By Geralyn Ruane
His name is Bruce, and I didnâ€™t thank him. This past Saturday I received a white rose at OCC because a short story of mine has been accepted for publication. At the podium, I thanked every member of OCC and I thanked my fiancÃ© Ron who sat in the front row and took my picture. But I did not mention Bruce Kluger.
I could not have done it without Bruce, yet I donâ€™t much about him â€“ he has red hair, wrote for Playboy and used to like the Baltimore Colts. But without a doubt, our brief encounter put a spark in my life that wasnâ€™t there before.
Bruce is the editorial assistant for Marlo Thomas, the woman who is publishing my story in her book.
Hereâ€™s what happened:
Marlo Thomas is publishing a book of personal short stories called The Right Words at the Right Time, Volume 2. She was accepting submissions for stories about love and romance up until November 15. I sent in my story â€œJane Austen Meets the New York Giantsâ€ by e-mail on that Tuesday evening just before midnight New York time. Wednesday morning I got a call from a really nice guy who introduced himself as Bruce Kluger, who worked for Marlo Thomas. He said he really liked my story. Then he said â€œUnfortunately . . .â€
AHHHHH! What, was he just calling to say â€œNice try kiddo?â€ Had I missed the deadline? You mean this wasnâ€™t THE CALL? But I continued listening, as lifeless as a deflated balloon in the gutter.
Unfortunately, he said, my story read too much like a short story, and it needed to read more like a personal essay. Could I re-shape it without losing any of the feeling of the story? I could have until the end of the week. He said he couldnâ€™t even begin to tell me how to go about making such a change, but did I think I could do it? Bruce did offer to help me out by sending me a few of the essays that had already been accepted for publication in the book so I could see what he meant. I hung up the phone with the warm and fuzzy feeling that he wanted me to succeed.
But once I received the essays I was worried. I figured that most of my dialogue had to go â€“ but that was the heartbeat of the story. Yikes! So, I tried to make it more essay-like but I kept a tiny bit of the dialogue. Too much? Too little? Not essay-like enough? I sent off my best effort Thursday afternoon. Bruce e-mailed me Thursday evening. He said he loved what I did, but heâ€™d made some changes â€“ he said he put back in some of his favorite things that I had cut. He put back in the dialogue! I was so happy. He made a few other changes, making it more accessible to those who havenâ€™t memorized Pride and Prejudice. His changes were minimal and beautiful, and he did not step on my toes one little bit. He also wrote that he wanted to make sure Marlo liked it when he sent it to her on Friday. I TOTALLY felt like he was in my corner.
But I did not hear anything Friday morning. Oh, no – Marlo must have hated it! Late Friday afternoon, my fiancÃ© Ron came to pick me up from work. I got in the car and he handed me his cell phone. Bruce had called earlier but hadnâ€™t told Ron the verdict. I dialed. Bruce answered â€“ I was in!!!!!
In fact, when Bruce had called earlier, he and Ron had talked about football for a while then he told Ron the good news but told Ron not to tell me. Ron played his part to perfection and it was indeed Bruce who told me I was published. He said Marlo Thomasâ€™ immediate response to my story had been â€œExcellent.â€ I wondered why I hadnâ€™t heard earlier in the day if this response had been so immediate. Then Bruce told me that Marlo Thomas wanted to end the story two paragraphs earlier than I had ended it. Bruce had spent the day fighting for my two paragraphs – he had gone to bat for me. As it turns out, Marlo’s cut made the story even better.
No, Virginia, I donâ€™t think there is a Santa Claus, but there are people out there like Bruce Kluger who are even better. I have been a member of OCC for two and a half years, and I have heard some horror stories about the people in the publishing industry. Were any of you at the Dean Koontz meeting? As a best-selling author, heâ€™s accumulated a bunch of shocking stories about how heâ€™s been treated â€“ AND HEâ€™S DEAN KOONTZ! If a best-selling author can get knocked around, what chance do any of us have? So, sometimes, things can seem pretty dismal, and that maybe things suck over on the published side of the fence. But then there are people are out there like Bruce Kluger and Marlo Thomas. People who respect writing and writers, people who are a joy to work with. Maybe Iâ€™m being naÃ¯ve. Maybe I lucked out. But this much Iâ€™m sure of â€“ thanks to Bruce, and the knowledge that people like him exist, Iâ€™m not scared anymore.
