Not only are all editors are not created equal, there are many people are promoting themselves as editors even though their only credentials are that they like to read and they were good in English. So, before you spend a ton of money are a few things to think about.
1) Do you need a story editor, a line editor or just someone to double check for typos? Personally, I always need a story editor. My books are intricate, and I am known for twists and turns. A story editor* keeps me on track with red herrings, challenges me to push the envelope, and gives me perspective on the plot/story as a whole. I couldn’t live without this input.
2) Overall editors are hard to come by in my humble opinion unless you are willing to pay the price. It is no easy job to take a book from start to finish when you’re an editor. When I was traditionally published, I often had three separate editors, each charged with perfecting a different part of the process. If you’re looking for just that one person, make sure you are clear up front so they can price their bid accordingly.
3) An editor works for you and you should select one carefully. I tested a reader who swore she was an editor. She had found some things in a published book, and I was impressed with the detail and her attitude. However, when I sent her test pages (for which I paid her), she missed the typos and grammar issues that I purposefully left in to gauge her level of expertise. She was a great reader and had caught some mistakes, but she was not an editor.
4) When you find a great editor, it is a thing of beauty. Remember, some are literally brilliant* and the good ones will be able to work on any book in any genre. This is because they understand that individual marketplaces call for different sensibilities. They will read a romance differently than they read a mystery. If you find one of those, hang on to her/him.
*For transparency, the fabulous story editor I have worked with since my first book is my Extra Squeeze colleague, Jenny Jensen.
All editors are created as equally as all dancers, or singers, politicians or writers, but that’s not really what you’re asking. A good editor wears different hats, each for different genres. And then there are the specialists who focus their skills, most notably in academics, poetry and children’s literature.
I’ve worked on USAF manuals, fiction of all flavors, history and biography and business materials. I wore a different editing hat for each. A lot of the rules are the same, but each genre has a different intent and any useful editing must be done with that intent top of mind. The flow, pacing and characterization of a thriller are light years from those of business material (though maybe marketers should rethink that). Each of those hats comes with my confident understanding of the author’s intent so I can see any problems and add to the intended message. I think this is true of most editors.
I’ve turned down work twice. The first was a treatise on the physics of string theory. At least that’s what I think it was. I had no hat for this and so could offer nothing but a suggestion for a more suitable editor. The second was a children’s picture book. I love children’s books. I read the manuscript and tried to find a hat that fit. I soon realized this required a special knowledge, an insight into the reader’s mind and the author’s intent; knowledge and insight for which I don’t have a hat.
So yes, I do think that an author of a children’s picture book should find and build a relationship with an editor whose specialty is children’s lit. That doesn’t mean she would be better created, just that she was the best at dancing and singing to that tune.
I would say it depends on the experience of the editor. Some are quite capable of understanding the different styles and switching accordingly. Some are not. Look at the work they’ve previously done and see how it aligns with your own.
That said, sometimes an editor from another genre can bring a fresh perspective that could help you break away from the norm and set your work apart from that of other writers. Great books are often ones that cross genres and re-purpose other styles.
Ever wonder what industry professionals think about the issues that can really impact our careers? Each month The Extra Squeeze features a fresh topic related to books and publishing.
Amazon mover and shaker Rebecca Forster and her handpicked team of book professionals offer frank responses from the POV of each of their specialties — Writing, Editing, PR/Biz Development, and Cover Design.
Two new releases for March
First up is Jina Bacarr’s The Runaway Girl
A sweeping, emotional historical romance set aboard the Titanic, perfect for fans of Gill Paul and Suzanne Goldring.
This is a revised and fully updated edition of a novel previously published as Titanic Rhapsody.
Next we have a dark fantasy compelling dark fantasy novella by International Bestselling Author, Jaclyn Roche.
A reincarnated goddess…
An unrisen long-dead god…
Only she can bring him back to life.
I’m excited to announce that my Titanic love story, THE RUNAWAY GIRL, will be published on March 17th.
You either love them or cringe…. but they’re part of the business.
Kind of like you see in the old black and white films when the actors, director, and producer all gather at a famous restaurant, drink coffee and cognac, and wait for the early morning reviews in the daily newspapers…
There was something romantic about those days when we waited for print reviews. Smiling when they’re good, sighing when they’re not, but always grateful someone took their time to give us their honest opinion. You grow as a writer from reviews… all of them.
Now you can get a review in an instant on your smartphone.
