann:  I have a couple of story ideas that require substantial research, and have put them aside for awhile. What I need to be doing is “writing what I know” for now. Research can be a lot of fun, but it can be very time consuming if you’re not careful.
Barb:  I know what you mean. Been there. Researching is not writing. 
Shauna Roberts, who I know would use her time wisely, finds herself so interested in some of her background research topics that she will keep reading about them after her book is finished.  She also will read articles and how-to books on the craft of writing to reinforce her writing skills.   She reads in different genres regardless of her writing, so I assume they don’t influence her voice.  

Jann:  The Pros have some great comments, and it’s interesting to see what others do. I better get back to my WIP. Remember those goals we talked about a couple of months ago? Well, I just set one with our critique group at our last gathering that I’ve got to make.

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Non-Fiction to ‘Smut in the City’: Calls for Submissions

May 1, 2012 by in category Archives

Non-Fiction to ‘Smut in the City’: Calls for Submissions
It’s that time of month again: ready for more creative inspiration? I’ve tried to include a selection of options, including two requests for poetry. Already thinking Halloween short? Check out the call for “Grim Vengeance.”
If you submit to one of these calls and sell, please let me know! Also, send any hot calls my way.
Art of Self-Publishing
This call for submissions is open to any self-published author, including traditionally published authors who are also self-publishing.
How did you find success as a self-published author? The goal of this anthology is to give pre-published writers and authors considering self-publishing the inspiration and advice to help them start on their own path to self-publishing success.
There are many different ways to quantify success, and we are looking for all of them. While we are looking for bestselling self-published authors to submit essays, if your sales are modest but you finally realized your dream of having your story told, then that is its own form of success, and we welcome your submission as well.
Some questions to consider while writing your essay include :
1.              Why did you choose to self-publish?
2.              Have you tried publishing traditionally, or are you published traditionally as well? If you are also traditionally published, what are the benefits to self-publishing that drew you to it?
3.              What sort of process did you put your book through before you published it? Editing, critique groups, beta-readers?
4.              How much did it cost you to self-publish your book? What did you pay for cover art, for editing, formatting, etcetera? Did you do it all yourself?
5.              How many books do you sell a day/month/since you started?
6.              Is your book available for print? How did you go about doing that, and are your books selling better in ebook format or print?
7.              How important are reviews for you? How do you get reviews for your book(s)?
8.              What do you think is the future of publishing?
9.              What’s the most important piece of advice you have for a writer looking to self-publish?

Payment:

 Contributors whose essays are chosen for the anthology will receive a $20 payment plus a free Smashwords coupon to download the anthology upon its release.
The essays will be contracted on a non-exclusive basis, meaning the contributor retains the right to re-publish the essay as he or she pleases. Previously published blog posts or interviews on the subject of self-publishing will also be considered but original material is preferred.
Tell your story in 750 to 2000 words and include a 50 word bio with links to your website, blog, Twitter, Facebook, and Amazon/B&N/Smashwords pages.
Submit the essay as a Word doc or rtf and name the file Successful_YourName. Email the attachment to shoshanna.evers @ yahoo. com (no spaces) with Submission in the subject line.
Smut in the City
The Smut in the City Anthology will feature stories from a variety of genres. We want a strong focus on the “City” element, either in location or style.
10.           Length: 4,000 to 6,000 words
11.           Genres: Any
12.           Heat Levels: Any
13.           Ending: Any
14.           Orientation: Any
15.           Submissions Due: August 1, 2012

Royalties will be split 50% of the net profits with contributing authors, exact values will be given once we know how many stories will be in the final anthology.
Submit your story by emailing it as an .doc, .txt or .pdf attachment to victoria[at]victoriablisse.co.uk and please include the story title and your author name in the filename. Please also be sure to include your Pen Name, Author Bio, Website URL, Genre, Wordcount along with your Submission.
Grim Vengeance
CRUSHING HEARTS AND BLACK BUTTERFLY PUBLISHING announces a call for submissions for a NEW anthology to be published by Halloween titled “Grim Vengeance.” This anthology will feature stories and poems pertaining to supernatural and paranormal revenge edited by Nathan Squiers.

The subject of vigilante justice is a primal instinct of man and animal alike, but for this collection the subjects that are taking matters into their own hands are to be MORE than human (vampires, werewolves, zombies, and any other paranormal or mythological beings). Any and all motivations for a character’s drive for vengeance will be considered, but please note that your chances of acceptance are greater if the story is believable (the drive & motivation to put an act of revenge into motion is a set in a complex mindset and the catalyst that ignites the response should be believable).
This collection, due to its violent theme, will be targeted to a more adult audience (think late-teens and older) so the material should reflect this range.
There is no limit for content as far as language and gore, but please note the few THEMES/SUBJECTS that will NOT be tolerated and will elicit an INSTANT REJECTION: Anything that promotes, encourages, or justifies ANY of the following:
• Incest
• Bestiality (human/animal; shape-shifter stories are fine)
• Rape/non-consensual activity
• Pedophilia;
3000-10,000 word short stories as well as poetry will be considered.