I believe everyone, whatever your age, should have some life goals.
I donâ€™t mean your ordinary New Yearâ€™s resolution. Those are nice to have, of course, but everyone knows the diet you start on January 1st lasts until, um, maybe January 2nd. If you work hard at it.
And I donâ€™t mean your goal of selling a book or making the New York Times best seller list, although thatâ€™s what a lot of us would like to do. But those are goals that we can work toward but are truly not within our control.
I mean the kind of goal youâ€™d think about when youâ€™re lying there on your death bed and saying to yourself, â€œDarn, I wish I had. . .â€
There are just some things in life you want to do. If you donâ€™t think about them and write them down, time will slip by. Youâ€™ll be too busy, too old, too infirm, too caught up with job, family and day-to-day obligations until finally youâ€™ll find your chance to experience that particular dream has passed you by.
I learned this from my daughter, who had thyroid cancer. (Sheâ€™s fine now, thank goodness!) Apparently when the big â€œCâ€ rears itâ€™s frightening head, it starts you to thinking about your life and what you want to do. Mind you, her life goals are way different than mine. Her first, which she celebrated on her 30th birthday, was to do a bungee jump. (She was thoughtful enough not to tell me ahead of time so I wouldnâ€™t worry.)
Her next goal, accomplished in honor of her 35th birthday, was to climb the back side of Half Dome in Yosemite, no small accomplishment. (You can see a pattern here, right? Unlike her mom, sheâ€™s always been a jock.) Her most recent celebration had her jumping (safely, thank God!) out of an airplane!
Needless to say, my goals are somewhat less strenuous, though no less exciting for me.
As I was driving on the freeway to an Orange County RWA chapter meeting about a year ago, my career in the doldrums, when I decided I needed a new life goal. Within about a hundred feet (which can take a long time on the 91 Freeway), I realized Iâ€™d always wanted to be a standup comedienne. (Itâ€™s something about how Iâ€™ve always admired Carol Burnett.)
That afternoon when I returned home, I googled standup comedy classes. To my delight (the fates were clearly on my side), I found one starting the next day no more than five minutes from my house. It turned out learning to write jokes is an amazing art, almost like writing poetry, and itâ€™s harder than it looks. Since that time Iâ€™ve had standup gigs for alumnae meetings, senior citizen homes, womenâ€™s clubs and writing groups. Iâ€™ve even been paid a time or two.
Itâ€™s not that I want to make a career of being a standup comic. Heck, I canâ€™t even stay up late enough to watch the Jay Leno show. But, by golly, Iâ€™ve achieved a life goal and had fun doing it. (If youâ€™re interested in my jokes, check my Web site at NovelTalk.com. Weâ€™ll change the jokes often. Iâ€™ll also be teaching an online joke-writing class in September 2006.)
More recently it occurred to me that Iâ€™d never ridden on a motorcycle. Clearly, I had a deprived youth. So the husband of my critique partner agreed to help me celebrate my recent birthday (those birthdays that end in â€œ0″ or â€œ5″ are really good occasions to let it all out) by taking me riding on his humongous Harley. What fun! And it wasnâ€™t nearly as scary as I thought it would be. (Maybe I should have given that motorcycle crowd in high school a closer look.)
Iâ€™ve been very fortunate in my life, so there is not much I havenâ€™t done that I wanted to do. But I still have a list.
Iâ€™ve seen grizzly bears in the wild, but Iâ€™d like to see polar bears too. And I want to hear wolves howling in the wilderness.
Chances are good my goals wonâ€™t resemble yours. But thatâ€™s okay. You might want to learn to knit, play the piano or be a circus aerialist or clown just for the fun of it.
The point is, you need to sit down with yourself and think about what youâ€™d regret missing out on if that bus barreling down the road suddenly hit you.
Some people advocate you come up with 25 goals. But I say start small. You can always add more later.
Let me know whatâ€™s on your list.
Itâ€™s great to be back in OCC territory!
My name is Chris Green (writing as Crystal Green for Harlequin Silhouette), and Iâ€™m now an out-of-town member who misses coming to the meetings very much. If you havenâ€™t met me, you might not know that I write Silhouette Special Editions and Bombshells, Harlequin Blazes, plus single title vampire books for Berkley. Yes, just a few different genres and romance sub-genresâ€”and thatâ€™s what Iâ€™m blogging about today.
Writing for multiple lines.
There are a lot of authors out there who believe that writing in such an unfocused manner is a negative, and I absolutely understand their reasoning. â€œBrandingâ€ (making your name an easily identifiable product) is important to sales, and spreading out your â€œbrandâ€ (or what the audience expects from the author) only serves to hurt you in the long run. I can tell you firsthand that this is a scary situation for me because, oftentimes, a reader doesnâ€™t know what kind of story Iâ€™ll be giving them from one month to another. They canâ€™t depend on a definite â€œcomfort readâ€ from me. It makes Crystal Green, as a product, hard to pin down.
But my creative side loves that.
True, writing different types of stories is a business risk, but in my case, sticking to one thing is a quick road to burn out. First, I have eclectic tastes anywayâ€”for instance, I read three books at a time and theyâ€™re all from different genres. This is obviously reflected in my writing: I love challenge and variety (Key words, here!). Second, I know that if I created stories for just one line, I wouldnâ€™t be able to write as much as I do now. This past year, I had six original releases (that number isnâ€™t including two reissues). Next year, Iâ€™ll have about four, but thatâ€™s because these single-title fantasy Berkley Vampire Underground books take much more time (as do Bombshells). In order to keep up this pace, I need constant challenge and variety. Let me explain further: my â€œhome lineâ€ (where I made my first sale) is Special Edition; these books are known for their â€œhome-and-hearth/communityâ€ qualities and the stories speak to the innocent side of me that loves a good happy ending. Blaze stories, which are â€œhot and steamyâ€ romances, give me the chance to get a little wild. Bombshells feature more complex plots and they allow me to get a lot darker (Iâ€™ve written a vampire bookâ€”THE HUNTRESSâ€”as well as a murder mystery thatâ€™ll be released in fall, 2006.). And then there are the Berkley Vampire Underground booksâ€¦. These combine emotion, steaminess, mystery, adventure, and fantasy, so theyâ€™re a stew of everything else I write. So, you see, Iâ€™m getting plenty of that challenge and variety.
Third, and this is maybe the most important item for me, when I think of a story idea, it doesnâ€™t always fit into a certain line. I go with what excites me, and that can be just about anything. When I thought of the concept for THE HUNTRESS, I was writing for Special Edition and Blaze. Sure, I was wary about taking on another line, but, daggonit, I really wanted to do this book. Branding was the last thing that would soothe the creative monster in me, so I went for it. And you know what? That decision is redefining my careerâ€”it led to my three-book deal with Berkley and is taking me in different directions daily.
Business versus creativityâ€”thatâ€™s my biggest struggle right now. But everyone has to deal with it, and you have to come up with your own solutions. Whatâ€™s the right decision for you? How is each story idea going to affect your career and/or your well-being?
I hope this gives you something to chew on. Happy Holidays and all the best. : )
THE HUNTRESS has been re-released this month as TWICE BITTEN, a vampire story collection that also contains Erica Orloffâ€™s URBAN LEGEND. Youâ€™ll find PAST IMPERFECT, Crystalâ€™s next Special Edition, on shelves this month, too. Additionally, stay tuned for a release date for the first Vampire Underground book from Berkley.
