June Traditions
June 1, 2017 by marianne h donley in category Apples & Oranges by Marianne H. Donley tagged as June, Kids, Summer, writing
June Traditions
Graduations and wedding. Strawberry stands close. Corn on the cob stands open.
June bugs attempt suicide by flying into a patio door. News programs announce grunion runs. Janet Evanovich’s new novel is sure to be on the book store shelf soon. June gloom weather patterns make it impossible to know what to wear each day. Pick shorts and a tee, the clouds never burn off. Jeans and a pullover guarantee it will be ninety by ten fifteen. The significant other always announces that the air conditioner will not be turned on until after the Fourth of July. The kids get out of school.
Ah, no school. For me, that was always both a blessing and a curse. I loved the slower pace of summer days, kids making mud pies, decorating the driveway with sidewalk chalk, back yard sleep–overs, and the wide-eyed wonder of a child blowing bubbles. I was less thrilled with sibling squirt gun fights that degenerated into all out bloody warfare in thirty seconds or less, other parents who assumed that because I was a teacher and therefore home during the summer I would leap at the chance to entertain their little darlings twelve hours a day five days a week for free, and those heartfelt words, “Mom, I’m so bored.”
No school for my kids rarely translated into no other commitments for me. I taught summer school classes, took graduate math classes and always had a novel on which I was working. So how did I carve out time for writing with a job, graduate school, three kids, and a husband who traveled?
First, I insisted both my sons and my daughter did housework. They made their beds. They vacuumed. They washed dishes. They scrubbed toilets. Few of their chores were completed as well as if I had done them myself, but I learned to turn a blind eye to what I didn’t have time to fix and to ignore snippy comments from other adults.
Next, I let my children join inexpensive summer time activities. The PTA arranged a summer movie series for children, a juice-box, a small bag of popcorn and the movie all for a dollar. Park and Recreation always offered swimming lessons, art lessons, piano lessons, gym classes. I traded play days with other mothers. But rather than drop my kids off and return to pick them up, I packed a lawn chair, a clipboard, sun screen and stayed. I graded papers during swim team practice, completed non-Euclidean geometry homework during gym class and edited chapters of my very first book while my kids played in the sand.
I arranged my desk and computer so that I could see the back yard while I worked. If they needed me closer, I handed them their own paper and pencils, pulled chairs up to my desk and had them write with me. I got wild stickers and made a refrigerator chart. They earned a sticker for each book they read and could redeem the chart for a small prize from the junk store. I bought books on tape like Treasure Island, The Hobbit, Tom Sawyer, cheap tape players with head phones and handed them out when I needed quiet time. If I was truly desperate and they were truly bored, I let them watch videos, a huge treat at my house where the TV never turned on unless it was dark outside. I set my alarm for four and wrote all morning, something I still do today even though my children are out of the house and have children of their own.
So if your children are home for the summer, cherish them and those mud pies drying in the sun, but plan on carving out time for your writing. You are creative, and if you really want to write, you will find a way.
4 0 Read moreRomance Writer’s “Research”
May 30, 2017 by A Slice of Orange in category From Isabel Swift tagged as Isabel Swift, romance, writing
Can we address the absurd queries about romance authors doing “research,” nudge, nudge, wink, wink? Does anyone ask mystery or horror writers how many people they had to disembowel before they could write their story? I don’t think so.
(And of course, there is the fact that if they answered, they’d have to kill you).
It’s also delightfully contradictory, as others often accuse romances as being utterly unrealistic stories–that also apparently must be based on personal experience. Hmmmm. You must choose one or the other, but you really can’t have both those complaints simultaneously.
There is a dictum: write what you know, but luckily, it’s not a requirement.
Write what you can imagine.
Write what you think about, care about, fantasize about, dream about.
Write to explore what you don’t fully understand.
Write to open minds, to touch hearts.
It’s called fiction because you make it up…
1 0 Read moreThe Many Colors Of Me
May 22, 2017 by Veronica Jorge in category Write From the Heart by Veronica Jorge tagged as historical, multicultural, Veronica Jorge, writing
Most people are a combination of various cultures, though I think their ancestors tended to confine their marriages and unions to one continent. Mine didn’t. As a teenager, growing up in the 1960s, I was always asked, “What are you, black or white?” I’d usually answer, “Both,” or “Neither,” not because I was afraid or wanted to fit in, but because it was true: Nicaraguan and Dominican parents, Middle-Eastern and French grandparents, and Chinese and African great-grandparents. (Hope I didn’t miss anyone). And born in Brooklyn, New York. “How sweet it is!”
This ethnic mix probably explains my preferred genres; Kid-Lit, because I am always looking for someone like me in children’s books; and Historical Fiction, because like working on a jigsaw puzzle, I travel the globe, mostly through books, in search of all of the pieces of me that, once united, will make me whole.
This quest has made me an avid multicultural reader. In every reading exploration I discover something about myself. Everything I write contains a key to who I am that reveals an aspect of my essence. It’s an awesome journey.
And while I seem to connect with everyone, I don’t really fit in anywhere; yet I love the empathy toward others that these various cultures have generated in me because it leads to a deeper kind of listening and understanding, which in turn informs and directs my writing.
I’m always learning, and changing, and growing, and I often have so much to say that I don’t know where to begin, or how to put it all together…like now.
So, thank you ancestors, for being willing and unwilling globe – hoppers. I am wonderfully made and you have given me much to think of and write about.
See you next time, on June 22nd.
Veronica Jorge
Manager, Educator, and former High School Social Studies teacher, Veronica credits her love of history to the potpourri of cultures that make up her own life and to her upbringing in diverse Brooklyn, New York. Her genres of choice are Historical Fiction where she always makes new discoveries and Children’s Picture Books because there are so many wonderful worlds yet to be imagined and visited. She currently resides in Macungie, PA.
