
I’ve always been one of those people who’s trying to get more done, looking for ways to be more efficient so I can do more in the same amount of time. I even taught a time management class for writers for over ten years, sharing everything I learned so people could try new ways to get more writing done. It worked delightfully well for me for years.
Until it didn’t.
Stress and burnout and perimenopause collided a few years ago, and it felt like I got hit by a train. I struggled to get writing work done while I tried to realign my health. Now on a good day, I’m working for 4-6 hours (down from 10-14 five years ago); a bad day might give me 30 minutes. It can be depressing, and that adds to the stress, which messes with my hormones, which clouds my brain even more.
But I’m still the same Kitty, wanting to share what I learn so that I can help others. So I’m writing two nonfiction books right now. One is on perimenopause and menopause for writers. I’m taking everything I’ve learned and all my resources and compiling it all, aimed at writers. I’d love to add more stories from other women writers who have gone through mental and physical health issues, especially related to menopause. Please contact me if you’d like to share your story (kitty at kittybucholtz dot com, and put “Menopause for Writers” in the subject line).
The other book is called Going the Distance: Time and Project Management for Writers. I’ve taken ten years’ worth of my lectures and broken them down into the core elements, and then I’m updating all of the material as well as adding new tips. I’ll start blogging about it soon, but I just finished the outline and I wanted to share it with you.
The 10-chapter book will include the following topics:
If this sounds interesting and helpful to you, let me know! In my post here in December, I’ll start sharing some of my tips and ideas so you can plan for a good writing year in 2026. It’ll be worth it!

Long time friend and one of my favorite writers, Lyssa Kay Adams, has organized Writers Against Hunger, and I am happy to participate.
Stories feed the soul. Food feeds the body.
This fall, writers across the country are coming together to do both.
Writers Against Hunger is a nationwide write-a-thon uniting storytellers, poets, novelists, journalists, and anyone who believes words have power. As SNAP benefits end and food insecurity rises, we’re using our creative energy to help fill plates across America.
From Nov. 1-24, writers will set personal writing goals ( from finishing a chapter to drafting an entire novel) and invite friends, readers, and fellow creators to sponsor their efforts. Every dollar raised goes directly to Feeding America, the nation’s largest hunger-relief organization.
Together, our words can do more than build worlds. They can build hope.
If you’re a reader, fan, friend, family:
We hope you will donate to our team through out the month. You can do a one time donation, or find an author who is accepting pledges. Here is our team page:
https://teamfeed.feedingamerica.org/teams/7574 .
I’m not taking pledges, but would be grateful if you made a donation to MY page. The link is here:
https://teamfeed.feedingamerica.org/participants/Marianne-Donley.
If you’re writer:
You can join the team or make a donation at this link: https://teamfeed.feedingamerica.org/teams/7574
All month I’ll be working on my short story The Confession of George Mullins. I’ll post my update on both the story and the Write-a-thon.
****************

I’m 100% complete on The Confession of George Mullins for the first week of November. Six days remain until my second deadline.

LONG time friend and one of my favorite writers, Lyssa Kay Adams, has organized Writers Against Hunger, and I am happy to participate.
Stories feed the soul. Food feeds the body.
This fall, writers across the country are coming together to do both.
Writers Against Hunger is a nationwide write-a-thon uniting storytellers, poets, novelists, journalists, and anyone who believes words have power. As SNAP benefits end and food insecurity rises, we’re using our creative energy to help fill plates across America.
From Nov. 1-24, writers will set personal writing goals ( from finishing a chapter to drafting an entire novel) and invite friends, readers, and fellow creators to sponsor their efforts. Every dollar raised goes directly to Feeding America, the nation’s largest hunger-relief organization.
Together, our words can do more than build worlds. They can build hope.
If you’re a reader, fan, friend, family:
We hope you will donate to our team through out the month. You can do a one time donation, or find an author who is accepting pledges. Here is our team page:
https://teamfeed.feedingamerica.org/teams/7574 .
I’m not taking pledges, but would be grateful if you made a donation to MY page. The link is here:
https://teamfeed.feedingamerica.org/participants/Marianne-Donley.
If you’re writer:
You can join the team or make a donation at this link: https://teamfeed.feedingamerica.org/teams/7574
All month I’ll be working on my short story The Confession of George Mullins. I’ll post my I’ll post my update on both the story and the Write-a-thon.
****************

I’m 33% complete on The Confession of George Mullins for the first week of November. Five days remain until my first deadline.

