So who established word counts? And when did words become so expensive to print that they require massive cuts, like the U.S. budget? Does that mean that in today’s market James Joyce’s, Ulysses wouldn’t make it to publication? Or past the word police? Would an agent even get through the first five pages?
I can imagine an editor skimming through Chapter One of Charles Dickens’, A Tale of Two Cities. “… it was the best of times, it was the worst of times, it was the age of foolishness, it was the epoch of unbelief, it was the epoch of incredulity, it was the season of light, it was the season of darkness,…we were all going direct to heaven, we were all going direct the other way….Yada, yada, yada.” His critique might be, “A rambling paragraph with enough commas to fill an entire chapter. Excessive word count, repetitive and burdensome. Guy probably sent it to me by mistake. I’ll have to let him know that we don’t publish psychiatric diaries.”
The editor would most likely want to limit the count of ‘to be’ verbs. By those standards, I guess Shakespeare wouldn’t make the cut it either, “To be or not to be.”
When did we get so busy and pressed for time that we gulp down a book so we can get on to the next one? When did our palate become so insipid that we can no longer relish and savor the taste of words making us miss the whole joy of the language journey?
I recall the film, The Agony and the Ecstasy. No, it’s not a sexy romance. Sorry. It depicts the story of Michelangelo painting the Sistine Chapel. Several scenes show Pope Sixtus IV impatiently interrupting the artist at work to ask, “When will it be finished?” to which Michelangelo would always reply, “When it is finished.”
Like Michelangelo’s paintbrush, I bristle at the agent mantra to keep it short, be concise. Yes, I know words cost money and time is money. But so did paint back then. What might the Sistine Chapel look like today if Michelangelo had raced to finish it, or had been limited by how many paint colors he could use? “Tone it down. Don’t apply the paint too thickly. Stay on budget.”
Logically, I understand that rules and formats, and word counts must apply. But when I was a teacher I didn’t teach to the test because that’s not good pedagogy. For me, a creative work is finished when it is finished. And as a writer, I don’t want to write to the word count, but I do always want to make every word count.
See you next time on July 22nd.
Veronica
Veronica Jorge
Manager, Educator, and former High School Social Studies teacher, Veronica credits her love of history to the potpourri of cultures that make up her own life and to her upbringing in diverse Brooklyn, New York. Her genres of choice are Historical Fiction where she always makes new discoveries and Children’s Picture Books because there are so many wonderful worlds yet to be imagined and visited. She currently resides in Macungie, PA.
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When you love someone, you want to know everything about them. That someone, in this case, was my maternal grandmother. We shared a close bond, but there was a wrinkle on the face-map of her life that I could not trace. I wish I had asked her my questions while she was still with me.
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The Many Colors of Us: Remembering 9/11
by Veronica JorgeMost people are a combination of various cultures, though I think their ancestors tended to confine their marriages to one continent.
Mine didn’t.
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A story of second-chances, hope, friendship, gratitude, and yes, the redeeming power of love, A Slight Change of Plans, satisfies at many levels. As the title suggests, things may not always work out the way we plan or expect. Colby encourages us to believe that there is a good plan for our lives, and a Master Planner who knows how to put all of the pieces together in the right place if we would only trust Him and let Him.
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The world’s treasures, many of them at your fingertips, in the pages of a book.
Such was my experience during a recent museum visit when I discovered an inspiring and uplifting work of art, Girl Balancing Knowledge, by the sculptor Yinka Shonibare. A British-Nigerian artist, he explores themes of cultural identity in a globalized world. The bright colors of the African Ankara fabrics he uses in his pieces are appealing and strikingly eye catching.
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Below is an excerpt from one of our 2024 mentees, Veronica Jorge, from her project, Crushed Like Sugarcane, based on her Chinese ancestor, Zhou Zhijian, who left China to work in the sugarcane fields of Cuba where he was enslaved. In this portion, newly arrived and unwilling to accept the situation, he decides to escape:
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Great post Veronica! As you know, cutting isn’t the big problem for me, but word counts are! We definitely agree that making every word count is key. I love your question about whether some of the great writers would be published by today’s standars. Makes me wonder how many great works have been passed over because of numbers.
Yes, the great writers we still read today are so varied in language, depth, and style which is why they’re still around. I want to be part of that group.