8 1 Read moreOn Writing…The Parts of the Whole
May 19, 2017 by Jenny Jensen in category On writing . . . by Jenny Jensen tagged as characters, Secondary Characters, writingCHARACTERS – the stars and the extras
A good story is made up from a host of elements that when jumbled together and skillfully molded become a glorious whole – just like Dixie Jewett’s fabulous horse. Plot, setting, theme, writing style and characters all must blend to make the whole pleasing. Being an omnivorous reader (yes, even when I’m not editing) I am happy with a plot driven or an action driven story, but I am smitten by a character driven tale. Reading a character driven novel is like crashing a party and making the acquaintance of new and fascinating people.
Main Characters
The main characters always have some attraction otherwise they wouldn’t support the story and make the reader care. Who couldn’t be enthralled by bossy Elizabeth Bennet and the steely D’Arcy, or Scarlett and Rhett? And then there’s Hannibal Lector, the very pinnacle of evil yet more compelling than a ten-ton magnet. Depending on how the story is structured we can learn their history upfront, or it is revealed through out the narrative, but there is always enough time and story space to make that all-important emotional connection through, not just history, but mannerisms, speech patterns, and motivations.
Secondary Characters
It is the secondary characters – the extras, if you will – that are often the most colorful component of great novels. Dickens’ genteelly mad Miss Haversham, du Mauier’s chilling Mrs. Danvers. Creating a supporting cast that adds a glint of darkness, a spark of humor or a touch of humanity to a story. Beyond helping to create a personality in a novel, this supporting cast is also critical to fleshing out the setting – you know you’re in NYC when your hero is depressed and seeks the ever freely given advice of street smart Dominick De Luca at his World Famous Hotdog cart. You feel you’re in San Francisco when the hero hears the Powell Street cable car and hops on to her morning repartee with Phillip the droll veteran conductor.
Secondary characters can be tools to move the action forward. If your protagonist needs to be placed in a situation that is out of character for her, use a secondary character to get her there. For instance, the contrary but kind old Mr. Kronke is Mia’s downstairs neighbor to whom she can never say no. Too ill to act on his passion for the horses Mia agrees to deliver his bet to the shady off license where she stumbles into a handsome man and so meets the hero.
Supporting Characters
Finally, supporting characters make great sounding boards to help the main characters work out internal conflict. Think about the key role lively dialog with the saucy office receptionist might play, or a hip bartender. Dithering Aunt Renada, for instance, is far more compelling than your main character’s long internal dialogue.
Just remember that you, the author, are creating a whole world and you must populate it. Your cast of characters can be useful, colorful, thoughtful, wicked, wise or witty but they should never be boring. Look at the world around you, note all the people you come in contact with, and you will have all the inspiration you need to create fantastic and memorable characters.
Jenny
About Jenny Jensen
With a BA in Anthropology and English I pursued a career in advertising and writing and segued into developmental editing. It was a great choice for me. I love the process of creating and am privileged to be part of that process for so many great voices — voices both seasoned and new.
I’ve worked on nearly 400 books over 20 years, books by noted authors published by New York houses including Penguin, Kensington, Pentacle and Zebra as well as with Indie bestsellers and Amazon dynamos. From Air Force manuals and marketing materials to memoirs, thrillers, sci fi and romance, my services range from copyediting to developmental coaching.
Having worked in advertising and marketing, I am always cognizant of the marketplace in which the author’s work will be seen. I coach for content and style with that knowledge in mind in order to maximize sales and/or educational potential. My objective is to help the author’s material stand out from an ever more crowded and competitive field.
10 0 Read moreSEW UP A BOOK
May 15, 2017 by Rebecca Forster in category The Write Life by Rebecca Forster, Writing tagged as Rebecca Forster, thrillers, writing
Years ago, I worked in corporate America and my client was married to Danielle Steel. When I found out who she was, I uttered seven ridiculous words: “I bet I could write a book.”
One of my colleagues called me on that boast and that’s how I became a writer – on a crazy dare. Having never written before, I tackled this challenge in the same way I tackled a marketing plan: by asking questions about how I would go about becoming a published author. In the old days, all I had to do was write a pitch and hope someone paid attention; these days all I have to know is how to upload to Amazon. But the business of publishing begged the question that was most important: how do I learn to actually write a book?
I decided I would learn the same way I learned to sew; I would follow a pattern.
With one of Danielle Steel’s books in hand, I spent three nights with that book, a glass of wine and a yellow marker. As I read, I highlighted the ‘seams’ of her work. My pattern consisted of noting:
- When the main characters were introduced
- Where the plot points happened
- Where the emotional reveals came in
- How many pages of expository were in her book
- How long were the dialogue passages
- How many total pages were in the book
I wrote for months and when I was done I had exactly the right number of pages, all the characters came in on cue, and the plot was revealed appropriately. What a yawn.
My book was the equivalent of making a shift dress out of burlap. It was technically correct but plain and unexciting. My book had nothing to make it memorable to a reader. I didn’t want to just go to the published-author party; I wanted readers’ heads to turn. I needed to learn what sets an artist apart from a painter, a fashion designer from a seamstress and a writer from an author. Bottom line: I needed some buttons and bows, some satin and lace. I needed some style.
I am writing my thirty-fifth book and I have learned a great deal, but I still follow the pattern I created years ago. I have grown as an author, found my voice, honed my observations and come to understand my personal style. I hope that someday a writer will take a yellow marker to one of my books and make a pattern of her own from my work. Then I hope she will be inspired to kick it all up a notch with her buttons and bows.
Rebecca
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