The theme: Season’s Readings
Bethlehem Writers Group is seeking never-published short stories of 2,000 words or fewer for a chance to win.
Winners will receive:
First Place:
$250 and publication in our upcoming anthology: Season’s Readings: More Sweet, Funny, and Strange Holiday Tales
Second Place:
$100 and publication in Bethlehem Writers Roundtable
Third Place:
$50 and publication in Bethlehem Writers Roundtable
The Guest Judge is Marlo Berliner is the multi-award-winning, bestselling author of The Ghost Chronicles series. You can read an interview with Marlo here.
As readers of English, it’s fairly easy for us to tell whether an author is from the US or the UK simply because of word choices or spelling variations between the two countries. The reason for this is partly that, at the time of American independence, spelling in English was not completely standardized. How one spelled a word depended more on local convention than a universally accepted right or wrong spelling. Even Jane Austen misspelled (by today’s standards) a word in the title of one of her juvenile works: Love and Freindship.
When American spellings were standardized in the early 19th century, by the publication of Noah Webster’s first American dictionary, the author was intent on exerting a bit of linguistic independence from Britain. Thus, many American words no longer conform to “the King’s English.” In his original 1828 dictionary, Webster presented simplified American spelling to more closely reflect common pronunciation. This is why some US words have one less letter than used in the UK (e.g. color/colour, harbor/harbour, or valor/valour). Americans also drop letters at the end of some words (such as program/programme) or reverse letters (as with theater/theatre). We might want to ask Webster, however, why there is still an I in Austen’s troublesome word friendship, and why he didn’t reform the spellings of tough, though, and through.
Ordinarily, a reader will pass over these differences in spelling without any difficulty. They generally make little difference in how we would say these words, so why should we allow the spelling to give us pause? I have wondered, though, why, in Webster’s eagerness to simplify American spelling, he made a change to one specific word: judgment.
No matter which side of the Atlantic we’re on, English speakers know that we have two consonants that can produce two different sounds: C and G. The letter C can be pronounced as either a K (hard sound) or an S (soft sound); G can be a hard Guh or a soft J. The vowel that follows these consonants informs us as to whether to give the consonant a hard or a soft sound. If the letter is followed by an A, O, or U, it has a hard sound as in carrot, color, current, gable, golf, or guppy. If, however, the vowel that follows the consonant is an E or an I, the consonant should be pronounced with the soft sound, as in cereal, circle, genuine, giraffe . . . or judge.
So far so good, right?
But even Webster was inconsistent. When adding -ment to the word judge, he dropped the e, spelling it judgment. But this makes no sense. If we must drop the E when making judge into judgment, shouldn’t Americans instead spell it as judjment to match how we pronounce it? Or should we just say it jug-ment?
This English idiosyncrasy annoys me a bit. But then, while reading a British author, I noticed something that appeared to me to be an error. The author spelled judgment with an E after the G: judgement. Is it unpatriotic for an American to accuse Noah Webster of getting it wrong? Well, if so—hold on—so do the British! It turns out, in Britain, both spellings, judgment and judgement, are considered correct, but the preferred spelling is . . . judgment.
As many English-as-a-second-language students will tell you, if you’re looking for logic in a language, learn something else. (And we haven’t even mentioned usage in the British Commonwealth.)
The good news is that no matter which side of the Atlantic you come from, or which standard English you use, the 2024 Bethlehem Writers Roundtable Short Story Award competition will be happy to accept your story through our deadline of March 31, 2024. Stories of 2000 words or fewer—in English—are welcome. Our theme this year is “Holiday Stories” (holiday being defined as from US Thanksgiving through New Year’s Day). Winners receive cash and publication. To learn more, see the website at: https://bwgwritersroundtable.com/short-story-award-2/.
We hope you will consider entering your holiday stories and we look forward to reading them. And when we’re scoring them, we promise we will use our best judgement—er judgment!
The theme: Season’s Readings
Bethlehem Writers Group is seeking never-published short stories of 2,000 words or fewer for a chance to win.
Winners will receive:
First Place:
$250 and publication in our upcoming anthology: Season’s Readings: More Sweet, Funny, and Strange Holiday Tales
Second Place:
$100 and publication in Bethlehem Writers Roundtable
Third Place:
$50 and publication in Bethlehem Writers Roundtable
The Guest Judge is Marlo Berliner is the multi-award-winning, bestselling author of The Ghost Chronicles series. You can read an interview with Marlo here.
The theme: Season’s Readings
Bethlehem Writers Group is seeking never-published short stories of 2,000 words or fewer for a chance to win.
Winners will receive:
First Place:
$250 and publication in our upcoming anthology: Season’s Readings: More Sweet, Funny, and Strange Holiday Tales
Second Place:
$100 and publication in Bethlehem Writers Roundtable
Third Place:
$50 and publication in Bethlehem Writers Roundtable
The Guest Judge is Marlo Berliner is the multi-award-winning, bestselling author of The Ghost Chronicles series. You can read an interview with Marlo here.
This time of year, wherever we turn, we encounter something that helps fill us with the holiday spirit. Whether it be decorations, music, TV movies, or maybe just a friendlier, lighter spirit among those we meet, there’s no escaping that we’re in the midst of the many popular holidays jammed into the last weeks of the year: Thanksgiving, Hannukah, Winter Solstice, Christmas, Kwanzaa, and New Year’s Eve/Day, just to name a few. No wonder we’re exhausted by January!
Still, this is perhaps the easiest time of year to think about writing a holiday story. But what is it that makes a story a holiday story?
When I saw the movie Die Hard listed as one of the top Christmas stories, I was curious. I had never seen it, but with that kind of recommendation, I gave it a try. I was, frankly, disappointed. It’s a Bruce Willis action movie, exciting, and set at Christmas, but for me, it missed the mark for a true “Christmas story.” I’ve since learned that this is a long-standing debate among viewers.
That got me thinking about what elements would have made it seem more like a holiday story instead of just a story set at a holiday.
After some thought—and a lot of holiday story reading—I think there are four criteria that, working together, make a story a holiday story.
This epiphany (another holiday!) comes at a good time. The Bethlehem Writers Roundtable is about to open its annual SHORT STORY AWARD competition on January 1. The theme for 2024 is . . . drumroll . . . HOLIDAY STORIES!
They are looking for short stories of 2000 words or fewer on any holiday between U.S. Thanksgiving and New Year’s Day to compete for:
For more information, see the Bethlehem Writers Roundtable site at: https://bwgwritersroundtable.com/short-story-award-2/
Best of luck to all who enter, and . . .
Happy Holidays!
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