About the Class:
Most folks today have limited experience as mounted riders, even less for side saddle, or driving a carriage, or training a horse for the movements once used by knights. This workshop provides some basic horse sense through the ages so your horses act more like characters who enrich your story and less like cars or other inanimate transportation objects.
We will cover:
About the Instructor:
Shannon Donnelly’s writing has won numerous awards, including a RITA nomination for Best Regency, the Grand Prize in the “Minute Maid Sensational Romance Writer” contest, judged by Nora Roberts, RWA’s Golden Heart, and others. Her writing has repeatedly earned 4½ Star Top Pick reviews from Romantic Times magazine, as well as praise from Booklist and other reviewers, who note: “simply superb”…”wonderfully uplifting”….and “beautifully written.”
Her Regency romances can be found as ebooks on all formats, and with Cool Gus Publishing, and include a series of four novellas.
She also has out the Mackenzie Solomon, Demon/Warders Urban Fantasy series, Burn Baby Burn and Riding in on a Burning Tire, and the Urban Fantasy, Edge Walkers. Her work has been on the top seller list of Amazon.com and includes Paths of Desire, a Historical Regency romance.
She is the author of several young adult horror stories, and computer games. She lives in New Mexico with two horses, two donkeys, two dogs, and only one love of her life. Shannon can be found online at sd-writer.com, facebook.com/sdwriter, and twitter/sdwriter.
This is a 4-week online course that uses email and Yahoo Groups. If you do not have a Yahoo ID you will be prompted to create one when you join the class, but the process is not difficult. The class is open to anyone wishing to participate. The cost is $30.00 per person or, if you are a member of OCCRWA, $20.00 per person.
Recently I listened to a perfectly delightful Regency romance on audio, but some obvious errors nagged at me and got me to pondering which is worse, too much research or too little?
Those of us who write books that require extensive research are always advised to not let the research show. Weave it as seamlessly as possible into the narrative. That makes perfect sense, though it isn’t easy to do. But what about too little research? That’s when errors become glaring enough that some readers, esp. the ones who also write, are pulled out of the story, saying “Wait a minute, that’s not right.”
Sometimes it’s a matter of historical characters acting or speaking in modern fashion. This can be one of the most glaring problems. Then there is the matter of social mores of the time, which vary from one period to the next.
One of the biggest traps novelists can fall into is writing historical characters with 21st century mores. And nothing can make the reader want to throw a book across the room quicker. This especially applies to women. The double standard still exists, but it was much greater in previous centuries. A young woman’s reputation was golden.
War and social unrest have always upset the normal patterns of life, and social mores tend to fall by the wayside during such periods. Still, a historical female character who shows no regard for her reputation isn’t believable unless she’s already a fallen woman and has no reputation to lose.
Personally, I don’t necessarily mind a heroine who flaunts society’s rules; I just need to believe that she knows what she is doing and is well motivated in her choices. The woman who doesn’t understand the consequences of her actions strains credibility. Women had a lot more to lose in the not-so-good old days.
In the book in question, the problem seemed to be more one of the author not understanding how the social season worked. Societal rules were much more stringent, esp. among the upper classes. It was one way the maintained their air of privilege. It all seems ridiculous to us now, but the aristocracy took these things very seriously.
In general, a young lady could not be out in society unless she had been presented at court and made her bow to the Queen. In my Regency romance, Lady Elinor’s Escape, Lady Elinor is hiding out in a dress shop, pretending to be a seamstress, which means she could not also be out in society. But we writers find ways around details like that. The one ball scene in the book is a masquerade ball she attends only because the shop owner retrieved a discarded invitation from the trash. As long as Elinor leaves before the unmasking at midnight, she feels the risk is worth it.
In writing, like Regency society, it’s best to know the rules before you (or your characters) break them.
So too much research or too little? I’m enough of a history freak to prefer too much research showing to wondering if the author did any at all. What do you think?
aka Lyndi Lamont
One of the most enjoyable parts of researching a new book is when I get to travel to the location where the book is set. That’s the case with my latest release, Lily and the Gambler, a Western historical romance set in California’s Gold Country.
Western romance is popular again right now, but most of the books are set in other states, ones that are more associated with ranching, like Montana and Texas. In California, Western history means gold mining towns.
My husband and I toured California Gold Country twice some years ago and I fell in love with it. The area is best enjoyed by driving State Highway 49. We started at the southern end, in Mariposa, and drove north to Sacramento, and then Grass Valley and Nevada City, where my book is set Valley in September 1868. I recall scribbling descriptions of the scenery as we drove along.
She watched mile after mile of open spaces pass by, all bathed in brilliant sunlight. In the distance, clusters of dark green trees dotted a hillside, standing out in contrast to the lighter yellow-green of the grass. Wispy white clouds, without a hint of rain in them, streaked the sky, separating shades of blue ranging from pale turquoise to bright azure.
We made the trip twice, first strictly as a vacation, though I kept thinking how I’d like to set a book in the area. The second was a research trip for me, if not for my DH. At one point, he threatened to divorce me if I dragged him through one more mining museum!
A lot of the old Victorian homes have been turned into bed and breakfasts, and we took advantage of that to stay in some lovely old homes.
Interesting stops along the way include:
Sonora, a lovely little town that hosts the Railtown 1897 State Historic Park. For the kid in all of us.
