You Have My Permission
December 15, 2017 by Rebecca Forster in category Writing tagged as cruise, inspiration, journey, permission, Travel, writing
Anyone who knows me knows that I love an adventure. Being asked to speak aboard a ship was definitely on my bucket list, so I jumped at the chance when I was asked to be an onboard lecturer. I prepared five talks that I thought were rather compelling: Peek Behind the Covers, a Look at Publishing, The Caribbean Influence on Popular Literature and Movies, The Five People You Should Meet in the Caribbean, How to Travel like an Author and Everyone has a Story: What’s Yours?.
Since I had sailed on this ship as a passenger, I knew the people coming to listen to me were well traveled, curious, intelligent and fun. On my speaking days, they gathered to hear me in the big theatre to watch my PowerPoint presentations and see me slide hither and yon on the dance floor when the sea got rough. At the end of each of my presentations, I asked if there were questions. There weren’t – at least not questions for public consumption. Instead, many in the audience came to speak to me privately. They wanted to talk about their own writing ambitions. There was a surgeon who wanted to write a children’s book, a woman in her nineties whose own children were asking that she write a memoir. There was a man who had written a business book a decade ago but he had always wanted to write a novel. And there was a composer who, as he listened to me, thought to combine lyrics and a story to create a unique novel.
After listening to every person who spoke to me after my lecture, or caught me on deck, or sat with me in the dining room it finally dawned on me what they were after. They wanted my permission to follow their dreams.
[tweetshare tweet=”@Rebecca_Forster: You have my permission . . .follow your dreams.” username=”A_SliceofOrange”]
Strangely, when it comes to fiction or memoir, many of us believe that our words are not as valuable as the next persons. We convince ourselves that writing with honesty and passion will somehow diminish us in the eyes of the world – or at least those we care about. We offer our writing up with caveats like ‘it is silly’, ‘you probably won’t like it’, and ‘promise not to laugh’.
I heard these things in the voices of the people on that ship, but when we were done talking I heard something else. I heard confidence. I heard the excitement. I heard their brains turning as they planned their books. By taking that first step – admitting they harbored dreams of authorship to someone who was already there – they had given themselves permission to write. When we all parted, I knew exactly where they were going. They were going home to put pen to paper or fingers to keyboards. They had taken more than a cruise, they had taken a journey and I have no doubt that by the end of that journey they will have written their book.
Give yourself permission to do whatever it is you dream of doing. If your dream is to write a book, do it with honesty and passion – and don’t forget to share it with the rest of us.
Rebecca
The First…by @denisemcolby
December 12, 2017 by Denise M. Colby in category The Writing Journey by Denise Colby tagged as First, First Line Friday, reading, writing
The First…
Several words come to mind when I hear those words…
- The First Noel.
- The First Time in Forever. Yes it’s a Frozen song.
- And a few others I couldn’t quite remember the entire title.
We all know that Firsts are important.
Babies have a first laugh, a first word, their first step, and so on. Every stage of life has a first to it. The first day of preschool. The first day of high school. The first day of college.
There’s always a first for everything.
The dictionary defines first as; coming before all others in time or order; earliest; 1st; never previously done or occurring.
It’s no wonder that as writers, we all have and celebrate our firsts too:
- The first time we enter a contest
- Submit our work for a critique
- The first time we sign a contract
- The first time we are published
[tweetshare tweet=”@denisemcolby explains … The Firsts” username=”A_SliceofOrange”]
Even within our fictional manuscripts we have firsts:
- When our hero and heroine first lay eyes on each other
- Their first kiss (which is their last first kiss)
- The first time they realize they love the other person.
And part of the fun of writing is to get it right (a whole subjective term, I know, but that’s for a different post).
So, in our first book, getting the first Chapter correct is necessary. Writing the first paragraph in a way to grab readers is crucial. And delivering well, the first line of the book, is essential.
- Vital.
- Imperative.
I think you get the idea.
First Lines in books.
Now that I understand this in my writing journey, I’ve been tracking the first line in the books I read and study (thank you Leslie for the idea). And let me say, it’s amazing how different these lines are. Some start with dialogue, some start with action, and some start with an inner thought from the main character.
And they all start us on a mini adventure we are willing to sit and explore for hours.
Recently, my critique partner introduced me to her blog posts First Line Fridays, which are hosted by a blog called hoarding books.
Authors and readers write their own post on their blog, then post a comment at https://hoardingbooksblog.wordpress.com/ with a link to their posts. The post includes the first line from whatever book is near them or they are reading. I’ve seen this as a Facebook challenge before, but not as a blog post. It’s a great way to share books and authors with other readers, so I decided to join in the fray and post my first, First Line Fridays post this past Friday.
