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Marianne H. Donley, Featured Author

October 21, 2026 by in category Featured Author of the Month tagged as , , , ,

Featuring Marianne H. Donley

Marianne H. Donley makes her home in Pennsylvania with her husband, son, and a very very active dog. She is a member of Bethlehem Writers Group, The Charmed Connection, Sisters in Crime, The Guppies and Capital Crimes. When Marianne isn’t working on A Slice of Orange, she might be writing short stories, funny romances, or quirky murder mysteries, but this could be a rumor. She also could be knitting.


Marianne’s short story “Iced” features Eleanor Reed, a police detective, who receives “help” solving crimes from a snarky ghost.

Dare you read our latest
Sweet, Funny, and Strange® Anthology?

The Bethlehem Writers Group is pleased to present this collection of tales of mystery and intrigue—the latest in its award-winning series of Sweet, Funny, and Strange® anthologies. From classic whodunnits to tales of the unexplained, each of the twenty-three stories contained herein have an element of mystery that will keep you guessing and wanting to read just one more story.

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We’re thrilled to have old friends, but new members of BWG, join us this year. Award-winning author Debra H. Goldstein favors us with a mystery set among volunteers at a synagogue entitled “Death in the Hand of the Tongue,” while “Sense Memory,” by the multi-talented Paula Gail Benson, brings a delightful mix of mystery and the paranormal that helps a young couple find their way to each other.

In addition, we are happy to bring you the winning stories from two of our annual Bethlehem Writers Roundtable Short Story Award competitions: “Good Cop/Bad Cop” by Trey Dowell (2021 winner) and “The Tabac Man” by Eleanor Ingbretson (2022 winner).

You’ll also find stories from your favorite BWG authors, including Courtney Annicchiarico, Jeff Baird, Peter J Barbour, A. E. Decker, Marianne H. Donley, Ralph Hieb, DT Krippene, Jerry McFadden, Emily P. W. Murphy, Christopher D. Ochs, Dianna Sinovic, Kidd Wadsworth, Paul Weidknecht, and Carol L. Wright.

So get ready to be mystified . . . or intrigued!

An Element of Mystery finaled in the Next Generation Indie Book Awards and the Killer Nashville Silver Falchion Award.

Other Anthologies with Marianne’s stories.


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ILLUSIVE WORLDS: Sweet, Funny, and Strange® Tales of Science Fiction and Fantasy

October 16, 2026 by in category From a Cabin in the Woods by Members of Bethlehem Writers Group tagged as , ,

Today is publication day for Illusive Worlds: Sweet, Funny, and Strange® Tales of Science Fiction and Fantasy

Trade Paperback ISBN: 978-1-954675-09-4

Ebook ISBN: 978-1-954675-10-0

Bethlehem Writers Group, LLC

Editors: Marianne H. Donley, Dianna Sinovic, and Carol L. Wright

Publisher: Bethlehem Writers Group, LLC

A Sweet, Funny, and Strange® Anthology

Enter our worlds of imagination!

In this ninth “Sweet, Funny, and Strange”® anthology from the multiple award-winning authors of the Bethlehem Writers Group, LLC, we explore everything from faraway galaxies to the vagaries of the human mind.

Our stories include ventures into the supernatural, meeting aliens and witches, experimenting in time travel, and encountering technology that is sometimes benign but at other times menacing. The blurred lines between human and machine, life and death, or illusion and reality have provided our authors more than sufficient inspiration to create myriad visions of science fiction and fantasy to pique your curiosity, spark your sense of humor, sometimes horrify you a bit, and occasionally bring delight.

In addition to tales from BWG’s inventive minds, we are excited to bring you six prize-winning stories from our 2025 and 2026 Short Story Award competitions. We know these authors will become some of your favorites—just as they have for us.

So please join us in our illusive worlds. We’re very happy to have you along for the ride.

More Books from BWG

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Marianne H. Donley, Featured Author

October 14, 2026 by in category Featured Author of the Month tagged as , , , ,

Featuring Marianne H. Donley

Marianne H. Donley makes her home in Pennsylvania with her husband, son, and a very very active dog. She is a member of Bethlehem Writers Group, The Charmed Connection, Sisters in Crime, and The Guppies. When Marianne isn’t working on A Slice of Orange or Bethlehem Writers Roundtable, she might be writing short stories, funny romances, or quirky murder mysteries, but this could be a rumor. She also could be knitting.


