August Calls for Submissions
August 1, 2011 by A Slice of Orange in category Archives tagged as Calls for Submission, Louisa Bacio
Seems like there continues to be a craving for things that go bump-in-the-night. We also continue to see a number of holiday calls for submissions, and expect this trend to continue as our year gets closer to ending.
Harlequin Nocturne Cravings
Let’s start out with an exciting call for Harlequin Nocturne. Harlequin Nocturne is looking to acquire bold, exciting, erotic paranormal romance short stories for its eBook program, Nocturne Cravings. These stories should be fast-paced paranormals with strong erotic fantasy and danger elements. Authors should feel comfortable exploring any and all sexual scenarios and shouldn’t shy away from graphically sensual situations. In fact, the short stories should contain many erotic scenes that compel and bind the characters together. Strong, emotional characters that grab the reader’s imagination are also essential.
We are looking for stories of vampires, shape-shifters, werewolves, psychic powers, etc. set in contemporary times. Stories should deliver a dark, highly sensual read that will entertain readers and take them from everyday life into an atmospheric, complex world filled with characters struggling with life-and-death issues.
All stories should be capable of standing alone; all loose ends need to be tied up, and the relationship between hero and heroine should resolve itself in a satisfying manner.
Length is 15,000–25,000 words.
 Only complete manuscripts submitted electronically will be considered from unpublished authors; no partials or queries, please. Submissions should be sent as a Word-compatible attachment. Submissions should also follow standard formatting guidelines and should be double-spaced and typed in a clear, legible font on numbered pages. Author name and title should appear as a header or footer on each page. Visit the Harlequin submission guidelines page for more information. Nocturne Cravings e-mail address: nocturnebites@harlequin.ca
Weekend Getaways
Secret Cravings Publishing is taking submissions of short stories of up to 10,000 words for a one-time payment of $50-$100, depending on the length of the manuscript. Any genre; steamy to burn-the-page erotic stories wanted.
These stories will be released individually with their own cover. One each Saturday of the week. Submissions will be ongoing, so no deadline.
Holiday Submissions
Dancing with Bear Publishing is seeking submissions for a variety of holiday-themed stories: Halloween, Thanksgiving, Christmas and Hanukkah.
The Halloween Anthology is for a children’s book, think Casper the Friendly Ghost – nothing scary, just fun for ages 5-10.
Thanksgiving Anthology these stories don’t have to be set at Thanksgiving or even about Thanksgiving, but rather about an incident, accident, etc. with a positive outcome that gives the characters a reason to be thankful.
December Anthology DWB is looking for Christian Christmas, Hanukkah, Kwanza, or any Christmastime non-religious celebration except Pagan rituals.
Suggested length is 2,000 to 5,000 words, and the deadline is September 30, 2011. These stories can be any sub-genre that falls within the regular submission guidelines.
For more information, visit http://dancingwithbearpublishing.webs.com/specialsubmissionscall.htm
Christmas Warmth
XoXo Publishing, an e-publisher will publish an anthology in November of Christmas-themed short stories. Edited by Cynthia MacGregor, the anthology’s working title is Christmas Warmth.
To submit stories (specs follow), please do NOT use the regular XoXo submissions address but send directly to: Cynthia@cynthiamacgregor.com. IMPORTANT: In the subject line, put Christmas Warmth.
Specs specific to Christmas Warmth:
1) Must take place around the Holiday Season;
2) These are not romances. There may be an element of romance involved, but the stories should not be romances per se. Paranormal themes OK. Stories about kids–great. Stories to do with Christmas in the manner of O. Henry’s classic “Gift of the Magi†are encouraged. Mysteries are another good choice. Non-classifiable general fiction? Bring it on!; 3) Nothing “Adult†(i.e. sexually explicit); 4) Heartwarming stories are especially encouraged; 5) True stories as well as fiction will be accepted; 6) We also welcome recipes for Holiday foods for this antho but will not make any payments for recipes. “Payment: will be that we will print your name and website, which should generate traffic to your site, so if you submit recipes, be sure to include your website if you want it in the book; 7) If submitting a recipe, the same requirement applies that you be sure to put “Christmas Warmth†in the subject line. The editor has other projects in progress that include recipes and does not want to mis-direct your contributions!
General Specs:
1 — Word count 1000-6000 words per story.
2 — You may submit multiple stories for consideration, but please know only one story per author per book will be selected. (That is, you can have one story in each antho, but no more than one per each.)
3 — Previously published material OK if you have regained full rights to your material.
4 — Simultaneous submissions acceptable if so noted.
5 – Include a brief author bio.
6 — Submit as attachment in either doc or docx format. Use rtf as a last resort.
7 – Payment as follows: Ultimate cover price of each book will depend on number of stories therein. Total royalties paid out to authors will be calculated on 45% of cover price times number of books sold. Total royalties will be divided by number of participating authors, with equal shares to each. (That is, if there are 15 stories in the book, for example, each author gets 1/15 of the total author royalties paid. Payment is NOT based on the word count of your submission.)