See how I did that? It’s my first! And I’m super excited about it.
If you’re so inclined to read it, you can check it out here. http://denisemcolby.com/first-line-friday-12-8-17/
And if you want to learn more about the hoarding books blog, you can go to https://hoardingbooksblog.wordpress.com/
Happy Reading,
Denise
P.S. I googled ‘The First’ quotes and found a website that organizes quotes by topic. There are a lot of quotes with the word first in them. Go to https://www.brainyquote.com/topics/first if your inclined to take a look.
Although new to the writing fiction world, Denise Colby has over 20+ years experience in marketing, creating different forms of content and copy for promotional materials. Taking the lessons learned from creating her own author brand Denise M. Colby, Denise enjoys sharing her combined knowledge with other authors.
If you are interested in a marketing evaluation and would like help in developing a strategy for your author brand you can find out more here http://denisemcolby.com/marketing-for-authors/
Happy Writing Anniversary and Happy Holidays by @readtracyread
December 5, 2017 by Tracy Reed in category Pink Pad by Tracy Reed tagged as book covers, publishing, writing
Happy Writing Anniversary and Happy Holidays
I’m going to keep this short and sweet because, I know you are probably swamped with holiday preparations and those end of year releases. Congratulations to everyone and their releases this year and the many that will be born next year. The gift of writing is an amazing blessing and one we should never take for granted, but honored to share.
Last year, I took on a huge project, 12 Titles in 12 Months. The reality was, it was thirteen titles. I often forget about one of the books, because it’s not available to the public, because I use it for my lingerie business.
To this day, I’m not exactly sure what I was thinking taking on such a huge project. Trust me it wasn’t for vanity. However, there was a book I really wanted to include in the challenge but it just didn’t happen…DESPERATE DESIRE. Cori, I refer to my books by the heroine’s name. It’s like men with their cars. I think it makes them seem more real.
So, Cori’s story is the third installment in the Generational Curse series. It was my intention to share her story this month, on the anniversary of her sister Kyla’s story, Generational Curse, but life happened. I heard someone say, if you want to make God laugh, tell Him your plan.
Once I got over the disappointment of my plan not coming to fruition, I pushed the release date back a month. The push back was very necessary, because I needed to make a few changes. I write books that have a faith message and/or Christians struggling with their walk. Cori and her husband are Christians, however he’s having an affair and she’s contemplating doing like wise. As if that wasn’t tragic enough, I gave her a few vices, erotica, weed and expensive whiskey. So when I looked at the original cover, it didn’t work.
I got the original cover image for this book a few years ago. No, that’s not a typo. I originally bought the image when I was shopping for images for book one…Generational Curse. I wanted a consistent look with the series and the original was nice. I ran it through a series of changes in Photoshop and it was done. Then something happened, I was working on the website for my other business and found myself with an image I could no longer use. I didn’t want to just cast the image to the side, but thought it would make a nice cover. I did a little tweaking and when I finished, I knew that was the image for Desperate Desire.
Although this book is part of a series, it has the personality of a stand alone. The original cover was similar to it’s predecessor, however, the new one really spoke of the heroine’s personality and her journey to discovering love. Next month I’ll do the cover reveal and share more of Cori’s story.
So as I prepare to celebrate the holidays, I’m also celebrating the third anniversary of my first book, GENERATIONAL CURSE and preparing to release my nineteenth title. Wow…now ain’t that something.
Happy Holidays
Tracy Reed
A California native, novelist Tracy Reed pushes the boundaries of her Christian foundation with her sometimes racy and often fiery tales.
After years of living in the Big Apple, this self proclaimed New Yorker draws from the city’s imagination, intrigue, and inspiration to cultivate characters and plot lines who breathe life to the words on every page.
Tracy’s passion for beautiful fashion and beautiful men direct her vivid creative power towards not only novels, but short stories, poetry, and podcasts. With something for every attention span.
Tracy Reed’s ability to capture an audience is unmatched. Her body of work has been described as a host of stimulating adventures and invigorating expression.
https://www.facebook.com/readtracyreed
https://www.bookbub.com/authors/tracy-reed
https://www.instagram.com/readtracyreed/
Writing The Dreaded Book Blurb by Jenny Jensen
November 19, 2017 by Jenny Jensen in category On writing . . . by Jenny Jensen tagged as Blrubs, clickbait, Marketing, writing
Cartoons by John Atkinson, www.wronghands1.com
Writing The Dreaded Book Blurb
Every author faces this last crucial challenge. You’ve already spent untold hours researching, writing and editing your book. Your title hits just the right poetic note. You’ve gone several tense rounds to find the perfect cover. All that remains is the book blurb, the opening salvo in the promotional war. This is the first (and sometimes only) chance to grab a reader and compel them to buy the book. And so, like click bait, you need to lure your reader with an honest but irresistible snap shot.
