We occasionally run posts from our wayback archives. This post from Jennifer Apodaca (Jennifer Lyon) was first published in May of 2006. We think it’s still a timely topic.
This is such an interesting question. It leads to some obvious points; do some prolific authors’ books seem like the same book over and over? It can happen. It’s really hard to make every book different, and some similarities will come through in every book. Those are usually part of the author’s “voice” and her style. An M.O. (Modus Operandi) if you will.
One of the most amazing “stretches” for an author that I’ve seen is Nora Roberts writing as JD Robb. Those books are totally different from her Nora Roberts books. The voice is edgier, the plots are grittier, and the suspense is darker. Amazing. Do I think she could have done that in the beginning of her career? Doubtful, although Nora Roberts truly has a “gift” in writing. She may not appeal to everyone, but the woman can tell a story.
So can Stephen King. And he has done some serious growth in his career. Off hand, I’d cite THE GREEN MILE as an example. Stephen King takes risks, and sometimes the reading public doesn’t like the result. But his books are rarely the same thing over and over. I believe he’s grown in his career and he has worked at growing. He tries new things. He doesn’t let fear or reader and publisher expectations keep him in a mold.
I’m not so sure the same could be said for John Grisham or James Patterson. I love some of John Grisham’s early works, but somewhere along the way I just plain old lost interest. That could just be a coincidence. I thought A TIME TO KILL was truly a compelling book. I stopped reading James Patterson when he stopped writing his own books. Enough said there.
There are many factors that can come into play here, branding, putting out several books a year, publishers demanding similar books, the author’s comfort zone, reader expectations…they affect how we write. I’ve known very good authors who had to fight, and fight hard, to expand and grow in their work.
We don’t have a lot of control over all the factors that come into play, but we can control our comfort zone. To grow, we have to push the barriers on what we “know” we can do. For instance, my mystery series has certain built-in parameters. Although I strove to find ways to challenge my writing and keep my characters fresh, by the fifth book, I knew I was pretty much in my comfort zone. To stretch a little I wrote a novella in third person (my mystery series is in first person). Then I wrote an entire book in third person (THE SEX ON THE BEACH BOOK CLUB) with much looser parameters. Trying new things is the only way I know to really flex and strain the writing muscle to see how much it can handle.
Growth does not happen in a vacuum. It’s impossible. We must feed the writing muscle to grow it. Get out from behind the computer and live a little. We need friends who support our dreams, hold our hand when the writing gets tough and slap us around when we doubt our ability.
While I don’t think volume absolutely equals growth, I do think we have to keep writing to grow. It might be uneven progress, sometimes we’ll have to compromise to meet a deadline (this is a business no matter how much we might like to romanticize it!), and sometimes outside forces will prevent us from stretching as much as we’d like. But I think every book gives us the opportunity to grow in some way. The trick is to be willing to take the risk, invest the time and effort, and believe in ourselves.
What about you? What authors do you think have really grown? And which ones write the same book over and over?
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