This month on From A Cabin in the Woods, we are featuring editor and author, Carol L. Wright.
Carol L. Wright escaped a career in law and academia for one in writing. She loves writing her Gracie McIntyre cozy mysteries where, unlike in life, justice always prevails. The first in the series, DEATH IN GLENVILLE FALLS, was a finalist for both the 2018 Killer Nashville Silver Falchion Award and the 2018 Next Generation Indie Book Award. She also writes short stories in many genres that have been published in a variety of literary journals and award-winning anthologies. She is married to her college sweetheart, and they live in the Lehigh Valley of Pennsylvania with their rescue dog and clowder of cats. Find out more on her website, and on Facebook at Carol L. Wright, Author.
When we think about the setting for a cozy mystery, Murder She Wrote’s Cabot Cove or Agatha Christie’s St. Mary’s Mead often come to mind. Indeed, the term “cosy,” as the Brits spell it, was coined to describe Dame Agatha’s mysteries. Following these examples, most cozy writers choose a closed community as the backdrop for their murder. But, there is much more to a memorable setting for a cozy than being located in a small town.
Once, only British settings were deemed appropriate for cozies. As recently as twenty years ago, some said cozies had to be set in England or in New England. But Jessica Fletcher travelled widely, and even Christie set some of her mysteries on an isolated Indian island (And Then There Were None) or at an exotic hotel (A Caribbean Mystery). Many readers, in fact, love to learn about new places while trying to solve a mystery—so long as those places aren’t too off-putting. Harsh settings are usually reserved for harder-edged fiction.
With the idyllic small-town disappearing in the modern world, it’s not necessary to recreate a Cabot Cove. Since part of a cozy setting is the feeling of comfort and normalcy, you can set your mystery any place you wish, so long as you give your readers a feeling of familiarity. Anything from an ancient castle to a city neighborhood, a ski lodge to a desert island, a vacation resort to an Amish community will work just as well. Almost any place will do where people are thrown together and know (or get to know) each other.
But, should your setting be real or fictional? Both have their challenges.
If you use a real place, you need to be familiar enough with it to be sure you don’t get it wrong. Residents of that place must be able to imagine your story on the familiar streets of their home. You can’t place an event at the intersection of 15th Avenue and 26th Street in Manhattan, for instance, since anyone familiar with New York would know that would put you somewhere in the Hudson River. Such errors take readers out of the story and cause them to question the rest of your “facts.” It might even cause them to give up on your book altogether or leave (yikes!) a bad review.
Besides accuracy, when using a real setting you need to beware of potential libel if you use real businesses or real people’s names—or even substitute fictional names but do not sufficiently conceal the real entity upon which it is based. You might think that a business owner would love to have the free publicity of being in your novel, but not all would—especially if they’re to be associated with a murder. If they believe your novel casts them in a false light, they can sue. Even if you won a lawsuit, it would cost you so much to defend it that you would regret using real names/businesses. If you must use real people or businesses, get a written release from them. For more on this, see: How to Use Real People in Your Writing.
The other option, of course, is to use a completely fictional setting. If you do, you will need to provide all the details of the terrain, climate, and culture of the place to allow your readers to become immersed in your fictional universe. Think about Carolyn Hart’s Broward’s Rock Island, SC, or my own Glenville Falls—a college town nestled in Western Massachusetts. While each is within a known region, the towns, their businesses, modes of transportation, and traditions are creations of the authors.
Even fictional settings can reference real places in a general way. In my Gracie McIntyre mysteries, I mention UMass-Amherst, Springfield, and Boston, MA, but the action of the story occurs in my fictional town of Glenville Falls. In Sherry Harris’s Sarah Winston Garage Sale Mysteries, that happen to be set in the area where I grew up, her town and the name of the nearby Air Force Base are fictional, but she mentions surrounding towns, roads, and landmarks. Reading them gives me a feeling of being back home. Done well, incorporating real places can help sales to the area’s current and former residents—especially if you do book signings there.
Another part of the setting is your background characters. These are definitely NOT the folks who will drive your plot, kill your victim, or solve the crime. They’re the person who takes orders in the coffee shop, the mail carrier who delivers the threatening letter, or the security guard who lets people into the gated community. If the location of your story were a room, these characters would be the furniture.
As with any room, you want your furniture to add color, interest, and comfort to the setting. One character might have a colorful accent (pillow?) or mode of speech. Another could give the sleuth a place to rest and think a bit. Another could shed some light on the story. While these characters might serve a small role in the plot, they then go on about their fictional lives, unconcerned with what is happening in the rest of the novel. Still, they leave behind their imprint on your readers’ sense of place.
Once you have your setting—both the room and the furniture—you have the cozy world in which to spin your tale or your series. And, if, like me, you’re a “pantser”—one who writes by the seat of your pants rather than plotting everything out in advance—you might well be surprised to find that some of the lovely setting you’ve created ends up changing your story in ways you never anticipated.
What do you look for in a cozy setting? What are some of your favorite cozy settings?
Sally Paradysz wrote from a book-lined cabin in the woods beside the home she built from scratch. She was an ordained minister of the Assembly of the Word, founded in 1975. For two decades, she provided spiritual counseling and ministerial assistance. Sal completed undergraduate and graduate courses in business and journalism. She took courses at NOVA, and served as a hotline, hospital, and police interview volunteer in Bucks County, PA. She was definitely owned by her two Maine Coon cats, Kiva and Kodi.
Sal is missed by all who knew her.
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More info →A Slice of Orange is an affiliate with some of the booksellers listed on this website, including Barnes & Nobel, Books A Million, iBooks, Kobo, and Smashwords. This means A Slice of Orange may earn a small advertising fee from sales made through the links used on this website. There are reminders of these affiliate links on the pages for individual books.
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I enjoyed your blog post on settings, Carol. I do as much research on my setting as I do my plots. One of my mysteries series is set in the 1950s. I have a lot of fun researching what the places were like during that decade. For my current mystery, I spent several days in Manhattan strolling through Hell’s Kitchen, which is the setting of a new mystery. What fun that was! Glenville Falls sounds like a place I’d like to visit.
Thanks, Kathleen. I love researching new times or places for story settings. Do you read books written in the era you’re researching? I find I learn a lot that way. Fortunately, the internet gives us a plethora of images to inspire us, but nothing is better than walking the streets where you’ll set your novel–if, of course, it’s a real place!
Carol, Nice post! I love the idea of walking the streets or roads of a place as part of the research on setting. Even if the setting is ultimately made up, if it’s based on the real thing that real-ness will come across.
Agreed, Dianna. Of course, if it’s a fictional setting, you have the added advantage of being able to combine elements from more than one real location to create the right blend for your story. When deciding on elements of a setting, it’s a little like trying on clothes. You might find the right slacks in one place, the best sweater in another, and the perfect shoes in a third, but they all go together to create the perfect look!