It’s enough to keep a writer up at nights, sleeping with her phone by her side, waiting for that inevitable beep or chime that signals we’re about to celebrate with double chocolate brownies or go back to the drawing board with cold coffee at our side till we get it right.
And sometimes we do get it right.
I’m excited to say THE RUNAWAY GIRL has received amazing reviews:
‘A fantastic Titanic take woven in with a great portrayal of love, friendship, and even forgiveness. I would have rather seen this as a movie than the Jack and Rose story!!!’
‘… the writing was very good and so detailed that it felt like it was all so believable, and could really have happened. This was my first book to have read by this author but she managed to take me on an epic journey with her characters which I totally fell in love with.’
‘I loved, loved this book so much!!!’
‘This was such a good story, the characters were so compelling and you become so invested in them you want to keep reading even way after the story ends!’
‘The Runaway Girl is a mesmerizing romance that any reader (like me) that loves all things Titanic will adore.’
‘What a fantastic storyline the characters were compelling and I loved this story couldn’t put it down it was so well written, loved it’
‘From start to finish I was enchanted with the story and the characters and all the finer details describing the ship, clothes and scenery.’
‘The Runaway Girl: A Titanic Love Story is perfect for historical fiction and romance fans.’
‘The author has a way of creating a vivid, historically authentic world of the Titanic through this wonderful story. You will start to love the favorable characters and the great storyline.’
‘Oh how I adored this story.’
If you’re a book blogger or a reviewer registered on NetGalley who’d like to give your opinion about my Titanic love story, it’s not too late to request a preview copy of The Runaway Girl.
Here’s the link:
I anxiously await to hear what you think! Believe me, besides those double chocolate brownies, there’s nothing that makes an author’s day than a review!
Thank you, everyone.
Two women hold the keys to his heart. Only one will survive that fateful night…
When Ava O’Reilly is wrongly accused of stealing from her employer, she has no option but to flee Ireland. The law is after her, and she has only one chance at escape – the Titanic.
Aboard the ship of dreams, she runs straight into the arms of Captain ‘Buck’ Blackthorn, a dashing gentleman gambler who promises to be her protector. He is intrigued by her Irish beauty and manages to disguise her as the maid of his good friend, the lovely Countess of Marbury. Little does he realise, that the Countess is also in love with him.
As the fateful night approaches, tragedy strikes further when Ava is separated from Buck, and must make a daring choice that will change her life forever…
A sweeping historical romance set aboard the Titanic, from the author of Her Lost Love (Christmas Once Again).
Praise for Jina Bacarr:
‘A delightful holiday romance that has all the charm of a classic Christmas movie. Christmas Once Again is perfect for anyone who loves a holiday romance brimming with mistletoe, hope, and what ifs.’ Andie Newton, author of The Girl I Left Behind
‘A breathtaking holiday romance that is sure to stay with you long after reading’
‘A mesmerizing holiday romance that is sure to sweep you off your feet and take you away to another place, another time.’
‘A fabulous book you won’t want to miss’
THE RUNAWAY GIRL is now up for pre-order in e-book, print and audio book:
Saturday was a tough day. We said goodbye to a good friend, author Joyce Ward, who also wrote as Linnea Alexis. This was the message I shared on Saturday, and I wanted to share with all of you:
Are you a plotter or a pantser? Many of you know what I’m talking about, but for those who don’t, as writers, plotters are those who plan out their books in detail, and they know where the story is going long before they actually start to write. Pantsers, are those who take it as it comes, writing by the seat of their pants. And then there are I suspect many of us who are somewhere in the middle. We do some planning and some pantsing as we write. There’s no right or wrong way, it’s just the process that works best for us as authors to get the story on the page.
In life it’s much the same. Many are plotters, planning their life in detail. Where do you want to be in 5 years? In 10? What’s the best path to reach those goals. Others are pantsers, living life as it comes, waiting for the surprise plot twist. And most of us fall somewhere in the middle, because in life, a plot twist isn’t always something that we plan. Again, there’s no right or wrong.
Joyce Ward and I met when we were at similar places in our lives. Our kids were grown and we were both reaching for a dream we’d long waited to attain, being authors. We were new members of the Orange County Chapter of Romance Writers of America, and in a little bit of a plot twist, the first time we met we were sharing a hotel room for an author event. There were three of us sharing the hotel room that weekend, Joyce, Erin Pryor and me. All of us unpublished authors.
We were instant friends, talking about story plots, the speakers and what we hoped to learn and achieve in our new endeavors. After that weekend, Joyce and I roomed together at many writers events. It worked out well. We both snored, we coordinated our workshop schedules, and at night we would talk for hours about writing, but also about our families…she loved hers very much, about our pasts about our lives.