FOR MORE INFORMATION GO TO www.crushingheartsandblackbutterfly.comFurther details will be on our website soon. Send submissions to NathanSquiers@CrushingHeartsandBlackButterfly.com
Weekend Getaways


Secret Cravings Publishing is taking submissions of short stories of up to 5k – 10k words for a onetime payment of $50-$100 depending on the length of the manuscript. Any genre;
Steamy to Burn the page erotic stories wanted.
 These stories will be released individually with their own cover. One each Saturday of the week. Submissions will be ongoing—no deadline.
Compiled by Louisa Bacio
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A Fantasy Life by Janet Quinn Cornelow

April 28, 2012 by in category A Fantasy Life by Janet Cornelow tagged as ,

Life has gotten extremely busy lately. I have an extra class to teach and of course, OCC contest entries to judge.
My book, The Kilted Governess, will be up on a Kindle and Nook with a new look next week, thanks to Lex Valentine. She made me the new cover. 
Eirica MacDougall’s ailing father promises her in marriage to a line of suitors who want her farm and are willing to overlook “the incident” that ruined her reputation at sixteen.  Also, her father hires Duncan MacKinnon as governess to her young sister and he steals Eirica’s heart. 
Then her father dies and the suitors become more adamant that she chose one.  Duncan steps in to help her run the farm.  But someone wants her inheritance and threatens her family. She must convince him to marry her to save her from the suitors. Duncan, having nothing to offer but his love, refuses. Then he must save her reputation and her life.
My youngest son, Rob, who some of you know, is going to be a father in September. They are having a little boy and for the moment, they are going to name him Elijah. Of course, they may be changing their minds before then.
My granddaughter turns one the end of next week. The time goes by so fast.
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If you haven’t read it yet, you should….

April 24, 2012 by in category Archives

I’ve just finished re-reading Deborah Tannen’s early work (1990), You Just Don’t Understand.  She’s a linguistic professor who has published some bestselling titles (That’s Not What I Meant, Talking 9-5).  I’d read it ages ago, when it first came out & found it both interesting and helpful.  Rereading it offered new insights.


If you’re a romance reader or writer, I expect you’ve heard the comment, “The whole story was just based on a misunderstanding! A five minute conversation would have cleared everything up on page two…!” 


Well, spending five minutes with YJDU will clarify that communication between the sexes is rife with misunderstanding.   That males and females—from the very beginning—bring quite different assumptions to conversations (both speaking and listening) and those assumptions can create significant misinterpretation, misunderstanding, frustration, anger, unhappiness, alienation and disappointment.  A better understanding of the underlying assumptions on both sides can really help realign expectations and diminish misinterpretation.  Additionally, the stories and research offer reassurance that you are not alone in your confusion, hurt, and frustration.


Before I became a romance editor and made my living on the differences between the sexes, I remember having a conversation with the father of a woman who had finally announced her engagement to her long-time partner.  The couple hadn’t gotten married because their respective families didn’t approve of the relationships due to their being from different races or religions (can’t recall the issue). 


The parent was earnestly explaining to me that he wasn’t racist (or whatever) but that building a successful marriage was so hard, and if the two parties came from totally different cultures, different upbringings, different experiences, that it would be that much harder to find the common ground needed to create a strong partnership.


As I listened, I sympathized—all his concerns were valid.  And then I looked him in the eye and said, you know, I have never heard such a compelling treatise on the benefits of homosexual marriage.  I mean with heterosexual relationships, you are asking people of the opposite sex to figure out a way to live together.  Not easy!  There’s a reason it’s called the opposite sex….


Yes, when you think about building a strong partnership between two people who are different sexes, have totally different bodies, bring different assumptions, expectations and world view, have different conversational styles (in some ways a different language), and were raised differently, it’s clear heterosexual marriage is not easy.  That challenge has fueled countless stories, poems, songs and is often one of the central challenges of our lives.


It’s not easy to understand the opposite sex, but YJDU does give some helpful insights.  Tannen opens with a perspective that had a lot of resonance for me: that all conversation has two diametrically opposed goals.


One is to connect, to reach out, to feel a bond with another, to feel part of the greater whole of humankind.


The other is the desire to maintain your sense of self, your autonomy, your uniqueness, your individuality and separateness.


Tannen indicates (my interpretation) that these simultaneous and opposite goals are present in every conversational interaction for both men and women.  But she notes that men often have a slight default to autonomy in that 180 degree spread.  And that women often have a slight default to connection.  And that slight difference can and often does create a significant communication gap between the sexes.


If you think about it, much of “politeness” (which can vary significantly in different cultures) has been created to enable people to communicate and connect in a non-threatening way.  To enable others to feel ‘safe’ in connecting, reassured that they are not being asked to lose their autonomy or sense of self.


