Tonight I got hit by a double whammy.
9/11 and Dachau.
I watched two TV shows back to back… the first dealing with the fabulous documentary on CNN by French filmmakers and brothers, Gédéon and Jules Naudet, and firefighter James Hanlon. on 9/11 and the New York Fire Department… exceptional and gripping filmmaking.
And next a story about World War 2 shot in color by Hollywood director, George Stevens, and what he filmed when he visited Dachau in May 1945.
What do they have in common?
Well, this story will post on 9/11 on the 20th anniversary and I can’t not take a few moments to stop and ask for a moment of silence for all those who died… and those who survived who still have nightmares and heavy hearts. It’s something we do every year and this year it’s especially important.
May we never forget.
———-
The second TV show has to do with the toughest book I ever had to write. It’s about a beautiful perfumer who fights the Nazis, is arrested and sent to Dachau… I won’t give away the story except to say my heroine’s ability as a ‘nose’ or perfume creator gives her a different perspective on what survivors of the Holocaust experienced. Her talent puts her in a unique situation to tread on a different plane when she’s sent to the infamous concentration camp near Munich, Germany.
And how she survives…
Doing the research for my book was a soul-searching experience that makes me grateful for every day lived, every meal I enjoy…. every night of blissful sleep. No one coming for you… no beatings, degradation and humiliation (especially the treatment of women by SS guards) no rationing of the simplest things, no privacy, and for so many, no hope.
What sent me into tears tonight was when I saw the liberation of Dachau in color… the camp prisoners’ striped ‘pajamas’, the beetle-green German uniforms, the pure white snow… scorched red brick buildings… the hot yellow flames still burning in the crematoriums.
It was chilling.
What made this book so tough to write goes beyond just reading about the horror these people endured. I tried on a very small scale to experience the physical and mental emotions… wearing the same sweats and socks for a few days, not leaving the house, rationing my food to a bare minimum, deactivating social media to cut myself off so I’d have no idea what was happening the world. Setting my alarm to wake myself at odd hours to get a feeling of the uncertainty of life.
I was a mess in a few days.
I want to emphasize what I did was on an extremely small scale compared to the reality of the camps, but the hunger and feeling unclean and the loneliness became very real to me. It gave me a better perspective on how quickly lives changed when innocent, hard-working good people were rounded up — Jews, Roma, LGBT, political dissidents… even German citizens who simply spoke out against the Reich.
How some were sent to their death immediately, while others went to labor camps, a slow death. (‘You don’t come to Auschwitz to live,’ they said, ‘but to die’.) The prisoners in the camps endured unspeakable conditions for months… years.
So many were lost.
But so many did survive.
And it’s their stories I listened to, watched in documentaries, read in first person accounts. I urge you to do so, too.
We must never forget the Holocaust.
And unite in a sisterhood of remembrance. And never, ever, let it happen again.
Jina
——————-
My new Paris WW 2 novel is called THE LOST GIRL IN PARIS and is up on Amazon for pre-order. I don’t have a cover yet, but here’s a graphic I put together and the blurb:
‘I will never forget what the Nazi did to me. Never‘
1940, Nazi-occupied Paris. A powerful story of love, tragedy and incredible courage, about one woman whose life is ripped apart by war and risks everything to seek justice. Brand new from the bestselling author of The Resistance Girl.
As Nazis patrol the streets of the French capital, Tiena is alone, desperate and on the run. After defending herself against the force of an officer, she must find a new identity in order to survive.
An accidental meeting with members of the Resistance gives her a lifeline, as she is offered the chance to reinvent herself as perfumer Angéline De Cadieux.
However Angéline will never forget what happened to her, and will do everything she can to seek revenge. But vengeance can be a dangerous game, and Angeline can only hide her true identity for so long before her past catches up with her, with some devastating consequences…
Paris, 2003. When the opportunity arises for aspiring journalist Emma Keane to interview world renowned perfumer Madame De Cadieux about her life during World War Two, she is determined to take it. There are secrets from her own family history that she hopes Angéline may be able to help unlock.
But nothing can prepare Emma for Angéline’s story, and one thing is for certain – it will change her own life forever…
An absolutely heartbreaking, unforgettable historical novel of war, sacrifice and survival. Perfect for fans of Suzanne Goldring, Ella Carey and Catherine Hokin.
US https://www.amazon.com/dp/B09B1QDRVW/
UK https://www.amazon.co.uk/dp/B09B1QDRVW/
2 0 Read moreWhat favorite memories have made it into your stories and books? Let me know!
Bonus video:
4 0 Read more
I’ve written time travel and loved it… Her Lost Love when my heroine takes a magic train from 1955 back to 1943 to Posey Creek, PA to save the man she loves from being killed in France… and present day back to the Battle of Antietam in 1862 where my heroine meets her ‘twin’ who’s a Confederate spy… and also historical fiction about the Titanic The Runaway Girl.
But writing a dual timeline is like walking barefoot on broken seashells on the sand.
Painful. Excruciating. And dangerous.
You can end up hobbling all the way home… or to the end of your manuscript. Yikes.
I’ve been there… and survived. I’ve written two dual timeline novels — The Resistance Girl and the novel I just finished (title coming) — both about Paris during World War 2 when the city was occupied by the Nazis. The era lends itself to intrigue, romance, spies… and danger. Who could resist? Not me.