There were many times that Joyce called me and told me she was quitting, that she was a terrible writer and she was done. She wasn’t going to write another word, and I would remind her this was her dream, she couldn’t give up, and she had way too many ideas that needed to be put on paper.
The next time we spoke I’d be the one ready to walk away, stay home and bake cookies, and Joyce would be the friend at the other end of the line telling me I couldn’t give up.
In fact, Joyce was the reason that my first book was published. She had submitted to a boxed set publisher, and called me up to tell me I needed to submit as well. Her support, her belief in me pushed me to do what I wanted to do, but sometimes wasn’t sure that I could
Joyce worked tirelessly for our RWA chapter, chairing the Book Buyers Best Contest for many years. The contest is a lot of work, and at the time that Joyce started doing it, she had to collect piles of print books, store them in her home, sort them and mail them out to people, as well as recruiting all of the judges and collecting ballots. She was good at recruiting judges. I could never say ‘no’ to her!
My best memories of Joyce are of the conferences and events that we attended together. We shared a passion, we shared many of the same hopes and dreams. We could talk about our families, especially our children. I know how much Joyce appreciated that her children supported her dreams, and believed in her. We called each other with good news, or to commiserate. We were friends.
And then another plot twist, and here we are today. Saying goodbye for now.
I miss Joyce. I miss calling her when I want to throw in the towel. I miss her voice telling me not that I can’t stop writing. I miss planning our writing trips.
But Joyce will always be in our hearts, her books will keep her alive to everyone who reads them, and memories will keep her story going for all of us who loved her.
I’m sure that Joyce is in heaven right now, plotting and planning stories to share when we meet her again.
I have a beautiful room in my home where I write and sew everyday. The walls are a lovely warm and fuzzy peach color and I revel in the joys of having my very own private domain to work in. My talented husband installed cherry cabinets, a murphy bed and a very large table that folds down. I have bookshelves filled to the max with everything one might need to write or sew and a super computer. A large barn door covers a sometimes organized- although often not – cupboard, shamefully filled with more fabric than I could ever hope to use in a lifetime. Large windows let in tons of sunlight and ocean breezes and I often find inspiration just staring off into rolling hills of green. It seems like the perfect place to write and it usually is.
But yesterday, I ran into a glitch when I decided that the story I was working on needed a dark twist. I wanted to paint my character in shades of loneliness, sadness, perhaps even despair. My heroine was having mystical dilemmas that caused her heartache and pain and my happy, sunny domain just didn’t support the creation of those kinds of feelings. I tried to refashion my environment to support my writing needs. I outlined in my head where I wanted my storyline to go, I put on soft, melancholy music, closed the shades and dug down deep into my soul and waited for dramatic feelings to flow. But none came, I was totally stymied.
That night, I switched my writing spot to my moonlit back yard hoping for inspiration to hit. It was dark and cold and maybe even a little lonely. But the only thing that happened was that I got the sniffles from the fog that rolled in, enveloping me in damp blankets of white. This morning, determined to create the blues, I returned to my office, chastising myself for not just jumping in earlier. After all, I know what it feels like to be sad, to feel lost, wanting to tuck myself away and I was confused as to why I was having so much trouble tapping into those emotions. It was then that I realized that I had the perfect place to nurture those feelings – my closet. It’s the one place where I fled to when my mom died and I needed to remember, to feel and ultimately to cry. And cry I did in my silent hiding place.
Located on our second floor, is a very large walk-in closet and although it has a couple of small windows, closing the door and dropping the shades, effectively shuts out the world at large. This dark hole offered the perfect hiding place in which to create my whirlwind of dark emotion.
Grabbing my laptop, I headed upstairs, determined to write. Closing the door, I sat down on the carpeted floor, flipped open my laptop and began. I envisioned my main character, the turmoil she was feeling, the confusion and angst that plagued her and the sorrow that consumed her and I wrote. I never heard the phone ringing or the shouts from my husband. I just wrote. And within a couple of hours, I had created the world I had been searching for.
As I headed back downstairs, I met my husband who asked, “Where were you? I couldn’t find you. Didn’t you hear me calling you? Your sister phoned. I told her that you must have gone for a walk.”
I smiled. I’m glad that he hadn’t found me sitting on the floor in my dark closet, he might not have understood. I’m afraid he would have freaked him out. But for that one moment, my closet offered me the ideal place to feel, to imagine and to write. I hope that you find your own perfect writing place.
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