Romances are all about the puzzle of how to be both an individual and be part of a team.  And many address the challenge of having the woman need to nurture her sense of self, validate her right to her own individuality and needs in order to balance her natural tendency to compromise for others.  And additionally presenting the flip side: of having the man appreciate that there are appropriate and necessary compromises that he must make to be part of a team, and to learn to appreciate the unique gifts that that connection will bring.


So if you haven’t read it yet, check it out.  And vive la différence!


Isabel Swift

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Loose Ends, Nuts & Bolts, Sticky Notes…and of course Love Actually!

April 24, 2012 by in category Archives
Jill Sorenson, Tessa Dare, DeAnna Cameron, & Dee J. Adams

Loose Ends, Nuts & Bolts, Sticky Notes…and of course Love Actually!
By Tari Lynn Jewett

The Festival of Books is a wonderful place for a writer to be, and a dangerous place for a book addict like me (no Dr. Seuss wasn’t there). Imagine the entire campus of USC, filled with publishers, stacks of books, and authors poised pen in hand…ready to sign. *sigh*

So anyway, my husband, Paul, chauffeured me to the Festival of Books, even missing Speed Merchants of Venice, the Shelby Cobra Mustang show, in Pomona to take me. I felt a little guilty that he missed his event, but just a little. It was fun walking around the college campus having him carry my books for me.


But what you really want to hear about is the writer’s right?


Saturday we started with a panel titled “Fiction: At Loose Ends”. I wasn’t sure where the discussion would lead, and apparently neither were the panel members, at first. It didn’t take them long to find a direction though, and they soon had me taking notes like a mad woman. Did I mention that I left my notebook at home, and ended up taking notes on the sticky pad that I keep in my purse??


The panel was an eclectic group of authors including author/moderator Rachel Resnick, and authors Eleanor Henderson, Seth Greenland, Josh Rolnick and Jervey Tervalon. The discussion was quick, witty, and intelligent, focusing on the idea that loose ends are what give us a story to tell. Clearly a plot must have loose ends that a character needs to tie together in order to resolve the issues in the story. The consensus was that if everything was ‘all neat and tidy’ it wouldn’t be worth reading.


We selected “Publishing: Nuts & Bolts” for our afternoon panel, new session, entirely different feel, and of course a different focus. We went from the craft of writing to the business of writing with moderator Patrick Brown of Good Reads, agent Betsy Amster, George Gibson, publishing director of Bloomsbury, John Tayman, founder and CEO of Byliner.com and Robert Weil executive editor of W. W. Norton. We all know how much turmoil there has been in the publishing industry the last few years, but the bottom line from these experts? Writer’s still need to write a good story, and to write a good story, we have to read.
No problem for me, as if I didn’t already have a pile of books on my desk and several downloaded onto my Kindle just waiting for me to turn to page one, I filled tote bags with…more books. Well, they kept giving me reusable bags, and I couldn’t leave them empty.


The highlight of the day for me was sitting in the beautiful Bovard Auditorium on the USC campus and listening to author Judy Blume talk about her life as a writer. Like so many women my age and younger. I read Blume’s, Are You There God? It’s Me Margaret, when I was twelve years old. I hid it beside my bed and read late at night under the sheets with a flashlight because I knew my mother wouldn’t approve. Years later I read the Fudge books and Tales of a Fourth Grade Nothingwith my boys. The auditorium was filled with adoring readers of all ages. When the lights came up for questions, fans flocked to the microphones placed in the aisles to tell Judy Blume how her books had motivated them to read, touched and even changed their lives. Now that’s inspiration!


Sunday, more tote bags, more books and more writers.


Once again we found ourselves seated in the lovely Bovard Auditorium, this time to hear Anne Rice speak about her writing career. It was fascinating to hear her speak after hearing Judy Blume. It’s fascinating to hear Anne Rice speak any day, but following Judy Blume was interesting. Both women began their writing careers in the 1970’s. Both women wrote stories that broke barriers and changed what made it to bookstore shelves and onto our bookshelves at home. Both women have multitudes of old fans lining up for their next story, new fans lining up for their backlist, all wanting their signature, all wanting to feel their magic. I was just one of many.


We attended only one panel Saturday, but it was, of course, the most important. The topic was “Fiction: Love Actually”. The panel members were author/moderator Dee J. Adams, authors Jill Sorenson, Tessa Dare and DeAnna Cameron. All RWA members, and Tessa and DeAnna are of course, OCCRWA members.  It was exciting to see these women that I know, real women…I hope they don’t mind me saying that…up on stage talking about the topic I love best. Writing romance. The ladies discussed their writing processes, unique research methods, first sales, and the changes in the industry. Although we were told we couldn’t take pictures, my hubby, Paul couldn’t resist sneaking a few pics of these talented ladies. He said they were ‘the best looking panel’ at the Festival. He was right, but they also gave a fabulous presentation.


So I left The Festival of Books with tote bags filled with reading material and a sticky pad filled with notes…yes, I forgot to grab my notebook Sunday as well. I also left with a renewed motivation and plenty of inspiration. I’ve already marked the date for the 2013 Festival of Books on my calendar….fourth weekend in April. Hope to see you there!!
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