Columbia State Historic Park, the best preserved Gold Rush town.
Angels Camp, where Mark Twain heard a story on which he based his short story “The Celebrated Jumping Frog of Calaveras County.”
Placerville, formerly nicknamed Hangtown for the zeal of its law enforcement.
And my favorite, Grass Valley, a charming town with the attraction of having the wonderful Empire Mine State Historic Park, a fascinating glimpse into the lives of 19th century miners. I could see the rudimentary escalator they used to convey the miners down into the shafts, holding their lunch boxes, spherical tins that held tea in the bottom and a pasty on top. At the boarding houses, the cooks carved each miner’s initials into one end of the dough before baking them.
Grass Valley was especially interesting to me because of the large Cornish population in the 19th century. This area had deep gold veins that couldn’t be panned. The Cornish miners were encouraged to come because of their experience in the tin mines of Cornwall, which were petering out. To this day, the Cornish pasty is a local treat, and the city still celebrates a Cornish Christmas. I chose to make my heroine a Cornish lass looking for a respectable husband. Of course, she falls in love with a gambler.
If you’re up this way, do take a side trip to Sacramento, the state capital, with its charming Old Sacramento historic area, and the amazing California State Railroad Museum. This is one of my all-time favorite museums. It was fun to climb aboard the old trains and imagine a different time.
If Bob were still around, I’d be nagging him to take another drive north. After all the rain, the scenery should be gorgeous this spring, esp. when the poppies are in bloom.
by Linda McLaughlin
Blurb: Respectability is in the eye of the beholder, or so Lily hopes. After her lover’s death she pretends to be his widow and travels to California to marry a mine owner. Then she meets King Callaway, a charming gambler. King knows he’s found his Queen of Hearts. But can he convince her to take a chance on a foot-loose card sharp? Only Lady Luck knows for sure…
Linda McLaughlin grew up with a love of history, so it’s only natural that she sets most of her books in the past. She loves transporting her readers into the past where her characters learn that, in the journey of life, love is the sweetest reward. Linda also writes steamy romance under the name Lyndi Lamont, and is one half of the writing team of Lyn O’Farrell. A native of Pittsburgh, she now lives in Orange County, California.
“If the law supposes that,” said Mr. Bumble,… “the law is a ass—a idiot. If that’s the eye of the law, the law is a bachelor; and the worst I wish the law is that his eye may be opened by experience—by experience.”
The quote above is generally attributed to Charles Dickens, Oliver Twist, published serially 1837-39, per Bartleby though Dickens may have copied it from a 17th century play, Revenge for Honour by George Chapman. (See http://www.phrases.org.uk/meanings/the-law-is-an-ass.html) Whatever the origin of the phrase, it makes a fair point. (The word ass, of course, refers to a donkey.)
Nineteenth-century women were likely to agree with Mr. Bumble, when one considers the treatment of women under the laws of the period. I covered a bit of this during my recent talk on Herstory at Orange County RWA in August, though women weren’t the only people treated badly by the law. The nineteenth century saw a number of reform movements, from abolitionism to the fight for women’s suffrage. The latter was kicked off in July 19-20, 1848 in Seneca Falls, N.Y. The first two resolutions passed at the convention concern legal matters:
Resolved, That such laws as conflict, in any way, with the true and substantial happiness of woman, are contrary to the great precept of nature, and of no validity; for this is “superior in obligation to any other.
Resolved, That all laws which prevent woman from occupying such a station in society as her conscience shall dictate, or which place her in a position inferior to that of man, are contrary to the great precept of nature, and therefore of no force or authority.
It wasn’t just that women weren’t allowed to vote, though that was a primary focus for reform. For several centuries, a legal practice called coverture was in place in England and the U.S. whereby a woman gave up all rights when she married. Her husband controlled any money or property she brought to the union. Single women, including widows, could own property and enter into contracts without male approval. Thanks to suffragist activism, laws were passed abolishing this practice in the late 19th century.
Current law is confusing enough, but when you’re writing historical romance, the law can be a veritable minefield of potential blunders. Research your time period and location if legal matters play a part in your plot. What kind of legal system was in place at the time? English common law, the Napoleonic Code, church canonical law? In the U.S., laws vary from state to state, but that isn’t always the case in other countries.
British laws were enforced throughout England and Wales, but didn’t necessarily apply to Scotland. For instance, in the 18th and early 19th centuries, the age of consent for marriage was substantially lower in Scotland than the one-and-twenty years required in England, encouraging couples without parental approval to elope across the border. The Gretna Green marriage is common plot device in Regency romances. The 1753 Marriage Act was also the first law to require a formal ceremony. It also required weddings to take place in the morning, hence the wedding breakfast to follow.
Getting out of a marriage was even more difficult. Prior to the mid-19th century when judicial divorce was authorized, it was extremely difficult if not impossible to get a divorce in Britain. In Regency times, one had to petition Parliament for a divorce. Can you imagine having to ask Congress to agree to let someone divorce? Yikes! Even then it was more like a legal separation than a true divorce. Annulments weren’t necessarily easy to obtain either. A law permitting judicial divorce, the Matrimonial Causes Act, finally passed in 1857.
More information on marriage and divorce laws can be found at these sites: