I’m not a techno maven, so please forgive my self-congratulation and delight at having figured out how to download digital audio titles (and eBooks) to my iPhone…from the Public Library.
Is that great, or what?
I don’t have a tablet at the moment (lost my Kindle & am obsessing about alternatives. Thinking Galaxy Notebook? Mostly an Apple family, so wanted to try something else). So I am mostly focused on audio right now. Love the idea of downloading from the library for several reasons:
1.Very inexpensive (free). You do have to get a library card, though. (also free)
2.You aren’t stuck with a physical product that sits around, cluttering things up–as if you’re going to listen to it again, which is unlikely. And if you want to, why just take it out of the library again!
3. OK, yes, I worked for publishers, who often had an uneasy relationship with libraries due to their free-ness when you’re trying to make a living selling books. But libraries have always been magical and wonderful places for me. They are an amazing repository for information, help, knowledge and access. Via their remarkable “free sampling” program, they introduce people to new things–like digital content–that often create new consumers and enrich our lives. So I believe in & support libraries–by using them as well as giving.
4.OMG when you download digital content, it is never late! It just disappears when your time is up. No need to keep track or be nearby to hand it in. Poof.
5.With a WiFi connection, you can download a book from anywhere, anytime. Finish something in the middle of the night on a business trip or vacation? Just browse the shelves and download something new at 1:00am.
Audio is an interesting format, with incredible advantages and some challenges. It is a genuinely different vehicle for “consuming” content, and it can take a bit of personal exploration and experimentation to find your sweet spot. What are this issues? you may well ask…
A.Sound. It’s pretty basic. You have to have earphones (comfy earphones) if you’re in company (unless it’s a shared experience), and the environment has to be quiet enough so you can hear. For example, New York is a really loud city. It’s hard to hear as you walk on the street, ride the subway or sit in a cab. Not impossible, but I find myself turning the volume up & down a lot.
B.Someone is reading to you–often a delightful asset, but sometimes a liability. If good, the voice can significantly enhance the experience. I’ve been listening to several P.G. Wodehouse Bertie & Jeeves titles & they’re a delight. All the upper crust characters, ridiculous expressions, outrageous situations come alive with the accents & tones of voice.
James Joyce’s reader is a Joyce expert, delivering wonderful Irish accents, even singing when the story required. And it’s a comfort to feel the stream of consciousness is flowing by with an approved cadence and pace.
Life of Pi’s Indian accented reader turns out not to even be Indian, but really enhanced and enriched the story for me.
But if the reader is bad, it can make the listening experience unbearable.
C.Also, with audio, they read every word. I skim when I get bored reading, or if there are long lists, or it feel repetitive. You don’t really have that option with audio.
You can skip forward, but it’s not the same as glancing down a page to confirm they’re still yammering about battle details or lush descriptions.
This can be a good thing if the writing is good–forcing you to slow down and savor the words and images. But if you’re listening to some little known Victorian novel, you may discover why it is not well known when you find yourself subjected to what seems like hours of exquisitely described detail of an emotional or physical landscape.
D.Some people just lose traction listening & feel they have to keep going back to remember who said what to whom & when & thus find audio frustrating, as it doesn’t offer the visual cues of flipping back a page, or looking in the middle of that long paragraph.
In this case, they need to listen to stuff they don’t care about so much (avoid ‘How To’ or non-fiction or complex fiction). Consider plays, or poetry, where listing & responding is perhaps more important than keeping track of everything.
E.Why bother? Well, I love storytelling, and audio can slip in through the cracks and deliver a great reading experience when actual reading is impossible. I can listen and look out the window of the train or plane or bus. I can listen and knit or sew or mend. I can sit with the gang as they watch TV and listen to my story. Grocery shop. Walk the dog. If I’m alone, I can be read to sleep, with a built in timer that will shut off after 15, 30, 60 minutes. Though if being read to makes you fall asleep, perhaps listen to the radio when you’re driving!
Load the app onto your iPhone, Android, Blackberry, etc.
Locate your library (hopefully) on their very long Add A Library list.
Put in your library card number & password. Search. Browse. Create a Wish List & fill it with titles you’re interested in. Ask for a eHold on a title that isn’t available right now–you’ll get an email when it becomes available & you can download it. If you finish before your book is due, return and delete it.
Select and download titles–you’ll get a sense for how long they are by the number of packages of data.