Carrie’s SUV coasted to a stop along I-78, the rest of the weekend morning traffic zooming past, hurrying on their way to Dorney Park or the Poconos farther on. The dashboard lights flashed a warning, but she already knew the problem.
“What did the mechanic say about the oil pressure?” She grabbed her phone to call for a tow truck, but first frowned at Hugh. He glanced away and shrugged.
“Maybe a leak.”
“Maybe?” She shot him a glare then spoke to the Triple A contact, who assured her someone would be there within a half hour. A semi passed the vehicle at seventy, rocking the SUV in its wake.
“And did he fix it?”
Hugh did what he usually did when confronted with an example of his failure to carry through. He turned the tables back onto the confronter.
“You could have checked it yourself.”
Five years. Their nickel anniversary. A planned weekend getaway lay two hours north and west, at a lakefront Airbnb. Which now looked like a long shot, given the dashboard oil light and a thirty-minute wait for a tow. And then probably pricey repairs.
Three of those years had been a joy. The last two, not so much. Yet, altogether a major improvement over her ex, who had kept his cheating ways so hidden, she’d felt like the ultimate stooge when she finally learned the truth.
Carrie chose a smile over the irritated sigh that threatened to burst out. “I’m looking forward to our mini-vacay, hon. It doesn’t do any good to point fingers at this point.” Her phone pinged. The tow driver. “Fifteen minutes, he says.”
In truth, she wasn’t excited about the end-of-summer weekend ahead. She’d be back in front of a classroom of seventh graders in just a few days, and had suggested the trip as a way to glue the fractures threatening to cleave their relationship. She didn’t much care for sitting at the edge of a lake, but Hugh fished, and the rental included a dock and a small boat. Her hope lay in what happened between them when he wasn’t dangling his line in the water. Or staring into his laptop.
The growl of a 500-horsepower engine edged up beside the SUV, and then the flatbed truck pulled onto the shoulder in front of them.
Carrie met the driver between the vehicles to confirm the tow details. Hugh emerged from the passenger side and hung back, hands in his shorts pockets. If he spoke, she didn’t catch it over the rush of the highway traffic only a few feet away. Exhaust fumes eddied around them.
She moved to the far edge of the shoulder, and Hugh followed, as the driver readied to position the SUV on the flatbed.
“Allentown,” Carrie said, raising her voice over the traffic noise. “It’s this next exit. There’s a service station that can take a look.” The morning sun beat down on them, waves of absorbed heat flowing up from the concrete. She pulled her sleeveless tee away from her back, damp with sweat. “We’ll be on our way by noon, maybe.”
Why did she always feel the need to be upbeat around Hugh? She was like a defective tire jack, continually boosting up the car of their relationship but never quite able to get the wheel off the ground. Maybe it was time to fold up the jack and let it go.
In the cab of the tow truck, Carrie let Hugh ride next to the driver and she took the window seat. She lowered her window to escape the stifling odor of cigarette smoke.
“Where you headed?” the driver said, putting the truck into gear.
Carrie prepared to give a brief summary of their weekend plans, but Hugh answered first, a surprise.
“We’ve rented a place on a lake,” he said, a hint of eagerness in his tone. “Good fishing. Good weather, we hope. About two hours from here.”
He reached over and squeezed her hand, a second surprise.
When had he last done that?
“Yep,” the driver said. He switched on his signal to exit the highway. “Looks like a fine couple days for you. The station’ll get you squared away. Don’t you worry.”
Carrie squeezed Hugh’s hand back.
The trip looked better already.
As writer’s we know that every character has their own unique set of aspirations, goals and personality. But those exist within a larger context. Every generation has its own set of expectations, shaping experiences, relationship with technology and ways of interacting that are norms among that cohort.
Marketers study these to hone messages to sell products and services. As authors we can use this information to shape realistic conflicts and build authentic multi-generational relationships among our characters. We’ll cover each of the generations living today—what experiences shaped them, what makes them unique, how their values conflict with other generations.
Jenna Grinstead is a whimsical Midwesterner with a penchant for magic and a deep desire for a world where the weird and different are embraced and celebrated.
She is a graduate of The Ohio State University where she studied journalism. She found a way to turn her imagination and creativity into a career in marketing, while writing contemporary romance, young adult and middle grade fiction. She often conducts workshops and speaks on writing, world-building, social media and marketing.
Jenna is a member of The Society of Children’s Book Writers and Illustrators, Central Ohio Fiction Writers, Romance Writer’s of America and Women’s Fiction Writers Association. Her young adult romance manuscripts have won several regional writing awards, including The Maggie and The Indiana Golden Opportunity.
When she’s not plotting her next story you can find her devouring novels and mint chocolate chip ice cream in her house with California Poppies painted across the garage.
She is represented by Analieze Cervantes with The Harvey Klinger Literary Agency.
0 0 Read moreHOSTILE WITNESS
Introduction of my characters’ relationship
Josie got out of bed and searched for her clothes. She found her muscle shirt and panties but the sweats and sports bra were missing in action. (Sure I could have said ‘naked’, but I liked that the action implied that. This passage felt sexy to me) She shimmied into what she had, glanced at the picture of Lexi, Archer’s dead wife, and then went looking for the man they shared. (This note creates an instant characterization of Archer as unafraid of commitment and Josie as a woman who honors his first love). She found him on the rooftop balcony, a perk of owning the building.
“Morning,†Josie walked up behind him and wound her arms around his waist. He was a big man; made her feel downright dainty. She loved the smell of his shirt. Starched and pressed by the man who wore it. (Archer is a guy who can fend for himself, something an independent woman would love. Josie’s note about his size making her feel dainty, tells us that she is not a small woman and that she doesn’t mind feeling feminine.)
“Don’t move,†he commanded.
Josie didn’t but only because she didn’t want to. (Josie chooses to do what her lover asks.) She held her breath, loving the feel of him when he was excited by what he saw through his lens. His gut tightened beneath her hands. A solitary muscle rippled. Quick like a snake. A click. He sighed with satisfaction and stood up slowly, surveying the beach once more before turning around to kiss Josie. (To me, a detail is very telling. Her notice of the one muscle rippling speaks to how familiar Josie is with her lover’s body.) She kissed him back just long enough for them both to be happy. (She cares about his needs). When she slipped out of his arms, he let her go. (He understands her.) No nonsense. No jealousy. No neediness. Respect. Affection. Comfort. Chemistry. It was the kind of relationship people who could take care of themselves did well. (Deep love in a nutshell).
Writing love scenes is as challenging as writing sex scenes. Sometimes they are one and the same, sometimes they aren’t. The way to create successful, believable relationships between characters is to ‘show’ their reality and shade a your character’s lives with the extra notes that provide a background to the more prominent melody.
The end result of communicating a fabulous fictional relationship should seem effortless despite all your hand work – just like real life love.
Happy Valentine’s Day!
*Josie and Archer’s love has lived on for 4 books, the fifth is being written. I love lasting relationships!
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More info →A Slice of Orange is an affiliate with some of the booksellers listed on this website, including Barnes & Nobel, Books A Million, iBooks, Kobo, and Smashwords. This means A Slice of Orange may earn a small advertising fee from sales made through the links used on this website. There are reminders of these affiliate links on the pages for individual books.
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