If you are a lawyer, a judge, a clerk, a bailiff, I love you. Really, I do. And so do millions of fiction readers. They can’t get enough of you, in and out of the courtroom. In my book* you are exciting, intelligent, mysterious, courageous, resourceful, thoughtful, witty, well-spoken and you are heroic. Of course, there are times when you are vicious, deceitful, brilliantly cold and cruel and that is pretty nifty, too.
I am married to a judge (he’s pretty sedate) but he was once a lawyer and that is how my fascination with you all began. Yet, years of trial watching, staff chatting and transcript reading has created a bizarre obsessive/compulsive need to figure you all out. Since I haven’t been able to, I can at least explain why you are irresistibly inspiring to this novelist and fascinating to those who love to read about you.
1) You speak legalese. It is like French: mysterious, irresistible, intimidating. Throw in a little Latin – a quid pro quo or prima facia – and you can melt a woman’s resolve and strike fear into the hearts of mortal men.
2) You are confident. Is there a super- secret-double-indemnity-swear-on-your-mother’s-grave-and-never-tell class that teaches you how to argue any and every point of view with grace and conviction? **
3) Bad guys listen to you. They even pay you to tell them what to do. That makes you a little edgy by association and who doesn’t like a bad boy -or girl?
4) You’re altruistic, defending bad people because you believe everyone deserves a defense.
5) You’re altruistic, prosecuting bad guys because you believe in justice.***
6) You are eye-candy. From the couture clad divorce-attorney-to-the stars, to the public defender sporting a plaid jacket and pony tail and the plaintiff’s lawyer in that Italian suit you turn courthouse hallways into runway.
7) You are funny. Sometimes you mean to be funny. Either way, a funny attorney is charming.
8) You are excellent secret keepers, which is not to be confused with being trustworthy. Though I believe you are trustworthy, that is a point of debate.
9) You are curious and tenacious.
10) You are heroes and not just in the literary sense. In real life you (and your expertise) are often the only things standing between a person losing something important to them: their children, their fortune, their reputation, their freedom and, yes, their life.****
*Actually, in all my books since I write legal thrillers.
**This also means that your significant other, children or parent can never win an argument. Experience tells me, the only recourse a normal person has when arguing with a lawyer is to cry and proclaim: “You are right, you are always right.” Works for me.
***A characteristic that make you the perfect inspiration for novels and films.
****You have my permission to show this list to anyone who questions your lovability, capability or worth. You may also use the aforementioned in advertising, closing arguments, opening statements and speed dating.
When I was eight years old I spent the night with my grandmother, a handsome woman who, as I look back, was probably younger than I am today but looked 10 years older. She was a German lady who wore housedresses and pin-curled her grey hair. She was proper, punctual and particular but when I woke up the morning of our sleepover, I found her holding onto the back of a chair, shoeless and enthralled by the man on the television. His name was Jack Lalanne.
Jack held onto the back of a chair, too, but he wore a skin-tight jumpsuit that showed off his muscles – all of them. I had never seen a man dressed like that. Even at eight, I knew I was watching something extraordinary – maybe even a little naughty. Watching my grandmother lift her leg ever so slightly, put her arm over her head like a ballerina, bend from the waist so that I could actually see the backs of her knees was awesome. Grandpa was gone. The doors were locked. The only sound was Jack’s voice encouraging my grandmother to do things I never thought she could do. I was privy to something I had no word for and I never told anyone about grandma’s morning with Jack.
Almost twenty years later, I met Jack Lalanne for real. I was an account executive with a major advertising agency and Jack LaLanne Health Spa was my client. Though I didn’t know it then, I was working on an account that was the forerunner of a social and health phenomena of fitness clubs, spas and specialty gyms. Before 24 Hour Fitness, Equinox or day spas there was Jack Lalanne.
We met during a commercial shoot. My job was to make sure we stayed on budget, on schedule, on message and that the client was happy. To this day, I don’t know if the client was happy. Jack, dressed in his iconic black jumpsuit, stood apart and managed only a distracted hello.