“Tomato Blight,” Marianne’s short story in Celebrating, introduces detective Eleanor Reed as she solves a murder despite being haunted by the victim’s ghost.

In May, 2006, what would become the Bethlehem Writers Group, LLC, met for the first time in Bethlehem, PA, with four people in attendance. In the twenty years since, the group has grown from a fledgling critique group to a robust community of writers and publishers, offering not just a quarterly online literary journal (Bethlehem Writers Roundtable found at https://bwgwritersroundtable.com), an annual writing contest (Bethlehem Writers Roundtable Short Story Award), but also several award-winning anthologies, among our many publications.

To celebrate our twentieth anniversary, we bring you highlights from each of our eight “Sweet, Funny, and Strange®” anthologies of short stories from our varied, award-winning authors.Starting with holiday stories from our debut anthology, A Christmas Sampler (2009), we are happy to present touching, hilarious, and thought-provoking tales. From a second anthology, Once Around the Sun (2013), are tales for all seasons, followed by, food-related stories from A Readable Feast (2015). You will find children’s stories from Once Upon a Time (2017), then tales of the paranormal from Untethered (2018), animal tales from Fur, Feathers, and Scales (2020), mysteries from An Element of Mystery (2022), and more holiday stories from Season’s Readings (2024).

So, come celebrate with us as you peruse these pages that are sure to bring you a smile, perhaps a tear or two, and a whole lot of fun, with best wishes to you from the authors of the Bethlehem Writers Group.

Other Anthologies with Marianne’s stories.


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Mother Nature Knows . . . Best

July 13, 2026 by in category From a Cabin in the Woods by Members of Bethlehem Writers Group tagged as , , ,

We’re in the midst of summer here in Southeast Pennsylvania, a time for hiking in the woods, camping in the forest, picnicking near a lake—even walking on the beach at the Jersey Shore. Nature is ours to enjoy, right?

We often view nature as “safe,” but seen through the lens of a horror writer, nature can also be unpredictable and dangerous. That’s the horror sub-genre of biological or ecological horror, in which nature has the final word. These days, with a rapidly changing climate, the natural world can pose an even greater threat.

Even though the term eco-horror may seem new, the idea of (hu)man vs. nature has been around for hundreds of years as a plot device. The natural world can be a pretty scary place, even when it’s not depicted as evil, and especially if you think you have it all figured out. Consider the films 27 Hours or All Is Lost.

“In eco-horror, nature isn’t good,” says JP Ruz on Slow Burn Horror. “But it’s not evil either; it just is.” 

In mid-20th century films, natural horror frequently focused on creatures: Godzilla, that Creature from the Black Lagoon, giant ants (Them!). It was a way to address humanity’s fear at that time of nuclear annihilation and radiation exposure.

Creatures continue to be a common eco-horror trope because we can anthropomorphize them, from aliens (Alien) to yetis (Yeti) to sharks (Jaws)—all critters we can “fight.” Other living entities are harder to deal with (or stop) because they are so not human: plants (Little Shop of Horrors), fungi (The Last of Us), viruses (The Stand). Or they are meteorological: tornadoes (Twister), gales (Perfect Storm), snow (Avalanche), floods (The Wave).

Like life in general, humans are usually happiest when they feel in control. When they aren’t, the horror seeps in.

But author and poet Ashia Ajani, writing in Atmos Magazine, asks: “Even when there is a moral at the end of the tale, too much ecological horror begs the question: Should nature be conquered? Subdued?”

Ajani notes that “many of the movies recycle the same tropes: possessed creatures, gory vengeance, and supernatural phenomena that speak more to our own fear of annihilation instead of addressing the uneven wounds we’ve created all over the globe.”

Several recent novels that explore eco-horror include Annihilation by Jeff VanderMeer, also a movie; The Marigold by Andrew F. Sullivan, and The Brood by Rebecca Baum.

Naomi Booth, writing in the New York Times, adds, “In eco-horror, we witness acts of environmental violence currently hidden from sight; we might see who suffers most and who gains by that suffering.”

That’s because climate change doesn’t treat everyone equally, Ajani says. Instead it worsens existing inequities.

This is good fodder for story creation. As Booth says, “at its most effective, eco-horror compels us not to look away. It attempts to close the distance between the reader and sufferers of environmental disaster, and when it really gets under the skin.”