I love runways and bangles and color and clothes.
With a sheet and two holes, I was ghastly not Vogue.
Is that Angel and Adalyn, Ava and Mags?
All in sheets and translucent, how stunning, how Fab!
One in front, on the left, on the right, one behind,
I am grabbed. Then we fly. This is blowing my mind.
Far below, Mom is handing out chocolate-nut bars
fruity Skittles and Twix, while I’m destined for Mars.
I must think really fast. With a loud mournful sigh,
I say, “Certainly fashion has bid you goodbye.
Your pale hue needs some blue, and your aura is plain.
Don’t despair. I can help. With my skills you will reign.”
To the first, I accessorize adding a hat,
then a glimmering belt, padded bra, she’s so flat.
To the second, a skirt, and a jacket with frills.
Would it be too cliché, can I say that she kills?
With a trench, and a pout, number three is Sam Spade.
With the fourth, I go goth, a black sheet, she’s decayed.
Transformations complete. I go home. My dad’s mad.
I’m so grounded. But hey, that’s okay, cause I’m rad.
©Kidd Wadsworth


At the chiming of eleven bells, the retreat’s evening session began. Squeezed around the table, six people scooted chairs until no one brushed up against anyone else. The room’s reddish glow came from a candelabra on a nearby shelf, and the air hung thick with cedar incense.

Jana coughed into her hand and took side glances at the five others. Duvan, whose laughter burst out at the oddest moments; Metrie, whose face was as pale as the ivory cloth that covered the table; Tartas, who kept shifting among her multiple forms so that Jana wasn’t exactly sure who she was at any moment, and two others, whose names and peculiarities she couldn’t recall.
“This meeting, on Allhallows Eve, marks the time of year when we can at last show our true faces,” Metrie intoned, her voice just above a whisper. Somewhere in the darkened room came the slow ticking of a clock. “Place both your hands on the table, and please remain silent.”
Palms down, Jana let her gaze rove, careful not to engage with anyone. She had heard that one of the five—four, if she didn’t count Metrie, the leader—was a transformed cryptid. More precisely, the Pocono Polecat. Research had pointed her to this Pennsylvania gathering, on this night, when transformers slipped however briefly into their original shape.
A tiny camera, attached as a bead to her necklace, would capture the change when it happened. She hoped. Then she’d have the proof needed for the article she was writing for The Cryptozoologist.
Metrie recited a prayer in an ancient language filled with hard glottal stops and velar clicks. A breath exhaled through the room, bringing with it a rank smell that wrinkled Jana’s nose.
Polecat.
The seat where the black-haired woman wrapped in a white shawl had been sitting was now filled with a human-sized black-furred mammal, a thin white stripe down its nose. It laid its two long, sharp claws on the table.
“Welcome, Shkak,” Metrie said, in English. Duvan exploded in laughter, and Tartas blinked through three form changes in as many seconds. The sixth person at the table, the one with close-cropped hair the color of burnt leaves, collapsed off their chair with a moan.
Jana felt her necklace, rubbing a finger next to the embedded camera, hoping it had recorded what she needed. In response, Shkak bared her teeth at Jana, who gasped. The stomach-turning stench overwhelmed the smoke of the cedar incense.
“You’re real,” Jana croaked, trying and failing to hold her breath. Duvan and Tartas fled the room.
“Of course, she’s real,” Metrie scoffed. She held a lace handkerchief over her nose. “Be careful what you ask for.”
A low-pitched rumble vibrated the table as Shkak stared at Jana. It had to be a growl. The polecat’s claws tore through the table covering, making long slashes.
Covering her mouth and nose with her hands, Jana dropped her gaze. “I’m so glad to meet you … as yourself.” Taking a breath and holding it, she dug out her cell phone, opened her camera app, and turned to Metrie. “Can you snap a photo of the two of us?”
Shkak rose to her full height.
Metrie smiled and put her hand out to take the phone. “Be glad to.” She added, “You do realize that polecats are omnivores, not herbivores, right?”
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