8 — Deadline for submissions: October 1. GET YOUR STORY IN ASAP!
Ravenous Shadows
Literary Partners Group, Inc., owner of Ravenous Romance, announced the hire of John Skipp to spearhead a new horror/thriller e-publishing imprint. Skipp’s tastes are broad yet demanding, and his requirements unusually specific. “I’m looking for 200-250 page genre novels, wildly entertaining, with no fat or filler. We’ll be specializing in smart, fun, compulsive page-turners that can be read in the amount of time it takes to watch a feature film.†For more information, visit http://ravenousromance.blogspot.com/
Compiled by Louisa Bacio
Now available: Sex University: All-Girls Academy
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The Former Cop Says: It’s All About Balance
July 29, 2011 by Marianne H. Donley in category Archives tagged as First Book, Kathy Bennett, Police Officer
by Kathy Bennett
I was a Los Angeles Police Officer for twenty-one years. From the title, you might think this article is going to talk about balancing on a roof while in a foot pursuit or running along a block wall. No, that’s not what I’m talking about. Let me give you a little background.
When I first hit the streets as a rookie officer, I can remember how every day seemed like a new adventure. Each day held the promise of the unknown, what new things I’d be learning, what different experiences I’d be exposed to. When my first set of scheduled days off came up, I was disappointed that I couldn’t go to work. (Trust me – that effect wore off; but it took a while). However I think every cop I’ve talked to had the same feeling. The truth was, I couldn’t believe I was getting paid to do my job…it was that much fun.
I remember working about a month, as sick as a dog, so my favorite partner wouldn’t have to work with someone else. I had a ‘sick bag’ I’d filled with boxes of Kleenex and throat lozenges so I could get through the graveyard shift. I also remember, as a training officer, working until one in the afternoon and having to be back at work at six-thirty the same night. I could have requested to take a few hours of compensatory time off for extra sleep and I’m sure my supervisors would have agreed, but I felt it was my duty to be there. I needed to find balance.
But after twenty-one years, it became necessary for me to retire – in part to take care of my mother who suffers from Alzheimer’s Disease, and to nurse a back injury I’d suffered on the job a year prior. My retirement left me feeling anxious and remorseful that my dream of being a police officer was now over.
But I’d been fostering another dream for a number of years…more years than I care to say. And that dream was to become a published author. I’d tried for several years to actively acquire an agent and publisher. About the time I was getting some interest, I started hearing about self-publishing and, for various reasons, opted to self-publish my book, a romantic suspense, A Dozen Deadly Roses.
After the release of my book, I was pleased to learn I seemed to be doing a little better than average with the sales of my book. I started discovering Facebook pages of other self-published authors, book review websites, Kindleboards, Nookboards, Goodreads, Shelfari and on and on. I learned that self-published authors spend a great deal of time promoting their books and trying to reach out to readers and have ‘meaningful relationships’ with those readers.
I joined groups, I read blogs, I commented on blogs, I joined blog hop tours, I gave away prizes. I friended on Facebook, I followed on Twitter…I became exhausted, and a part of me felt insincere. I discovered that I need balance. It seemed like my butt was glued to my chair, but I wasn’t writing – I was busy promoting.
Then, I discovered I’d hit the Top 100 List on Barnes and Noble of Nookbook Police Stories. A few days after that, I hit the Barnes and Noble Top 100 List of Nookbooks! I’d like to tell you my place on those lists was directly related to all my self-promoting…but there were hundreds of other writers doing the same amount of promotion – if not more – and they weren’t on those lists. I don’t know how I got on those lists. I’m grateful I did, but I don’t feel it was related to my frenzy of self-promotion.
So what do I, a girl without balance, immediately do? I promote more. I reach out to book buyers who may have missed the fact I’m on those lists. I make myself crazy. So, I sit down to write this guest blog, and decide: enough is enough. I’m jumping off the merry-go-round.
Instead, I’m choosing to focus on finishing the revisions of my next book. I’m going to develop REAL relationships with readers…as much as they will let me. I have a good (and real) relationship with many of the people who visit my blog. I hope my readers find me there, or on Facebook, or on Twitter or wherever else I’ve left my mark.
Don’t get me wrong…I won’t stop my Facebook postings, or my tweets on Twitter, my comments on the Kindleboards, or the Nookboards. I’ll still do guest blogs. I’ll probably still give away prizes from time to time. Those activities will be a part of my day, but I won’t let them consume me. My efforts will be to make true connections with my readers.
You see, for twenty-one years I was proud to say I was a Los Angeles Police Officer. I did my job to the best of my ability with the hope of touching people’s lives for the better. I want to to approach my career as a published author with the same amount of integrity and touch people’s lives for the better. I learned as a cop it’s important to have balance. Thankfully, I’ve learned early in my writing career, it’s just as important to have balance as an author as well.