It’s an art, this writing of a synopsis that isn’t a synopsis, this sell copy that isn’t an ad. And for something that isn’t a science there are strict rules: you have to be honest – no misleading the reader. No spoilers or why bother to read it – which can be tough since the spoiler is often the most exciting part of the story. Keep it at 200 words or less and don’t make it one run-on paragraph. Use the proper keywords for your genre. Reveal something about the antagonist – readers like to know if they can root for the hero. This isn’t the place to relate the entire plot but you have to provide the zeitgeist, the feel of the tale. No easy task.
A lot of the writers I work with find this daunting and ask for help, which I am happy to provide. I think it’s difficult for the writer to step far enough away from their work to pick out the enticing, salient points and present them with the tension and intrigue that make for a successful blurb. To the author, all story points are important. I get that, but as an avid reader I know what works for me in a blurb. It’s not how much is said, but how compellingly it’s said.
I start with a deconstruction approach. It’s possible to distill any story down to bare bones. In his book Hit Lit – Cracking the Code of the Twentieth Century’s Biggest Bestsellers James W. Hall provided the most distilled example I’ve ever seen. This is a beloved tale that we all know intimately: “A young girl wakes in a surreal landscape and murders the first woman she sees. She teams with three strangers and does it again.” It’s short, accurate and intriguing but would it sell the book?
I wouldn’t distill it down that far but it makes a great beginning. What if we knew something about the young girl – an orphan, a princess, a refugee? And what about the surreal landscape – gaping desert, oozing swamp, forbidding mountains? Then the three strangers – female, male, older, menacing, kindly? Is all this murdering spurred by necessity, thrills, defense, the three strangers or is it unintended manslaughter? And finally, what is the young girl up to – revenge, enlightenment, finding a way out of the surreal landscape? Flesh out those points, add some genre keywords, reference any kudos and you could turn those original 24 spartan words into a 160 – 200 word blurb that would peak curiosity and entice the shopper to buy.
If you can step away from the totality of your story and deconstruct the plot to the primary elements, then present those elements in a provocative way you can create an effective selling tool with your book blurb. BTW, that book Hall described? The Wizard of Oz.
Jenny
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Is Your ‘Plate’ Too Full? by @Rebecca_Forster
November 15, 2017 by Rebecca Forster in category The Write Way by Maureen Child tagged as Craft, editing, solutions, writing
Today my November plate is officially too full.
It has been piled high with cold, flu conferences, a last minute, out of country speaking engagement and now a medical screening that needs a follow-up. Of course, there are also everyday things that pile on to the plate: bills, calls from my sons, the tennis league I belong to, dinner to cook and bathrooms to clean. I’m not complaining. This is all just life and good stuff if you take the cold and medical appointments out of the equation. Still, filling out my calendar and trying to figure out how I’m going to fit quality writing time in the schedule made me think about the craft of writing a novel. The question on my mind was how much is too much before a reader throws up her hands and pushes the literary plate away?
As a thriller writer, I love to go over the top. Unfortunately, I can get a bit too energetic and take the technique to crazy extremes. It’s a fault. No, it’s worse than a fault. It’s a sin to be so involved with own words that I forget my job is to entertain not challenge someone to wade through my excesses. When I do go overboard, I am giving my readers a reason to push away the literary plate I have served them.
Luckily, there are remedies for ‘too much’ writers like me. In real life we say no to many things, so let’s start saying it in our fiction. Here are three ways to figure out if you just served your reader a plate that is too full.
[tweetshare tweet=”Three ways to figure out if you just served your reader a ‘plate’ too full by @Rebecca_Forster” username=”A_SliceofOrange”]
Echo: A particularly inspired turn of phrase, description or character quirk is a thing of beauty. Constant use of the same phrase or description or a continual reminder of the quirk is an annoyance. Readers are smart and imaginative. They will get it.
Blow-by-Blow : No pun intended, but sex scenes are more effective and dramatic if they are evocative rather than clinical. The same rule of thumb applies to shootouts, character travel or any scene that stops the reader and forces them to linger without a point. Move the story forward using varied sentence structure and only critical physical descriptions.
Cast of Thousands: Have you ever tried to find a friend in a crowd? It’s impossible because all you can see is a blur of humanity. The same thing happens to a reader if there are too many characters populating your book. Think of your book as a play. Characters may come and go but the ones we care about should always be center stage.
While you edit look for the echo, the blow-by-blow and the cast of characters and adjust the emphasis, streamline the structure and your literary plate will go from too full to too fabulous.
Rebecca
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