There seems to be a lot of different opinions about what constitutes erotic romance, so I thought I’d explore some definitions today. It’s a little more complicated than you might think.
Some believe erotic romance is all sex with no plot, so is it the literary equivalent of a porno flick? In order to answer that, we have to distinguish between erotica and porn. I discovered that the word pornography literally means “writing about prostitutes”, and in the 19th century, it was used for factual reports about prostitution. Erotica, on the other hand, comes from Eros, the Greek god of love. So a literal definition might be that pornography is solely about the lusts of the body, while erotica is about the longings of the heart as well. In practical terms, the definition is always somewhat subjective.
Erotica is a sex story; that means it has a plot with a beginning, a middle and an end. Pornography may or may not have a plot. In fact, I was reading recently that some porn stars are lamenting the fact that they don’t even get dialogue any more!
Generally speaking, erotica differs from erotic romance in that it’s the story of a character’s sexual journey rather than the story of a developing relationship. In erotica the main character may have more than one partner and a happily-ever-after twosome is not guaranteed. However, a HEA threesome is a definite possibility!
Like other romances, erotic romance is a love story and you better believe that your readers will expect that HEA. I got dinged by a reviewer for not providing one for my Revolutionary Way spy story, Seducing The Enemy. While the characters did develop a relationship, they were unable to be together in the end, so technically it was erotica, not erotic romance.
In Passionate Ink: A Guide to Writing Erotic Romance, Loose Id, LLC, 2007, regarding the difference between sensual and erotic romance, Angela Knight points out, correctly IMO, that what drives sensual romances â€œisnâ€™t sex, but not having sexâ€. In order to maintain sexual tension between hero and heroine, the writer devises external and internal reasons why going to bed with each other is a bad idea. The actual act of making love often signals a significant drop in sexual tension and the writer then has to find a way to make the conflict kick in again.
So what drives erotic romance?
Obviously, there still have to be reasons why the happily-ever-after ending isnâ€™t guaranteed, despite the fact that theyâ€™re having sex at any and every opportunity. Knight refers to this as â€œromantic tensionâ€. Again, this means strong conflict, especially if youâ€™re writing a full-length novel. I think I prefer to call if â€œdramatic tension”.
For a little more background, check out this article at my Lyndi Lamont website. And if you’re at all interested in writing erotic romance, I do recommend Knight’s book.
Jina is absolutely right. An erotic romance is still a romance and there needs to be a loving connection between the hero & heroine.
on August 16, 2009
Back in the days of burlesque, they had a saying, "It's not what you take off, it's how you do it."
I believe the same goes for erotic romance. You have the freedom to let your characters experiment with sex, but never forget it's the "connection" between the two people, the romance, if you will, that makes it work.
As if Olivia Merriman doesn’t have enough to do in her beloved town of New Moon Beach, now her grouchy great-grandmother has recruited her to head up their coven of witches; her sisters are miffed, the coven is pushing her to accept the job, and to top it all off an evil wizard is messing with her love life. More info →