To keep current with Chris/Crystal, visit her Web site at www.crystal-green.com, where thereâ€™s a great contest going on right nowâ€¦.
By Jackie Hyman w/a Jacqueline Diamond
Iâ€™ve been thinking about sagging middles, probably because of eating too much holiday food. Well, never mind my pathetic waistline. Weâ€™re talking about books.
I HATE sagging middles. When I write. And when I read.
Whatâ€™s a sagging middle? Picture this: You create a dynamite situation, building to a killer climax. In your mind and your synopsis, itâ€™s a canâ€™t-miss storyline.
Now comes the hard part: writing. You blast through fifty, seventy-five, maybe even a hundred-some-odd pages. Suddenly, you stop.
Look at all the rest of the pages you gotta fill before the climax. Scary.
It saddens me when authors let the tension drop at this point, regardless of whether theyâ€™re writing suspense or strictly relationship novels. The characters mill around, have way too much sex (unless youâ€™re writing erotica), talk things over repetitively, and worry.
Potentially interesting incidents may occur, but theyâ€™re episodic, springing out of nowhere and leading nowhere. Whereâ€™s the momentum? By the time that exciting and/or heart-tugging climax comes around, the tedium has claimed half your readers.
The good part is that, in the course of writing 80-plus novels and novellas, Iâ€™ve learned steps you can take to strengthen that sagging middle and make it fun.
Hereâ€™s what I do:
#1. Reread what Iâ€™ve written. Pick up the emotional thread.
#2. Reread my notes and bio sketches. Jot down lists of backstory and traits to include, and points to make.
#3. Look at the proposed climax and figure out what needs to happen to get there.
#4. Examine the proposed character arcs, and make sure theyâ€™re strong enough..
#5. Review the main relationship and conflict.
I develop a subplot or subplots that interweave all of these issues with the main plot. Ideally, the subplot (s) create an interaction between the external action and the charactersâ€™ internal development.
In Nine-Month Surprise (February), the second book in my Downhome Doctors miniseries for Harlequin American, the main storyline concerns the heroine getting pregnant by a man she met on an out-of-town trip, a guy who abandoned her while she slept. Then he turns up as her townâ€™s new obstetrician, divorced with 6-year-old twin daughters who enter her first-grade class.
So theyâ€™re thrown together. Sheâ€™s teaching his kids â€“ and sheâ€™s pregnant by him! Naturally, I created reasons for his emotional withdrawal and her emotional neediness. When they start to resolve their issues, thereâ€™s additional conflict because sheâ€™s determined to leave Downhome and take her dream job in Seattle..
BUT I donâ€™t write pages and pages of sex â€“ I need other interesting things to happen! And I preferred for them to involve his position as the townâ€™s obstetrician.
In reviewing my notes, I spotted some interesting secondary characters who were important in their lives. Thatâ€™s when I got a subplot idea.
The heroineâ€™s fortysomething aunt, a widow with a grown son, gets pregnant too, by a guy who thinks heâ€™s in love with someone else. This infuriates her son, a police lieutenant. Before he can start shooting, the obstetrician gets dragged in as mediator, with the heroineâ€™s help.
One more trick: I make sure that each scene sets up the next scene, so the story never stops dead. Little plot reversals, surprises, bits of suspense keep building to the turning points, which is when we get major reversals and kick the plot into a higher gear.
What I did with Nine-Month Surprise is NOT the kind of stuff that keeps my mystery/intrigue novels pumping. No dead bodies, no threats, no bumps in the night. But in a category romance, subplots should spark enough interest to keep the reader absorbed.
So if your bookâ€™s middle is sagging, look for storylines that will deepen and extend the main conflict and expand on the characters. Also, donâ€™t forget to build expectations and then twist the story so the reader gets a pleasant surprise.
The best part is, the writing goes faster when thereâ€™s forward momentum. Because I canâ€™t wait to find out what happens, too!
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