However, I’ve fretted and moaned and had more chocolate binges than I care to admit writing these books, but they’re the most rewarding stories I’ve ever written. Stories about lost family found and connecting with your ‘roots’. I learned a lot along the way… so here are my 7 Tips for Writing Dual Timelines:
1 — keep two sets of timelines so you know where you and your heroines are in each era at all times.
Your heroine’s birthdate in the past is important and determines what “historical events’ she witnesses. In the present, your heroine’s journey may last a shorter time — a week, month; in the past, it could be years. In The Resistance Girl, we follow the heroine’s film career from the 1920s through 1950. The modern heroine’s journey last for several days.
2 — present day in your story doesn’t have to mean today. Make it work for you.
My latest novel takes place in 2003 and 1940-1945. Why? Because I wanted my historical heroine to be alive when she meets the present day heroine. She’s 80 years old and at the top of her game, but the war years still haunt her. Also, she loves flying on the Concorde and the last trip of the airship was in 2003.
3 — create a compelling opening in whichever timeline works best. No hard fast rule you have to begin in the past.
In my new Paris novel, I begin in 2003 because I wanted to set up the 80-year-old diva’s reluctance to talk about the war years because of her personal pain. My modern heroine/reporter convinces her to ‘let it go’ and we’re off and running…
4 — decide before you begin plotting (or if you’re a pantster — I do both) if your two heroines meet at some point; or, if we know the historical heroine meets her fate and we never see her in the present.
I did both — in The Resistance Girl, the modern heroine discovers she had a famous grandmother in France during the war — a film star — she never knew existed. But in my new novel, the two heroines meet in the first chapter in 2003.
5 — know your history and research your era like crazy; your heroine in the past is fictional, but make her life believable! Facts count but don’t tell us, show us how your heroine survives in that era in a way that’s unique to her.
For example, the historical heroine in my upcoming book ends up in concentration camps; I gave her an unusual backstory that determined how she survived in the camps because of her background and talents, but made sure it was also possible.
6 — location, location, location… make sure you know exactly what your locations look like in both eras if you’re going to visit them in both timelines.
In my upcoming book about Paris, we go to concentration camp sites in Germany and Poland in both 1944-45, 1975, and 2003. I was fortunate to find photos and films that showed what the camps looked like in 1944-45 and also circa 2003 and 1975. An amazing bit of luck which created some tear-jerking moments for my historical heroine.
7 — have fun! This is an adventure about finding your heroine’s roots — like that fabulous PBS show where the celebrity goes through the big scrapbook and meets their lost relatives with the jovial host.
Make your story heartfelt, emotional, fascinating, believable, and filled with surprises to keep your readers turning those pages like the celeb on TV!
Jina
Questions about dual timelines:
Drop me a comment!
3 0 Read moreI had every intention of writing a lovely post this month about all the cool stuff going on with my WW 2 Occupied Paris novel, The Resistance Girl. Honest I did.
Then the research on my next book shot the pants off that idea.
My deadline is right around the corner.
My book is written… mostly. Some bugs to work out. Re-read, check it over… you know the drill.
The research is overwhelming… so much so, I’ve got to cut this shorter than I like. I’m writing another book about Occupied Paris, but this time my heroine finds herself in a concentration camp. Two of them actually… emotionally, I’m drained. Mentally I’m exhausted.
My heart… broken.
I will never, never be able to understand why it happened, the horror, injustice, humiliation done to the victims of the Holocaust. But I’m determined to tell a story about a brave young woman who had a baby in a camp… and she survived. But she never knew what happened to her baby… until years later.
I’ve watched a million survivor videos… read so many books about the Holocaust… checked and double checked the timelines of the camps and what happened there down to what they ate, where the railroad tracks ended at camp, the blocks or barracks map… and I still have questions. I want to make it right.
No, I’ve got to make it right.
I owe to the those who died and those who survived.
So forgive me if I’m emotional this month.
Because.
We must never forget…
——————-
You can listen to The Resistance Girl on Spotify
Or search for Jina Bacarr and my ‘artiste’ page will pop up.
Amazon Links:
0 0 Read more.
I’ve been writing humorous poetry since I was a wee girl at me Irish grandmother’s knee… she’d chuckle and get on with baking her apple sugar pies and then winding her blue rosary around her gnarled fingers, praying, ‘What’s the lass going to come to with these ditties?’
I write.
Novels, mostly historicals these days and I’m finishing up a second Paris WW 2 novel while pulling all-nighters… I needed a break, so here’s a lighthearted poem about everyone’s favorite frog from this Irish Poetess.
Put the kettle on and Enjoy!
Jina
——————–
The art of writing fairy tales
is a joy I claim.
But frog or toad, what’s in a name?
’Tis a prince I seek at the end of my tale
And that happily ever after, but to no avail
Ah, but yes have I the power of the pen
So with my snappy keystrokes Poof! I say.
He’s here. Amen!
————
Here the first in my Occupied Paris series:
The Resistance Girl
Juliana discovers her grandmamma was a famous French film star in Occupied Paris
And the shocking secret her mother never told her…
5* ‘… a beautiful and poignant historic fiction that left me in tears’ Jessica F NetGalley
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