Rewards for a job well done!
September 10, 2020 by Tari Jewett in category Charmed Writer by Tari Lynn Jewett, Writing tagged as " Angela James, "Before You Hit Send, rewardsThis morning, editor Angela James posted in the 30 Day Accountability Group that she’s hosting on Facebook for writers: HERE’S ANOTHER TIP FOR GETTING YOURSELF ON TRACK: MAKE A REWARD SYSTEM
So, what about reward systems? Do they work for you? And if they do, how do you set yours up?
A solid reward system can work for so many things. Years ago, when I homeschooled my two younger boys, I made a reward chart for them. They got stickers for completing each task during the day, and they loved getting the stickers, but when they reached a certain number of stickers they got a small ‘prize’. It might be doing something special with Mom or Dad, getting to pick their favorite lunch out, extra video game time, or a small toy. When they collected a larger number of stickers, they earned another larger prize, usually a field trip somewhere special such as the local aquarium, or the zoo. This tiered rewards system was very motivating for the kids, and the rewards were really for both of us. We spent time together that wasn’t school related, and we had new experiences together.
Some of you know that I’ve recently lost a substantial amount of weight. In the beginning, I was rewarding myself for every 5 lbs. with a manicure, of course, the pandemic has changed that, and to be honest, once I hit a certain point, the weight loss itself became the reward, as well as fitting into smaller sizes! Not to mention, how good I feel, and the increased mobility that I have.
When it comes to writing, of course, finishing the book and having people actually read it is the ultimate reward, but sometimes you need those little incentives to get you to THE END. I used to reward myself with food, a piece of See’s chocolate for completing the day’s word count, dinner out for meeting a larger goal. I also justified dinner out by saying that it gave me more time to write. Obviously, in recent months I’ve learned that those rewards had created a different problem, and I needed healthier incentives.
But, I have another passion that I don’t get to indulge as often as I’d like. Sewing. And that has become my new reward. If I meet my writing goal, I’m allowed to sew, and when I finish the book, I get a new sewing toy! With my weight loss, I need new clothes desperately, so I better get writing! And I may even add new clothes (that I didn’t sew) to my rewards.
Oh, and sometimes a writing class or workshop with someone like Angela James is a reward! A reward that can make your next project even better.
How do you reward yourself for your accomplishments? What are your favorite treats? Or do you feel the accomplishment is reward enough?
6 0 Read moreOops…I Almost Did It Again
September 5, 2020 by Tracy Reed in category WritingHappy September. I’m pretty sure you already know what I’m going to say…I can’t believe we are nineteen days away from the first day of fall.
Hope this makes you laugh. I was all set to talk about my experience with the review program at Hidden Gems. It wasn’t until I found my misplaced copy of my August post, did I realize that’s what I talked about last month. I had written three hundred plus words which I had to scrap. Now I’m stuck with either rehashing an old post or writing something new. I’ve opted for the latter, but find myself clueless.
The crazy that is going on in the world has sort of zapped my creative energy. I never expected I would still be working on my book. A few weeks into 2020, I had a writing plan or production schedule. I also inflicted a little self pressure to complete and publish it by a certain date.
Now that we are almost six months into the pandemic and shelter in place order, I find myself dragging. I love the subject of my book, except for the hole I think I plugged. It’s challenging continuing a series. Now that the book is complete and I’m doing another read- thru, I find myself referring to the other two books, when all I had to do was keep a series bible. Add series bibles to the long list of things I need to do.
Week before last, I reluctantly emailed my editor asking for a new editing slot. I’m pretty sure that was a given seeing I’d already missed the date.
This has been a challenge moving on to the next project. In my mind I’m already writing the next book, but that will have to wait until this one heads to the editor.
I really think what’s happening is I’m not sure this is the best time [or year] to release book with an alpha billionaire. Or is it? Maybe I’m overthinking that readers don’t want to read. Maybe readers really want to read romance where there are no health boundaries [i.e., Covid 19]? Maybe they want to escape to a world where things were like they used to be. I feel confident in admitting I haven’t got a clue how to write a romance with masks and gloves. Social distancing would be easy. That would involve traveling back to a time where manners and courtship were the basis for romance.
I believe it’s time for me to get out of my head and get my butt in the chair and write. I need to tell stories that make people feel good. So they can escape the crazy around them and fantasize about what was and how it might possibly be in the future.
Here’s my new plan as I head in to the fourth quarter. Send The Good Girl Part Trois to the editor by the end of this month. The second goal is to put the book up for pre-order on all platform except Amazon. This is a plan I can still live with.
Stay safe and see you next month,
Dear Extra Squeeze Team, Writing about Family, Good Idea or Not?
August 31, 2020 by The Extra Squeeze in category The Extra Squeeze by The Extra Squeeze Team, Writing tagged as facts, Family, fiction, writing about family
Dear Extra Squeeze Team, I have a story I want to tell that is loosely based on family and friends. How do I tell my story without hurting anyone?
Robin Blakely
PR/Business Development coach for writers and artists; CEO, Creative Center of America; member, Forbes Coaches Council.
Begin by writing the complete story—beginning to end—the way you truly imagine it. Write with precision honesty without the fear of hurting anyone.
When done writing, evaluate what you have created. It is in the editing stage where you will objectively be able to decide how to share the story publicly without hurting anyone. If the finished story is meant to be fiction, you can go back and make sure physical identifiers that link to nonfiction people (like a skull tattoo on the left arm above a knife scar) are changed to protect the innocent or the not-so-innocent.
If someone has inspired you to recreate their character in a fictional world, rest assured your depiction of their internal thoughts, feelings, and motivations won’t be the tipoff that the character is loosely based on this real person; it will be the physical attributes that you choose.
Most people don’t recognize themselves in someone else’s writing unless they are told the character is modeled after them or the physical facts are eerily the same: age, body build, hair color, scars, name, physical location, profession, relationships with others, or facts from exact encounters are replayed in the work.
If the story you are telling is meant to be nonfiction, you have a different issue. In a biography or a memoir, you need to tell the truth as you know it, but you must also share your truth in a way that can be formally substantiated by the research of others. If you are afraid you might hurt someone by telling the truth in your work and you are naming names across your work, you need to consult an attorney before publication because hurting feelings may result in a lawsuit.
Jenny Jensen
Developmental editor who has worked for twenty plus years with new and established authors of both fiction and non-fiction, traditional and indie.
Cue dramatic music:
Deep Voice Over: The names in this story have been changed to protect the innocent.
That’s a start. Every writer works from what they know — even if they’re writing about elves and spaceships and unicorns. Our own experiences are what we draw on to launch our imagination. And it’s the real-life situations that often give a writer the rich soil for a gripping tale.
Just write the story. When you’ve laid it all out, step away for some distance then read it with fresh eyes to spot what might be so obvious as to be hurtful. If you find the narrative is obvious, even though it is based loosely on family and friends, then consider what the compelling idea is in this tale. What was the single most gripping element that made you want to write about it in the first place? Take that compelling idea and re-write from that prospective.
Or just start with that single compelling idea rather than with the cast of friends and family. Stories have a way of charting their own course and it’s very likely, that with that shift in perspective your story will be unique enough to withstand the scrutiny of sensitive family and friends.
Rebecca Forster
USA Today Bestselling author of 35 books, including the Witness series and the new Finn O’Brien series.
I have used family and friends for inspiration in many of our books. For the most part if I didn’t tell the individual who inspired me, they did not recognize themselves. If I did tell them I was going to do it, most of them were thrilled.
Then there came a time when I happily told my sister I had used our age differences as the foundational inspiration for my story. (she is fourteen years younger than I am and we were born on the same day). She was thrilled–until she read the book. She asked, “Is this really what you think of me?” To be fair she was the bitchy, beautiful sister accused of murder, and I was the smart but downtrodden attorney who saves her.
It had nothing to do with real life other than the span in our ages. Still, when she asked that question, I understood that there was a difference between inspiration and hitting close to home including the perception of hitting close to home.
The answer was, no, the character in no way was my sister. Their physical characteristics were the same, not their character.
What you’re talking about is even more delicate. You are going to be exploring actual things that happened to you and your family. If this is an honest memoir you need to be ready for the fallout. If this is fiction, you’ll need to be very skillful when you write to navigate the hurt feelings—or worse— that might arise. Ask yourself a) is this book is necessary to your well-being and b) if you are strong enough to face any and all consequences that will come with writing it. You are the only one who knows the answers.
H.O. Charles
Cover designer and author of the fantasy series, The Fireblade Array
Ooooh *eyes widen* “awaits gossip*
I think the only way to do that is to write under a pseudonym and don’t tell them about it. People aren’t always as stupid as we hope they are. They’ll figure out it’s them in no time!
Ever wonder what industry professionals think about the issues that can really impact our careers? Each month The Extra Squeeze features a fresh topic related to books and publishing.
Amazon mover and shaker Rebecca Forster and her handpicked team of book professionals offer frank responses from the POV of each of their specialties — Writing, Editing, PR/Biz Development, and Cover Design.
Write What You Know? Yes & No
August 15, 2020 by Rebecca Forster in category Writing
Recently someone posed this question: is ‘write what you know’ still the best advice?
My answer is yes and no.
YES! Your life is full of emotions: joy, heartbreak, success, and failure. Just by living you have built a warehouse of emotional resources that you will gift to your characters. Even if you were a Disney princess you would have had to deal with the terror of wicked witches, the joy of true love, the hardship of living with five messy dwarfs or two evil stepsisters. That means you, as a writer, can draw on your emotional experience to give our characters depth and realism that will stay with them long after they close our books.
NO! Don’t limit your stories to what you know. If you’re anything like me daily life is pretty normal —dare I say boring? A writer’s job is to take something we recognize and turn it into something we don’t. A chance meeting becomes an epic romance, walking the dog and seeing a shooting star becomes a Sci Fi novel. Your imaginations should not be limited by the familiar. I write legal and police thrillers. I am not a cop or a lawyer, but I am is curious. I have a sincere fascination with the world of law enforcement. In order to write effectively about something I don’t know I research, I take classes, I talk to people in the profession. I will never be a cop or a lawyer, but I can write about their challenges because I take the time to learn about them. My love of the profession, translates into a love of the genre in which I write.
Marry what you do know with what you don’t, and you will create an exciting, genuine work of fiction that will leave your readers wanting more.
0 0 Read moreWhy copy edits keep me up at night by Jina Bacarr
August 11, 2020 by Jina Bacarr in category Jina’s Book Chat, Writing tagged as author, Boldwood, Boldwood Books, historical fiction, historical romance, Ireland, Queenstown, romance', ship of dreams, stories, story, Titanic, Writer, writing
copy edits done and gone
every comma, typo, everything wrong
fixed and buttoned up nice and tight
trying so hard to get it all right
now to sleep perchance to dream in bliss?
no…tossing & turning, wondering, what did I miss?
——————
My Paris WW 2 historical novel is off to the proofreader!
——————-
Once upon a time in Hollywoodland far, far away, I wrote tons of scripts for kids’ TV shows. I remember one show I was hired to work on where my script was considered the ‘hallmark’ of the series — it had all the elements they wanted in each script and they used it as a ‘sample’ to show other writers they brought on what they wanted.
Wow.
Yes, it was cool. Simple, right? Give them a good script, get a paycheck, grab another assignment.
Oh, no, my innocent ones.
It wasn’t at all like that. I met with the producers (seasoned pros) every day for two weeks until we hammered out the characters, the plot, subplot, theme… met with the toy company so I could see what the ‘toys’ looked like. Wrote an outline — a detailed outline — three times.
Got more notes. Wrote the script… rewrote it.
Then another meeting that went something like this: ‘You got the story down… characters good… ‘ say the producers. ‘But change the big action scene to include…………’
‘Why?’ I ask.
‘Because the toy company wants to introduce this …………. toy in the episode.’
I grin, say nothing. Remember rent is due. ‘You got it.’
In the end, it was a great episode with an emotional connection between the hero and his father and lots of action, but it didn’t just happen. All those meetings, notes paid off. It was a team effort and I learned back then that’s what makes good scripts. And good books.
The team.
Copy edits are a big part of that team.
Yes, I cringe, freak out, yell, and cry when I see those ‘comments’ on the right side of the page, but I’m so grateful for the time, skill, dedication, and heartfelt emotion the copy editor puts into her work. She knows this is my ‘baby’, yet it’s her job to find everything that ‘doesn’t’ work.
So a big THANK YOU to my copy editor on my Paris WW 2 historical coming out in October (cover reveal soon!) for putting up with my mistakes and asking the hard questions so I get it right.
You done good, kid.
—————
Blog tour coming up Oct 27 – Nov 2 already filled up except for one spot Yay!!
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Two women hold the keys to his heart. Only one will survive that fateful night…
When Ava O’Reilly is wrongly accused of stealing from her employer, she has no option but to flee Ireland. The law is after her, and she has only one chance at escape – the Titanic.
Aboard the ship of dreams, she runs straight into the arms of Captain ‘Buck’ Blackthorn, a dashing gentleman gambler who promises to be her protector. He is intrigued by her Irish beauty and manages to disguise her as the maid of his good friend, the lovely Countess of Marbury. Little does he realise, that the Countess is also in love with him.
As the fateful night approaches, tragedy strikes further when Ava is separated from Buck, and must make a daring choice that will change her life forever…
A sweeping historical romance set aboard the Titanic, from the author of Her Lost Love (Christmas Once Again).
Praise for Jina Bacarr:
‘A delightful holiday romance that has all the charm of a classic Christmas movie. Christmas Once Again is perfect for anyone who loves a holiday romance brimming with mistletoe, hope, and what ifs.’ Andie Newton, author of The Girl I Left Behind ‘A breathtaking holiday romance that is sure to stay with you long after reading’
‘A mesmerizing holiday romance that is sure to sweep you off your feet and take you away to another place, another time.’
‘A fabulous book you won’t want to miss’ https://youtu.be/S-33oEM4DlI
THE RUNAWAY GIRL e-book, print and audio book:
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