He was perpetual motion as he waited for his call: flexing, stretching, moving. And, most interestingly, he talked to himself. Eventually, I realized he was rehearsing his line. He only had one but the man was nervous and that made me curious.
How could a man who inspired my grandmother to take off her shoes and exercise, a man who spoke to people on TV every day be nervous about delivering one line? It took me many years and my own journey as a writer to understand why, that day on the set, Jack LaLanne was sweating. It was because he was not a pitchman, he was an advocate. Jack LaLanne sold best when he sold in his own language and with his own message. That man not only inspired people to exercise but to be their best in every aspect of their lives.
A few days ago, I woke up and found that Jack LaLanne had passed away. I doubt he would have remembered me but I will always remember him. I will remember him as a part of my childhood but I will also remember what he taught me about being a creative person. So, here you go. The lessons I learned from Jack.
Write, compose, draw, speak, work with love and focus.
Always exercise: your mind, your imagination, your skill.
Be consistent. Be a brand. Craft your own “black jumpsuit” so that when people pick up your book or see your picture or hear your song they will know what they’re getting.
Plan your career, do not calculate it. Eventually, calculation will override passion and you will lose your “voice”.
Do not worry about how many people read your work. Creating something that is meaningful to one person is more important than having thousands know your name but not remember your work.
Share your passion. If you have a chance to inspire, to coach, to encourage, do it. Do it with abandon. Do it with energy. Do it without concern that sharing your knowledge will take something away from you. It won’t.
Thank you Jack. I was inspired by your energy, your abandon and your goodwill. I will pay it forward and, when I do, I will think of you.
0 0 Read moreI love historicals. Reading them, writing them.
And creating the perfect heroine. But is she a blonde, a brunette or a redhead? We writers wrestle with this question every time we put fingertips to keyboard. Sometimes the character is so clear in our minds, we know for certain she’s a natural blonde (and if she isn’t, well, we won’t tell–it’s up to the hero to see if the collar matches the cuffs).
Imagine if Scarlett O’Hara was a blonde…
Do you remember the vivid opening scene with Scarlett surrounded by the redheaded Tarleton twins? Her beautiful dark hair provided a rich halo around her face and provided a contrast against her white organdy dress with flounces and flounces of ruffles. The red belt cinching in her tiny waist was the perfect accent piece to complete her outfit.
Was this what Margaret Mitchell envisioned when she wrote “Gone With the Wind?â€
In a word, no.
Ms. Mitchell describes a “green flowered-muslin†dress, not the white one. Although in the film, Scarlett does show up at the Twelve Oaks BBQ in a similar dress (who can ever forget the scene in the film when Scarlett throws a porcelain bowl across the room not knowing Rhett is lying on the couch out of her pov and he pops up with the line: “Has the war started yet?†Pure classic romantic attraction).
Which brings me to the question: how important to you as a writer and/or reader is the heroine’s hair color?
Her clothes?
Do you enjoy reading descriptions of what she’s wearing? Do designer labels intrigue you or turn you off?
I must admit I enjoyed designing my heroine’s wardrobe in “The Blonde Samurai†about a Victorian heiress who weds a British lord then falls in love with a handsome samurai.
Here is what Katie O’Roarke as Lady Carlton wore at a grand dinner:
“…Which was why I chose the color red. A defiant color, bold and perfect. I relished how the velvet gown in crushed strawberry hugged my body, the small cap sleeves sliding down my bare shoulders while the tiered soft bustle swayed behind me, the long train sweeping over the muted Oriental carpets. A long row of pearl buttons gave off an opaline luster, racing down my back like a game of dominoes.”
Tell me what you think about whether or not a description of the heroine’s hair color and her wardrobe enrich the story for you.
Frankly, my dear reader, I do give a damn…
http://www.jinabacarr.com/
The Blonde Samurai is a 2010 Reviewers Choice Award nominee for Romantic Times
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