You can find me at:
You can find my book, A Dozen Deadly Roses at:
Amazon:
Barnes and Noble:
Smashwords:
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Creating Better Heroes: Male POV for the Romance Writer
July 26, 2011 by Marianne H. Donley in category Archives tagged as Online Class
with Sascha Illyvich
August 15 – August 28, 2011
Note: this is a two week class
Enrollment Information at http://www.occrwa.org/onlineclassAug11.html
COST: $10 for OCC members, $15 for non-members
Enrollment deadline: August 13, 2011
If you have specific questions, email occrwaonlineclass@yahoo.com
About the Class:
In this workshop, learn the ins and outs of character creation from a side of romance we rarely hear from, the male romance reader/writer! Erotic Romance author Sascha Illyvich shares with us tips on how to create more memorable heroes, avoid some common pitfalls and have more fun with our writing!
What you’ll learn from this class
· Male Archetypes and how they affect our characters
· How (il)logical men think and why they act the way they do
· How to take any male character from any movie/story and modify him to fit your story
· How to get your man to express his true “selfâ€
· What men REALLY care about and how to work with that for your characters*
· A man’s self view*
· The GAY MALE Viewpoint*
· The Male Cycle of Emotions and how it compares to the female cycle of emotions
· A man’s journey in life
· What men really think
A few extras
Using character creations sheets (don’t groan!) that have all the relevant information you’ll need, you’ll be able to craft male characters that are just as deep as your female characters. Getting inside the heads of your male characters is the most important aspect of “how to write†them.
Cross gender writing can make or break an author’s career if they cannot portray the opposite gender clearly and accurately. With the growing popularity of M/M romances, it’s becoming increasingly important for males to be portrayed in the proper light! We’ll cover all that here and a lot more over the next week.
About the Instructor:
Sascha Illyvich started writing eleven years ago. His erotic romances have been listed under the Night Owl Romance and Road to Romance’s Recommended Read list, as well as nominated for the CAPA.
He is the host of the Unnamed Romance Show on Radio Dentata and continues to write for Renaissance E-books, and Total E-bound. Readers can find his work, plus free reads at http://saschaillyvichauthor.com
He edits for Renaissance E-books Intoxication Erotic Romance line and is also part of the WriteSex Panel, a blog group defining erotica for writers in any genre! Find them at http://www.writesex.net
Coming in September is Show and Tell: An Interactive Workshop with Shannon Donnelly Both showing and telling are valuable tools for any writer–writers need both narrative passages as well as dramatic scenes, so each has its own place within any writer’s skill set. Learn when to show and when to tell. Enrollment information: http://www.occrwa.org/onlineclassSept11.html
Check out our full 2011 list of workshops: http://www.occrwa.org/onlineclasses.html
Want to be notified personally two weeks before each class? Be sure you’re signed up for our Online Class Notices Yahoo Group! Sign up at the bottom of http://www.occrwa.org/onlineclasses.html or send a blank email to OCCRWAOnlineClassNotices-subscribe@yahoogroups.com ********** permission to forward **********
Writer’s Block: Rejections?
July 22, 2011 by Marianne H. Donley in category Archives tagged as Bill Zeilinger, cartoons, writer's Life
by Bill Zeilinger
You can find Bill’s other doodles online at http://thosedesigners-drawing.blogspot.com/
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July 21, 2011 by Marianne H. Donley in category Archives tagged as Erin Bauer
By Erin Bauer
I just renewed my membership with RWA for the first time. An easy choice, when I think of all the wonderful advice I’ve picked up at meetings and conferences over the past year. Here’s a list of the top ten tips:
1. Find the material that showcases your voice best. Don’t change or repress your individual voice – find the right frame for it. (Jane Porter)
2. Look for a critique partner who’s good at the things you’re weak at. (Tessa Dare)
3. Writer’s block is a step in the natural growth of an author, the process of gaining new mastery. Authors who work through their writer’s block think they are better writers when they get to the other side. (Dennis Palumbo)
4. Novelty is not the selling point of your book. It might catch someone’s attention but it won’t keep their attention. (Zoe Archer)
5. Every scene must have a goal. (Carol Hughes)
6. Dialogue is faster paced than narrative. Don’t bog down a conversation too much with musings or unimportant actions. Important details about where your characters are and what they are wearing go before or after. (Joan Johnston)
7. Think of characters and setting like an iceberg. Only 10% of what you know about them may show in the book, but you need the other 90% in your mind. (Terry Irene Blaine)
8. Adverbs allow you to be lazy when choosing verbs. When an adverb crops up in your writing, locate the verb it modifies and try to think of a different word that conveys just the right meaning. (Anne Frazier Walradt)
9. Take the tangent. If your story veers off in an unexpected direction, find out where it’s going. (Leanne Banks)
10. Readers may love or loathe a character that is done right. Indifference is the response you should worry about. (Tessa Dare)
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