Speaking of skin, author Erica Ferencik, whose novel The Blooming releases early next year, noted at a recent conference panel on eco-horror noted that our internal body temperature is cooling (it’s no longer 98.6F, but roughly 97.5F), making it easier for fungi to invade through that very skin . . .

Stories from BWG

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Growing a Writers’ Group—For Twenty Years!

May 13, 2026 by in category From a Cabin in the Woods by Members of Bethlehem Writers Group tagged as , , ,

Twenty years ago, I was happy to host what would become the Bethlehem Writers Group, LLC, at its first meeting at the Barnes & Noble in Bethlehem, Pennsylvania. As one who had mostly written nonfiction to that point, I knew my fiction chops needed a lot of work. In preparation for our first meeting, I read volumes about story structure, characters, conflict, the hero’s journey, description, point of view, and all the other facets of writing I still needed to fill my own writer’s toolbox. I created handouts and brought pages from a work in progress to share . . . if anyone actually showed up.

When the evening arrived, three people came. But by the end of the summer, word had spread, and we had about two-dozen people attending meetings. Most wrote fiction, but we had writers of nonfiction, poetry, screenplays—and even a game coder. Everyone wanted their chance to speak, but there wasn’t enough time for anyone to say much or get the feedback they needed. We started meeting twice a month, but people became frustrated. It wasn’t working.

Over time, many of our summer attendees stopped coming, and we settled into a group of about ten people—mostly fiction writers. But I knew it could fall apart again if we weren’t careful. So, we learned from our experience.

We evolved, developing patterns that have sustained us for twenty years. While our practices might not work for everyone, these are the basic rules that have worked for us:

  1. We are fiction writers. We finally realized that the few poets, essayists, and screenwriters who came to and left our group were telling us something. Our forms are so different from one other, we do better if we focus solely on fiction.
  2. We are open to all fiction genres. While different genres have specific expectations, writing any good story uses many of the same tools. By mixing critiques from people who write other genres, we can blast out of the ruts and cliches that sneak into our writing and bring a fresher, less formulaic voice to our work.
  3. We do not limit our members to sharing only a page or two at a time. We read one or more full short stories or book chapters at each meeting. Then we offer the writer our overall reactions and specific suggestions for improvement. Allowing an author to read only a page or two per meeting might allow more people to receive feedback, but without a broader look at a work, we can’t react to things such as use of setting, characterization, or story arc.
  4. Shared work is read aloud, but an author may not read their own work. This allows members to react to a work without being swayed by the author’s performance of the story. It is helpful for the author, too, as they hear their words and identify the speed bumps in the narrative that they might have skimmed over when looking at the page.
  5. We meet regularly, two or three times per month depending on the demand for critique time. If it’s Tuesday, there’s a good chance we’re meeting.
  6. We keep the members engaged. We have group projects, including publishing an online literary magazine and running an annual international Short Story Award competition. We have published novelettes with various members writing one chapter, each from a different point of view.
  7. Best of all, we have created a series of anthologies on a variety of themes. There’s something for everyone among our titles. (We call them “Sweet, Funny, and Strange® tales, which pretty much describes our motley crew.) Most of our anthologies have won awards. There’s nothing that encourages a writer quite like seeing their work in print—with a medal on the cover! All of these projects help solidify a group identity and keep us writing.
  8. We keep it friendly. We’re not just colleagues, we’re friends. We make group decisions by consensus, not by decree. We don’t run our meetings like a rigid classroom. We take time to socialize a bit and talk about more than our critiques. It’s important, though, for us to remember the reason we’re getting together: to make progress on our writing.

Over twenty years, we’ve gone from a group of unpublished, uncertain writers, to one where each author has many publications and awards to their credit. I guess we found a system that works for us.

Celebrating


20 Years of Sweet, Funny, & Strange Tales

May 2026
978-1-954675-07-0

Bethlehem Writers Group, LLC

To celebrate our evolution over twenty years, we have published a new anthology: Celebrating: 20 Years of Sweet, Funny, and Strange® Tales. We have taken two stories from each of our “Sweet, Funny, and Strange” anthologies and brought them together in one volume. It’s available for pre-order, in print or e-book, from your favorite bookseller.

This fall, we’re also bringing out a new SF&S anthology—our ninth—comprised of tales of science fiction and fantasy titled: Illusive Worlds. Watch for it in time for holiday gift-giving.

Was being together for twenty years our goal in 2006? It wasn’t even a twinkle in our eye. But looking back at how far we have come, I guess we could say, “It’s a good start.”

~Carol L. Wright

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