As a Writer, Is Talking to Yourself a Bad Thing?

May 3, 2020 by in category Partners in Crime by Janet Elizabeth Lynn & Will Zeilinger, Writing tagged as , , with 1 and 0
Home > Columns > Partners in Crime by Janet Elizabeth Lynn & Will Zeilinger > As a Writer, Is Talking to Yourself a Bad Thing?

Is Talking to Yourself a Bad Thing?

I’ve seen jokes and memes all over social media that describe how being self-isolated or “quarantined” during this COVID-19 pandemic has had one of two effects.

The first has been an overwhelming feeling of being trapped or imprisoned, with no opportunity for social interaction. If you have kids, and they are home, they have to be fed and watered, educated, entertained, and of course, experience some quality time with you. Even if you don’t have kids or parents in your home, there’s always laundry and dishes, all those things on your to-do list you’ve been putting off until you had “time.” Things like home repairs, organizing, binge watching all those programs and movies, you’ve recorded, and naps . . . yes, naps. The thing is, you aren’t trapped.

How are you using your self-isolation?

The second feeling has been one of great relief, as being shut up in one’s domicile provides the writer with the opportunity to get that story or book onto paper (or at least into the computer’s memory.) This second opportunity can also be seen as the chance to see ourselves in the mirror of truth.

Let me put it this way: Let’s assume you are a serious writer, whether it be a journalist, essayist, short-story author, non-fiction, or fiction novelist. What exactly has been keeping you from writing that thing you write? Is it your job? There’s that daily commute that can eat up a couple to several hours each day. Does the boss hover over your shoulder so you have no chance to put down a few paragraphs each day? Is it your chores, like taking the kids to school or daycare, picking them up, and taking them to their extra-curricular activities (soccer, dance, scouts, etc.?) Do you have a second job?

During the time we are all confined (at least, we should be) have we learned anything about ourselves and our writing process?

In that vein, there is another advantage to this situation—that is being able to read your WIP out loud to yourself or to those at home with you. Reading your work aloud helps you catch the rhythm of your writing, especially in early drafts. Though you may not be commuting, those hours can be spent refining dialog, grammar and even some holes in story or essay.
If you happen to live alone, you may have access to a recorder or use your computer to record and playback what you’ve read aloud. Even if you aren’t ready to read it to the world, your family and yourself are all great critique partners.

Go ahead and read—aloud. You’ll never go back to just reading over the page.

~Will

P.S. To those of you who are essential workers—thank you and stay well. We all want to read the stories that will come from all this.


Books by Janet Elizabeth Lynn and Will Zeilinger

DESERT ICE

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DESERT ICE

SLIVERS OF GLASS

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SLIVERS OF GLASS

STRANGE MARKINGS

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STRANGE MARKINGS

SLICK DEAL

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SLICK DEAL

GAME TOWN

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GAME TOWN

Author Details
Author Details
Will Zeilinger and Janet Lynn had been writing individually until they got together and wrote the Skylar Drake Mystery Series. These hard-boiled tales are based in old Hollywood of 1955. Janet has published seven mystery novels, and Will has three plus a couple of short stories. Their world travels have sparked several ideas for murder and crime stories. This creative couple is married and lives in Southern California.
  • Creating Composite Characters from People You Know

    As far as composite characters go, take Don Draper from Mad Men. He’s widely thought to be created as a composite of several advertising execs from the mid-century. His name was likely from Draper Daniels, a Chicago ad executive, as well as Albert Lasker, Emerson Foote, and George Lois.

  • SCANDALS: FLORENCE HENDERSON and BARRY WILLIAMS

    A rumor began during the run of the 1970sTV show, The Brady Bunch. It was that 36-year-old Florence Henderson and co-star, 16-year-old Barry Williams, who played the oldest son Greg, dated and had an affair. This shocking bit of scandal haunted Henderson long after the show ended.

  • 1950s Life & Times of the Rich and Famous in Los Angeles

    While researching the 1950s, we came across memoirs of Los Angeles. Since our Private Eye character, Skylar Drake, moonlights as a stuntman for the movie industry, the Hollywood scene during that time is an intricate part of each book.

  • Scandal

    The civil and criminal actions lawsuit that came after the accident, during the filming of Twilight Zone, was the result of negligence.

  • BOOK RESEARCH—PEOPLE WATCHING by Will Zeilinger

    Researching for a book takes many forms. When it comes to finding unique characters, I love to people-watch. That activity allows me to discover interesting physical characteristics and mannerisms I can use to flesh out some of the people (and animals) who make up the cast of characters.

DESERT ICE

Buy now!
DESERT ICE

SLIVERS OF GLASS

Buy now!
SLIVERS OF GLASS

STRANGE MARKINGS

Buy now!
STRANGE MARKINGS

SLICK DEAL

Buy now!
SLICK DEAL

GAME TOWN

Buy now!
GAME TOWN
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Will Zeilinger and Janet Lynn had been writing individually until they got together and wrote the Skylar Drake Mystery Series. These hard-boiled tales are based in old Hollywood of 1955. Janet has published seven mystery novels, and Will has three plus a couple of short stories. Their world travels have sparked several ideas for murder and crime stories. This creative couple is married and lives in Southern California.
  • Mwah-hah-hah! Nothing like reading your text aloud.

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